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An Elmer Elephant, 'Compass Rosie' painted by Anne-Marie Byrne, height approx 110cm. Anne-Marie is a Suffolk-based artist, an ex-archaeologist and civil servant. Anne-Marie rediscovered her artistic roots when Pigs Gone Wild trail came to Ipswich in 2016. She has participated in several trails around the UK, painting lions, sun bears, hares, giraffes, bees, ducks and otters. She also painted a Van Gogh inspired car that went all the way to Monte Carlo in a charity rally. When not painting, Anne-Marie creates digital art and writes fiction.

Graded Comic Book Comprising Avengers vs. X-Men #1 - Marvel Comics 6/12 - Aaron, Bendis, Brubaker, Hickman & Fraction story. John Romita Jr. art. Jim Cheung cover. Manufactured with peel-apart label for digital download code on the last page. CGC Grade 9.8 - White Pages.

A PMX 5000 Europower mixer/amplifier multi effect processor, 24 bit digital multi effect processor, 20 input, 800 Watt, two Mackie Industries Art 300 Speakers, JVC Video CD player, assorted cables etc

A gents Art Deco Digital wristwatch with three display windows, chrome face etc

David Hockney is a British artist who was born on July 9, 1937, in Bradford, England. He is known for his contributions to the pop art movement and his depictions of Southern California swimming pools, as well as his portraits and landscapes. Hockney studied at the Bradford College of Art before attending the Royal College of Art in London. His early work included paintings that featured gay themes and he became a part of the British pop art scene in the 1960s.Hockney's art is characterized by bright colors and a playfulness that often incorporates elements of humor. In addition to painting, he has also worked in other mediums, such as printmaking and photography. His work has been exhibited in museums and galleries around the world and he has received numerous honors, including being made a member of the Order of Merit in 2012.Hockney has also been an advocate for new technologies in art, experimenting with iPad drawing and other digital media. He currently divides his time between England and California, and continues to produce new artwork.Measures 21 x 21.Verso is blank.

David Hockney is a prominent British artist who was born in 1937 in Bradford, England. He is widely regarded as one of the most influential artists of the 20th century and is known for his contributions to the Pop art movement.Hockney's work spans a variety of media, including painting, drawing, printmaking, and photography. He is best known for his colorful and vibrant paintings of swimming pools, landscapes, and portraits. Hockney often works in a vibrant, bright palette, and his work often exudes a sense of joy and optimism.Some of Hockney's most famous works include "A Bigger Splash," a painting of a swimming pool that is one of his most recognizable pieces, as well as ""Portrait of an Artist (Pool with Two Figures),"" which sold for a record-breaking $90 million at auction in 2018.Throughout his career, Hockney has been recognized with numerous awards and honors, including a Knighthood from the British Crown and an Order of Merit. He continues to create new work and has embraced digital technology in recent years, creating art on his iPad and iPhone.Measures 20 x 16.5.Writing is in the plate.Verso is blank.

JAMES BOND: DR. NO (1962) - On Set Contact Sheet Limited Edition Print by Frank HerrmannBidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Sunday Times Staff photographer Frank Herrmann was sent to Pinewood Studios in Buckinghamshire on March 22nd, 1962, to capture the moment Sean Connery met with James Bond's creator Ian Fleming. The first of the hugely successful series. Herrmann was allowed to stay and record the action sequences for the final scenes being filmed that day. These scenes and the Connery and Fleming meeting are recorded on the contact sheet here. Before digital cameras, a roll of 36 photographs would be processed to produce a strip of negatives. These negatives would be developed, fixed and dried to make a'positive' set of images on photographic paper, allowing easy reference for choosing which photographs to use. Printed on Hahnemuhle Photo Rag 308gsm fine art paper, each print is embossed with the photographer's stamp, signed and hand-numbered #8/10.35" x 44" (89 x 112 cm)Additional Information: Signed, Annotated and Hand-Numbered #8/10. Accompanied by a Pap Art COA.Condition: Near MintArtist: Frank Herrmann£2000 - 4000VAT Status: MClick here for our Poster Auction Grading Guide

Juno Calypso (b.1989)UntitledDigital print in colours, 2023, signed and dated in black ink, numbered from the edition of 100, published by the artist for Art Car Boot Fair, London, on photo paper, with the artist's accompanying paper bag, the full sheet printed to near the edges, sheet 220 x 314mm (8 5/8 x 12 3/8in) 

Claire Foy (as the Queen): A framed digital print of the three penny stamp designSeason 3, Episode 1, 'Olding'Claire Foy depicted in profile with brown tones within a box frame and bespoke case, together with four digital prints for stamp mock-ups mounted on a single card, for 1 penny, 2 penny, 3 penny and ha'penny, in blue, red, brown and green tones, unframed within a bespoke case, the first: 28cm wide, 32cm high (11in wide, 12 1/2in high), the smaller designs: 21cm wide, 24cm high (8in wide, 9in high) (2)Footnotes:The beginning of Season 3 marks the moment that Olivia Colman took over from Claire Foy as the Queen. The team ingeniously constructed the opening scene to visually show this transition; Colman reviews the proofs (essays) for new stamp designs with her profile and compares them with the previous iteration, those with Claire Foy.The Graphics Department took previous profile shots of Foy as the Queen and transformed them into these works of art.For further information on this lot please visit Bonhams.com

Signed indistinctly, Trellick Towers - Carnival, digital art, signed, titled and dated 2010 top left corner, framed. (38cmx38cm)

Simon Lovelace (British, b 1967) LOVE/HATE - 2007 Print on art paper Titled, Signed and dated by the artist lower right Measures approx. 31.5cm x 21cm (12 1/8" x 8 1/4") Simon Lovelace (British b. 1967) Hands Across Infinity Digital art print on foam lambdaboardSigned, dated 2006 and titled in black marker to the verso35 x 60 cm (11 x 23 in)Simon Lovelace was born in England in 1967 and emigrated to Australia in 1991.  He studied graphic design at Plymouth College of art, specialising in advertising and received The Proctor & Mather Award for typographical excellence in 1990. Lovelace has been painting professionally for 5 years and paints in a neo-pop art style. He embraces technique with style and his portraits command a beauty and personality born from his intimate photographic rendering of image. His paintings are in private collections internationally and he has exhibited in Sydney & Melbourne.  Simon Lovelace now runs Blank_Space gallery in Sydney's Surry Hills district.

Kennardphillipps (Peter Kennard & Cat Philips)  Photo Op -2007 Digital print Measures approx. 51cm x 50 cm (19 3/4" x 19 3/8") kennardphillipps is a collaboration between Peter Kennard and Cat Phillipps working since 2002 to produce art in response to the invasion of Iraq. It has evolved to confront power and war across the globe. The work is made for the street, the gallery, the web, newspapers & magazines, and to lead workshops that develop peoples’ skills and help them express their thoughts on what’s happening in the world through visual means. The work is made as a critical tool that connects to international movements for social and political change. We don’t see the work as separate to social and political movements that are confronting established political and economic systems. We see it as part of those movements, the visual arm of protest. We want it to be used by people as a part of their own activism, not just as pictures on the wall to contemplate. To facilitate this, as well as selling our limited edition prints on the site enabling us to fund the making of the work, there is a free download page of images with a voluntary contribution to the International Solidarity Movement.

Simon Lovelace (British, b 1967) What I think about you 2007 Screen-print on fine art paper Titled, signed and dated in pencil by artist Measures approx. 31.5cm x 21cm (12 1/8" x 8 1/4") Simon Lovelace (British b. 1967) Hands Across Infinity Digital art print on foam lambdaboardSigned, dated 2006 and titled in black marker to the verso35 x 60 cm (11 x 23 in)Simon Lovelace was born in England in 1967 and emigrated to Australia in 1991.  He studied graphic design at Plymouth College of art, specialising in advertising and received The Proctor & Mather Award for typographical excellence in 1990. Lovelace has been painting professionally for 5 years and paints in a neo-pop art style. He embraces technique with style and his portraits command a beauty and personality born from his intimate photographic rendering of image. His paintings are in private collections internationally and he has exhibited in Sydney & Melbourne.  Simon Lovelace now runs Blank_Space gallery in Sydney's Surry Hills district.

Marc Lagrange (Belgium 1957 - 2015) Exposition  poster 2012 at Atelier Jungwirth  Print on paper 84cm x 59.5cm (33" x 23.5") Lagrange (Belgium, b 1957)was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. Privileging analog over digital, the Antwerp-based Belgian artist searches for intimacy and emotion as opposed to artificial effects. His giant Polaroids—which have been exhibited worldwide—are a powerful example of his craft as well as his attention to detail: he can display the texture of skin, highlight natural curves and make his models stand out.   Lagrange elaborates entire sets until he finds the exact mood he wishes to convey, with the end goal being to create the images he wants. From the color of the walls to the shape of a chair, every single detail counts, underlining Lagrange’s perfectionist streak and his willingness to unfold narratives. He keeps looking for singular subjects and unexpected stories, placing humanity at the core of his approach. Since his sudden death in a car accident in Tenerife in 2015, his legacy lives on through his timeless photographs of boundless sensuality and elegance and his artworks continue to be recognized and honored worldwide.

