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A 19th century hand painted twenty-six piece dinner service, with relief floral detail outside gilt scrolls and painted floral panels, pattern number 3835 (part af).Additional InformationJug has been dropped and broken in to many pieces and crudely glued back together, one oval plate with extensive cracking throughout. Oval twin-handled pedestal bowl, one handle has been crudely repaired. One triangular bowl with extensive cracking and breaks, the piece has been dropped and crudely glued back together. One rectangular with large cracks and chips throughout. Four circular plates have been damaged, two with large pieces broken out and crudely glued back into place, and two with extensive cracking to body. The pattern number is 3835, but these pieces are otherwise unmarked, there are seventeen side plates, a jug, a large bowl, three vaguely triangular shallow bowls and two vaguely oval shaped shallow bowls as well as two rectangular shaped shallow bowls. The jug is not part of this set, it is produced by Davenport, but it is extensively damaged. There is a chip to the underside of one of the oval bowls, the other is badly cracked throughout.
NAPPER & DAVENPORT; a cased George V hallmarked silver cruet set, salt and mustard with blue glass liners, Birmingham 1922, a cased set of six small teaspoons, a silver plated photo framed and bread knife and Royal Commemorative knife, weighable silver approx 3.9ozt.Additional InformationBoth blue glass liners appear ok, slight small nibbles to rim, further general dents, scratches, wear, etc.
NO RESERVE Stonehenge.- Webb (John) A vindication of Stone-Heng restored: in which the orders and rules of architecture observed by the ancient Romans, are discussed. Together with the customs and manners of several nations of the world in matters of building of greatest antiquity, first edition, title in red and black, engraved illustrations, lacking initial imprimatur f. and errata, some water-staining to lower margins, occasional spotting, disbound, [Wing 1203], small folio, printed by R. Davenport for Tho. Bassett, 1665. sold not subject to return. ⁂ A refutation of Walter Charleton's Chorea gigantum (London, 1663), in which he claims that Stonehenge was built by Druids and not by the Romans as maintained by Inigo Jones in his Most Notable Antiquity of Great Britain Restored (London, 1655).
A group of eighteenth century blue and white and other coloured tin glazed tiles, circa 1760-90. Comprising of: two different sword fighting scenes, possibly Bristol and a geometric floral design. Also included: the centre section of a cut-down plate decorated with a country cottage. Tiles: 14 cm and 13 cm wide. Plate centre: 14 cm wide. Davenport 31 cm wide. (3)From the estate of the late Norman Walmsley. Condition: Some chippings to the edges.
A group of early nineteenth century transfer printed child's plates, circa 1830-50. Comprising of: The Lord's Prayer plate, a hare coursing alphabet plate, To Err is Human plate, an alphabet plate, Joseph's First Dream plate, Joseph's second dream plate, a Poor Richard plate and a Rope Skipper plate. Davenport 31 cm wide. (8)From the estate of the late Norman Walmsley. Condition: Overall staining and wear. Chip to the underside rim the Joseph's First Dream plate.
A group of early nineteenth century earthenwares, circa 1810-40. Comprising of: a hand-painted pearlware floral design tea bowl and a similar cup with a pouring spout, a miniature pearlware teapot, a banded cup and saucer, two sponge decorated cups and saucers, a green glazed mug, a creamware lid and a treacle glazed large cup. Green mug: 8 cm tall. Saucers: 12 cm wide. Davenport 31 cm wide. (9)From the estate of the late Norman Walmsley. Condition: In generally good overall condition bar some minor chipping to rims the green mug and the hand painted floral pieces.
Two nineteenth century earthenware toby jugs, circa 1840-70. Firstly, a pearlware toby decorated in colours, possibly Davenport. Secondly, a brown, treacle-type glaze toby. Davenport: 25 cm tall, Brown: 26 cm tall. (2)From the estate of the late Norman Walmsley. Condition: Davenport with some wear and damage to his hat, other in good overall condition.
