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Salvador Dalí (1904-1989) One's Identity, from The Cycles of Life (Field 79-1B; M&L 930a) Photolithograph and etching printed in colours, 1977-1979, signed in pencil, numbered in roman numerals from the edition of 300, printed by Torrents, published by Duall Graphics for DALART, New York, with their blindstamp, on Arches paper, with full margins, sheet 375 x 555mm (14 3/4 x 21 7/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989) Le Chimère d'Horace, from Dalinean Horses (Field 72-6H; M&L 1270a) Lithograph printed in colours with embossing, 1972, signed and inscribed 'EA' in pencil, aside from the edition of 250, printed by Wolfensberger, Zurich, published by Carpentier/Waintrop, Paris, on BFK Rives paper, with full margins, sheet 650 x 500mm (25 5/8 x 19 5/8in) With the Dali Trade authentication and signature in pencil verso.

Salvador Dali (1904-1989)Pastorale, from Historia de Don Quichotte de la Mancha (Field 80-1)Etching and aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 300, published by Levine and Levine, New York, for DALART, with their blindstamp, on Arches paper, with full margins, sheet 760 x 563mm (29 7/8 x 22 1/4in)

Salvador Dalí (1904-1989)Vigour of Youth, from The Cycles of Life (Field 79-1A; M&L 930c)Photolithograph and etching printed in colours, 1977-1979, signed in pencil, numbered in roman numerals from the edition of 300, printed by Torrents, published by Duall Graphics for DALART, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 375 x 555mm (14 3/4 x 21 7/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 1/19/24).

Salvador Dalí (1904-1989) La Cenicienta, Les Caprices de Goya (Field 77-3; M&L 909) Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 315mm (17 5/8 x 12 3/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989) A voice is heard, from Aliyah (Field 68-1D; M&L 1211a)Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 250, printed by Wolfensberger, Zurich and Mourlot, Paris, published by Shorewood Press, New York, on Arches paper, with full margins, sheet 645 x 497mm (25 3/8 x 19 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/14/23).

Salvador Dalí (1904-1989)Vignette, from 'Petits Nus' from Ronsard (see Field 73-1; see M&L 262)Etching with hand-colouring in watercolour, 1968, signed in pencil, numbered from the edition of 95, published by Editions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 387 x 285mm (15 1/4 x 11 1/4in)

Salvador Dalí (1904-1989)The Price - Bereaved, from Aliyah (Field 68-1R; M&L 1208)Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 250, printed by Wolfensberger, Zurich and Mourlot, Paris, published by Shorewood Press, New York, on Arches paper, with full margins, sheet 645 x 497mm (25 3/8 x 19 1/2in)With the Dali Trade authentication inscription and signature in pencil verso (dated 08/14/2023).

Salvador Dali "Le Roy Soleil" Baccarat perfume bottle, contained in display case with drawer revealing 15ml refill bottle and funnel. Bottle acid etched to base with limited edition number 980-97/3000.

After Salvador Dali, "Anthropomorphic Cabinet", metal figure mounted on marble base. 20cm high.

Cased Dali Tarot by Taschen

Helmut Leherb, Dali und Musejunge Frau, über dem hinter Gittern befindlichen Kopf von Dali thronend, Farbradierung auf leichtem Karton, unter der Darstellung in Blei rechts signiert "Leherb". links nummeriert "31/80" und mittig gewidmet "Kurt Kouba von surrealen Herzen zugewidmet", in der Platt bezeichnet und datiert "Paris (19)73", Papier gebräunt, hinter Passepartout montiert, Darstellungsmaße ca. 49,5 x 39 cm, Blattgröße ca. 76 x 56 cm. Künstlerinfo: auch Maître Leherb, eigentlich Helmut Leherbauer, österr. Künstler und Vertreter der Wiener Schule des Phantastischen Realismus, 1933 Wien bis 1997 Wien), 1948-54 Studium an der Akademie für angewandte Kunst in Wien und an der Akademie der Künste in Wien, ab 1955 Studium an der Akademie der Bildenden Künste in Wien bei Albert Paris Gütersloh, zählt zu den Mitbegründern der Wiener Schule des Phantastischen Realismus, 1959-63 Schaffung mehrerer Kunstwerke für den öffentlichen Raum, 1971-72 Entwurf von vier Plakaten für die jetzige Österreich Werbung, die Auflage war sehr schnell vergriffen, 1976 Gestaltung eines Posters für die Olympischen Winterspiele in Innsbruck, Anfang der 1980er Jahre Schaffung des bis dahin größten Fayencegemäldes mit einer Fläche von 380 qm, 1993-94 Gestaltung des Universitätsbrunnens in Wien, Quelle: Wikipedia.