David Shrigley (British, b. 1968) Untitled (SOME OF MY BEST FRIENDS ARE PIGS) - One of the Four Animal series , 2019 Lithograph prints on paper 2020 Printed by Narayana Press, Published by ShrigShop, Copenhagen Unsigned and unframed  80 x 60cm (31 1/2 x 23 5/8")  David Shrigley was born in 1968 in Macclesfield, UK. He lives and works in Brighton and Devon, UK. In January 2020 the artist was awarded the decoration of Officer of the Most Excellent Order of the British Empire or OBE. His digital animations such as ‘Headless Drummer’ and ‘The Artist’ demonstrate what Shrigley calls ‘the economy of telling stories’, delivering a deftly crafted mix of dark and light through the simplest of forms. In his sculptural works, rendered in materials such as bronze and ceramic, the artist makes physical some of his more curious and eccentric propositions by transforming found objects or by playing with their scale. Taking Lewis Carroll's perspective of Wonderland, Shrigley enlarges objects and imbues them with curious proportions.  Shrigley was a Turner Prize nominee in 2013, following his major mid-career retrospective ‘Brain Activity' at the Hayward Gallery, London. In September 2016, his monumental sculpture ‘Really Good' was unveiled in Trafalgar Square, London for the Fourth Plinth Commission. Other solo museum exhibitions include those at Copenhagen Contemporary, Denmark (2020); Newstead Abbey Historic House & Gardens, Nottinghamshire, England (2019); Museo de arte Carrillo Gil, Mexico City, Mexico (2019); Art Omi, Ghent, New York, USA (2019); Spritmuseum, Stockholm, Sweden (2018); Deste Foundation Project Space, Greece (2018); Fabrica, Brighton, England (2018); Rose Art Museum, Brandeis University, Massachusetts, USA (2016); National Gallery of Victoria, Melbourne, Australia (2014); Pinakothek der Moderne, Munich, Germany (2014); Hayward Gallery, London, England touring to Yerba Beuna Centre for the Arts, San Francisco, USA (2013); Cornerhouse, Manchester, UK (2012); Mumbai Art Rooms, Mumbai, India (2012); Turku Art Museum, Turku, Finland (2011) and Bergen Kunsthall, Bergen, Norway (2009). Shrigley’s works are included in prominent collections internationally, including Museum of Modern Art, New York, USA; Art Institute of Chicago, Illinois, USA; Museum Ludwig, Cologne, Germany; Pinakothek der Moderne, Munich, Germany; Centre Pompidou, Paris, France; Statens Museum for Kunst, Copenhagen, Denmark; Thyssen-Bornemisza Contemporary Art Foundation, Vienna, Austria; Scottish National Gallery of Modern Art, Edinburgh, Scotland; Tate, London, England; British Council, London, England; and National Gallery of Victoria, Melbourne, Australia. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A Quantity of James Bond Collectibles, including: Corgi Attache Case, 2 x GE Fabbri James Bond Cars Aston Martin DB 5 & Aston Martin V12 Vanquish with magazines, Corgi Directors Cut Die Another Day Jaguar XKR, James Bond Aston Martin DB 5 gold plated, Minichamps Casino Royale Bond Collection Aston Martin DB 5 & DBS, Corgi Rolls Royce 24 carat gold plated, 4 x Corgi James Bond models, Corgi Roger Moore Lotus EspritJB1 The Worlds first official Digital camera, 007 edition Scene It The DVD game, sealed, Limited Edition Era set, 20 x VHS Video collection of James Bond Films, Time Art Daniel Craig print and Dr. No Canvas print 40cms x 30cms, all in excellent original condition (34 items).

A Swiss Art Deco nickel plated jump hour mechanical digital wrist watch, 1920s-30s, with Adolf Schild AS340 digital jump hour movement, as used in the Rolex Marconi jump hour watch, the three cream and gold rotating round dials with black Arabic numerals, displaying the hours, minutes and seconds through three shaped apertures, two piece hinged case, 25mm wide

David Hockney R.A. (British, born 1937)The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 19 February iPad drawing in colours, 2011, on wove paper, signed, dated and numbered 17/25 in pencil, the full sheet, framedSheet 1400 x 1050mm (55 x 41 1/2in)Footnotes:The iPad drawings that constitute The Arrival of Spring series by David Hockney might have been received at first with a hint of suspicion when they were introduced in the Royal Academy A Bigger Picture blockbuster exhibition in 2012. Some questioned the choice of the iPad as an artistic tool, others complained about the digital rendering, yet all were taken aback by David Hockney's ability to revolutionise landscape paintings at this stage of his career, embracing the digital revolution of the 21st century. Just over ten years later, The Arrival of Spring iPad drawings have become some of the most instantly recognisable and highly sought-after works in the artist's oeuvre. They have come to define the David Hockney of the noughties, celebrating the Yorkshire landscape by depicting the impact of the incoming Spring from January to June 2011. As an eager exponent of drawing first on an iPhone then on an iPad, David Hockney proved that digital advances were not to be feared but celebrated, praising the iPad as 'a fantastic medium for landscape', helping to capture the rapid changes of light better than any other medium could allow. The strength of these works is also in how they inscribe themselves within an important history of landscape paintings, one especially dear to British art. Constable, Monet, Turner, Claude, Spencer or Van Gogh come to mind and their approach to nature continues to impact an artist who, after many years spent in the Californian sun, became fascinated by the spectacle of the changing seasons, and the English Spring in particular. As such, Hockney further enhances his position as one of the most important artists of our time, continuously challenging the viewers and artworld's expectations of landscape paintings, pushing the boundaries of creation and medium, making art a welcome field for all. The queues to go and experience the first exhibition of his iPad drawings amongst paintings and videos at the Royal Academy in 2012, and the enthusiastic responses said it all. We are thrilled to present the following three works from The Arrival of Spring series in this sale. Each beautifully capturing the landscape, light, and colours of Hockney's beloved birth county, Yorkshire, slowly waking up to Spring. A season many now associate with Hockney's later work. Here, art and nature complement each other at their best, in works that have become just as historically relevant to art in the 21st century as those of Constable and Turner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Juno Calypso (British 1989-), 'Untitled', 2023, digital print in colours on 315gsm Hahnemuhle Fine Art Paper, signed, dated, and numbered from an edition of 100 in black ink; sheet: 22 x 31.5cmARR In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.

Zerback, Rainer -- "Pariser Platz, Berlin, Deutschland" from the series "Places of Interest". 2020/printed 2022. Fine Art print on Hanemühle paper. 80 x 120 cm. Label with printed title, therein signed and numbered 1/20 by the photographer in ink on the verso.Rainer Zerback's "Places of Interest" series embraces the reality of popular tourist destinations, turning the flow of visitors into the central focus. Surprisingly, the presence of people in these landscapes enhances their attractiveness. In some respects, they appear more picturesque and engaging than the illusion of pristine, untouched nature and sites. This effect is achieved through harmonious positioning of people in the frame, and in post-processing, digital techniques are employed to organize and intensify the crowds, virtually condensing the reality of these locations. – In near excellent condition with bright colors.Lit.: Günter Baumann/Volkhard Wolf (eds.). Rainer Zerback. Places of Interest. Böblingen/Mosbach 2020.

David Shrigley (British, b. 1968) Untitled (SOME OF MY BEST FRIENDS ARE PIGS) - One of the Four Animal series , 2019 Lithograph prints on paper 2020 Printed by Narayana Press, Published by ShrigShop, Copenhagen Unsigned and unframed  80 x 60cm (31 1/2 x 23 5/8")  David Shrigley was born in 1968 in Macclesfield, UK. He lives and works in Brighton and Devon, UK. In January 2020 the artist was awarded the decoration of Officer of the Most Excellent Order of the British Empire or OBE. His digital animations such as ‘Headless Drummer’ and ‘The Artist’ demonstrate what Shrigley calls ‘the economy of telling stories’, delivering a deftly crafted mix of dark and light through the simplest of forms. In his sculptural works, rendered in materials such as bronze and ceramic, the artist makes physical some of his more curious and eccentric propositions by transforming found objects or by playing with their scale. Taking Lewis Carroll's perspective of Wonderland, Shrigley enlarges objects and imbues them with curious proportions.  Shrigley was a Turner Prize nominee in 2013, following his major mid-career retrospective ‘Brain Activity' at the Hayward Gallery, London. In September 2016, his monumental sculpture ‘Really Good' was unveiled in Trafalgar Square, London for the Fourth Plinth Commission. Other solo museum exhibitions include those at Copenhagen Contemporary, Denmark (2020); Newstead Abbey Historic House & Gardens, Nottinghamshire, England (2019); Museo de arte Carrillo Gil, Mexico City, Mexico (2019); Art Omi, Ghent, New York, USA (2019); Spritmuseum, Stockholm, Sweden (2018); Deste Foundation Project Space, Greece (2018); Fabrica, Brighton, England (2018); Rose Art Museum, Brandeis University, Massachusetts, USA (2016); National Gallery of Victoria, Melbourne, Australia (2014); Pinakothek der Moderne, Munich, Germany (2014); Hayward Gallery, London, England touring to Yerba Beuna Centre for the Arts, San Francisco, USA (2013); Cornerhouse, Manchester, UK (2012); Mumbai Art Rooms, Mumbai, India (2012); Turku Art Museum, Turku, Finland (2011) and Bergen Kunsthall, Bergen, Norway (2009). Shrigley’s works are included in prominent collections internationally, including Museum of Modern Art, New York, USA; Art Institute of Chicago, Illinois, USA; Museum Ludwig, Cologne, Germany; Pinakothek der Moderne, Munich, Germany; Centre Pompidou, Paris, France; Statens Museum for Kunst, Copenhagen, Denmark; Thyssen-Bornemisza Contemporary Art Foundation, Vienna, Austria; Scottish National Gallery of Modern Art, Edinburgh, Scotland; Tate, London, England; British Council, London, England; and National Gallery of Victoria, Melbourne, Australia. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Banksy (British, b. 1973) Police Riot Van (Dismaland Gift Print), 2015 Hand embellished digital print in colours Signed in black pen, with unique dedication in black pen Comprising official Dismaland program, exclusive staff wristband and original gift frame. With a copy of the workers payslip. 25 x 18cm (10" x 7") This is one of 52, all of which were gifted to Dismaland stewards from the artist's show Dismaland. Each hand signed and framed by Banksy.  Banksy (British, b.1973 ) is perhaps the most controversial street artist of the modern day. He is famous for his stencilled graffiti works, which appear in public spaces around the world. His use of stencilling developed from a need to complete a work quickly, namely to avoid being caught vandalizing by police. Banksy often uses multi-layered stencils to employ multiple colours, and he frequently incorporates permanent environmental fixtures, such as street signs and architectural elements, into his work. Marked by dark humour, satire, and political commentary, much of his street art has become viral on the Internet. His most notable early work was the result of a trip to Palestine and the West Bank, where he stencilled nine images on the Bethlehem Wall. Despite his stealth presence, Banksy has become a mainstream phenomenon. In 2010 Banksy directed Exit Through the Gift Shop, a chronicle of the underground world of street art, which was nominated for Best Documentary at the Oscars. In 2015, he opened Dismaland Bemusement Park, a temporary exhibition of an inverted, dystopian Disneyland. Although Banksy has continuously emphasized an aversion to the art world through his output, he also produces traditional works on canvas and prints as well as branded merchandise such as t-shirts. His cultural significance, widespread popularity, and, certainly, the mystery of his identity have all contributed to the desirability of his art. According to Sotheby’s Mei Moses, the average compound annual return for Banksy is 8.5%, with 76.5% of works increasing in value. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

