We found 6544 price guide item(s) matching your search

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750 (42/750). Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG"

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750 (39/750). Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG"

Set of six ceramic tiles - "La Suite Catalane", designed by celebrated Surrealist artist Salvador Dali, in 1954, in a Limited Edition of 750 (37/750). Each marked to reverse as - "ALLRIGHTSRESERVED : TILES BY DALI : 1954 : MIKANA AG"

Dali, SalvadorFigueres 1904 - 1989 ebenda, spanischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner, Hauptvertreter des Surrealismus. "Das Pferd und der Wolf", aus dem Mappenwerk "La Fontaines Bestarium dalinisiert" 1974, unten rechts von Hand sign. und unten links num. "45/250", Kaltnadelradierung auf Japanpapier, HxB: 40/58 cm (Platte). Hinter Glas gerahmt. Lit.: Werkverzeichnis Michler/Löpsinger, 1995, Bd. I, S. 223, 658 mit Abb.

Dali, SalvadorFigueras 1904 - 1989 ebenda, spanischer Maler, Graphiker und Bildhauer, Hauptvertreter des Surrealismus. "Der Sturz", "Apotheose", "Delphine" und "Porträt", 4 Grafiken von 6 aus "Der alte Mann und das Meer" 1974 , unten rechts mit Bleistift sign., unten links num. "81/350", Kaltnadelradierung/Arches mit Prägestempel "Manus Presse", HxB: 39,8/32 cm (Plattemaß). Min. Knickspuren und partiell fleckig. Hinter Glas gerahmt, best. Lit.: Werkverzeichnis Michler/Löpsinger, 1995, Bd I, S. 235, 736-741 mit Abb.

Dali, SalvadorFigueres 1904 - 1989 ebenda, spanischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner, Hauptvertreter des Surrealismus. "Die Freude der Glückseligen", aus Dantes "Die Göttliche Komödie" 1960, unten links von Hand sign. und unten rechts bez. "E.A.", unten mittig in der Platte sign., HxB: ca. 24,5/18 cm (Platte). Gebräunt. Im Passepartout hinter Glas gerahmt. Lit.: Werkverzeichnis Michler/Löpsinger, 1995, Bd II, S. 113, 1129 mit Abb.

Dali, SalvadorFigueres 1904 - 1989 ebenda, spanischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner, Hauptvertreter des Surrealismus. "Carmens Tod", aus der Mappe "Carmen", unten mittig in Bleistift sign., links num. XXIV/CXXV, in der Platte sign., Farblithographie auf Arches, HxB: 54,2/43 cm (Platte). Im Passepartout hinter Glas gerahmt. Lit.: Salvador Dali, Das druckgraphische Werk II, Michler und Löpsinger (Hrsg), 1995, S. 141, Nr. 1328 (mit Abb.).

Hemingway, ErnestDer alte Mann und das Meer - mit sechs Illustrationen von Salvador Dali, Stuttgart, manus presse, 1974, die 6 ganzseitigen Illustr. wiederholt auf 6 losen Tafeln (auf kupferfarbenem Grund gedruckt), illustr. Originalleinenmappe in orig Schuber, Folio. Leichte Altersspuren.

Autographs, Religion, 6 signed photographs, Il Cardinale Montini Arcivescovo di Milano (1927-2012) Jesuit Cardinal, William Booth (1829-1912) Founder of the Salvation Army, Cardinal F Spellman (1889-1967), Father Bernard Vaughan (1847-1922) and the 14th Dali Lama Tenzin Gyatso (1935) (2) (gd)

Dali, Salvador (Spain 1904 - 1989) "Femme a la tete de roses", signed bottom right, Lérigraphie réalisee par les Ateliers Lilium-d-après l' ouvre originale de Salvador Dali, color lithograph/paper, h 55 x w 45 cm.