A group of early nineteenth century blue and white transfer printed wares, circa 1820-30. To include: A Minton Monk's Rock series soup dish, A Minton English Scenery series dinner plate, an Adams Native pattern dinner plate and a Davenport Bisham Abbey. All approximately 24 - 25 cm wide. (4)Condition: The Native plate has two restored chips to the underside rim, otherwise, in good overall condition.
A collection of six early nineteenth century blue and white transfer printed saucers decorated with various chinoiserie themed scenes. Makers include Ridgway, Davenport and Dawson, circa 1810-20. Sizes vary between 12 and 14 cm in diameter. (6)Ex-Trevor Kentish collection. Condition: Three in good overall condition and three with cracks and/or chips.
Two pieces of early nineteenth century blue and white transfer printed ware, circa 1810. To include: A Chinoiserie Bridgeless pattern butter boat and asparagus server in the same pattern, both probably Davenport. Butter boat 8.5 cm long, asparagus server 12 cm long (2)From the estate of the late Norman Walmsley. Condition: Both in good overall condition.
A collection of five early nineteenth century blue and white transfer printed egg cups, circa 1810-20. Included: a pair of Chinoiserie Ruins double-ended egg cups, a Davenport Bisham Abbey double-ended egg cup, a Broseley double-ended egg cup and a Broseley pedestal egg cup. Pedestal cup: 6 cm tall. (5)From the estate of the late Norman Walmsley. Condition: Chips to the rim of the three double-ended cups, remaining pieces in good overall condition.
A group of early nineteenth century blue and white transfer printed wares, circa 1820-40. Comprising of: A large Davenport Villagers platter, a Clementson Siam platter, an Oriental Scenery series dessert dish with a view of City of Benwares, an Irish Scenery series sauce tureen and cover and an Asiatic Pheasant soup tureen ladle. Davenport: 48 cm wide, Clementson: 35 cm wide, Dessert Dish: 29 cm wide, Sauce tureen: 21 cm wide, Soup ladle 33 cm long. (5)Condition: Damages to all pieces. Soup ladle in good overall condition.
A collection of early nineteenth century blue and white transfer printed wares, circa 1815-30. Comprising of: A Davenport Villagers pattern dinner plates, two Spode Italian pattern dinner plates, a Wild Rose pattern plate and a Spode Castle pattern pudding bowl. 25 cm to 21 cm wide. (5)Condition: Castle bowl with crack in body, otherwise in good overall condition.
A group of mid nineteenth century transfer printed platters, circa 1830-40. Included: A large green printed moulded Dresden Roses platter, a brown printed Davenport Agriculture pattern platter and a black printed Indian scenic platter. Dresden Roses: 54 cm wide, Indian 43 cm wide, Agriculture 34 cm wide. (3)From the estate of the late Norman Walmsley. Condition: Dresden in good order, Indian with filled rim chip, Agriculture in generally good order.
A group of early nineteenth century blue and white transfer printed platters, circa 1800-10. Included: A Fitzhugh pattern platter, a Swansea Dillwyn Long Bridge platter and a Davenport Chinoiserie Bridgeless platter. Fitzhugh: 46 cm wide, Swansea 35 cm wide, Davenport 31 cm wide. (3)From the estate of the late Norman Walmsley. Condition: Overall staining to the Swansea platter, others in generally good overall condition.
A collection of early nineteenth century blue and white transfer printed wares, circa 1815-25. Included: Three Spode Trophies Marble pattern plates with enamelled highlights, a Wedgwood Basket & Flowers plate, a dessert plate with bird decoration, an Etruscan and Greek vase sauce tureen stand, a Davenport sauce tureen stand, a Romantic period sauce tureen stand and a Chinese Porcelain pattern side plate. 17 - 25 cm wide (9)From the estate of the late Norman Walmsley. Condition: In generally good overall condition
A group of nineteenth century transfer printed plates, circa 1830-60. Included: A blue-printed Bell Italian Lakes comport, grey-printed Royal Cottage plate, brown-printed Davenport Agriculture plate, two grey-printed Rhine plates, a green-printed Nankin plate, Wedgwood Woronzoff plate, an Adams Dr Syntax plate, a Meakin plate with Mexican scenes, a grey-printed Careys Indian Temples plate and a brown-printed Marble Arch plate. 20 - 25 cm wide. (11)From the estate of the late Norman Walmsley. Condition: Agriculture plate with rim chip, Indian Temple plate and Marble Arch with hairlines, otherwise in generally good overall condition.