THE RISE AND FALL OF PARAMOUNT RECORDS 1928-1932 VOLUME TWO (BOX SET TMR 204). The second instalment of the exceptional 'Rise And Fall Of Paramount Records' box set series. Limited issue of 5000. The vinyl albums do not have paper labels but have the side number etched into the record where the labels would be. Contents: * 800 newly-remastered digital tracks, representing 175 artists. * 90+ fully-restored original 1920s-30s Paramount ads from The Chicago Defender * 6 x 180g LPs pressed on label-less alabaster-white vinyl, each side with its own hand-etched numeral and holographic image. * 250 pg. large-format clothbound hardcover book featuring original Paramount art and the label's curious tale * 400 pg. encyclopedia-style softcover field guide containing artist bios & portraits and full Paramount discography * First-of-its-kind music and image player app containing all tracks and ads, housed on custom metal USB drive * Polished aluminum and stainless steel "Machine Age" cabinet, upholstered in sapphire blue velvet.In 'As New' condition.

Geometrische Abstraktion Vera Molnár (1924 Budapest)3 côtés d'un carré. 1973. Computerbasierte Plotter-Zeichnung auf Velin. 5 x 10 cm (21 x 27 cm). Signiert und datiert. Verso nochmals signiert, datiert, betitelt und bezeichnet "e.e.". Punktuell auf Unterlage und unter Passepartout montiert, unter Glas gerahmt. - Papier im Passepartoutausschnitt leicht und gleichmäßig angebräunt. Punktuell wenige, leichte Finger- und Atelierspuren. Insgesamt gut. Prachtvoller, filigraner Druck mit breitem Rand. Epreuve d'essai außerhalb der Auflage. - Beigegeben: Handschriftliche Rechnung der Künstlerin vom 20. November 1995 an die Galerie Claude Dovel, Paris. - Vera Molnar gilt als eine Pionierin in der computerbasierten und digitalen Kunst. 1959, noch vor dem Zeitalter der Computertechnik, entwickelte sie die sogenannte "Machine imaginaire" zur Aufzeichnung algorithmischer Kalkulationen und setzt sich seitdem konsequent mit den ästhetischen Möglichkeiten von Computerbasierter Kunst auseinander. Das vorliegende Werk stellt eine sehr frühe Arbeit Molnars dar, in der sie von der sog. Plotter-Technik Gebrauch macht. Plotter, auch Kurvenschreiber genannt, waren Geräte, mit denen technische Zeichnungen, Vektorgraphiken und Diagramme seriell hergestellt werden konnten. Die Arbeit steht für exemplarisch für den personaltypischen Stil Molnars, der konstruktivistische und mathematische Vorgehensweisen kennzeichnet. Computer based plotter drawing on wove paper. Signed and dated. On the verso signed, dated, titled and inscribed "e.e.". Spot-mounted to mat and underlying mat, framed under glass. - Paper slightly and evenly browned in the mat section. Few, slight finger and studio marks in places. Overall good. Magnificent, filigree print with wide margin. - Epreuve d'essai aside the edition. - Enclosed: Artist's handwritten invoice dated November 20, 1995 to Galerie Claude Dovel, Paris. - Vera Molnar is considered a pioneer in computer-based and digital art. In 1959, before the age of computer technology, she developed the so-called "Machine imaginaire" for recording algorithmic calculations and since then has consistently dealt with the aesthetic possibilities of computer-based art. The present work represents a very early work by Molnar in which she makes use of the so-called plotter technique. Plotters, also called curve recorders, were devices with which technical drawings, vector graphics and diagrams could be produced in series. The work exemplifies Molnar's personal style which characterizes constructivist and mathematical approaches as well as serial experimentation with irregularities in a previously established graphic order.