Salvador Dali, "Flower Girl"an eine Collage erinnernde Komposition aus verschiedenen Versatzstücken, siehe Werksverzeichnis Michler/Löpsinger 495, Mischtechnik (Offset und Farbsiebdruck) auf langfaserigem Japanpapier mit zweiseitigem Schöpfrand, 1971, unter der Darstellung in Blei rechts "Dali" und links nummeriert "100/175", in der linken unteren Blattecke Prägestempel "Salvador Dali", etwas lichtrandig und leichte Knitterspuren, Darstellungsmaße ca. 51 x 40 cm, Blattmaße ca. 75,5 x 54 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkrieges in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol. Quelle: Thieme-Becker/Vollmer, Allgemeines Lexikon der Bildenden Künstler, Verlag Seemann Henschel GmbH & Co. KG und Internet.

Salvador Dali, "La Danse"drei Frauen beim Tanz um eine Kniende, Farbxylographie nach einer Arbeit von Salvador Dali, 1960, in der Darstellung signiert "Dali", leicht gebräunt, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 42 x 30 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkrieges in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol. Quelle: Thieme-Becker/Vollmer, Allgemeines Lexikon der Bildenden Künstler, Verlag Seemann Henschel GmbH & Co. KG und Internet.

Ernst Fuchs, "Adams Zerstörung und Verheißung"detailreiche Komposition mit gekonnter Behandlung des Lichts, Radierung auf Japanpapier und auf Büttenkarton, 1969/70, im Randbereich leichte Knitterspuren, Darstellungsmaße ca. 39 x 29,2 cm, Blattmaße ca. 40 x 30 cm. Künstlerinfo: österreichischer Maler, Graphiker, Plastiker, Architekt und Musiker (1930 Wien bis 2015 Wien), studierte 1945-50 an der Wiener Akademie bei Albert Paris von Gütersloh, 1948 Mitgründer der "Wiener Schule des Phantastischen Realismus", 1950-62 Parisaufenthalt, unterbrochen von Studienreisen nach Amerika, Italien, Spanien, England und 1957 mehrmonatigem Aufenthalt im Kloster "Dormitio" in Jerusalem, pflegte Künstlerfreundschaften zu Salvador Dali, Jean Cocteau, Arno Breker, Mati Klarwein, Leonor Fini und mit dem Kreis um Jean-Paul Sartre, 1962 Rückkehr nach Wien, 1966 Professur, 1970er Jahre zunehmend Design- und Architekturentwürfe sowie Bühnenbildner, seit 1988 zeitweilig in Monaco tätig, erhielt zahlreiche Ehrungen, in internationalen Sammlungen vertreten, Quelle: Vollmer und Internet.

