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A Swiss Art Deco Jump Hour wristwatch, with mechanical digital movement, possibly by Adolf Schild, dial displaying hours, minutes and seconds through three shaped apertures, nickel plated case, number 0531136, 4cm high, 2.5cm wide.

ROBERT LONGO (1953 New York City) "Essentials"7-teiliges Leporello mit 7 Digital-Pigmentdrucken (1 farbig) auf leichtem Velinkarton. 2009.Je 25 x 32 cm (Gesamthöhe 175 cm). Verso auf dem Klebeetikett signiert "Longo", datiert und betitelt. Auflage 75 num. Ex.Brillante, herrlich samtige Drucke nach Longos fotorealistischen Zeichnungen. Erschienen bei Schellmann Art Production, München und New York, als Sonderedition des Edition Schellmann Catalogue Raisonné 1969-2009. Verso mit deren Stempel "Forty are better than one". Beim Verkauf innerhalb der EU wird die EUSt. erhoben.

DEPECHE MODE - SONGS OF FAITH AND DEVOTION: THE 12" SINGLES (8x 12" LIMITED NUMBERED BOX SET. - 12DMBOX08). Here we have another superb sealed, Limited Edition, numbered 12" box set by Depeche Mode; Songs Of Faith And Devotion - The 12" Singles (12DMBOX08, 2020 Numbered release, No: 07983. Set contains 8x 12" singles, reproduced from original art work and audio masters. Set also includes reproduction of original marketing poster & digital download code. Set is M/ Brand New & Sealed).

§ RACHEL MACLEAN (SCOTTISH 1987-) ST. GEORGE AND THE MONSTER - 2013 Archival pigmented digital print, 3/10, signed, numbered and inscribed in pencil verso(the sheet 92cm x 61cm (36.25in x 24in), unframed)Footnote: Note: A rising star in Scottish Contemporary Art, Rachel Maclean studied at Edinburgh College of Art, where she first started to experiment with green-screen technology. Her work has evolved and expanded in scope but her underlying themes continue; the sourcing of imagery from fairy tales, cartoons and popular culture and using them to explore the darker, dystopian side of our contemporary culture. The work is seductive and unsettling, the saccharine sweet aesthetic initially masking the deeper, darker tone of her work. At her 2021 mini-retrospective at Jupiter Artland, her works were accompanied by a ‘Parental Warning,’ that although children may be enticed by the visuals, the themes of her videos as they unfolded would not necessarily be appropriate. In 2014 her work focussed on the interweaving of national history, identity and politics in the run up to the hotly contested and highly emotive Scottish Independence Referendum. Now based in Glasgow, Maclean has exhibited her work internationally, representing Scotland at the Venice Biennale in 2017 and most recently had a significant exhibition at Jupiter Artland, the privately-owned sculpture park outside Edinburgh, to celebrate the opening of her first permanent installation there.

§ RACHEL MACLEAN (SCOTTISH 1987-) THE BAPTISM OF CLYDE - 2013 Archival pigmented digital print, 6/10, signed and numbered in pencil to margin, inscribed in pencil verso, published by Edinburgh Printmakers, with their blindstamp(the sheet 95.5cm x 61cm (37.5in x 24in), unframed)Footnote: Note: A rising star in Scottish Contemporary Art, Rachel Maclean studied at Edinburgh College of Art, where she first started to experiment with green-screen technology. Her work has evolved and expanded in scope but her underlying themes continue; the sourcing of imagery from fairy tales, cartoons and popular culture and using them to explore the darker, dystopian side of our contemporary culture. The work is seductive and unsettling, the saccharine sweet aesthetic initially masking the deeper, darker tone of her work. At her 2021 mini-retrospective at Jupiter Artland, her works were accompanied by a ‘Parental Warning,’ that although children may be enticed by the visuals, the themes of her videos as they unfolded would not necessarily be appropriate. In 2014 her work focussed on the interweaving of national history, identity and politics in the run up to the hotly contested and highly emotive Scottish Independence Referendum. Now based in Glasgow, Maclean has exhibited her work internationally, representing Scotland at the Venice Biennale in 2017 and most recently had a significant exhibition at Jupiter Artland, the privately-owned sculpture park outside Edinburgh, to celebrate the opening of her first permanent installation there.

