Otto Schade Lon-dress, 2023 Pen and pencil on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About A native of Chile, Otto Schade took his vibrant art to England in 2005. After attaining an architecture degree in Concepción, Otto began his career as an urban sculptor. But it was his fascination with surreal art that led him toward his passion to paint. Inspired by masters of the past like Dali, Magritte, Miro, Giger, and Beksiński. Otto quickly found the local street art scene, where he painted pieces boasting a sharp and ironic twist. While communicating anti-war themes along with his trademark ribbon style, he earned a street cred name, Osch, in London's district of Shoreditch and beyond. Since then, Otto's art has gone global. He has participated in some of the biggest art festivals, including the "Upfest" in Bristol, "Sand, Sea and Spray" in Blackpool, "City of Colors" in Birmingham and "Hometown" in Berlin. As well, Otto's pieces have been exhibited in the USA, South America, Africa, Asia and many cities across Europe. The demand for Otto's unique pieces of art continues. In 2018 alone, he participated in two art exhibitions - one in Paris and one in Berlin - and had the opportunity to paint in the following cities: Miami, New York City, Denver, Lisbon, Paris, Amsterdam, Berlin, Munich and Santiago. In December, Otto was painting a mural in Jamaica. The eclectic works of Otto Schade can be found on the streets of many European cities - including Berlin, Amsterdam, Moscow, Paris, Barcelona, Porto, Luxembourg, Stockholm, Gothenburg, Brussels, and London - and can be viewed in various galleries and exhibition centres across Europe. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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A small collection of Art and Architecture Reference books comprising of; Palladian and other Venetian Villas, Mazzotti pub. Tiranti, Delacriox, Rene Huyghe pub. Thames & Hudson, The Complete Work of Michelangelo pub. Macdonald in two volumes, Dali 1904-1989 pub, Taschen in two volumes and Italian Renaissance Drawings, Lynda Fairbairn in two volumes.
Salvador Dali 1954 original set of 6 ceramic glazed tiles "Suite Catalana" 1. El beso de Fuego 2. Las guitarras 3. El sol vegetal 4. La estrella de mar 5. Palomas 6. Flechas - 19.5cm square ~ Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (1904–89)- In good condition with no obvious damage
Salvadore Dali (Spanish, 1904-1989) - 'Scorpio from Signs of the Zodiac Series', signed limited edition lithograph, no. 169/250, 27.5" x 19.5"; within a black and silvered frame 41.5" x 33.5" overall ** Provenance - purchased from Whitewall Galleries in 2017. With a copy Certificate Valuation for £4500 ** This lot may be subject to Artists Resale Rights (or Droit de Suite) - see terms and conditions for further details Applicable to lots sold for 1000 Euros or greater
Salvadore Dali (Spanish, 1904-1989) - 'Taurus from Signs of the Zodiac Series', signed limited edition lithograph, no. 169/250, 27.5" x 19.5"; within a black and silvered frame, 43" x 34.5" overall** Provenance - purchased from Whitewall Galleries in 2017. With a copy Certificate Valuation for £4500
Color etching with embossing on paper after Dali's original 1971 series ""The Visceral Circle of the Cosmos."" Housed in a gold metal frame with a white mat. Signed in pencil lower right: Dali. For Japan series numbered on the lower left: J 18/55. Frame size: 36”W x 47.5”H x 1.25”D. Sight size: 25.25”W x 37”H.Artist: Salvador DaliEdition Number: J 18 of 55Condition: Age related wear.
Color etching ""The Philosopher Crushed By The Cosmos"" after Dali's 1971 original series ""La Conquete du Cosmos."" Housed in a gold metal frame with a white mat. Certificate of Authenticity included. For Japan edition numbered on the lower left: J 10/55 Signed in pencil lower right: Dali Frame size: 36""W x 47.5""H x 1.25""D. Sight size: 25.25""W x 37""H.Artist: Salvador DaliEdition Number: J 10 of 55Condition: Age related wear.
Housed in a gold tone metal frame with an ocher mat. Color etching and drypoint ""The Judgment de Paris"" after Dali's original 1963 Surrealist series 'Mythologie."" Numbered on the lower left: 77/250. Signed in pencil lower right: Dali. Frame size: 32.75""W x 23.75""H x 1""D. Sight size: 28.5""W x 19.5""H.Edition Number: 77 of 250Condition: Age related wear.