Christian Peschke, Gießereiarbeiterzwei Männer mit freiem Oberkörper neben einer Plastik, beim Eingießen rotglühenden flüssigen Metalls in eine im Boden eingelassene Form, wohl Szene aus der ARA Kunstgießerei Altrandsberg, in welcher der Künstler auch eigene Plastiken gießen ließ, hierzu bemerkt Dr. Helmut Bachmaier "... Christian Peschke ist ein Künstler, in dessen Werk auf einzigartige Weise das Leben selbst in Form und Farbe gebracht wird. Vitalität und Lebensfreude spielen als Antrieb sowie als Botschaft seiner Kunst eine eminente Rolle. Hinzu kommt die Farbensprache der Emotionen: Gefühle erhalten durch Farbe einen besonderen Wert. Er setzt Emotionalität direkt in ein Farbenspiel um, so dass die Farbflächen wie vibrierende Empfindungen wirken. ... Sein künstlerisches Bewußtsein ist auf das Gegenständliche gerichtet oder auf das, was ihm an Wesentlichem im Leben widerfährt. Dabei verfällt er in keinen Detail- oder gar photographischen Realismus, sondern er will künstlerisch eine Re-Kreation, eine Wiedererschaffung der Dinge und des Leibes. Feind jeder Abbildungsästhetik, ist seine Ästhetik der Idee des Nachschaffens und der Wiederbelebung ursprünglicher Formen und Dinge verpflichtet. ... Der Künstler ist in seinem Sinne einer, der die Welt noch einmal erfindet, die Dinge in ein neues Licht rückt ...", expressive Malerei in kraftvoller Farbigkeit, Öl auf Sperrholzplatte, um 2000, links unten undeutlich signiert "C. Peschke", im Goldstuckrahmen gerahmt, Falzmaße ca. 120 x 90 cm. Künstlerinfo: dt. Bildhauer, Maler und Graphiker (1946 Bad Säckingen bis 2017 Flintsbach), aufgewachsen in Spanien, Frankreich und Stuttgart, durch Sondergenehmigung ab 1958 Besuch der Akademie der Bildenden Künste in Stuttgart bei Gerhard Gollwitzer, ab 1962 Lehre als Maler und Lackierer, ab 1967 entstehen erste Plastiken und Beschäftigung mit der Malerei, 1976-80 Ausbildung an der Blocherer-Schule für freie und angewandte Kunst München, ließ sich 1982 als freischaffender Künstler in Spanien nieder, lebte zeitweise in Italien, zeitweise tätig in Aying-Großhelfendorf im Landkreis München, unterhielt Künstlerfreundschaften mit Ernst Fuchs, Salvador Dali und Arno Breker, 2000-2002 Tätigkeit als Dozent an der Akademie Vulkaneifel in Steffeln, 2015 Eröffnung des "Peschke House" Flintsbach am Inn, Quelle: Bütow "Europäisches Künstlerlexikon - Deutschland", Homepage des Künstlers und Wikipedia.

Salvador Dali, Konvolut zur Göttlichen Komödie20 Blätter aus dem graphischen Hauptwerk von Dali, jedes Blatt im Passepartout, Farbxylographien nach Aquarellen von Dali, um 1970-80, je im Stock signiert "Dali", Graphiken teil gebräunt, eingelegt im violetten Leinenschuber, Darstellungsmaße ca. 24,7 x 18,2 cm, Passepartoutaußenmaße ca. 43,5 x 32,5 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkriegs in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol. Quelle: Thieme-Becker, Vollmer, Allgemeines Lexikon der Bildenden Künstler, Verlag Seemann Henschel GmbH & Co. KG. und Internet.

Vier Künstlerbücher 1) Die Weine von Gala, von Salvador Domenech Philippe Hyacinthe Dali, von der königlichen Akademie San Fernando Madrid, Propyläen Verlag 1978, 2) Horst Janssen, Zeichnungen, im Vorsatz mit Fettstift signiert, hrsg. von Walter Koschatzky, mit einem Beitrag von Wolfgang Hildesheimer im Verlag Prestel München 1982, 3) Diether Kressel "Fenster-Radierungen", hrsg. von Karl-Friedrich Holm, Hamburg bei M+K Hansa 1979, 4) Diether Kressel, Zeichnungen, Einführung von Heinz Spielmann, mit reinem Textbeitrag von Till Kressel, Brockstedt Hamburg, Format max. Gr. 4°, drei im originalen Schutzumschlag, diese an den Rändern mit Gebrauchsspuren, sonst sehr gute Zustände.