DALI GALA: (1894-1982) Russian artist´s model and muse, the wife of Paul Eluard and later of Salvador Dali. A rare A.L.S., Gala Eluard, to the verso of a decorative colour postcard with a pink perforated deckled edge and a quaint image of swallows flying over a country river applied to the centre, n.p. (Paris), n.d. (14th November 1930), to Valentine Hugo (´Chere Madame´), in French. Gala states that they very much regretted Hugo´s indisposition and her cancellation of Wednesday´s meeting, further remarking ´Voulez-vous me prevenir par un mot quel soir pourez vous venir diner chez moi (7 rue Becquerel) a partir du lundi prochain´ (Translation: ´Please let me know in writing which evening you can come to dinner at my house (7 rue Becquerel) from next Monday´) and concludes by sending ´Les amities de Dali´ (Translation: ´Best regards from Dali´). Accompanied by the original envelope hand addressed by Gala. A wonderful letter of good association which also links Gala with the two most important men in her life, Eluard and Dali. Some very light, extremely minor age wear, VGValentine Hugo (1887-1968) French artist and writer associated with the French Surrealists. Valentine was the wife of French artist Jean-Victor Hugo (1894-1984), the great-grandson of novelist Victor Hugo.Gala´s letter is written at a very significant time in her life. Gala and the French poet Paul Eluard (1895-1952) had first met and fallen in love at the age of seventeen and were married a few years later in 1917. With Eluard, Gala became involved in the Surrealist movement and was an inspiration for many artists. In August 1929 Gala and Eluard travelled to Spain to meet the emerging Surrealist artist Salvador Dali. An affair quickly developed between Gala and Dali which soon led to the break-up of Gala´s marriage with Eluard (although the two would remain close). Gala married Dali in 1934, having lived together since 1929. The present letter, signed Gala Eluard, was written just over a year after Gala first met Dali, for whom she sends regards to Hugo.

DALI SALVADOR: (1904-1989) Spanish Surrealist Painter. A very good and artistically written A.L.S., including a sketch, signed twice `Dali´, the one at the conclusion being one of his large bold attractive signatures, one page, 4to, n.p., n.d., to an unidentified friend, in French. To the upper left border of the letter Dali has drawn a sketch of a sun shining, signing a second time beneath the drawing. Dali thanks his correspondent, writing in French, full of spelling mistakes, and stating `Cher Ami, je… de satisfaction de tout ce que vous avez fait pour moi, et j´espère au moi(sic) de novembre realisse(sic) pratiquement tous nos suhaits (sic), vous embrasse, Dali´ (Translation: `Dear friend, I am… of satisfaction for all you have done for me, and I do hope that in the month of November we will make true all our wishes…´) Paper with watermark. A very attractive letter. VG

DALI BIBEL: "Die Bibel - mit Bildern von Salvador Dali 1904-1989". Pattloch Verlag, Weltbild Verlag GmbH, Augsburg 1989. Personalisiert; mit Goldschnitt. H. 29,5 x B. 22 x T. 8,7 cm. (Sehr guter Zustand; sehr geringe Gebrauchsspuren).

Fotolithographie - Salvador DALI (1904 Figueres / Spanien 1989) "Les pachaches panaches", darunter kleine Radierung, Bleistiftsignatur, bez.AP 40/50 , Blattmaße ca. 55,5x74,5cm, Rahmen, Gesamtmaße ca. 74x91 cm, Provenienz: aus süddeutschem Privatbesitz (vgl. OEuvrekatalog Salvador Dali, hrsg. v. Michler und Löpsinger, Nr. 1340)

DALI SALVADOR (1904 - 1989) small Salvador Dali "Madonna de Port Lligat" sculpture in bronze - signed and with an American foundry mark || DALI SALVADOR (1904 - 1989) sculptuur in brons n° 207/2500 getiteld "Madonne de Port Lligat" - 15 x 10,5 x 7,5 getekend en met Amerikaans gieterijmerk

DALI SALVADOR (1904 - 1989) Salvador Dali signed color etching raised with gold || DALI SALVADOR (1904 - 1989) kleurets opgehoogd n° 103/250 met een typische surrealistische compositie met tornooi-scène - 32,5 x 52,5 getekend

DALI SALVADOR (1904 - 1989) Salvador Dali signed color etching raised with gold || DALI SALVADOR (1904 - 1989) kleurets opgehoogd met goud n° 208/250 met een typische surrealistische compositie - 40 x 25 getekend

DALI SALVADOR (1904 - 1989) Salvador Dali signed color etching raised with gold || DALI SALVADOR (1904 - 1989) kleurets opgehoogd met goud n° 247/250 met een typische surrealistische compositie - 40 x 25,5 getekend

DALI SALVADOR (1904 - 1989) Salvador Dali signed color etching - with a studio stamp || DALI SALVADOR (1904 - 1989) kleurets n° 1/250 met een typische surrealistische compositie met paarden - 37,5 x 30 getekend en met blindstempel