Title: The Fraudulent Ones. Unsigned color woodcut decomposition prints. Designed for the Divine Comedy published by Les Heures Claires, France. Each woodblock print required 30- 35 separate blocks be carved and printed to make up the final print. The process of separating the colors, as is done by printing each block, is called decomposition. The first woodblock is printed. Then the second decomposition, etc. is printed both separately and combined with the first, so you can view the progression of color addition. Artist: Salvador DaliIssued: 1951-1960Dimensions: 10.25"L x 13"WCountry of Origin: SpainCondition: Good condition.
Limited edition lithograph titled 'Mark' from The Twelve Apostles also known as Knights Of Round Table portfolio. Numbered 203/350 lower left, signed in pencil lower right.Comes with certificate of authenticity attached to verso. Measures 37" x 31" including frame, 25" x 19" image size. Artist: Salvador DaliCondition: Age related wear.
Limited edition lithograph titled 'Jude' from The Twelve Apostles also known as Knights Of Round Table portfolio. Numbered 206/350 lower left, signed in pencil lower right.Comes with certificate of authenticity attached to verso. Measures 37" x 31" including frame, 25" x 19" image size. Artist: Salvador DaliCondition: Age related wear.
Limited edition lithograph titled 'James The Lesser / Vicar Of Britain' from The Twelve Apostles also known as Knights Of Round Table portfolio. Numbered 202/350 lower left, signed in pencil lower right.Comes with certificate of authenticity attached to verso. Measures 37" x 31" including frame, 25" x 19" image size. Artist: Salvador DaliCondition: Age related wear.
DALI, SALVADOR (1904-1989), Lithographie nach dem Gemälde: "Die Versuchung des Hl. Antonius" (von 1946). Farblithographie auf Bütten mit Blindstempel "Dali", unten rechts mit Bleistift vom Künstler handsigniert "Dali" und unten links limitiert CDXIII / MM (413/2000); revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Druck 33,8 x 44,6 cm, Blattgröße 50 x 66 cm. Prachtvoller Druck mit dem vollen Rand; guter Zustand.
DALI, SALVADOR (1904-1989), Lithographie nach dem Gemälde: "Fleurs / Blumen" (von 1948). Farblithographie auf Bütten mit Blindstempel "Dali", unten rechts mit Bleistift vom Künstler handsigniert "Dali" und unten links limitiert DXXX / MM (530/2000); revers mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet. Druck 40,5 x 30 cm, Blattgröße 66,3 x 50,2 cm. Prachtvoller Druck mit dem vollen Rand (Knick am unteren linken Rand außerhalb des Druckes).
Salvador DALI (1904-1989)Banlieue de la Ville Paranoïaque Critique,1974Eau-forte et aquatinte originale sur papier Rives.Epreuve d’artiste sur 6 exemplaires, signée à la main par Salvador Dali en bas à droite.Dimensions : 57 x 76 cmProvenance : Collection de Monsieur Nervet (ancien éditeur de Salvador Dali). Acquisition auprès de la Fille de Monsieur Nervet - Neuilly-sur-Seine (92)
Salvador DALI (1904-1989)Les Trois Grâces de Paris ,1974Eau-forte et aquatinte originale sur papier japon Epreuve d’artiste sur 6 exemplaires, signée à la main par Salvador Dali en bas à droite.Dimensions : 57 x 76 cmProvenance : Collection de Monsieur Nervet (ancien éditeur de Salvador Dali). Acquisition auprès de la Fille de Monsieur Nervet - Neuilly-sur-Seine (92)
Salvador DALI (1904-1989), D’AprèsAffiche 1977 représentant le Football surréaliste Catalan. Cette affiche a été crée pour aider financièrement le club de football de Sant Andreu, région de catalogne. Editeur : Dasa Ediciones S.A. Dimensions : 56 x 83 cm. (Froissement au papier et déchirures dans les marges)
Salvador DALI (1904-1989), (D’APRÈS)Composition surréalisteEncre de chine sur papier .Porte une signature "Dali" non garantie en bas à droite . Datée "1962" Dimensions 61 x 48 cm Porte au dos le tampon "Authentique, expert près de la cour d'appel Paris France" en date du 12/04/1974, signé par Maurice Malingue.Provenance : - Collection privée Pierre Malingue - Collection privée de West Boca, en Floride. - Collection privée, France
Salvador DALI (1904-1989), (D’APRÈS)"L'apparition de l'ancêtre" La Divine Comédie Le Paradis - Chant 11, 1963 Bois gravé en couleurs sur vélin de Rives.Signé au crayon en bas à droite .Filigrane en haut à gauche .Dimensions du papier : 66 x 51 cm Dimensions du sujet : 47 x 34,5 cm .Bibliographie : Oeuvre similaire référencée dans le catalogue raisonnée "The Official Catalog of the graphic works of Salvador Dali" par Albert Field , page 195.