Günter Garbocz, Salvador DaliPortrait des katalanischen Surrealisten, Aquarell über Bleistift auf leichtem Karton, rechts unten monogrammiert "GG" und datiert "2022", unter Passepartout montiert, Passepartoutausschnitt ca. 31 x 23 cm. Künstlerinfo: dt. Maler und Zeichner (geboren 1958 in Gliwice (Gleiwitz) Polen), 1977 Übersiedlung nach Deutschland, 2008-10 Besuch der Kunstschule Waiblingen bei Andrej Duin, lebt und arbeitet in Waiblingen, Quelle: Internetseite des Künstlers.

Salvador Dali (Spanish, 1904-1989), a Flordali 'Abricot' charger, designed by Salvador Dali for Limoges, with a yellow asymmetrical border, stamped with factory marks to the base, numbered '323/1000',34cm diameterOnly 400 examples from the intended manufacture of the 1000 Flordali series were made.Condition ReportWith box. In good condition no apparent chips, cracks, discolouration or crazing. The plate is round and consistent in shape with raised decoration. Minor rubbing to the signature. Please see additional images. 

nach DALI, SALVADOR (1904-1889), Skulptur: Éléphant Spatial", Bronze, grün patiniert und partiell goldfarben akzentuiert. Stilisiert gearbeiteter Elefant mit aufgestellten Ohren, erhobenem Rüssel und auf gelängten Beinen. Der "Elephant Spatial" wurde ursprünglich von Dali als Motiv für das Gemälde von 1946 "Die Versuchung des Heiligen Antonius" entwickelt. Der in der Folge immer wieder thematisierte Elefant mit seinen langen Spindelbeinen galt dem Künstler als mystisches Wesen mit symbolischer Stellung zwischen Himmel und Erde. Unsignierter neuzeitlicher Guss. H. 49,5x L. 56 x B. 16 cm.

Salvador Dalí (1904-1989), nach, ''Engel des Sieges'', Bronzeskulptur nach der Skulptur die Dali zwischen 1969 und 1979 für Isidro Clot anfertigte, Hg. Obra contemporanea um 1990, massive Bronze auf Marmorplinthe, unsign., punziert ''1744'', Ges.-H. 16 cm

Salvador Dali (1904-1989), Blatt neun aus ''Das Hohe Lied des Salomon'', Farbradierung mit Goldauflage, 1971, u. re. handsign., u. li. num. 171/250, 40,5 x 26 cm, hinter Glas u. Pp. ger. 69 x 51 cm

Salvador Dali, The Centaur, a wood engraving on paper, signed in the block with embossed printer's stamp, framed and glazed. H.72 W.61cm

Salvador Dali Inspired, Signed Mares, Large Oil on Canvas Surreal Horse Painting, Unframed This unframed, large oil on canvas painting was inspired by Salvador Dali and signed by an artist named Mares. With dimensions of 80cm x 60cm, the central focus is a surreal portrayal of a horse-like figure exhibiting elongated, graceful legs and adorned with a stylised, spectral presence complementing a downcast, melancholic expression observed in its single visible eye. Further adding depth to the horse's character, is its partially transparent or semi-formed body, giving it a captivating, ethereal quality. Surrounding this centrepiece are several disjointed elements, levitating as though in a dreamlike sequence. A pair of disjointed hands, a jug, and a cup float throughout the scene, contributing its overarching surreal ambience. Taking secondary place behind these extraordinary subjects is a muted, almost monotone landscape. The backdrop features gentle, hazy mountains in the distant horizon. The prominent colours are primarily shades of blue and grey, which deepen the painting's sense of inexplicable mystic charm and otherworldliness.

Salvador Dali (Spain, 1904 - 1989)"Agony of Love" (Unicorn)Color lithograph on Paper. Pencil signed and numbered (137/150) lower margin.From the DALI RETROSPECTIVE Portfolio, 1978-1979Comes with original 1979 Dali retrospective Certificate of Authenticity in embossed 'Dali' paper.Image Size: 23 x 17 in.Overall Framed Size: 36 x 27 in.Framed behind glass.

Salvador Dali print along with a 19th Century Maori etching, gilt wall mirror with oval early 20th Century gilt padded frame.