Three early nineteenth century blue and white transfer printed knife rests, circa 1815-30. To include a Willow border pattern example, a Chinoiserie Bridgeless example and a Davenport Floral pattern rest. 10 cm and 7 cm long respectively. (3)Ex-Trevor Kentish collection. Condition: Davenport in generally good order, other two with chips.
A group of mainly early nineteenth century transfer printed wares, circa 1825-50. Comprising: A brown-printed Peruvian Hunters waste bowl, a black-printed Rose pattern saucer, a Princess Royal and Prince of Prussia green-printed saucer, a horse pattern saucer, Pet Lamb green-printed platter, a Davenport Geometric pattern cup and saucer in purple, a pet lamb blue-printed sugar box (no lid), a floral pattern sugar box and cover, a red-printed sugar box (no lid), a blue-printed coffee pot lid, a red-printed chinoiserie saucer, two lustre plates, a flow blue tureen (no cover) and a Gaudy plate. Peruvian bowl: 16 cm wide. (15) From the estate of the late Norman Walmsley. Condition: Filled chip to the rim of the Pet Lamb platter, chip to coffee pot lid, otherwise in overall good condition.
A group of four blue and white transfer printed blue and white plates, circa 1810-30. Included: A Davenport Chinoiserie Bridgeless plate, a Spode Marble pattern dessert plate, a Spode Forest Landscape pattern pudding bowl and a Lovick pattern arcaded plate. 21 cm to 18 cm wide. (4)Condition: Small rim chips to the Lovick and Bridgeless plates, otherwise, good.
A Regency rosewood davenport desk made by Burrey & White, circa 1820, brass three quarter gallery top, hinged top leather inlay writing slope enclosing small maple drawers, supports with carved reverse scrolled supports, cupboards either side with one opening to four tier drawers, cupboard in centre, raised on bun feet. 86cm H x 58cm D x 59cm W
Collection of documents and ephemera relating to Staffordshire. Deeds/indentures, predominantly 19th century, some earlier (names include Tollett; Wicksted; Twemlow; Royds; Copeland; Moss; Shingleton 1699; Parson; Jackson; Blagg; Poole; Wood; Brindley; Davenport; Turner; Brunt; Port Hill Estate 1887; Basford Hall Estate 1893, and others); business invoices/receipts; Victorian & Edwardian solicitors' letters (predominantly Newcastle-under-Lyme); Stoke-on-Trent Poll Book for 1868; a quantity of handwritten correspondence to Harold Beresford-Hope throughout 1910, from his mother, on headed paper (6 Gledhow Gardens, South Kensington); a manuscript 'Book of Bodies, Glazes, Colours'; correspondence to Arthur Barnes Esq., Lichfield, 1873 (with envelope); free frank post signed by Baron Bagot, Lichfield, addressed to Rev. Hughes; armorial bookplate for Bayley-Paget, Lord Paget; 1857 Act extending powers of Burslem and Tunstall Gaslight Company; 1813 & 1823 Acts relating to land enclosure in Staffs; two framed In Memoriam/funeral cards, Bentley Cemetary, elaborate silvered paper lace designs; a wooden printing block for 'R. L. Bodley & Son, Wine & Spirit Merchants, Newcastle (Staff)'; an engraved copper printing plate for W. H. Grindley, depicting pottery factory; metal plaque depicting 'the oldest house in America, built in 1634'; 20th-century/modern printed material about Staffs/Potteries; newspapers; 19th-century maps/plans of Staffs, and others, in two boxes (2)
The Mind of Mr Soames Lobby card collection set of 6 from the 1970 British-American sci-fi-drama film directed by Alan Cooke and starring Terence Stamp, Robert Vaughn and Nigel Davenport. The film is based on Charles Eric Maine's 1961 novel of the same name. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A GROUP OF TERRACOTTA AND OTHER JUGS, VASES, etc, to include a Bulbous vase, with enamelled Oriental scenes on black ground, height 24cm, a Wedgwood terracotta jug, with monogram, a Pratt Fenton 'Old Greek' teapot, a Davenport, Banks & Co, 'The Lichfield Jug', height 17cm, a twin handled terracotta vase, with Greek mythical medallions, height 26cm etc