Edel Campbell Expectation III Oil on canvas paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Edel Campbell is an Irish artist, based in Dublin. She works mostly with oil painting and drawing. Edel studied fine art in The National College of Art and Design in Dublin and holds an M.Sc in interactive digital Media from Trinity College, Dublin. Edel has exhibited her work in Ireland and abroad and her paintings have been purchased for many corporate and private collections. Most recently Edel has had paintings selected for The Royal College of Physicians 'Climate and Health' Exhibition in Dublin, The Royal Academy of Art Summer Exhibition in London and The Royal Hibernian Academy's Annual Exhibition in Dublin. She is currently working towards a solo Exhibition in The Custom House Studios and Gallery in Westport, Co. Mayo as part of their program for 2024/25 Education 2005 - 2006 Trinity College, Dublin, M.Sc in Multimedia Systems. 1992 - 1996 The National College of Art and Design Dublin, B.A. Fine Art Painting. (Jan 1995 - June 1995 Erasmus Exchange, Royal Academy of Art, The Hague). Select Exhibitions/Awards Recent Residencies 2023 Artists' Residency, The Tyrone Guthrie Centre, Co. Monangan Recent selected Exhibitions Climate and Health, The Royal College of Physicians, Dublin (2023) The Royal Academy of Art Summer Exhibition, London (2023) The Royal Hibernian Academy's 193rd Annual Exhibition, Dublin (2023) The Royal Hibernian Academy's 192nd Annual Exhibition, Dublin (2022) Other exhibitions include: Temple Bar Studios, Dublin, The Old Museum Belfast, Regent House Trinity College Dublin, The Cross Gallery Dublin, The Royal Academy of Art, The Hague, The Royal Dublin Society, Cavan County Museum, The United Arts Club, Dublin, Ashbourne Civic Offices, Co. Meath, Barbara Stanley Gallery London Statement about AOAP Submitted Artwork These postcards are from a recent series of paintings and drawings called 'Microcosm'. The work was inspired by tiny paper sculptures made by my 8-year-old daughter. I have always been interested in the idea of 'miniatures' as stages for the imagination or as alternative ways of communicating our own sense of being in the world. " ..the minuscule, a narrow gate, opens up an entire world" - Gaston Bachelard, The Poetics of Space You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laurence de Valmy Sisterhood Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rosemary Burn Phone On A Postcard Marker pens and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Part of my intention is to make unusual the usual; the everyday visual experiences which we all encounter and mostly dismiss as unimportant, not worth a second glance. The works are crafted from moments; those snippets of time from which I can find a story in the background, such as a dripping bath tap and the light carried in the ripples, a fly on the wall, the fleeting expression on a face, a nameless place. For me, these happenings underpin our existence; big events, highs and lows, come and go but the insignificant and fleeting remain and repeat, like a constant hum in the background. The nature of each brushstroke, and the texture of the paint also play an important part in the translation of the seen, into a blurring between the representational and the semi abstract, the patterns which often escape our notice. I work every day searching for an alchemy between paint, subject and moment. When I studied at Chelsea School of Art, I was making sculpture, but the intention behind the work was similar. Works from those times include a bicycle abandoned on its side with its back wheel perpetually turning, so the scene of an accident was kept alive for an infinite length of time, a remote-controlled leg of lamb, a huge flying saucepan which had come to rest skewered by the sword of a swordfish held upright by a fisherman (both plaster casts). Although my life is a busy one with many commitments - I am also a classical pianist, (and I teach the piano and violin), not being creative in some way every day has never been possible for me. I love every minute! Education Chelsea School of Art MA Trinity College of Music LTCL piano (performer) Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition, London 2023 Anniversary 10x10 ArtCan, Hansard Studio, London 2023 Chroma 2 Artcan, America Square Conference Centre, London 2023 The Power of Pencil, Artcan 10th anniversary exhibition 2023 Figurative Art spring exhibition, Open Gallery Halifax 2023 Artists on the Rise, exhibitions and online auctions, curated by Chinwe Russell Art Gallery 2022 Royal Society of Marine Artists, Mall Galleries London 2022 Wells Art Contemporary, Wells Cathedral 2022, Paris International Art Fair 2022, Artexpo, New Yotk 2022, Contemporary Art Masters Virtual Art Fair 2022, Van Gogh Gallery, Madrid 2021, Figurative Art Now, The Federation of British Artists, Mall Galleries, London 2021, Gallery representation, Tom Zaw Fine Art, Hoddesdon, Herts 2021, Publication in Spotlight magazine, Circle Foundation for the Arts 2021, Gallery representation, Alessandro Berni Gallery, New York 2021, Canvas - Mixing Identities, London International Art Fair, THE LINE, contemporary art space, London 2020, Royal Institute of Oil Painters exhibition, Mall Galleries, London 2019, Royal Institute of Oil Painters exhibition, Mall Galleries, London 2019, Florence Biennale, Fortezza da Basso, Florence 2019, Art Screen TV Digital Exhibition, Gallerie du Marche Prestige, Montreux, Switzerland 2018, Royal Society of Oil Painters exhibition, Mall Galleries, London 2018, Gallery representation, New Blood Art 1990, Group exhibition, Art Now, London 1990, 27 Artists before the roof falls in, Art East, London 1984, International Garden Festival, International Garden Festival, Liverpool 1990, Christie's Inaugural, Christie's, London Gallery Representation New Blood Art Singulart Saatchi Art Tom Zaw Gallery, Hoddesdon Statement about AOAP Submitted Artwork I wanted to create an artwork which had a subject similar in scale to the postcard - I thought a phone on a postcard seemed colourful and quirky, and I liked the idea of the mixed forms of communication - the all-encompassing phone of today humbled by reducing it to a drawing on a postcard.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Eleanor Lines Blue Sunset Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Matthew Stone Untitled (2) Inkjet (giclee) on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Stone (born 1982 in London, England) is a London-based artist. He is part of the South London art collective !Wowow!. Matthew graduated from Camberwell College of Arts, London in 2004. He currently stages performances and films. In 2007, his first solo show, entitled "Futurehindsight", took place at UNION in London. In November 2009, Stone topped the arts section in a "Power players Under 30" list compiled by the Sunday Times. Matthew frequently collaborates with FKA Twigs and created the album artwork for 2019's Magdalene. In November 2011, Matthew had an exhibition at Kathy Grayson's "The Hole" Gallery entitled Optimism as Cultural Rebellion, the same name as his blog. Stone has had subsequent exhibitions at the Hole in 2018, 2020 and 2023. Matthew paints with AI. In a uniquely hybrid process, Matthew begins with hand-painted brushstrokes, which he first paints onto glass before photographing and cutting them out to establish a digital archive of individual painterly marks. These brushstrokes then imprint and drape around Stone's virtual 3D models who populate his vibrant and ethereal canvases as painted avatars.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Bethany Hadfield I See Her Hot Breath In My Sleep Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Bethany Hadfield lives and works in London. She graduated from Wimbledon College of art in 2016 and in 2022 received an MA in painting from the RCA. Hadfield's practice co-exists in different dimensions, one confined to the screen, of rendered animations and digital images and the other inherently physical, consisting of large-scale oil paintings. Sketches are created on open-source 3D software, and are a result of various digital improvisations. The digital images are then translated to canvas with acrylic to eliminate gestural notions achieving a smooth artificial finish. The immediacy of 3D software is contrast to the gradual and intuitive process of painting to explore verisimilitude. As physical records of the image economy, they are formed from networked labour and collaborations with the machine. For Hadfield artistic creation is not individual but a mediation of one's role in collaboration and social interaction. "I work in the emancipatory realm of technology. With the aid of digital tech I produce paintings explore the networks of what is considered the 'self', 'ecologies', ' future" (Bethany Hadfield) Education Royal College of Art; MA Painting 2019 - 2021 Wimbledon College of Art - BA(HONS) Fine Art; Painting 2013-2016 Select Exhibitions/Awards AWARDS Hans Brinker Painting Prize, Nominee, Amsterdam Jonathan Harvey Studio Award - Nominee EXHIBITIONS July 2020 - A Fish You Have Already Caught Janurary 2020 RCA Work in Progress Show, RCA London July 2019 - Cry with Laughter Freehold Projects, Leeds April 2018 - Sundlaug - Centrespace, Bristol July 2017 - Black Lotus Tau Gaming, Middlesbrough January 2017 -HerOiNE, The Square Gallery Battersea Gallery Representation Gillian Jason Gallery   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Estelle Vera Ocean View VII Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Estelle Vera lives by the sea in Deal. Born in the countryside of Switzerland, she probably fell in love with nature with her first cry. She has always enjoyed the freedom of strolling through the woods, climbing trees, lying in the grass and dreaming into the clouds. It has certainly made a strong impact on her journey. After five years of study at the Lucerne School of Art and Design, she was drawn without hesitation to Italy, where she continued studying painting at the Art Academy of Bologna. In the last decade, she discovered very surprisingly her love for still life painting and a parallel journey took its way. At the beginning she enjoyed the playful approach to the overwhelming abundance of colours, perspectives and patterns. The move to the coast of South England brought new inspirations and the conversation deepened. The subtle colours, the sensitive light and the beauty and fragility of the objects found on her walks along the beaches became once more a dive into silence. As an honouring of simplicity and in a slow process paintings emerge filled with great wonder. Education School of Art and Design Lucerne / MA Art Academy of Bologna/Italy / Painting / Further Education in Sculpting and Digital Art Select Exhibitions/Awards The Art of Silence / Beaux Arts Bath / Somerset 2023 RA Summer Exhibition 2023 / Royal Academy of Arts / London Quiet Living / Rye Art Gallery / Rye, East Sussex 2023 Bath Society of Artists / Victoria Art Gallery / Bath, Somerset 2023 Winter Group Show 2022/23 / Linden Hall Studio / Deal Winter Group Show 2021/22 / Linden Hall Studio / Deal, Kent Wells Art Contemporary 2021 / Wells Cathedral / Wells, Somerset Winter Group Show 2020 / Linden Hall Studio / Deal, Kent Small Sizes - Kleine Formate / Galerie Carla Renggli / Zug, Switzerland Miniatures and Masterstrokes - The Christmas Show 2020! / Rye Art Gallery Winter Group Show 2019 / Linden Hall Studio / Deal, Kent Royal Institute of Oil Painters ROI / Annual Exhibition 2019 / Mall Galleries London Royal Society of Marine Artists RSMA / Annual Exhibition 2019 / Mall Galleries London Royal Society of British Artists RBA / Annual Exhibition 2019 / Mall Galleries London Small Sizes - Kleine Formate 2015 / Galerie Carla Renggli / Zug, Switzerland Gallery Representation Rye Art Gallery / East Sussex Beaux Arts Bath / Somerset Statement about AOAP Submitted Artwork My very current work is mainly focused on the mesmerizing beauty of the beach pebbles. The inspiring encounter of equal simplicity and complexity in each and every beach pebble fills me with awe, - or as Henry David Thoreau put it: "Heaven is under our feet as well as over our heads." (H.D. Thoreau "On the Wisdom and Simplicity of Life")   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Olivia Adamczyk O'Sullivan On Worthing Beach Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Olivia lives in Southeast London. Her work has two main focuses: the industrial buildings, blocks of flats, streets and parks of that area, and the landscapes of the English coast and the Drome in France. Olivia's work is based upon on- and off-site sketchbook drawings and paintings as well as still and moving digital images collected on her iPhone. Sketches use charcoal, ink, watercolour and pastels. Her work is mostly on paper using acrylic, watercolour, ink, charcoal and crayon. Olivia wants the images she creates to demonstrate a sense of commitment to a place, a reflective commentary on the continuum of what can be described as 'ordinary', whether a building seen from a commuter train or a brown English beach on the South Coast. Education Olivia studied music at the University of East Anglia, followed by a career as a teacher and in teacher education and research. Towards the end of her career in education Olivia began painting and drawing courses at City Lit London and completed the two-year Fine Art course there in 2016. Select Exhibitions/Awards She won the Royal Watercolour Society Contemporary Open prize in 2019, and the RWS Cass Art Solo Exhibition prize in 2020. She was elected as an Associate Member of the RWS in 2022. Her work was selected for the ING Discerning Eye Exhibition in 2022 and at the Royal Academy Summer Exhibition in 2023. Statement about AOAP Submitted Artwork I usually create larger works, so painting on postcards was a new experience for me. The three postcards are based on work from my sketchbooks where I develop my ideas. I draw and paint en plein air as much as I can - it's when I feel completely alive and free. On Worthing Beach: we frequently visit Worthing for family reasons and I've grown to love painting its wonderful skies and brown beaches. In search of Hadrian's Wall: based on plein air sketches this year in the magnificent Northumbria countryside near the Wall. 'In the park, Southeast London': one of the many paintings I've done of the park on my road - a place which played such an important role in my mental wellbeing during the Covid years.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Edel Campbell The Woods Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by AOAP About Edel Campbell is an Irish artist, based in Dublin. She works mostly with oil painting and drawing. Edel studied fine art in The National College of Art and Design in Dublin and holds an M.Sc in interactive digital Media from Trinity College, Dublin. Edel has exhibited her work in Ireland and abroad and her paintings have been purchased for many corporate and private collections. Most recently Edel has had paintings selected for The Royal College of Physicians 'Climate and Health' Exhibition in Dublin, The Royal Academy of Art Summer Exhibition in London and The Royal Hibernian Academy's Annual Exhibition in Dublin. She is currently working towards a solo Exhibition in The Custom House Studios and Gallery in Westport, Co. Mayo as part of their program for 2024/25 Education 2005 - 2006 Trinity College, Dublin, M.Sc in Multimedia Systems. 