Salvador DALI (1904-1989), (D’APRÈS)Divine comédie - Le paradis - Chant 26 , 1963 Bois gravé en couleurs sur vélin de Rives .Signé au crayon en bas à droite Filigrane. Cachet embossé "Gala Dali" Dimensions du papier : 66 x 51 cm Dimensions du sujet : 47 x 34,5 cmBiliographie : Oeuvre similaire référencée dans le catalogue raisonnée "The Official Catalog of the graphic works of Salvador Dali" par Albert Field, page 199
Surrealismus Salvador Dalí (1904 - 1989 Figueras)Chant 1138: Prière de Saint Bernard (aus: La Divine Comédie). 1964. Farbholzschnitt auf BFK Rives-Velin. 25,5 x 17,5 cm (33 x 26,2 cm). Signiert und nummeriert in Farbstift. Zusätzlich im Stock signiert. Punktuell unter Passepartout montiert und unter Plexiglas gerahmt. - Im Passepartoutausschnitt lichtrandig. Insgesamt gut. Ausgezeichneter Druck der nahezu formatfüllenden Darstellung mit dem vollem Rand, unten mit dem Schöpfrand. Michler/ Löpsinger II, 1137 j. - Eines von 150 Exemplaren auf BFK Rives-Velin, die Dali für die Edition Orangerie-Reinz 1964 handsignierte. Coloured woodcut on BFK Rives wove paper. Signed and numbered in coloured pencil. Additionally signed in the block. Spot-mounted to mat and framed under plexiglass. - Light-stained in mat section. At all good. Superb impression of the almost format-filling depiction with full margin, deckle edge at the bottom. - One of 150 copies on BFK Rives-wove paper which Dali signed by hand for the edition Orangerie-Reinz 1964.
Surrealismus Salvador Dalí (1904 - 1989 Figueras)Chant 16: Dans la fumée des coléreux (aus: La Divine Comédie). 1964. Farbholzschnitt auf BFK Rives-Velin. 25,5 x 17,5 cm (33 x 26,3 cm). Signiert und nummeriert in Farbstift. Zusätzlich im Stock signiert. Punktuell unter Passepartout montiert und unter Plexiglas gerahmt. - Im Passepartoutausschnitt lichtrandig. Insgesamt gut. Ausgezeichneter Druck der nahezu formatfüllenden Darstellung mit dem vollem Rand, unten mit dem Schöpfrand. Michler/ Löpsinger II, 1088 j. - Eines von 150 Exemplaren auf BFK Rives-Velin, die Dali für die Edition Orangerie-Reinz 1964 handsignierte. Coloured woodcut on BFK Rives wove paper. Signed and numbered in coloured pencil. Additionally signed in block. Spot-mounted to mat as well as framed under plexiglass. - Light-stained in mat section. At all good. Superb impression of the almost format-filling depictions with full margin, deckle edge at the bottom. - One of 150 copies on BFK Rives-wove paper which Dali signed by hand for the edition Orangerie-Reinz 1964.
