A KOSHIRA-E (MOUNTING) FOR A TANTO (DAGGER) AND LACQUER STORAGE BOXEdo period (1615-1868), 18th to 19th centuryThe saya (scabbard) hardwood carved with ribbing; the tsuka (hilt) stained bamboo with striations; the fuchigashira (hilt collar and pommel), menuki (hilt grips), koiguchi (fitting to the mouth of the scabbard), uragawara (fitting to the base of the kozuka slot), kozuka (scabbard knife), kurigata (cord runner), and kojiri (butt piece) all shibuichi; the circular menuki with katagiri-bori chiselling of Tadanori capturing the oil thief; the kozuka with flush inlay of gold, copper, and shakudo inlay of travellers in a ferryboat after Hanabusa Itcho (1652-1724), signed Hosono Sozaemon Masamori with a kao (steel blade); held together by a wood tsukuri blade, 37.6cm (14¾in) long, with a brocade storage bag; the lacquer box with a roiro ground, decorated in gold and silver hiramaki-e and nashiji depicting pine trees on hills along a river, with copper rings, unsigned, 9.2cm x 5.7cm x 42cm (3 5/8in x 2¼in x 16½in). (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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A KOSHIRA-E (MOUNTING) FOR A TANTO (DAGGER)Edo period (1615-1868), 19th centuryThe saya (scabbard) finished in silver foil embossed and chiselled with dragons and clouds; the tsuka (hilt) covered in black-lacquered same (rayskin); the kashira (hilt pommel) and kojiri (butt piece) plain black lacquer; the kurigata (cord runner) iron with plum blossoms in silver, copper, and brass; the kozuka (scabbard knife) missing; the uragawara (fitting to the base of the kozuka slot) silver chiselled in the form of a dragon; held together by a wood tsukuri blade; with a silk storage bag. 35.3cm (13 7/8in) long. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A KOSHIRA-E (MOUNTING) FOR A TANTO (DAGGER)Edo period (1615-1868), 19th centuryThe saya (scabbard) finished in polished brown-black lacquer sprinkled with hirame gold flakes, the tsuka (hilt) covered in same (rayskin) with blue silk tsukamaki wrapping in lozenge pattern, the metal fittings comprising fuchigashira (hilt collar and pommel), menuki (hilt grips), koiguchi (fitting to the mouth of the scabbard), kurigata (cord runner), and kojiri (butt piece); the fuchigashira and kurigata of plain shakudo ishimeji and gilt copper, the fuchi signed Fujito Takekatsu with a kao (for Takekatsu and the kao, compare Haynes 09383); the menuki shakudo migakiji inlaid in gold with the characters chu (loyalty) and ko (filial piety); the kojiri of copper with shakudo and gold, in the form of an Ise-ebi (spiny lobster); the kozuka (scabbard-knife) missing; the kozuka slot with signature for the lacquer decoration Yoyusai with a kao; held together by a bamboo tsukuri blade; with a cotton bag. 37.6cm (14 13/16in) long. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A collection of 12" vinyl records comprising "Asphalt Ribbons- Good Love", "Japan- Visions of China", "Iron Maiden- Maiden Japan", "The Jimi Hendrix Experience- All along the Watchtower", "Peter Gabriel- Shock The Monkey", "A Flock Of Seagulls- Transfer Affection", "Mark Bolan- Sing Me A Song", "Black Sabbath- Paranoid", "Black Sabbath- Turn Up The Night", "Bruce Springsteen- The River", "Wire- Document and Eyewitness", "CCP- Hard Work", "Camel- Cloak and Dagger Man", "The Cure- A Forrest", "Deep Purple- Knocking at Your Back Door", "The Electric Morning", "Ex Post Facto- Dancing Child", "PIL- Death Disco", "Echo and the Bunnymen- The Back of Love", and others.
dating: Second quarter of the 19th Century provenance: Papal States, Helmet with brass-foil skull, brim and crest; the brim with brass crossed axes under copper flames. Leather chin-strap with brass scales. Crest with white wool chenille. Lined with leather. Together with brass-foil epaulettes with orange fringes. Very rare. Under the heading 'Pontifical Firemen' is a photo of Pontifical Fire Officer Angelo Luswergh, circa 1850, wearing a similar helmet (officer's version), in uniform, and carrying an eagle-headed dagger. height 30 cm.