DALI, Salvador, NACH (S. D.: 1904-1989), "Die Bäume antworten nicht", Radierung/Japanpapier, tlw. koloriert und Goldstaubauflage, Edition: Artes 1983 nach einer Radierung von 1965, mit Bleistift bezeichnet und num. 113/300, HxB: Platte ca. 40x55 cm, Passepartoutausschnitt ca. 48x64 cm, Außenmaße Rahmen ca. 65x80 cm. Leichte Altersspuren und wenige Flecken. Im Passepartout hinter Glas gerahmt. ANBEI Rechnungskopie von Artes 1984.| DALI, Salvador, NACH (S. D.: 1904-1989), "Die Bäume antworten nicht", etching/Japanese paper, partly coloured and gold dusting, edition: Artes 1983 after an etching from 1965, inscribed in pencil and numbered 113/300, HxW: plate approx. 40x55 cm, mat cut-out approx. 48x64 cm, outer frame dimensions approx. 65x80 cm. Slight signs of age and a few stains. Framed behind glass in passepartout. Accompanied by a copy of the invoice from Artes 1984.

DALI, Salvador, NACH (S. D.: 1904-1989), "Cavalier cosmique", Radierung/Papier, tlw. koloriert und Goldstaubauflage, Edition: Artes 1982 nach einer Federzeichnung von 1962, mit Bleistift bezeichnet und num. 263/300, HxB: Platte ca. 37,5x47,5 cm, Passepartoutausschnitt ca. 46x55 cm, Außenmaße Rahmen ca. 65x75 cm. Altersspuren, zu den seitlichen Rändern hin gewellt. Im Passepartout hinter Glas gerahmt. ANBEI Rechnungskopie von Artes 1987.| DALI, Salvador, NACH (S. D.: 1904-1989), "Cavalier cosmique", etching/paper, partly coloured and gold dusting, edition: Artes 1982 after a pen and ink drawing from 1962, inscribed in pencil and numbered 263/300, HxW: plate approx. 37.5x47.5 cm, mat cut-out approx. 46x55 cm, outer frame dimensions approx. 65x75 cm. Traces of age, wavy towards the lateral edges. Framed behind glass in passepartout. Accompanied by a copy of the invoice from Artes 1987.

Bibliographie. Graphik. Dali. Michler, R. und L. W. Löpsinger. (Hrsg.) Salvodor Dali. Das druckgraphische Werk I und II. CEuvrekatalog der Radierungen und Mixed-Media-Graphiken 1924-1980. / Oeuvrekatalog der Lithographien und Holzstiche 1956 - 1980. 2 Bände. Band I in 2. verbesserter Auflage. München und New York, Prestel, ca. 1994 – 1995. 4° Mit vielen, teils farbigen und ganzseitigen Textabbildungen. 271; 188 Seiten, 4 Bll. Titelregister Band I liegt lose bei. Originale Pappbände mit Schutzumschlag. (77)

Dalí, Salvador (1904 Figueras 1989) Vollständige Serie der sechs Künstlerfliesen "La Suite Catalane": Les guitares (die Gitarren), Les colombes (die Tauben), Les fléchettes (die Wurfpfeile), La soleil végétal (die Pflanzen-Sonne), Le baiser de feu (der Kuss des Feuers) und L'étoile de mer (der Seestern). Weiß glasierte, bunt bemalte Keramikfliesen in Anlehnung an die maurische Tradition Katalaniens, je mit eingebrannter Sign. und rückseitig bez. "Tiles by Dali, All rights reserved, 1954". Ausführung Manufaktur "El Siglo" in Onda/Spanien, 1954. Je D. ca. 20x 20 cm. In originaler Holzkiste, aus der limitierten Auflage von 10.000 Sets.

Dalí, Salvador (1904 Figueras 1989) Vollständige Serie der sechs Künstlerfliesen "La Suite Catalane": Les guitares (die Gitarren), Les colombes (die Tauben), Les fléchettes (die Wurfpfeile), La soleil végétal (die Pflanzen-Sonne), Le baiser de feu (der Kuss des Feuers) und L'étoile de mer (der Seestern). Weiß glasierte, bunt bemalte Keramikfliesen in Anlehnung an die maurische Tradition Katalaniens, je mit eingebrannter Sign. und rückseitig bez. "Tiles by Dali, All rights reserved, 1954". Ausführung Manufaktur "El Siglo" in Onda/Spanien, 1954. Je D. ca. 20x 20 cm. In originaler Holzkiste, aus der limitierten Auflage von 10.000 Sets.