1992 - 1996 The National College of Art and Design Dublin, B.A. Fine Art Painting. (Jan 1995 - June 1995 Erasmus Exchange, Royal Academy of Art, The Hague). Select Exhibitions/Awards Recent Residencies 2023 Artists' Residency, The Tyrone Guthrie Centre, Co. Monangan Recent selected Exhibitions Climate and Health, The Royal College of Physicians, Dublin (2023) The Royal Academy of Art Summer Exhibition, London (2023) The Royal Hibernian Academy's 193rd Annual Exhibition, Dublin (2023) The Royal Hibernian Academy's 192nd Annual Exhibition, Dublin (2022) Other exhibitions include: Temple Bar Studios, Dublin, The Old Museum Belfast, Regent House Trinity College Dublin, The Cross Gallery Dublin, The Royal Academy of Art, The Hague, The Royal Dublin Society, Cavan County Museum, The United Arts Club, Dublin, Ashbourne Civic Offices, Co. Meath, Barbara Stanley Gallery London Statement about AOAP Submitted Artwork These postcards are from a recent series of paintings and drawings called 'Microcosm'. The work was inspired by tiny paper sculptures made by my 8-year-old daughter. I have always been interested in the idea of 'miniatures' as stages for the imagination or as alternative ways of communicating our own sense of being in the world. " ..the minuscule, a narrow gate, opens up an entire world" - Gaston Bachelard, The Poetics of Space You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Pink Sunset Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Bethany Hadfield And It Comforts Me Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Bethany Hadfield lives and works in London. She graduated from Wimbledon College of art in 2016 and in 2022 received an MA in painting from the RCA. Hadfield's practice co-exists in different dimensions, one confined to the screen, of rendered animations and digital images and the other inherently physical, consisting of large-scale oil paintings. Sketches are created on open-source 3D software, and are a result of various digital improvisations. The digital images are then translated to canvas with acrylic to eliminate gestural notions achieving a smooth artificial finish. The immediacy of 3D software is contrast to the gradual and intuitive process of painting to explore verisimilitude. As physical records of the image economy, they are formed from networked labour and collaborations with the machine. For Hadfield artistic creation is not individual but a mediation of one's role in collaboration and social interaction. "I work in the emancipatory realm of technology. With the aid of digital tech I produce paintings explore the networks of what is considered the 'self', 'ecologies', ' future" (Bethany Hadfield) Education Royal College of Art; MA Painting 2019 - 2021 Wimbledon College of Art - BA(HONS) Fine Art; Painting 2013-2016 Select Exhibitions/Awards AWARDS Hans Brinker Painting Prize, Nominee, Amsterdam Jonathan Harvey Studio Award - Nominee EXHIBITIONS July 2020 - A Fish You Have Already Caught Janurary 2020 RCA Work in Progress Show, RCA London July 2019 - Cry with Laughter Freehold Projects, Leeds April 2018 - Sundlaug - Centrespace, Bristol July 2017 - Black Lotus Tau Gaming, Middlesbrough January 2017 -HerOiNE, The Square Gallery Battersea Gallery Representation Gillian Jason Gallery     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Katharine Dufault Tree Trio II, 2023 Watercolour/Gouache/Ink Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by AOAP About British born Katharine Dufault is a New York Times-reviewed artist, curator, visual arts consultant and educator. As a multimedia artist, she works in oils, watercolour, encaustic, printmaking and photography. Katharine graduated with honours from Columbia University, with a degree in painting and literature after studying visual arts, graphic design and photography at Anglia Ruskin University, Cambridge, England. She regularly exhibits her work and has been in numerous shows in New York City, Boston, Ohio, Connecticut, Westchester County, the Berkshires and Cambridge, England. Dufault's work is included in many corporate and private collections. Dufault lives and works in the Berkshires, MA, USA. Education Columbia University, New York, NY. Painting, Literature; Department Honors, Dean's List, Merit Scholarship Anglia Ruskin University, Cambridge, England. Art Foundation: Painting, Photography, Graphic Design; Merit Scholarship Select Exhibitions/Awards SOLO and TWO PERSON EXHIBITIONS 2021Between Earth & Sky, Stark Gallery, Kent State University, OH Katharine Dufault & Sarah Lutz, Susan Eley Fine Art, Hudson, NY To Be In The Same World, The Painting Center, NYC 2019Summer Art Partnership Serendipity Labs, White Plains, NY Early One Morning, The Painting Center, NYC 2017Recent Works, The Rye Art Gallery, Rye NY 2012Reflections of Hindustan, The Rye Arts Center Gallery, Rye, NY 2011New Paintings, Studio Gallery, Great Barrington, MA 2009Variations, Anelle Gandelman Fine Art, Larchmont, NY Milk and Honey: Waterscapes, CPI/UK, Cambridge, UK 2008Mizu, (w/ Mike Solomon) Anelle Gandelman Fine Art, Larchmont, NY 2006Landscapes, CPI/UK, Cambridge, UK SELECTED GROUP EXHIBITIONS 2022 HOLIDAY, LABspace, Hillsdale, NY Small Works Benefit Show 2022, The Painting Center via Artsy Spectrum, Serious Fun Art Fair, White Plains, NY Chair Of Hope Project, art installation, Ammagansett, NY Among Friends 3, Equity Gallery, NYC Pelham Arts Center Arts Group, Pelham Arts Center, Pelham, NY ART NOW: A Multiplicity of Ideas, Madelyn Jordan Fine Art, Scarsdale, NY 2021HOLIDAY, LABspace, Hillsdale, NY Full Circle, WoArt via !stDibs The Best of Both Worlds, Bernay Fine Art, Great Barrington, MA ART FAIR 14C, The Painting Center, Manna Contemporary, NJ Inaugural Exhibition, Refrigerator Poetry Archive, (virtual) Virtual Invitational Show, Art Essex Gallery, NY USPS Art Project, Greenley Art Art Space, Signal Hill, CA 2020HOLIDAY, LABspace, Hillsdale, NY SmallWORKS, Garrison Art Center, Garrison, NY Together Again, The Painting Center, NYC (virtual) USPS Art Project, Pelham Art Center, Pelham, NY Vignettes in Wax and Words, International Encaustic Artists (digital magazine exhibition)Deep Blue See, Ground Floor Gallery, Brooklyn, NY (virtual) Rituals of Resistance, The Urban Collective, New Haven, CT The Enabling Act: A Call To Arms, M. David & Co Gallery, Bushwick, NY ART FAIR 14C, The Painting Center, Jersey City Hyatt, NJ 2019Holiday Benefit Exhibition, M. David & Co Gallery, Bushwick, NY Painters On Location, The Rye Arts Center, Rye NY 2019Connection IV, Atlantic Gallery, NYC Among Friends, The Clement Center, NYC STAGING NATURE: A World Unto Itself, Madelyn Jordan Fine Art, Scarsdale, NY Rye Youth Council Benefit Exhibition, Shenorock Shore Club, Rye, NY 201825th Anniversary Show, The Painting Center, NYC M. David & Co Invitational Fundraiser, M. David & Co. Gallery, Bushwick, NY Small Works/Big Hearts, Atlantic Gallery, NYC Mutual Aid, Stark Gallery, KSU, Ohio Waxing Poetic, Pelham Art Center, Pelham, NY Connection III, Atlantic Gallery, NYC Riverside Auction, Garrison Art Center, Garrison, NY Boston Biennial Project 5, Atlantic Works Gallery, Boston, MA Some Like It Hot - Encaustic Works, The Rye Arts Center, Rye, NY Biennial International Miniature Print Show - Bendheim Gallery, Greenwich CT Painters On Location - The Rye Arts Center, Rye NY 201711th Biennial International Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT 2016Small Works Show, Catalyst Gallery, Beacon, NY Small Works, The Rye Arts Center, Rye, NY Color-Ful, Mooney Center Gallery, The College of New Rochelle, NY Hot Ticket: Works On Paper, The Rye Arts Center, Rye, NY Winter White: An Absence of Color, The Rye Arts Center, Rye, NY 2015Holiday Exhibition, Center for Contemporary Printmaking, Norwalk, CT Through The Decades, ArtsWestchester, Arts Exchange, White Plains, NY Painters On Location, The Rye Arts Center, Rye, NY 2014Ways of Seeing, ArtsWestchester, Gallery 9, White Plains, NY Pendle Print Fest, Pendle Art Gallery, Lancashire, UK Summer ARTiculated, Osilis Gallery, Concordia College, NY Fourth Biennial Footprint International, Center for Contemporary Printmaking, Norwalk, CT Ninth Westchester Biennial, Castle Gallery, The College of New Rochelle, NY We Love Art, Kenise Barnes Fine Art, Larchmont, NY
 2013 International Miniature Print Exhibition, The Bendheim Gallery, Greenwich, CT Artists On Location, The Rye Arts Center Gallery, Rye, NY 9th Biennial Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT Gallery Representation Bernay Fine Art, Great Barrington MA; Susan Eley Fine Art, Hudson, NY Statement about AOAP Submitted Artwork Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material which can be experienced in various ways by others. I draw on my deep love of nature: the impressions from my new rural life upstate and in the Berkshires, earlier years in Westchester adjacent to a marshland, and my childhood in the Cambridgeshire countryside in England. I want to create paintings which are both familiar yet unknown. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Matthew Stone Untitled (1) Inkjet (giclee) on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Stone (born 1982 in London, England) is a London-based artist. He is part of the South London art collective !Wowow!. Matthew graduated from Camberwell College of Arts, London in 2004. He currently stages performances and films. In 2007, his first solo show, entitled "Futurehindsight", took place at UNION in London. In November 2009, Stone topped the arts section in a "Power players Under 30" list compiled by the Sunday Times. Matthew frequently collaborates with FKA Twigs and created the album artwork for 2019's Magdalene. In November 2011, Matthew had an exhibition at Kathy Grayson's "The Hole" Gallery entitled Optimism as Cultural Rebellion, the same name as his blog. Stone has had subsequent exhibitions at the Hole in 2018, 2020 and 2023. Matthew paints with AI. In a uniquely hybrid process, Matthew begins with hand-painted brushstrokes, which he first paints onto glass before photographing and cutting them out to establish a digital archive of individual painterly marks. These brushstrokes then imprint and drape around Stone's virtual 3D models who populate his vibrant and ethereal canvases as painted avatars.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Matthew Stone Untitled (3) Inkjet (giclee) on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Stone (born 1982 in London, England) is a London-based artist. He is part of the South London art collective !Wowow!. Matthew graduated from Camberwell College of Arts, London in 2004. He currently stages performances and films. In 2007, his first solo show, entitled "Futurehindsight", took place at UNION in London. In November 2009, Stone topped the arts section in a "Power players Under 30" list compiled by the Sunday Times. Matthew frequently collaborates with FKA Twigs and created the album artwork for 2019's Magdalene. In November 2011, Matthew had an exhibition at Kathy Grayson's "The Hole" Gallery entitled Optimism as Cultural Rebellion, the same name as his blog. Stone has had subsequent exhibitions at the Hole in 2018, 2020 and 2023. Matthew paints with AI. In a uniquely hybrid process, Matthew begins with hand-painted brushstrokes, which he first paints onto glass before photographing and cutting them out to establish a digital archive of individual painterly marks. These brushstrokes then imprint and drape around Stone's virtual 3D models who populate his vibrant and ethereal canvases as painted avatars.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Katharine Dufault Tree Trio I, 2023 Watercolour/Gouache/Ink Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by AOAP About British born Katharine Dufault is a New York Times-reviewed artist, curator, visual arts consultant and educator. As a multimedia artist, she works in oils, watercolour, encaustic, printmaking and photography. Katharine graduated with honours from Columbia University, with a degree in painting and literature after studying visual arts, graphic design and photography at Anglia Ruskin University, Cambridge, England. She regularly exhibits her work and has been in numerous shows in New York City, Boston, Ohio, Connecticut, Westchester County, the Berkshires and Cambridge, England. Dufault's work is included in many corporate and private collections. Dufault lives and works in the Berkshires, MA, USA. Education Columbia University, New York, NY. Painting, Literature; Department Honors, Dean's List, Merit Scholarship Anglia Ruskin University, Cambridge, England. Art Foundation: Painting, Photography, Graphic Design; Merit Scholarship Select Exhibitions/Awards SOLO and TWO PERSON EXHIBITIONS 2021Between Earth & Sky, Stark Gallery, Kent State University, OH Katharine Dufault & Sarah Lutz, Susan Eley Fine Art, Hudson, NY To Be In The Same World, The Painting Center, NYC 2019Summer Art Partnership Serendipity Labs, White Plains, NY Early One Morning, The Painting Center, NYC 2017Recent Works, The Rye Art Gallery, Rye NY 2012Reflections of Hindustan, The Rye Arts Center Gallery, Rye, NY 2011New Paintings, Studio Gallery, Great Barrington, MA 2009Variations, Anelle Gandelman Fine Art, Larchmont, NY Milk and Honey: Waterscapes, CPI/UK, Cambridge, UK 2008Mizu, (w/ Mike Solomon) Anelle Gandelman Fine Art, Larchmont, NY 2006Landscapes, CPI/UK, Cambridge, UK SELECTED GROUP EXHIBITIONS 2022 HOLIDAY, LABspace, Hillsdale, NY Small Works Benefit Show 2022, The Painting Center via Artsy Spectrum, Serious Fun Art Fair, White Plains, NY Chair Of Hope Project, art installation, Ammagansett, NY Among Friends 3, Equity Gallery, NYC Pelham Arts Center Arts Group, Pelham Arts Center, Pelham, NY ART NOW: A Multiplicity of Ideas, Madelyn Jordan Fine Art, Scarsdale, NY 2021HOLIDAY, LABspace, Hillsdale, NY Full Circle, WoArt via !stDibs The Best of Both Worlds, Bernay Fine Art, Great Barrington, MA ART FAIR 14C, The Painting Center, Manna Contemporary, NJ Inaugural Exhibition, Refrigerator Poetry Archive, (virtual) Virtual Invitational Show, Art Essex Gallery, NY USPS Art Project, Greenley Art Art Space, Signal Hill, CA 2020HOLIDAY, LABspace, Hillsdale, NY SmallWORKS, Garrison Art Center, Garrison, NY Together Again, The Painting Center, NYC (virtual) USPS Art Project, Pelham Art Center, Pelham, NY Vignettes in Wax and Words, International Encaustic Artists (digital magazine exhibition)Deep Blue See, Ground Floor Gallery, Brooklyn, NY (virtual) Rituals of Resistance, The Urban Collective, New Haven, CT The Enabling Act: A Call To Arms, M. David & Co Gallery, Bushwick, NY ART FAIR 14C, The Painting Center, Jersey City Hyatt, NJ 2019Holiday Benefit Exhibition, M. David & Co Gallery, Bushwick, NY Painters On Location, The Rye Arts Center, Rye NY 2019Connection IV, Atlantic Gallery, NYC Among Friends, The Clement Center, NYC STAGING NATURE: A World Unto Itself, Madelyn Jordan Fine Art, Scarsdale, NY Rye Youth Council Benefit Exhibition, Shenorock Shore Club, Rye, NY 201825th Anniversary Show, The Painting Center, NYC M. David & Co Invitational Fundraiser, M. David & Co. Gallery, Bushwick, NY Small Works/Big Hearts, Atlantic Gallery, NYC Mutual Aid, Stark Gallery, KSU, Ohio Waxing Poetic, Pelham Art Center, Pelham, NY Connection III, Atlantic Gallery, NYC Riverside Auction, Garrison Art Center, Garrison, NY Boston Biennial Project 5, Atlantic Works Gallery, Boston, MA Some Like It Hot - Encaustic Works, The Rye Arts Center, Rye, NY Biennial International Miniature Print Show - Bendheim Gallery, Greenwich CT Painters On Location - The Rye Arts Center, Rye NY 201711th Biennial International Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT 2016Small Works Show, Catalyst Gallery, Beacon, NY Small Works, The Rye Arts Center, Rye, NY Color-Ful, Mooney Center Gallery, The College of New Rochelle, NY Hot Ticket: Works On Paper, The Rye Arts Center, Rye, NY Winter White: An Absence of Color, The Rye Arts Center, Rye, NY 2015Holiday Exhibition, Center for Contemporary Printmaking, Norwalk, CT Through The Decades, ArtsWestchester, Arts Exchange, White Plains, NY Painters On Location, The Rye Arts Center, Rye, NY 2014Ways of Seeing, ArtsWestchester, Gallery 9, White Plains, NY Pendle Print Fest, Pendle Art Gallery, Lancashire, UK Summer ARTiculated, Osilis Gallery, Concordia College, NY Fourth Biennial Footprint International, Center for Contemporary Printmaking, Norwalk, CT Ninth Westchester Biennial, Castle Gallery, The College of New Rochelle, NY We Love Art, Kenise Barnes Fine Art, Larchmont, NY