14 Cartoons: Set of 7 cartoons of Louis XIV and 7 Additional cartoons, Carel Allard. / Description: 14 cartoons: Set of 7 cartoons of Louis XIV and 7 additional cartoons, made or published by Carel Allard, 1705-1706. Each etching was published by Carel Allard in Amsterdam ca 1705, but has a different imaginary address engraved below. (Source Rijksprentenkabinet Amsterdam:) First set: The Royal Almanac of Louis XIV, 1705, the seven virtues 1. Charity: First etching with King Louis XIV as a sun god sitting in the centre of the sun with the 24 rays. Each ray shows a crime committed by the king. Top left the solar eclipse of May 12, 1706. References: FMH 3073-(1a), Atlas van Stolk 3162. 2. Faith: Second etching with Cartoon of Lodewijk Willem, Margrave of Baden-Baden, bribed to the French side by King Louis XIV. The Margrave asleep at a table of gold pieces. References: FMH 3075-(2a), Atlas of Stolk 3164 . 3.Temperance: third etching with Harlequin (King Louis XIV) with triangle and hump, persuades Lodewijk Willem, Margrave of Baden-Baden, who is weighing money, to defect to the French side. References: FMH 3081-(3a), Atlas of Stolk 3171. 4, Hope: fourth etching, a complaint from Theresia Kunigunde Sobieska, Elector of Bavaria (wife of Maximilian II Emanuel, Elector of Bavaria), 1705. On the left a large bust of King Louis XIV. References: FMH 3086-(4b), Atlas van Stolk 3174. 5. Fifth etching: Force: Cartoon of Maximilian II Emanuel, Elector of Bavaria, 1705. The Elector standing full-length, in the background maps of the Brabant Lines and the Flemish Lines (forced on August 4 by Baron Sparre). On his mantle are French lilies; References: FMH 3090-(5b), Atlas of Stolk 3177. 6. Prudence: Sixth etching: Cartoon of the fleeing Colonel Sar during the passing on of the Flemish Lines on August 4 by the State General Baron Sparre (or Spar); References: FMH 3091-(6a), Atlas van Stolk 3180. 7. Justice: Seventh etching: Cartoon of Louis Willem I, Margrave of Baden-Baden, standing with sword in hand, in the other hand with a balance a sword weighing against a bag of gold pieces. References: FMH 3093-(7), Atlas of Stolk 3181. 1. First additional etching: Cartoon of the parties fighting for Castile, 1706. On top of a castle are Charles III, the Elector of Bavaria and Louis XIV. Others try to climb the tower. In the plate verses in Dutch and French. Cartoon of the situation in the year 1706 in the War of the Spanish Succession. References: FMH 3126-(16b), Atlas of Stolk 3245. 2. Second additional etching: The Duke of Villeroy and Maximilian II Emanuel, the Elector of Bavaria, Kneeling, Stockinged, Before King Louis XIV, 1706. References: FMH 3042-(4), Atlas van Stolk 3186. 3. Third additional etching: A French wooden legged town crier (Louis XIV) and a Spanish drummer lament the recently lost towns, 1706. References: FMH 3115-(12a), Atlas van Stolk 3238. 4. Fourth additional etching: Cartoon of the French King Louis XIV who falls ill after eating Spanish nuts that are too hard, 1706. The mistresses bend over the king, children and grandchildren of the king weeping on the background. References: FMH 3111-(10a), Atlas van Stolk 3234. 5. Fifth additional etching: Philip V, Duke of Anjou, King of Spain only on paper, flees the Spanish Royal Palace taking the crown, 1706. He destroys a tapestry with his dagger. References: FMH 3127-(17a), Atlas van Stolk 3248. 6. Sixt additional etching: King Louis XIV as a sun god sitting in the center of the sun with the 24 rays. Each ray shows a crime committed by the king. References: FMH 3039-(1), Atlas van Stolk 3183. 7. Seventh additional etching: Another version of Temperance: etching with Harlequin (King Louis XIV) with triangle and hump, persuades Lodewijk Willem, Margrave of Baden-Baden, who is weighing money, to defect to the French side. References: FMH 3083-(3c), Atlas van Stolk 3172. All 14 etchings in excellent condition, very good dark impression on laid paper with margins, born together as set ca 1705-1706. / Dimensions: paper size 30,7 cm x 19,8 cm / Condition: All 14 etchings in excellent condition, very good dark impression on laid paper with margins, born together as set ca 1705-1706 / Literature: see description / Medium: engravings/etchings /Circa: 1705 -1706