* SALVADOR DALI (SPANISH 1904 - 1989), THE DUST OF SOULS woodblock print on paper, signature to the blockmounted, framed and under glass image size 25cm x 18cm, overall size 68cm x 58cm Note: certificate from N. Isen, Philadelphia; authenticated verso by Frank Hunter, Director of the Salvador Dalí Archives, 7/10/10Condition of the picture is good overall, with no visible or known issues.

After Salvador Dali, a limited edition gouttelette "Swans Reflecting Elephants 1937", No 1/75, plate 67 cm x 90 cm, well framed. With certificate of authenticity from October 2016. ARR (see illustration).

PMA720AE, a TEAC Double Auto Reverse Cassette deck W-890R, Cambridge AX A35 integrated amplifier, a Harman-Kardon Sub-Woofer  and 2 DALI speakers, with remotes, with black stand

Salvador Dalí, Spanish 1904-1989, A l'eternelle Madame from les Amours Jaunes by Tristan Corbiere; drypoint etching with gold flakes on Arches wove, signed in pencil and numbered 27/300, printed by Pierre Belfond, Paris, sheet: 37.5 x 28 cm, in a branded red fabric folder, (unframed) ( ARR) Note: The work comes in its own red Dali branded flat box and is numbered 74-15 in Field's Catalog of the Graphic works of Salvador Dali. 

After Salvador Dali, Gol football poster published by Dasa Ediciones S.A. 83 x 56cm.

Salvador Dali (1904-1989) - 'Cervantes', etching on paper, bearing Templeton & Rawlings authentication certificate attached verso, plate dimensions: 12 x 17.5 cm, 48 x 42 cm, mounted, glazed and framed

Salvador Dali (1904-1989), ''Elias im Feuerwagen'', 1975, Kaltnadelradierung mit Pochoir auf Japanpapier, rechts unten Bleistiftsignatur, links unten num. Exemplar 97/100, ML 758, 40 x 57 cm, hinter Glas u. Pp. ger. 78 x 96 cm

Paris, 1976-1978. Nos. 1-11 (of 13 total publ.). Num. ills. and photos. Orig. pictorial wrs. Folio. The French counterpart to Andy Warhol's Interview Magazine, directed by Alain Benoist, with Laurent Laclos, Jean-Luc Maître, Hervé Pinard. Features on a.o. Salvador Dali, Sophia Loren, Jack Nicholson, Mick Jagger, Andy Warhol, Catherine Deneuve, Gina Lollobrigida and Gerard Depardieu. 1 cover w. marker colouring, a few signs of age and wear. (total 11)

NICK HOLDSWORTH (BRITISH CONTEMPORARY) 'DALI', a pixelated portrait of Surrealist artist Salvador Dali, signed bottom right, mixed media on paper laid on board, approximate size 77cm x 69cm, frame size 81cm x 65cm, Condition Report: scuffs to the image surface, paint loss to the frame (artist resale rights apply)

SALVADOR DALI Pencil Signed Lower Right The Divine Comedy Woodcut 10 1/2" x 13"

SALVADOR DALI Divine Comedy Pencil Signed Lower Right Woodcut 10 1/2" x 13"

A Salvador Dali print - The Avaricious Purgatory #20 - 24cm x 18cm - in a gilt frame

Salvador Dali print, unframed, The Dusk of Souls, 18cm x 24cm, signed

Salvador DALI (1904-1989), colour lithograph ‘Don Quixote Re’ numbered 10/300 and signedSalvador DALI (1904-1989), kleurenlithografie 'Don Quixote Re' genummerd 10/300 en getekend58.5 x 47 cm

Dali, Salvador (1904 - 1989), Sigismund enchaine (1971), Farbaquatintaradierung(handkoloriert), re. u. handsign., Lim. Auflage, E.A. - Épreuve d' Artist, Blattgr. ca. 33,5 x 26 cm, hinter Glas gerahmt (Gr. ca. 87 x 67 cm). Versand nur durch externen Dienstleister möglich.

Weiblicher Torso, Bronze auf hellem Steinsockel, seitl. gestempelt, im Stil von SalvadorDali, Gr. ca. H: 7 cm (m. Sockel 14,5 cm).