 2013 International Miniature Print Exhibition, The Bendheim Gallery, Greenwich, CT Artists On Location, The Rye Arts Center Gallery, Rye, NY 9th Biennial Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT Gallery Representation Bernay Fine Art, Great Barrington MA; Susan Eley Fine Art, Hudson, NY Statement about AOAP Submitted Artwork Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material which can be experienced in various ways by others. I draw on my deep love of nature: the impressions from my new rural life upstate and in the Berkshires, earlier years in Westchester adjacent to a marshland, and my childhood in the Cambridgeshire countryside in England. I want to create paintings which are both familiar yet unknown. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Carla Busuttil Caw Caw Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Carla Busuttil was born in Johannesburg in 1982. She gained a Postgraduate Fine Art degree from the Royal Academy of Arts after completing her BA (Hons.) from the University of Witwatersrand. She works across painting, drawing and video, exploring the manipulation of digital and analogue material through installation, movement and performance. She uses multilayered references to create fictional imaginings that draw on real life events / people in order to engage with culture from a contemporary and critical perspective. Carla lives and works in Birmingham UK. Education 2005 - 08 Postgraduate Dipl. Royal Academy Schools, London 2001 - 04 BA (Hons.) Fine Art, University of Witwatersrand, Johannesburg Select Exhibitions/Awards SOLO SHOWS Always the Land, Recent Activity, Birmingham, UK, 2021 Sunset Debris, Montresso Art Foundation, Marrakech, 2020 Gentlemen, I Just Don't Belong Here, Goodman Gallery, Cape Town, 2019 The Super-Suburb Defence Authority, Josh Lilley, London, 2016 Choice. Click. Bait. , Goodman Gallery, Johannesburg, 2016 GROUP SHOWS Nothing but Thresholds, Ingot Studios, Birmingham, 2023 Night School, Birmingham School of Art, Birmingham, 2023 Good Neighbours, Nirox Sculpture Park, Johannesburg, 2022 Empire through the Lens, Midlands Art Centre, Birmingham, 2022 Bohlale Ba Maka, Performance and Open Studio Exhibition, Nirox Sculpture Park, Johannesburg, 2022 IDENT, with Schemata and Corsica Studios, New Art City, 2021 Ikon for Artists, Ikon gallery, Birmingham, 2021 Distorted Figure, Space K, Seoul, 2020 Gallery Representation Josh Lilley   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Olivia Adamczyk O'Sullivan Looking For Hadrian's Wall Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Olivia lives in Southeast London. Her work has two main focuses: the industrial buildings, blocks of flats, streets and parks of that area, and the landscapes of the English coast and the Drome in France. Olivia's work is based upon on- and off-site sketchbook drawings and paintings as well as still and moving digital images collected on her iPhone. Sketches use charcoal, ink, watercolour and pastels. Her work is mostly on paper using acrylic, watercolour, ink, charcoal and crayon. Olivia wants the images she creates to demonstrate a sense of commitment to a place, a reflective commentary on the continuum of what can be described as 'ordinary', whether a building seen from a commuter train or a brown English beach on the South Coast. Education Olivia studied music at the University of East Anglia, followed by a career as a teacher and in teacher education and research. Towards the end of her career in education Olivia began painting and drawing courses at City Lit London and completed the two-year Fine Art course there in 2016. Select Exhibitions/Awards She won the Royal Watercolour Society Contemporary Open prize in 2019, and the RWS Cass Art Solo Exhibition prize in 2020. She was elected as an Associate Member of the RWS in 2022. Her work was selected for the ING Discerning Eye Exhibition in 2022 and at the Royal Academy Summer Exhibition in 2023. Statement about AOAP Submitted Artwork I usually create larger works, so painting on postcards was a new experience for me. The three postcards are based on work from my sketchbooks where I develop my ideas. I draw and paint en plein air as much as I can - it's when I feel completely alive and free. On Worthing Beach: we frequently visit Worthing for family reasons and I've grown to love painting its wonderful skies and brown beaches. In search of Hadrian's Wall: based on plein air sketches this year in the magnificent Northumbria countryside near the Wall. 'In the park, Southeast London': one of the many paintings I've done of the park on my road - a place which played such an important role in my mental wellbeing during the Covid years.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Edel Campbell Expectation (drawing) III Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by AOAP About Edel Campbell is an Irish artist, based in Dublin. She works mostly with oil painting and drawing. Edel studied fine art in The National College of Art and Design in Dublin and holds an M.Sc in interactive digital Media from Trinity College, Dublin. Edel has exhibited her work in Ireland and abroad and her paintings have been purchased for many corporate and private collections. Most recently Edel has had paintings selected for The Royal College of Physicians 'Climate and Health' Exhibition in Dublin, The Royal Academy of Art Summer Exhibition in London and The Royal Hibernian Academy's Annual Exhibition in Dublin. She is currently working towards a solo Exhibition in The Custom House Studios and Gallery in Westport, Co. Mayo as part of their program for 2024/25 Education 2005 - 2006 Trinity College, Dublin, M.Sc in Multimedia Systems. 1992 - 1996 The National College of Art and Design Dublin, B.A. Fine Art Painting. (Jan 1995 - June 1995 Erasmus Exchange, Royal Academy of Art, The Hague). Select Exhibitions/Awards Recent Residencies 2023 Artists' Residency, The Tyrone Guthrie Centre, Co. Monangan Recent selected Exhibitions Climate and Health, The Royal College of Physicians, Dublin (2023) The Royal Academy of Art Summer Exhibition, London (2023) The Royal Hibernian Academy's 193rd Annual Exhibition, Dublin (2023) The Royal Hibernian Academy's 192nd Annual Exhibition, Dublin (2022) Other exhibitions include: Temple Bar Studios, Dublin, The Old Museum Belfast, Regent House Trinity College Dublin, The Cross Gallery Dublin, The Royal Academy of Art, The Hague, The Royal Dublin Society, Cavan County Museum, The United Arts Club, Dublin, Ashbourne Civic Offices, Co. Meath, Barbara Stanley Gallery London Statement about AOAP Submitted Artwork These postcards are from a recent series of paintings and drawings called 'Microcosm'. The work was inspired by tiny paper sculptures made by my 8-year-old daughter. I have always been interested in the idea of 'miniatures' as stages for the imagination or as alternative ways of communicating our own sense of being in the world. " ..the minuscule, a narrow gate, opens up an entire world" - Gaston Bachelard, The Poetics of Space You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Red Sunset I Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laurence de Valmy It's Called an Ambition, 2023 Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laurence de Valmy It's Our Turn, 2023 Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Olivia Adamczyk O'Sullivan In the Park, South East London Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Olivia lives in Southeast London. Her work has two main focuses: the industrial buildings, blocks of flats, streets and parks of that area, and the landscapes of the English coast and the Drome in France. Olivia's work is based upon on- and off-site sketchbook drawings and paintings as well as still and moving digital images collected on her iPhone. Sketches use charcoal, ink, watercolour and pastels. Her work is mostly on paper using acrylic, watercolour, ink, charcoal and crayon. Olivia wants the images she creates to demonstrate a sense of commitment to a place, a reflective commentary on the continuum of what can be described as 'ordinary', whether a building seen from a commuter train or a brown English beach on the South Coast. Education Olivia studied music at the University of East Anglia, followed by a career as a teacher and in teacher education and research. Towards the end of her career in education Olivia began painting and drawing courses at City Lit London and completed the two-year Fine Art course there in 2016. Select Exhibitions/Awards She won the Royal Watercolour Society Contemporary Open prize in 2019, and the RWS Cass Art Solo Exhibition prize in 2020. She was elected as an Associate Member of the RWS in 2022. Her work was selected for the ING Discerning Eye Exhibition in 2022 and at the Royal Academy Summer Exhibition in 2023. Statement about AOAP Submitted Artwork I usually create larger works, so painting on postcards was a new experience for me. The three postcards are based on work from my sketchbooks where I develop my ideas. I draw and paint en plein air as much as I can - it's when I feel completely alive and free. On Worthing Beach: we frequently visit Worthing for family reasons and I've grown to love painting its wonderful skies and brown beaches. In search of Hadrian's Wall: based on plein air sketches this year in the magnificent Northumbria countryside near the Wall. 'In the park, Southeast London': one of the many paintings I've done of the park on my road - a place which played such an important role in my mental wellbeing during the Covid years.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Laurence de Valmy I'm a Pharmacist Acrylics on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Laurence de Valmy combines painting and digital mediums, to bring a new light on our collective imagery and make the viewers ponder on our society including the notion of fame, the place of women or the role of social media. Laurence de Valmy is French American and lives in San Diego, USA. Her work is represented by galleries based in New York, UK and France. She is an active member of Artcan.org, a non-profit artist community. Education Laurence de Valmy studied painting in private studios and art history at the Ecole du Louvre. She holds a Master from the University of Paris, and an MBA from the Institute of Business Administration Aix. SELECT EXHIBITIONS/AWARDS SELECT EXHIBITIONS 2023 Pop Color, Artspace Warehouse, Los Angeles Fall exhibition, Range of Arts, Honfleur, France Pop: Summer exhibition, Azart Gallery, NY ArtCan with love, London Opening exhibition, Amber Galleries, Henley on Thames NFT event at Santa Monica Art Museum (California) 2022 Urban Pop, Bountiful Davis Art Center, UT curated by Todd Marshall Feminist connect, Charles Adam Studio Project, in Lubbock, Texas Explore 01, Kroll x ArtCan, New York Eye of the beholder, 508 King Gallery, London 2021 Connected, Summit Public Art, Summit, NJ, USA Monumental, juried by Sergio Gomez, USA A Thousand Words, The Curator's Salon, juried by Gita Joshi Art on a Postcard, London, curated by Gemma Peppe - Invitational Wish You Were Here, The Postal Museum, London Flower Fever, Sorunda, Sweden, curated by Brandy Kraft Women artists, Kahn Gallery, (London) Through her eyes, Singulart, curated by Rania Elafifi and Marion Sailhen Not so classic Classics, Range of Arts, Honfleur Group Show 3, Shrine Gallery, New York, USA 2020 The Watermill Center: Benefit Auction - Invitational Art on a Postcard, London, curated by Gemma Peppe - Invitational Cosmopolis, Azart Gallery, NYC curated by Latifa Metheny USPS Art Project, Ely Center of Contemporary Art, New Haven, USA To Beirut, Range of Arts, Honfleur, France SolidArty, Sothebys Institute of London curated by Amira Gad and Emily Butler Juried Concepts, CICA Museum, Seoul, South Korea 2019 POST, Michele Mariaud Gallery, NYC curated by Michele Mariaud (Solo show) SOLO Azart Gallery & French Wink, NYC (Solo show) Art on a Postcard, London, curated by Gemma Peppe - Invitational Mana Open House, Mana Decentralized, Jersey City, NJ Lost in Abstraction, Kahn Gallery, London 2018 Art on a Postcard, London, curated by Gemma Peppe - Invitational The BUNTE Art, Museum of Urban and Contemporary Art, Munich, curated by Mon Muellerschoen Let's Connect, Barnes Foundation, Philadelphia Stranger than Fiction, BG Gallery, Santa Monica, curated by Om Bleicher 2017 Dialogue, AZART Gallery, New York, curated by Latifa Metheny Wrap Around 13: Laurence de Valmy, George Horner, Karen Lederer, ARENA at Suite 806, New York, curated by Renée Riccardo 2016 French Reflections, FIAF Montclair, NJ, curated by Marie-Catherine Glaser (Solo show) AWARDS 2023 Finalist of the Trophy of French in the USA by Le Petit Journal 2020 St Petersburg Art Residency #VirtualSPAR 2019 Guest Artist Museum Week, Michele Mariaud Gallery, NYC 2017 Artist Residency Fellowship, Eileen Kaminsky Family Foundation ESKFF, Mana Contemporary, Jersey City, NJ 2016 Fall price, Connection Magazine, NJ 2005 Mention, Prix de l'Ebouillante, Paris, France 2004 First Prize, Watercolor competition BHV, Paris, France Gallery Representation Azart Gallery (NY), Artspace Warehouse (LA), Amber Galleries (UK), Range of Arts (France), Singulart (France) Statement about AOAP Submitted Artwork Art is a continuum and a mirror of our society. In the tradition of art appropriation, I bring my own view to existing artworks, pay a tribute to their authors, and play with the concept of originality. My goals are to bring a new light on our collective imagery and to make the viewers ponder on our current society including the notion of fame, the place of women or the role of media. By painting the positive portrayal of women and girls in modern-day comic books like Pokemon, my ambition is to highlight and amplify an empowering narrative.  You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Linda Schwab D Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Linda Schwab lives and works in Yorkshire, UK. The starting point for her work falls into two categories; 'recent events', from life or mobile phone photos and 'recreated events', from archive or found photographs. The paintings capture something mysterious and unknown, someone or something seen at a distance and committed to memory. She describes the process of painting as starting with an objective record and ending with an attempt to capture what can be sensed at the peripheries of vision. Education 1979-82 University of Central Lancashire, BA Fine Art 1982-84 Slade School of Art, UCL, MA Painting Select Exhibitions/Awards 2023 RA Summer Exhibition 2022 RA Summer Exhibition & RWS Open 2018 'Me and You' Dean Clough Galleries 2005 'Situation Leeds' various venues, Leeds 2000 Lancaster Festival of Digital Arts 2000 1997 'Absolut Collection' Leeds 1994 'Wunderkammer' Leeds City Art Gallery, Leeds. 1994 'La Poupée' Bankfield Museum, Halifax 1992 'Penumbra' Crossley Gallery, Dean Clough 1989 'An Artist's Life' Spink & Son, London 1985 'Capital Paintings' Barbican Gallery 1984 'Germinations' Germany/Edinburgh/London/France 1983 'X Preston' Harris Museum and Art Gallery 1983 'Summer Show' Royal Academy London 1981 'Leicestershire Collection' Beaumanor Hall, Leicester 1981 Northern Young Contemporaries, Whitworth Gallery, Manchester Gallery Representation Contemporary Six, Manchester Old School Gallery, Alnmouth Statement about AOAP Submitted Artwork 'D' refers to an unknown woman, the subject of a found photograph from the 1920's.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Red Sunset II Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Yannis Gaïtis (Greek, 1923-1984)Air France Tout Bleu signé et daté 'Gaitis/1971' (en bas à droite)huile sur toile116 x 89cm (45 11/16 x 35 1/16in).signed and dated (lower right)oil on canvasFootnotes:ExpositionsAthens, Desmos Art Gallery, Machines Volantes de Gaitis, February 9-29, 1972 (illustrated in the exhibition catalogue). Thessaloniki, Kochlias Gallery, Yannis Gaitis, September 21 - November 8, 1972.LittératureOikonomikos Tachydromos newspaper, February 24, 1972.N.E. Papadakis, Yannis Gaitis, a Revolutionary Artist, Contemporary Greek Artists 1, Polyplano editions, Athens 1980 (illustrated). Yannis Gaitis, Catalogue Raisonné, Ioannis F. Costopoulos Foundation, Paris/Athens 2003, no. 1162, p. 280 (illustrated).D. Zacharopoulos, Yannis Gaitis, the Subversive, Contemporary Greek Artists series, Ta Nea editions, Athens, 2009, p. 88 (illustrated).Contemporary Greek Art institute Digital Platform, dp.iset.gr, Yannis Gaitis Works, p. 3 (illustrated). This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Nikos Kessanlis (Greek, 1930-2004)L'artiste (Manolis Calliyannis) signé et daté 'NIKOS 65' (en bas à droite)image photographique traitée sur toile 60 x 74cm (23 5/8 x 29 1/8in).Peint en 1965.signed and dated (lower right)processed photographic image on canvasFootnotes:ProvenanceAcquired from AD Gallery in Athens.Private collection, Athens. ExpositionsRethymnon, Crete, Rethymnon Center for Contemporary Art, Nikos Kessanlis, Faces, Transformations of the Human Body 1953/1997, May-August 1998 (illustrated in the exhibition catalogue, p. 32).LittératureNikos Kessanlis, retrospective exhibition catalogue, Macedonian Museum of Contemporary Art, Thessaloniki Cultural Capital of Europe 1997, p. 242 (illustrated).G. Tzirtzilakis ed., Nikos Kessanlis, Adam editions, Athens 1998, p. 242 (illustrated).Contemporary Greek Art institute Digital Platform, dp.iset.gr, Nikos Kessanlis Works, p. 3 (illustrated).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Christo signed hand colored digital print with collage : "Wrapped Vespa - Project (1963/64)" - published by Miyanamori Art Museum, Sapporo, Japan and printed by recom ART, Ostfildern, Germany || CHRISTO (1935 - 2020) met de hand ingekleurde digitale print met collage n° 145/200 : "Wrapped Vespa - Project (1963/64)" - 30,5 x 30,5 getekend uitgegeven door Miyanamori Art Museum, Sapporo, Japan en gedrukt door recom ART, Ostfildern, Duitsland Lit : Schellmann 201