Battle Of Britain 60th Anniversary Plate Ltd Edition By Davenport Into Action. Plate No. 01330B by Keith Woodcock, in excellent condition, no chips, cracks or crazing. Supplied with original certificate. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Battle of Britain 60th Anniversary Plate Ltd Edition by Davenport, plate No. 01993B and is titled Scramble by Keith Woodcock. Is in excellent condition with no chips, cracks or crazing. Supplied with certificate. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Buddhism.- A panel from a Sinicized Tibetan Buddhist ritual crown, embroidered in silk, gold and other metallic threads on an ivory silk ground, 12.5 x 8.5 cm (4 ½ x 3 ¼ in.), in very good condition with fresh colours, on a 19th century card backing, from an album compiled by Cyril Davenport (1848-1941), Superintendent of Bookbindings at the British Museum, [?18th century]⁂ From a five-paneled ritual crown, the leaves depicting the five meditation buddhas, as worn by a Tibetan lama or devotee during ceremonies to summon buddhas and other deities.
AN EARLY VICTORIAN ROSEWOOD DAVENPORT DESK the slope top with gilt tooled green leather inset writing surface, opening to satinwood lined interior, the side with drawer with secret locking mechanism above four graduated drawers, spirally turned uprights with acanthus carved bases, 54cm wide 56cm deep 86cm high
A VICTORIAN INLAID WALNUT DAVENPORT, with string and scrolling foliate inlaid, the hinged slope with leather inset writing surface, opening to reveal drawer and compartment, fitted to one side with five drawers, opposed by four dummy drawers, moving on castors. 80.5cm high, 52.5cm wide, 52cm deep
A VICTORIAN WALNUT DAVENPORT, with waisted box superstructure above a leather-inset slope opening to reveal an interior of drawers and compartments, supported on leaf-carved scrolling supports, fitted to one side with four drawers opposed by dummies, raised on bun feet with castors. 82cm high, 55.5cm wide, 54cm deep
Peter Davenport 12x8 Signed Colour Enhanced Photo Pictured In Action For Manchester United. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A nice collection of antique ceramics dating from the 19th Century onwards to include a Wedgwood transfer printed blue and white plate, a davenport pink and floral decoration teacup, two gilt and cobalt blue painted tea cups decorated with mythical beasts, a Chinoiserie famille rose tea pot, a crown derby saucer, and some unmarked pieces. Largest measues 32cm diameter.
AN EARLY VICTORIAN BURR WALNUT PIANO TOP 'POP-UP' DAVENPORT the moulded galleried pop-up top section revealing pigeon holes and a pierced fretwork interior above a hinged pull forward writing surface with drawers and adjustable leather surface. The base with a bank of four graduated side drawers fitted with turned knobs flanked by dummy drawers, the back and front panelled with carved turned column supports; standing on a plinth base with under casters , 57cm deep, 97cm high
A Victorian Burr Walnut and Carved Davenport, circa 1870, with gilded leather writing surface and hinged lid enclosing a maple interior with two drawers, the carved cupboard door enclosing four drawers with brass recessed handles with foliate carved scroll supports, a platform base, circular feet and recessed castors, 56cm by 58cm by 84cm See illustration.
A Pair of Mid XIX Century Davenport Porcelain Candlesticks, painted with floral sprays within scrolling gilt borders, printed marks, 28cm high; A Davenport Jug, decorated in the Imari palette with a chinoiserie scene of pagodas and flowering shrubs, printed mark, 16cm high and a mid XIX Century perfume bottle and stopper, painted with floral sprays against a dark blue ground. (5)

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19485 item(s)/page