SOCLE DE PURBHA EN FER DAMASQUINÉ OR ET ARGENTTIBET ORIENTAL, DERGÉ, XVE SIÈCLE Himalayan Art Resources item no. 205083 Purbha: 21.5 cm (8 1/2 in.) high; Stand 12 cm (4 3/4 in.) highFootnotes:A GOLD AND SILVER DAMANSCENED IRON PURBHA STAND EASTERN TIBET, DERGE, 15TH CENTURY 藏東 更慶鎮 十五世紀 鐵鋄金銀普巴杵座 This wrought iron box, which was used as stand for a phurba (a ritual dagger), is emblazoned with gold and silver inlays. The upper lid depicts three severed heads in silver while the upper and lower rims are bordered by skulls connected by scrolling, golden entrails. A wide band of dancing flames in gold runs along each side of the stand. This style of metalwork is consistent with Tibetan ritual objects that were informed by imperial designs of the early Ming dynasty (c. 15th century), as exemplified by an altar kapala illustrated in Henss, Buddhist Ritual Art of Tibet, Stuttgart, 2020, fig. 322. Also compare with a later example in the Fondacion Alain Bordier (von Schroder, Art sacre du Tibet, 2013, p. 225, no. 120).Published:Robert Thurman and David Weldon, Sacred Symbols: The Ritual Art of Tibet, New York, 1999, p. 124, no. 56.Natalie Bazin, Rituels tibétains: Visions secrètes du Vème Dalaï Lama, Paris, 2002, p. 158, no. 125.Exhibited:Rituels tibétains: Visions secrètes du Vème Dalaï Lama, Musée Guimet, Paris, 6 November 2002 - 24 February 2003.Provenance:Spink & Son Ltd., London, 1990sFor further information on this lot please visit Bonhams.com
A Gras rifle bayonet, model 1874, the 51cms single edged blade dated 1877, no scabbard; a German Mauser bayonet, model 98/05, no scabbard; a French socket bayonet, model 1822, no scabbard; a British Second World War machete, stamped AF0100 849/broad arrow/1945/. with leather sheath; a Commando type dagger with associated sheath; and three folding knives.
Omega. A rare stainless steel manual wind chronograph bracelet watch with tropicalised dial from the family of the original ownerModel: SpeedmasterReference: 2998-1Date: Circa 1960Movement: 17-jewel Cal.321 manual wind, column wheel chronograph, No.17301227Dial: Tropicalised brown, luminous baton hour markers, white outer 1/5th second divisions, subsidiary dials at 3, 6 and 9 for seconds, 30 minute and 12 hour recording, polished dagger hands with luminous inserts, centre chronograph handCase: Brushed and polished tonneau form, screw down back, inner cap, fixed bezel with black tachymetre insert, crown flanked by twin chronograph pushersStrap/Bracelet: Fitted polished Omega linkBuckle/Clasp: Signed folding clasp, stamped 1500Signed: Case, dial & movementSize: 40mm Accompaniments: Omega service caseFootnotes:The reference CK 2998 was introduced in 1959 and there were noticeable changes made to the case design that were distinctive to its predecessors, this included the introduction of the black acrylic bezel. The following years witnessed far more subtle changes, which are less easily identifiable, and that might only be differentiated by the length of the hands or the scale on the bezel for example. These changes were defined by the number after the hyphen in the reference number inscribed on the inside of the case back. The current example is a 2998-1 which features the much admired calibre 321, straight lugs, small pushers and a round 'O' in Omega.For further information on this lot please visit Bonhams.com
A. Lange & Söhne. A lady's 18K white gold and diamond set manual wind calendar wristwatchModel: ArkadeReference: 801.029Date: Purchased August 2000Movement: 30-jewel Cal.L911.4 manual wind, adjusted to 5 positions, No.13523Dial: Blue, applied polished rhombus form hour markers, Roman numeral quarters, large double date apertures at 12, subsidiary seconds at 6, polished dagger handsCase: Polished curved rectangular form, exhibition back secured by 4 screws, diamond set bezel, quick set button at 2, No.131005Strap/Bracelet: Dark blue A. Lange & Söhne alligator leatherBuckle/Clasp: Signed 18K white gold buckleSigned: Case, dial & movement Size: 25mm x 31mm Accompaniments: Guarantee CertificateFootnotes:With the reunification of Germany the door was open once more to re-establish the A. Lange & Söhne brand worldwide, a challenge readily taken on by Walter Lange and Günter Blümlein. It was on the 24th October 1994, that the newly re-formed A. Lange & Söhne presented to the world four models which were to be the foundation of the company as we now know it. Forming the cornerstones of their collection these four models were the Lange 1, Arkade, Saxonia and Tourbillon Pour le Merite.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