TWO BOXES AND LOOSE ASSORTED SUNDRY ITEMS ETC, to include vintage baseball catchers mitts, boxed flat wares with xylonite handles, mechanical hair clippers, copper art nouveau style box, boxed digital bathroom scales, cast metal trivet, copper samovar, boxed low impact leg exerciser, Olympia Splendid 66 manual typewriter etc

ATKINS, ED1982 UKTitel: Safe Conduct Epidermal (für Parkett 98). Datierung: 2016. Technik: Pigmentdruck auf Gummi mit zwei Metallösen. In Mappe. Maße: 50 x 56,5 x 0,1cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/35. Zustand:Das Objekt befindet sich in einem sehr guten Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin."This isn't art about intimacy in the digital era; it's using the digital form to illuminate something much closer to the core of intimacy itself - how we seek it from each other and from art; how we can experience simultaneous attraction and revulsion to expressions of feeling."Leslie Jamison, Parkett Nr. 98, 2016.Artikel zu Werk und Künstler aus Parkett Edition Nr. 98. Ed Atkins Großbritannien Zeitgenössische Kunst Multiples 2010er Gesicht Multiple Pigmentdruck MenschErläuterungen zum Katalog

WESLEY, JOHN1928 Los Angeles - 2022 New YorkTitel: Boyfriends (für Parkett 62). Datierung: 2001. Technik: Farbserigrafie. leichtem KartonMaße: 70,5 x 89 x 81 x 98,5cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/70. Sockel/Rahmen: Rahmen. Zustand:Minimale Bestoßungen an beiden rechten Ecken. Verso montiert. Ansonsten sehr guter Zustand.Mit Parkett-Magazin."Wesley's painting looks like nothing else out there. the most conspicuous characteristics of his work from the seventies on - its insistent flatness, powdered pastel palette, cartoon/cinematographic narratives, embrace of the sexually charged encounter, sophisticated anthropomorphism, and mannered drawing - have enormous appeal amid a digital revolution that has provoked yet another rethinking of the medium." Linda Norden, Parkett Nr. 62, 2001.Artikel zu Werk und Künstler aus Parkett Edition Nr. 62. John Wesley USA Comic Pop Art Zeitgenössische Kunst Grafik 2000er Rahmen Mann Druckgrafik Serigrafie WasserErläuterungen zum Katalog