Dali, Salvador (1904 - 1989), Portrait de Calderon (1971), Farbaquatintaradierung, re. u.handsign., Lim. Auflage, E.A. - Épreuve d' Artist, Blattgr. ca. 35,5 x 31 cm, hinter Glas gerahmt (Gr. ca. 87 x 67 cm). Versand nur durch externen Dienstleister möglich.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: Les fleures: Dahlia Unicornis 1968Farb-Kaltnadelrad. auf Japan (aus d. Serie "Flordali") mit Prägestempel, hinter Glas gerahmt, signiert im vollen Rand u. nummeriert 71 /175, wenige winzige Flecken, R. Michler/L. Löpsinger, Salvador Dali. Das druckgraphische Werk 1924 - 1980, München 1994, Nr. 227 b, 58,5x38,5cm, Z1-2.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: Poir Don Quichotte 1969/70Farblithographie auf Bütten, hinter Glas gerahmt, signiert im vollen Rand, Ed. Epreuve d'Artiste, wenige winzige Flecken, 56x36cm, Z1-2. Michler/Löpsinger 1994, S. 175, Nr. 346

Rosenthal, Studio Line, limitierte Kunstreihen: Jahresteller 1976: Salvador DaliPorzellan mit polychromer Malerei Aufglasur, Motiv zerfliessende Uhr, limitierte Aufl. 2842/3000, OVP, Dm 34cm, Z1.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: "Die vier Jahreszeiten", I 1972Farblithografie auf Arches-Velin, 1972. Hinter Glas gerahmt, teilversilberte Galerieleiste, unten rechts signiert, unten links nummeriert 91/195. Blatt 1 der insgesamt 4 Blätter umfassenden, gleichnamigen Folge, verlegt von Les Heures Claires, unten links mit dem bekrönten Prägestempel "S Dalí 1971", 41x55,8cm, Z1.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: "Die vier Jahreszeiten", II 1972Farblithografie auf Arches-Velin, 1972. Hinter Glas gerahmt, teilversilberte Galerieleiste, unten rechts signiert, unten links nummeriert 91/195. Blatt 2 der insgesamt 4 Blätter umfassenden, gleichnamigen Folge, verlegt von Les Heures Claires, unten links mit dem bekrönten Prägestempel "S Dalí 1971", 41x55,6cm, Z1.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: "Die vier Jahreszeiten", III 1972Farblithografie auf Arches-Velin, 1972. Hinter Glas gerahmt, teilversilberte Galerieleiste, unten rechts signiert, unten links nummeriert 91/195. Blatt 3 der insgesamt 4 Blätter umfassenden, gleichnamigen Folge, verlegt von Les Heures Claires, unten links mit dem bekrönten Prägestempel "S Dalí 1971", 40,8x56cm, Z1.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: Homme Figuier 1969/70Farblithographie auf Bütten, hinter Glas gerahmt, signiert im vollen Rand, Ed. Epreuve d'Artiste, min. stockfleckig, Michler, R./Löpsinger, L.: Salvador Dali - Das druckgraphische Werk. 1924-1980, Munich 1994, cat. rais. no. 345b, 56x36,5cm, Z1-2.

Dali y Domenech, Salvador Felipe Jacinto, 1904 in Figueres, Girona, Katalonien; 1989 Ebd.: Prunier hâtif 1969/70Farblithographie auf Bütten, hinter Glas gerahmt, signiert im vollen Rand, Ed. Epreuve d'Artiste, Michler, R./Löpsinger, L.: Salvador Dali - Das druckgraphische Werk. 1924-1980, Munich 1994, cat. rais. no. 346b, 56x37cm, Z1-2.