Surrealismus Salvador Dalí (1904 - 1989 Figueras)Chant 8: La plus grande ceauté de Béatrice (aus: La Divine Comédie). 1964. Farbholzschnitt auf BFK Rives-Velin. 24 x 18,5 cm (33 x 26,3 cm). Signiert und nummeriert in Farbstift. Zusätzlich im Stock signiert. Punktuell unter Passepartout montiert und unter Plexiglas gerahmt. - Im Passepartoutausschnitt lichtrandig. Insgesamt gut. Ausgezeichneter Druck der nahezu formatfüllenden Darstellung mit dem vollem Rand, unten mit dem Schöpfrand. Michler/ Löpsinger II, 1113 j. - Eines von 150 Exemplaren auf BFK Rives-Velin, die Dali für die Edition Orangerie-Reinz 1964 handsignierte. Coloured woodcut on BFK Rives-wove paper. Signed and numbered in coloured pencil. Additionally signed in block. Spot-mounted to mat as well as framed under plexiglass. - Light-stained in mat section. At all good. Superb impression of the almost format-filling depiction with full margin, deckle edge at the bottom. - One of 150 copies on BFK Rives- wove paper which Dali signed by hand for the edition Orangerie-Reinz 1964.
δ Salvador Dalí (1904-1989)Vignette, from 'Petits Nus' from Ronsard (see Field 73-1; see M&L 260)Etching with hand-colouring in watercolour, 1968, signed in pencil, numbered from the edition of 95, published by Editions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 388 x 289mm (15 1/4 x 11 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dalí, Salvador (1904 Figueras 1989) Vollständige Serie der sechs Künstlerfliesen "La Suite Catalane": Les guitares (die Gitarren), Les colombes (die Tauben), Les fléchettes (die Wurfpfeile), La soleil végétal (die Pflanzen-Sonne), Le baiser de feu (der Kuss des Feuers) und L'étoile de mer (der Seestern). Weiß glasierte, bunt bemalte Keramikfliesen in Anlehnung an die maurische Tradition Katalaniens, je mit eingebrannter Sign. und rückseitig bez. "Tiles by Dali, All rights reserved, 1954". Ausführung Manufaktur "El Siglo" in Onda/Spanien, 1954. Je D. ca. 20x 20 cm. In originaler Holzkiste, aus der limitierten Auflage von 10.000 Sets.
Dalí, Salvador (1904 Figueras 1989) Vollständige Serie der sechs Künstlerfliesen "La Suite Catalane": Les guitares (die Gitarren), Les colombes (die Tauben), Les fléchettes (die Wurfpfeile), La soleil végétal (die Pflanzen-Sonne), Le baiser de feu (der Kuss des Feuers) und L'étoile de mer (der Seestern). Weiß glasierte, bunt bemalte Keramikfliesen in Anlehnung an die maurische Tradition Katalaniens, je mit eingebrannter Sign. und rückseitig bez. "Tiles by Dali, All rights reserved, 1954". Ausführung Manufaktur "El Siglo" in Onda/Spanien, 1954. Je D. ca. 20x 20 cm. In originaler Holzkiste, aus der limitierten Auflage von 10.000 Sets.
Dalí, Salvador (1904 Figueras 1989) Vollständige Serie der sechs Künstlerfliesen "La Suite Catalane": Les guitares (die Gitarren), Les colombes (die Tauben), Les fléchettes (die Wurfpfeile), La soleil végétal (die Pflanzen-Sonne), Le baiser de feu (der Kuss des Feuers) und L'étoile de mer (der Seestern), in zwei Teile zerbrochen. Weiß glasierte, bunt bemalte Keramikfliesen in Anlehnung an die maurische Tradition Katalaniens, je mit eingebrannter Sign. und rückseitig bez. "Tiles by Dali, All rights reserved, 1954". Ausführung Manufaktur "El Siglo" in Onda/Spanien, 1954. Je D. ca. 20x 20 cm. In originaler Holzkiste, aus der limitierten Auflage von 10.000 Sets.