Various boxed perfumes - Boucheron 'Initial', Dali 'collection'. five boxed miniatures, Boucheron , Guerlain, Escada x 2 - 6 boxed miniatures, Sonia Rykiel 'Rose' (9)

Salvador Dali, The Triumph of Christ and the Virgin, a coloured lithograph on paper with embossed publisher's stamp, framed and glazed. H.71 W.61cm

After Dali, coloured print on canvas, unframed

A GROUP OF RELIGOUS THEMED COLLECTORS PLATES FROM NAMED MANUFACUTURERS, to include, D'arceau-Limoges, twelve 'Les Femmes du Siecle' (Women of the century), fourteen 'Paysages de France' (Lanscapes of France), ten 'Josephine and Napoleon', six 'Parisiens de Louis Dali collection' six 'Premiere Assiette Dans la collection', Bradford Exchange, six 'Light of the World', one 'Das Abendmahl', six 3D 'Le Porte del Ghiberti collection', Regina, one 'Koele Bries' (Cool Breeze), KisKIn, one 'Pewter Craft collection', (Condition Report: all plates are in good condition, some have boxes and certificates not all), (qty)

Artist: Salvador DaliTitle: Secret Poems From the 1914-1918 War by Apollinaire SuiteOrigin: Spain, 1967Medium: Dry Point Etching on PaperDimensions: 21x25inAdditional Information: A print inspired by the Secret Poems written by Apollinaire. Dali got the idea of a series he wanted to create inspired by songs written by George Brassens. The piece is an abstract guitar that morphs into a human. Numbers fill in the facial area creating eyes, a mouth, and a nose. Long curly hair flows out of the numbers. Angel wings attach to the shoulders of the guitar. The guitar body has the number 10-14-18. Loose etched figures fill the deserted background. The piece is signed. The edition number is 19/50. The print is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador Dali Title: The AlchemistOrigin: Spanish, 1975Medium: Lithograph on PaperDimensions: 30x22inCondition: Excellent/ Good A small crease in the upper left-hand corner. Does not affect art.Additional Information: A colorful print of a detailed man in black and white throwing up a colorful puke into a bag. The puking man's hat is held up by a crutch. A God or Goddess figure with a winged hat is above with a missing bleeding leg. The God-like figure holds two snakes while weapons are fired from a small building below. A sketch of a Pegasus flies near the God. The background is an open landscape with green hills and trees. At the bottom is a long spout teapot with eyes blowing bubbles. The piece is hand-signed in graphite. The print is an EA. The piece is not framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Paysage avec Squelette Landscape SkeletonOrigin: Spain, 1975Medium: Etching on PaperDimensions: 24x32inAdditional Information: A colorful etching of skeleton bones placed at different angles, supporting one another, building a structure. A skull with a hat sits on top of the bone structure. A religious figure is in the sky while figures run through the desert landscape. The piece is hand-signed in pencil. The edition is EA which means it was a part of his personal collection and portfolio. The print is framed although, the glass is missing. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Portrait of Gala (Detail)Origin: Spain, 1932Medium: LithographDimensions: 5.5 x 8 inches. With the frame, the piece is 18 x 20 inches.Condition: Very good conditionAdditional Information: Detail of Dali's Portrait of Gala with ink signature at the top of the lithograph. COA is attached to back of the frame. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: MagicianOrigin: Spain, 1969Medium: Etching on PaperDimensions: 19x23inAdditional Information: A black and white print with a pop of pink and yellow of a magician with a tall pink hat and long robe. Magic emerges from his hands and leads the eye to a figure in the yellow spotlight on their hands and knees. A tornado whirls down onto the figure. A loose-lined scribbled sun sets in the sky above the landscape and figures. The landscape is filled with rocks and abstract objects. The piece is energetic and has a sense of darkness. The piece is hand-signed in graphite. The edition number is 64/145. The print is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Petites Nus Origin: Spanish, 1967Medium: Engraving on PaperDimensions: 22x21inCondition: ExcellentAdditional Information: An engraving of an abstract nude lounging while reading a book in a meadow. Flowers grow around the figure. The piece is done in black and white. The piece comes with a certificate of authenticity. The piece is framed with a gold ornate design. The print comes with a certificate of authenticity. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Memories of SurrealismOrigin: Spain 1965Medium: Dry Point over Lithograph on PaperDimensions: 29x37inAdditional Information: A rare limited edition print of a crutch placed in the center filled with square-cut, round-cut, and oval-cut gemstones, with a butterfly to the right of the crutch. The background is filled with a large blue cube with rocks on top, which cast shadows showing the light source comes from the right. An abstract figure in black is to the left of the crutch beyond the cube. The piece is hand-signed. The rare edition number is 83/175 and is accompanied by an A. The print is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Casanova Bird on TongueOrigin: Spain 1967Medium: Lithograph on PaperDimensions: 16x20inAdditional Information: A lithograph from Casanova's stories of a man holding a bird to his tongue while his mouth waters. A wishbone stick props his head, bringing attention to his long hair with a loose bow. The man is in yellow and his hair is in grey. The rest of the piece is black and white, including his hand, chest hair, and long eyelashes. The hand is created in a sketch style while the bird and watering mouth are done with fine details. The piece is signed with the crown symbol and his last name in the circle. The piece is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Cellini - Ready for Battle, Etching, 1946Origin: SpainMedium: Etching PrintDimensions: 5 x 8 Inches; Frame 12 x 15 InchesCondition: ExcellentAdditional Information: Salvador Dali, Cellini - Ready for Battle, Etching. Restrike from the 1945 original book plate. The piece shows the body of a strong man who looks like he has been through battle. He has a grey skin-tight armor that shows his muscles. Places of the armor are tattered and his skin underneath is bleeding. Yet the figure stands with his chin held high and a hand on his hip with confidence. The man's face is cut off from the composition making the viewer read his body language. The bottom of the print has the date. The piece is framed. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador Dali Title: The Eye of Surrealist Time Origin: Spain Medium: Lithograph on Paper Dimensions: 25x31in Additional Information: A print of a blue eye that is a clock that looks over two human figures and three butterflies. The clock is set to 9:30. The eye of time represents Father Time looking over the creations of life. The ground is a pale yellow with black lines that lead to the horizon below the eye. Trees in a silhouette style grow on the horizon line. The framed piece is hand-signed and the edition is EA, meaning it was an artist's proof and not meant for sale to the public. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: The AngelsOrigin: Spain, 1946Medium: EtchingPrint Dimensions: 5 x 8 Inches; Frame 12 x 15 InchesCondition: ExcellentAdditional Information: Salvador Dali from the book, Benvenuto Cellini , Etching. 1946 restrike from the original book plate. the etching is of a blurred faced mother and child. Two angels hover around. A face in the sky appears where the moon or sun would be. The piece is framed.An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