Salvador DALI (1904-1989) Venus - L'Art d'aimer,Lithographie auf Arches, u. rechts handsigniert Dali und links nummeriert 91/144, Venus aus dem Zyklus Ovid - Die Kunst zu lieben, Blatt H 56 cm x B 38 cm, Kunstrahmen verglast 69,5 x 49,5 cm

Salvador DALI (1904-1989) Der junge Ikarus - L'Art d'aimer,Lithographie auf Arches, u. rechts handsigniert Dali und links nummeriert 98/144, Der junge Ikarus aus dem Zyklus Ovid - Die Kunst zu lieben, Blatt H 40 cm x B 31 cm, Rahmen verglast 59,5 x 49,5 cm

Dalí, Salvador (Figueres/Spanien 1904 - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker), nach"Der Bräutigam",Lithografie auf Papier, bezeichnet und nummeriert unten Dali 78/250, 49 x 29 cm, unter Glas gerahmt. Werkverzeichnis Michler/Löpsinger Nr. 473

Dalí, Salvador (Figueres/Spanien 1904 - 1989 ebda., Studium an der KA Madrid, bedeutender Vertreter des Surrealismus, Maler und Grafiker),"Gelatine-Uhr", Lithografie auf Papier, bezeichnet und nummeriert unten Dali 97/195, 88 x 58.5 cm (PA), unter Glas gerahmt.Werkverzeichnis Michler/Löpsinger Nr. 648

ARR AFTER SALVADOR DALI (1904-1989) ARRThe Divine Comedy', lithograph, signed lower right,33 x 26.5cm.With receipt from Fanel B Gallery dated 16/5/19 for £2913.

Silver stone set jewellery including two pairs of amber earrings, lapis lazuli bracelet, glass bead necklace, pearl necklace and pair of earrings, gold diamond heart pendant and toothpick, both 9ct, Dali quartz wristwatch and two other necklacesCondition Report:9ct approx 2.9gm, some wear to jewellery but otherwise good condition

Vibrant original color silkscreen on canvas by assistant to Andy Warhol and American Pop artist Steve Kaufman. Entitled Homage to Dali-Temptation of St. Anthony, it includes visual iconography from Dali's original 1946 painting that Kaufman set on a fiery red-orange background enhanced with silver and apple green open contours. Signature and edition number on verso: SAK 51/100. Housed in a black frame. Artwork dimensions: 15.75"L x 11"H. Frame size: 17.50"L x 12.75"H x 1"W. Artist: Steve Alan Kaufman (American 1960-2010)Issued: 2008Edition Number: 51 of 100 Country of Origin: United StatesCondition: Age related wear.

Salvador Dali (Spanish, 1904-1989)San Francisco Suite (Field 70-4; Michler & Löpsinger 435-439) The complete set of five etchings with hand-colouring, 1970, on Auvergne wove paper, each signed and numbered IX/LXXV in pencil (there was also an edition of 150 numbered in Arabic numerals and ten artist's proofs), with title, text and justification pages, printed by Atelier Rigal, Paris, published by Jean Schneider, Basel, with full margins, loose (as issued), within the original cloth-covered slipcaseImages 522 x 365mm (20 1/2 x 14 3/8in)(and smaller)Sheets 670 x 511mm (26 3/8 x 20 1/8in)(5)Footnotes:Plates include: 'Mission Dolores'; 'Telegraph Hill'; 'Golden Gate Bridge'; 'City Hall' and 'Chinatown'.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

DALI, Salvador (nach / after)(1904 Figueres - 1989 Figueres) "Tienta en Espana"Farbgranolithografie nach der Radierung "Tienta" von 1967. Unsigniert. 1983. Exemplar: 237/4880. Abbildung: 56 x 74 cm. Gerahmt & hinter Glas : 92 x 112 cm. Randbereich etwas lichtgebräunt. Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. "Eines Tages wird man offiziell zugeben müssen, dass das, was wir Wirklichkeit getauft haben, eine noch größere Illusion ist als die Welt des Traumes." (Zitat: SD, https://www.dalimuseum.de/zitate.php). Literatur : Vergleiche WVZ Michler/Löpsinger 207. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:24 Uhr (CET) DALI, Salvador (nach / after)(1904 Figueres - 1989 Figueres) "Tienta en Espana"Colour granolithograph after the etching "Tienta" from 1967. Unsigned. 1983. copy: 237/4880. Image: 56 x 74 cm. Framed & behind glass : 92 x 112 cm. Marginal area somewhat light browned. Spanish painter, graphic artist, writer and stage designer. He is one of the most famous painters of the 20th century and one of the main representatives of Surrealism. "One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams." (Quote: SD, https://www.dalimuseum.de/zitate.php). Literature : Compare WVZ Michler/Löpsinger 207. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:24 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