DALI (SALVADOR)Hidden Faces, NUMBER 37 OF 100 COPIES SIGNED BY DALI 'with an additional section of twenty pages... exclusive to the limited edition', extra pages stitched as issued, publisher's vellum-backed marbled boards, t.e.g., together in original slipcase, 8vo, Peter Owen, [1973]Footnotes:The signed limited edition of 100 copies, which includes the additional 'Postface to Hidden Faces' section whose erotic content is omitted from the trade edition.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
COLQUHOUN (ITHELL)Archive of 'magical writings', manuscripts, typescripts, original illustrations and printed material, comprising: i) Manuscript and typescript essays and lecture notes, including typed essays on Qabalah with manuscript amendments ('The Crown and the Kingdom' in four parts '...The ten circles, centres or concentrations of force are the Sephioth or Divine Emanation...'), Druidry and Gnosticism, 'Fire and the Pyramid of Flame' ('...the progeny of Electricity... the essence of our divine ancestors, the celestial hierarchies...'), typescript of her one-act play 'The Pilgrimage', essay on Aleister Crowley ('Heaven & Earth: The Dying Kick of the Dying-God'), on ritual ('Ceremony Connected with the Banishing Ritual of the Pentagram... The altar is arranged as for the Neophyte Grade of the G.D... Rose and Dagger in E., Incense, lamp and Fire-Wand in S., Cup in W.... if the pentacle is not ready, a gold coin may be substituted...'), on interior stars ('De Astris Interioribus'), a long descriptive essay on 'The Isiac Tablet of Bembo', also 'The Taro as Colour', 'Zodiacal Rulership of the Taro Court Cards' and descriptions of 17 of the 22 Major Arcana of the Tarot ('The Fool', 'The High Priestess', 'The Hanged Man', etc.), and much else; illustrated with some 23 original diagrams in biro, some coloured in gouache, including 'The Cube' (5), the Tree of Life (10), 'Tatwass Through the Day' (collection of loose coloured-paper shapes), 'Taro Trumps in the Cube of Space' (4), c.244 pages, typed or written in blue or black biro on lined paper, many annotations and amendments, illustrations and diagrams in biro and gouache, mostly 4to, [undated]; ii) File of incoming correspondence, some published as appendices (Dorothy Empson, Maxwell Armfield (3), Robert Temple (3), Colin Murray of the Golden Section Order), typed article by Mrs Armer on 'Worship of the Old Deity', printed matter concerning Colquhoun's Masonic affiliations, and 4 pages of unpublished notes and diagrams, 80 pages, various sizes, etc. [1970's]; iii) Colquhoun's research material pertaining to W.B. Yeats, Maude Gonne and Ireland, including notes taken at the Yeats International Summer School at Sligo, her 'Irish' address book (including those of Jack Yeats and Mrs W.B. Yeats), various photographs, maps, guidebooks, timetables etc., c.47 pages of notes, c.1966-1968; with first edition copies of Ithell Colquhoun's Sword of Wisdom: MacGregor Mathers and the Golden Dawn, London and New York, 1975, one inscribed by the author to Kitty (2), The Crying of the Wind, Ireland, 1955, and The Living Stones, Cornwall, 1957, [second half twentieth century] (collection)Footnotes:'THE OPENING OF THE SEALS IS FOLLOWED BY THE SOUNDING OF SEVEN TRUMPETS & THE POURING OF SEVEN VIALS': MAGICAL WRITINGS AND ILLUSTRATIONS BY THE IMPORTANT BRITISH SURREALIST PAINTER, OCCULTIST & AUTHOR.Until recently the surrealist works of Ithell Colquhoun (1906-1988) have been somewhat overshadowed by better-known contemporaries such as Leonora Carrington and Eileen Agar, but interest in her art and writing is now firmly in the ascendant. Indeed, the scholar Amy Hale has noted that Colquhoun '...is becoming recognized as one of the most interesting and prolific esoteric thinkers and artists of the twentieth century...' (Amy Hale, 'The Magical Life of Ithell Colquhoun' in Nevill Drury, Pathways in Modern Western Magic, 2012) and argues that through Colquhoun's work '...we can see an interplay of themes and movements which characterizes the trajectory of certain British subcultures ranging from Surrealism to the Earth Mysteries movement and also gives us a rare insight into the thoughts and processes of a working magician...'