German Third Reich Luftwaffe 1st pattern Officer dagger, chains and knot by Alcoso, Solingen. Good scarce example with twist wire bound blue leather grip, nickle plated mounts with gilt mobile swastika to centre of pommel and down swept crossguard on both sides. Double edged polished blade etched with maker scales logo. Housed in its dark blue leather covered scabbard with plated mounts and complete with hanging chains and spring clip stamped DRGM. Fitted with silver aluminium wire knot. Minor service wear, generally VGC Introduced in 1935. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Kriegsmarine Officer Dagger and knot by WKC. A fine example, the fullered plated blade etched either side with anchor foliate panels; maker knight helm logo impressed on the forte. Gilded brass eagle and swastika pommel and fouled anchor ornamented crossguard; wire bound cream celluloid twist grip; complete with locking-catch and release button. Housed in gilt metal lightening bolt scabbard with oakleaf bands retaining two loose rings and complete with silver aluminium wire portepee (knot) with some wear. Now denazified otherwise VGC. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Kriegsmarine Officer pair of dagger suspension straps. A fine pair of simulated black silk, black velvet backed, with gilded aluminium lion head mounts, spring slips and steel chain with gilded aluminium hook. Minor service wear, generally VGC PAYMENT BY BANK TRANSFER ONLY
German Third Reich Army Officer Dagger with straps and knot by F.W. Holler, Solingen. Fine example with amber spiral ivorine grip and plain polished double-edged blade etched with maker thermometer in oval logo and Austrian retailer's details MILITARWARENHAUS,DURBECK, WIEN IX. Plated eagle crossguard with swastika. Oakleaf decoration to pommel and ferrule. Housed in stippled plated scabbard with two suspension rings and foliate lockets. Silver aluminium braid knot with solid tassel finial. Complete with silver laced, velvet-backed slings with oakleaf ornamented oval buckles and spring-clips. VGC Army (Heer) Officer’s dagger was designed by Paul Casburg in 1935. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Luftwaffe 2nd pattern Officer dagger with knot and straps by Anton Wingen Jr, Solingen. Fine example, circa 1937-45, with spiral amber ivorine grip and twist wire binding, the plain blade bearing makers knight logo. The aluminium crossguard and langet bearing a flying eagle and swastika; the pommel ornamented with gilt swastika and oakleaves. Housed in its stippled silvered metal scabbard fitted, impressed Sch, with two suspension rings and worn foliate lockets. Complete with aluminium wire knot and silver laced, velvet-backed slings with oakleaf ornamented rectangular buckles and spring-clips; metal suspension clip. Minor service wear. VGC Introduced in July 1937. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Kriegsmarine Officer Dagger and knot by Eickhorn, Solingen A fine example, the fullered plated blade etched either side with anchor foliate panels; maker 1935-41 squirrel logo to the the forte. Gilded brass eagle and swastika pommel and fouled anchor ornamented crossguard; wire bound amber celluloid twist grip; complete with locking-catch and release button. Housed in gilt metal lightening bolt scabbard with oakleaf bands retaining two loose rings and complete with gold aluminium wire portepee (knot). Minor service wear, generally VGC. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Kriegsmarine Officer Dagger by F.W. Holler, Solingen. Good example, the fullered plated blade etched either side with sailing ship and anchor foliate panels; maker thermometer in oval logo to the forte. Gilded brass eagle and swastika pommel and fouled anchor ornamented crossguard; wire bound cream celluloid twist grip; complete with locking-catch and release button. Housed in gilt metal lightening bolt scabbard with oakleaf bands retaining two loose rings. Minor service wear and dents tp end of scabbard, generally GC. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Kriegsmarine Officer Dagger by Eickhorn, Solingen Good scarce example, the fullered plated blade etched either side with anchor foliate panels; maker 1941-42 squirrel logo to the the forte. Gilded brass eagle and swastika pommel and fouled anchor ornamented crossguard; wire bound cream celluloid twist grip; complete with locking-catch and release button. Housed in gilt metal lightening bolt scabbard with oakleaf bands retaining two loose rings. Minor service wear and dents to scabbard, generally GC. PAYMENT BY BANK TRANSFER ONLY
German Third Reich Luftwaffe 2nd pattern Officer dagger by Anton Wingen Jr, Solingen. Good example, circa 1937-45, with spiral cream ivorine grip and twist wire binding, the plain blade bearing makers knight logo. The aluminium crossguard and langet bearing a flying eagle and swastika; the pommel ornamented with swastika and oakleaves. Housed in its stippled silvered metal scabbard fitted with two suspension rings and worn foliate lockets. Minor service and age wear with slight stains to scabbard. GC Introduced in July 1937. PAYMENT BY BANK TRANSFER ONLY
* Mackenzie (Thomas Blakeley, 1887-1944). Aladdin Fights with the Magician ('The Magician struck but his blows fell wide'), circa 1919, watercolour and gouache, depicting Aladdin with a dagger in his hand facing a bearded sorcerer in flowing robes wielding a scimitar, an incense pot burning in the background and a bejewelled candelabra suspended above, 31.5 x 23.5 cm, mounted, framed and glazed (54 x 40.2 cm), printed framer's label on versoQTY: (1)NOTE:Original illustration for Aladdin and His Wonderful Lamp in Rhyme by Arthur Ransome, published by Nisbet & Co. in 1919.Thomas Mackenzie was one of the major illustrators of the sumptuously-produced gift books which were so popular at the beginning of the 20th century. His striking work shows influences from the likes of Aubrey Beardsley, Kay Nielsen, Edmund Dulac and Harry Clarke, although he produced a style all his own. The present work is captioned with the title 'The Magician struck but his blows fell wide' (pages unnumbered).
A Burmese bronze figure of a horse and rider, late 19th/early 20th century, the horse cast in a stationary position, the rider holding a dagger, 15.8cm high緬甸十九世紀晚期/二十世紀早期 銅騎士像 品相報告 Condition Report: Waxy residue to the surface in places. Old nicks, marks and areas of wear throughout, particularly to the underside of the feet.
An Inuit carved wood figure, early 20th century, with carved and painted wooden face and wooden peg body, wearing hide parka and trousers, wooden dagger and snow shoes, together with a sleigh and an additional snow shoe, 25cm high figure, 16.5cm wide Please refer to department for condition report
FLEMING, Ian. The Spy Who Loved Me. London: Jonathan Cape, 1962. First edition, first impression, 8vo (188 x 120mm.) (Toning.) Original black cloth with dagger blocked in blind and silver to upper cover (lightly bumped spine ends), dust-jacket (price-clipped, rubbed to spine ends). Note: includes a photograph from the film signed by both Roger Moore and the actor who played 'Jaws', Richard Kiel, the seemingly indestructible foe with the metal teeth.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Spanish dagger, Toledo Artillery Factory, dated 1896, in early 17th c style, the double edged blade chiselled and etched to each side with scrolling foliage between fullers, the forte with royal arms, date and inscription Fabri-de Toledo, the hilt with conforming pierced cross-guard, faceted black painted octagonal walnut grip and faceted globular pommel, blade 19cm l, 29cm overall Slight wear, grip with knocks and scratches

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