⊕ EDWARD BAWDEN (BRITISH 1903-1989) THE UNIVERSE IS INFINITELY WIDEsigned and dated Edward Bawden 1932 twice lower right; also numbered 28 lower rightwatercolour, gouache and wash on paper45 x 56.5cm; 17 3/4 x 22 1/4in57 x 68cm; 22 1/2 x 26 3/4in (framed)ProvenanceThe Zwemmer Gallery, London (1933) Montague Shearman Esq, London (purchased from the above; Montague Shearman, 1886-1940, was a barrister, art collector and connoisseur. A posthumous exhibition of his collection at the Redfern Gallery, London included works by Dali, Vuillard, Monet, Matisse, Renoir and Utrillo)Acquired by the father of the present owner in the late 1940sExhibitionLondon, The Zwemmer Gallery, 1933, no. 26 Literature James Russell The Lost Watercolours of Edward Bawden, Norwich, 2016, p.159, illustratedThe present work is a re-discovery, a rare example of Bawden's work from the inter-war years, and the period which is the subject of the recent book by James Russell (ibid). At the time, Bawden was in his 30s, living and working in the rural idyll of Great Bardfield, Essex which he found to be a welcome escape from the bustle of London that he loathed. He initially took rooms in the Brick House there with his friend and fellow artist Eric Ravillious (1903-1942). After marrying Charlotte, his father purchased the house for the newly-weds and it became their permanent home. Bawden’s work that decade was the subject of two important exhibitions, at the Zwemmer Gallery in 1933 (the exhibition in which the current lot featured), and then the Leicester Galleries in 1938. Both exhibitions focused on works produced within a few miles of Great Bardfield. The 1933 exhibition was reported in glowing terms in The Times while the reviewer in The Week-End Review said of the present work 'Mr Bawden has also a delightful sense of humour, which, in a painting like The World is Infinitely Wide, goes deeper than many men's solemnity.' (The Week-End Review, October 21, 1933) It was Gwyneth Lloyd Jones, a close friend of Charlotte Bawden and academic at Girton College, Cambridge who selected the literary titles for each work before they were exhibited at the Zwemmer Gallery. The gallery cut out the line titles from their catalogue and pasted them to the backboard as can be seen on the reverse of the present work. The title is the sixth line of Sonnet XIV by William Wordsworth composed in 1833, one hundred years before the work was exhibited: Desire we past illusions to recall? To reinstate wild Fancy, would we hideTruths whose thick veil Science has drawn aside?No, - let this Age, high as she may, installIn her esteem the thirst that wrought man's fall, The universe is infinitely wide;

⊕ SALVADOR DALI (SPANISH 1904-1989) THE HIPPIES SUITE (1969-70)all: signed Dali lower right margin and numbered 1XL/C lower left margin; some also with blind stamp lower rightall: drypoint etching with hand colouring on Japan paper published by Pierre Argillet, Pariseach: 31.5 x 39.5cm; 12 1/4 x 15 1/2in (plate) each: 71 x 55cm; 28 x 21 1/2in (framed) (11)Literature Ralf Michler and Lutz W. Löpsinger, Salvador Dali, Catalogue Raisonne of Etchings and Mixed-media Prints 1924-1980, Munich, 1994, pp. 377 - 387Albert Field, The Official Catalog of the Graphic Work of Salvador Dali, Dali Archives, 1996, p. 69 - 13GExecuted in 1969-70, the subject matter of Dali's The Hippies Suite - eleven dry point etchings with handcolouring - was inspired by photographs brought back from a trip to India by his friend and publisher Pierre Argillet (1910-2001), images Dali considered representative of the 'swinging sixties'. Argillet and his wife Genevieve had first met Dali in 1959, and worked together on a series of limited edition albums over the following fifteen years. Collaboration between artist and publisher led to the production of The Mytholopgy Suite (1963-65) and the Poems of Mao Tse-Toung (1967), as well as the present set. Friends with a range of artists aligned with Surrealism, Argillet also published limited editions by Hans Bellmer, Giorgio de Chirico, Jean Cocteau and Leonor Fini. Dali titled each work as follows:(A) LE VIEL HIPPIE (B) LES FEMMES-FLEURS AU PIANO(C) LE COSMONAUTE(D) LES FEMMES DANS LES VAGUES(E) LE SOLEIL(F) LA PAGODE(G) LE COULOIR DE KATHMANDOU(H) ST.-JACQUES-DE-COMPOSTELA(I) LA VACHE SACREE(J) LA FEMME AU COUSSIN(K) LE NU A LA JARRETIERE