Artist: Salvador DaliTitle: Space Elephant, Memories of SurrealismOrigin: Spain 1971Medium: Lithograph with Etching on PaperDimension: 28x35inAdditional Information: An elephant with long, multi-jointed skeletal legs with clawed feet. The elephant's body is a stone building cut open with Roman arches. Inside are scenes of different rooms including a figure using the bathroom.?A bell tower connects the elephant's bodybuilding to a structure in a landscape scene. Trees and birds fly around the landscape while figures work in the field. The elephant's trunk is a water spout that has water spitting out. The elephant walks across a lower landscape filled with rocks. The clawed feet grip around the rocky path. A religious figure stands profile facing the elephant. The print is black and white with pops of color around the sun and rocks. The piece is signed. The edition number is 5/175 and is accompanied by an A. The piece is framed. The print does have some fading with the loose etched figure below the elephant. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

A Brass Cannon together with a Stein, Mason Jugs, Salvador Dali bottles for Rosso Antico and a West German pottery vase

A collection of books on Surrealist art, to include Dali, Picasso, Munch, Miro etc

Salvador Dali – ‘Le Triomphe de Venus’ (The Triumph of Venus), etching with drypoint in colours on Arches wove paper, signed and editioned 110/150 in pencil recto, from ‘Mythologie Nouvelle’ published by Vision Nouvelle 1971, William Weston Gallery label verso, 68.5cm x 43.5cm, within a gilt frame.