.The magical material in this archive, save for four pages of notes and diagrams, was gathered together and published as The Magical Writings of Ithell Colquhoun in 2007 by Steve Nichols, a copy of which is included in the lot. It serves as a complement to Colquhoun's 1974 work, Sword of Wisdom: MacGregor Mathers and the Golden Dawn, her only published book on magical theory. The four essays entitled 'The Crown and the Kingdom' were also published by Steve Nichols as a separate volume in 2006. Much of it was delivered as lectures, notably to Countess Tamara Bourkhoun's Golden Dawn-inspired Order of the Pyramid and Sphinx in the 1960's, of which she was a prominent member, or articles in such publications as Prediction. She was an initiate of several different orders representing Hermetic and Pagan traditions including the OrdoTempli Orientis, the Masonic Order, the Fellowship of Isis and the French Gnostic Church. Colquhoun discovered surrealism through the work of Dali and Magritte whilst studying at the Slade under Henry Tonks, and joined the English Surrealist Group in 1939, exhibiting with Roland Penrose at the Mayor Gallery the same year. Her involvement with the British Surrealist movement, however, was to be brief as she was soon expelled from the group for refusing to abandon the occult research which had become central to her work. She was interested in the occult from an early age, particularly the principles of the Hermetic Order of the Golden Dawn, introduced through her cousin Edward Garstin, and she infused her art with elements of occult colour theory and sacred geometry, both of which she returned to in her later writings as evidenced here (see Amy Hale, The Magic Surrealism of Ithell Colquhoun, Art UK online, June 2020).The present collection represents many of her wide-ranging interests, drawing together her magical and artistic careers. In her short article of 1977, 'The Taro as Colour', a modern typed copy of which is included in the archive, she talks of her magical theory of colour and the surrealistic painting technique of automatism: '...It renders the essence of each card by the non-figurative means of pure colour, applied automatically in the manner of the psychomorphological movement in surrealism...' she explains. Also evident is her admiration for Celtic lore (one letter is from a Deaconess of the Ancient Celtic Church) and in particular W.B. Yeats, a Golden Dawn Adept who also used automatism in his work ('...Through his hermetic studies under MacGregor Mathews, Yeats was deeply embued with Qabalistic thought...'). Ithell's influential article about Aleister Crowley which appeared originally in the London Broadsheet, no.4, April 1955, is also present, typed and amended by the author: '...Ithells' attitude to Aleister Crowley was ambivalent. He chased her around a house once, but she managed to escape his advances...' (Nichols, p.3). Amongst the wealth of material here is a detailed description of a ritual, 'The Outline of Preliminary Ceremony Connected with the Banishing Ritual of the Pentagram', running to some five handwritten pages with red and black inks used to clarify which are spoken words and which are actions. As might be expected, there are also several striking illustrations, including a series of colourful painted diagrams depicting various configurations of The Cube. Provenance: Steve Nichols, editor of The Magical Writings of Ithell Colquhoun, 2007.For further information on this lot please visit Bonhams.com
6 cm in diameter. Var. sayings such as "Jesus wore long hair", "King Kong died for our sins" and "Down with Pants". (2) Meysenbugs Mini-Faust. 7.5 cm in diameter. (3) Nikolaus Mak. Medizinsches sex-stich-wörter-buch. Vols. 1 and 2. 6 cm in diameter. -and 11 other Ring Publications works, 1 duplicate. All printed in Frankfurt, 1968-69. Added: (1) Two Les O publ.: Histoire de Fous and Dali. (2) New Pop Express. Smoka dopa. Circular leporello in orig. box. (3) Nog eens knijp stickers. (total 19)
Bronze Salvador Dali(1904 Figueres - 1989 Figueres) "Surrealistischer Engel", 1984. Expl. 674/ 1.500. Bronze, partiell schwarz patiniert. Auf Gitterwürfel-Sockel stehender Engel m. durch Dreiecke ersetztem Gesicht, d. Arme erhoben, d. Brust m. gr. Durchbruch. Am Gewandsaum eingeschlagene Sign. "S. Dali", nr. "674/ 1500", Gießermarke "Kunstguss Strehle". Patina berieben. Ges.H 56,4 cmdurchbrochen, Engel, Exemplar, Flügel, Schwingen, Kubismus, Spanien, Surrealismus
Salvador Dali, zwei Keramikfliesen, 1954aus der Serie "Spanische Impressionen", limitierte Edition. Keramik, weiß glasiert und polychrom unterglasurbemalt, Fliese auf mit Stoff bespannten Karton aufgebracht, im goldverzierten Rahmen. Abstrakter Seestern mit vier Armen und abstraktes Werk, in der Mitte ein Mund von dem aus Hände und Augen sternförmig auseinanderlaufen, beide signiert. Maße: Fliese 20 x 20 cm, Rahmen 35 x 35 cm. Guter Erhaltungszustand mit leichten Altersspuren.
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