Graded Comic Books comprising a trio of issues to include; 1) Justice League #12 - D.C.Comics 11/12 - Second Printing. Geoff Johns story, Jim Lee cover. Jim Lee, Ivan Reis Joe Prado & David Finch art. CGC Grade 9.8 - White Pages. 2) Justice League #12 - D.C.Comics 10/12 - Geoff Johns story. Jim Lee cover. Jim Lee, Ivan Reis Joe Prado & David Finch art. CGC Grade 9.8 - White Pages. 3) Justice League #12 - D.C.Comics 10/12 - Combo Pack Edition. Geoff Johns story. Jim Lee cover. Jim Lee, Ivan Reis Joe Prado & David Finch art. Manufactured with digital download code printed on interior back cover. CGC Grade 9.8 - White Pages.

SCHOONY, OPPESSIONISM digital print collage and gel pens on card album cover, signed31cm x 31cmSchoony's background is rooted in special effects and prosthetics for the film industry. His career spans over 30 years. Since the age of fifteen he has worked on ver 100 films. His work and reputation for high quality and pioneering techniques has reached far corners of the world. Schoony exploded on to the London art scene in 2008 at Mutate Britain's "One Foot in the Grove", one of the most pioneering street art exhibitions to date. Schoony uses new up to date technology alongside the more traditional methods in his art pieces. Instagram: schoony_art

ART MAN WAN, PURRFECT MEOWLODY mixed media, giclee and acrylic on canvas, mounted on an album cover and framed, signed versoimage size 31cm x 31cmArt Man Wan is a British self taught mixed media artist and print maker, working out of studios in London. His methods are based on using photographs and/or drawings which are manipulated using basic digital tools to form a vision of how the artist sees the world. His work can challenge us to think about important current affair issues, but primarily encouraging people to enjoy the simple side of life with images that are just fun, creates joy or offers hope. Instagram: art_man_wan

AND WOT, BRIGHT AT THE TOP spray paint and ink on card album cover, signed31cm x 31cmAnd Wot is a born and bred North Londoner and has been working with spray cans for about 20 years, mainly creating graffiti tags in his teenage years. Almost a decade ago And Wot became interested in painting and started creating and designing artwork using the spray can but covering a wider variety of themes. This has now developed him into using many different techniques and mediums, including intricate stencil work and also using digital art to create layered collage pieces. He is now proud to have his artwork hanging in the homes of clients as far as New York, Spain and Dubai, as well as closer to home. Instagram: and_wot_art

CREATED BY IMRIE, ARCADE ink on card album cover, signed31cm x 31cmCreated by Imrie is a self taught artist from Scotland who loves all things robots and cartoons. He absolutely loves inking and line work, not a huge fan of colours mostly because he's not that good at it. He likes to dabble with all things art from digital, painting, wood cuts, whittling, more or less anything to do with art he'll give it a bash. Instagram: createdbyimrie