Softwatch Salvador Dali Damenarmbanduhr 1990er vergoldet, Quartzwerk, ohne Band, by Exauquo 93012

Dali, Salvador (1904 - 1989) - "Etre dieu" Surreale Oper von Salvatore Dalí mit der Musik von Manuel Wakhévitch in sechs Akten.Limitierte Sammlerausgabe (160/5000). Schwarzes Boxset mit 3 CDs auf mit Blattgold belegten und Leder verbundenen Holzplatten, geschützt durch ein Filzband. Der Text mehrsprachig in gebundener Ausgabe. Dieses Exemplar ist ein absolutes makelloses Sammlerstück und wurde nie abgespielt. Wikipedia:Salvador Dalí ist der einzige Maler, der ein Libretto für ein surreales Operngedicht, Être Dieu, eine Reflexion über Gottes Beschaffenheit, geschrieben hat. Er verfasste es im Jahr 1927 gemeinsam mit Federico García Lorca. 1974 ließ Dalí die Oper in Paris auf Schallplatte aufnehmen. Igor Wakhevitch schrieb die Musik, und der spanische Schriftsteller Manuel Vázquez Montalbán brachte den Text in Übereinstimmung mit dem Künstler zu Papier.

Salvador Dalí (1904-1989) Goya, plate 63 from Les Caprices de Goya de Dalí (Field 77-3; M&L 910)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 314mm (17 5/8 x 12 1/2in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989) Antecendentes de los trípodes fotográficas, plate 50 from Les Caprices de Goya de Dalí (Field 77-3; M&L 897)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 443 x 313mm (17 1/4 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 09/27/21)

Salvador Dalí (1904-1989) Como las gambas, plate 44 from Les Caprices de Goya de Dalí (Field 77-3; M&L 891)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 5/8 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 09/27/21)

Salvador Dalí (1904-1989) Petites Nus d 'Apollinaire (Field 72-4C; M&L 200) Etching with drypoint printed in colours, 1972, signed in pencil, numbered from the edition of 95, printed by Robbe, published by Editions Argillet, Paris, on Japan paper, with full margins, sheet 385 x 290mm (15 1/8 x 11 3/8in) With the Dali Trade authentication and signature in pencil verso (dated 10/13/22)

Salvador Dalí (1904-1989)Raphael 'Le Marriage La De Vierge', from Changes in Great Masterpieces (Field 74-2C; M&L 1477)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 560mm (35 1/2 x 22in)With the Dali Trade authentication inscription and signature in pencil verso (dated 6/21/24)

Salvador Dalí (1904-1989) Rasputín, plate 46 from Les Caprices de Goya de Dalí (Field 77-3; M&L 893)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 9/27/21)

Salvador Dalí (1904-1989)Untitled, from Les Songes drolatiques de Pantagruel (Field 73-7-C; M&L 1411d)Lithograph, 1973, signed and numbered from the edition of 50 in pencil, on Japon nacré paper, printed by Grapholith, published by Carpentier, Geneva, with margins, sheet 760 x 535mm (30 x 21in) With the Dali Trade authentication and signature in pencil verso (dated 14/08/23)

Salvador Dalí (1904-1989) Nube infinitesimal, plate 61 from Les Caprices de Goya de Dalí (Field 77-3; M&L 908)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989)Révérence du Groseillier, from FlorDalí (Field 69-11J; M&L 353c)Etching and lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 748 x 550mm (29 3/8 x 21 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 12/10/23)

Salvador Dalí (1904-1989) Si no amanece nos quedamos, plate 71 from Les Caprices de Goya de Dalí (Field 77-3; M&L 918)Drypoint on heliogravure with pochoir, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 447 x 312mm (17 5/8 x 12 1/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989) Velasquez 'La Reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 745 x 785mm (29 1/4 x 30 7/8in) With the Dali Trade authentication and signature in pencil verso (dated 06/21/24)   

Salvador Dalí (1904-1989)Paysage Fossile Imaginaire, from Neuf Paysages (Field 80-2C; M&L 239)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 05/11/22)