1980 Jaguar XJ12 5.3 Auto Series IIIMake: Jaguar Model: XJ12 Year: 1980Mileage: 20272VIN: JBALW3CC317158Configuration: Right Hand DriveRegistration: NNG484VTransmission: automatic 5,343cc. Fitted with rare P digital engine. This saloon was previously owned by the captain of a ship named Bluebird which was supplied new to Sir Malcolm Campbell in 1935. Its big moment in history though came in 1940 when it was one of the "little ships" involved in ferrying British troops into and back out of Dunkirk. The ship was entered into preservation in the 1960s and in 1980 was acquired by well known art dealer, Martin Summer, who appointed a full time skipper. In 1990 Summer bought this Jaguar for his skipper to commemorate a milestone in his life. When the skipper was at sea, the XJ12 was stored in a warehouse in Southampton. A book was written about the Bluebird by Martin Summer. When the skipper sold the XJ12 to its fourth owner in 2003, a commemoration was signed in the opening page. In August 2021, the car was featured in Jaguar World where it is described as "It's not perfect, but the patina is beautiful. It smells and feels like a 41-year old XJ should - old and slightly careworn, but completely serviceable. Even the chrome is original." The article runs over three pages and is include in the file. It registers seven owners from new. Comes with the signed book, Bluebird, some receipts, MoTs, handbook, wallet and various documents. The mileage is recorded at 20,272.

Trish Gale - Three original digital art pieces. Each a one-off coloured print on aluminium panel in vibrant colours. Comprises a floral spiral in rainbow, a auburn floral blast and a ripple effect aqua ball example. Largest measures approx; 625mm x 610mm.

JULIAN OPIE (B. 1958)Wooden Painting 16 2006 signed on the reverseenamel on wood90 by 61.2 cm.35 7/16 by 24 1/8 in.This work was executed in 2006.Footnotes:ProvenanceAcquired directly from the artist by the present owner in 2007Contemporary British artist Julian Opie is widely recognised for his distinctive depictions of figures, portraits, and landscapes. Born in London in 1958, Opie graduated from Goldsmiths College in 1982, studying under Michael-Craig Martin, and was quickly associated with the New British Sculpture movement. From the 1980s into 1990s he transitioned from painted steel sculptures inspired by Pop Art and Minimalism into a simpler graphic style, which he employs across a diverse range of media, from paintings to animation, continually pushing the boundaries of traditional artistic practice.Opie plays with ways of seeing through reinterpreting the vocabulary of everyday life; his reductive style evokes both a visual and spatial experience of the world around us. Alongside his clear influence in Pop aesthetics, particularly the work of Andy Warhol and Roy Lichtenstein, Opie draws further inspiration from classical portraiture, Egyptian hieroglyphs, Greek mythology, Japanese woodblock prints, as well as public signage, information boards, traffic signs and even the Tintin cartoons by Hergé. Through connecting the clean visual language of modern life with the fundamentals of art history, Opie has produced a distinctive and unique style in his body of work which have appeared in cities and sculpture parks around the world.Perhaps more widely recognised for his portraits and figurative studies, Opie reduces his subjects to essential lines created by thick black outlines and filled in with solid areas of flat, vibrant colour. His figurative subjects are de-personalised; he either chooses to render a featureless face using just a blank circle, or otherwise only depicts very basic facial features using dots and lines in the simplest expression of form. He chooses to differentiate his figures through colour of backgrounds, hairstyles, position of head, light reflected in the eyes and accessories. This depersonalised style creates an ambiguous sense of subjectivity in the sitter and provokes the viewer to question what makes a portrait of a person distinct and how they can relate to it. Bonhams are delighted to be offering three works by Julian Opie - two figurative pieces and a dynamic digital landscape of Lake Kawaguchi in Japan. Aniela 2, executed in 2011, is a portrait of the artist's wife. Set against a vibrant red background, Aniela is not submitting to the viewer; she appears to us in the nude, loosely holding a piece of drapery, captured in a private moment. Aniela was a regular sitter for the Opie and resulted in a series inspired by Renaissance and neoclassical paintings of Greek goddesses such as Aphrodite. In this series, Opie portrayed his wife in the nude occasionally wrapped in drapery which has been reduced to its most essential elements or holding a Grecian urn. Indeed, in this present work we can draw parallels to classicism and his interest in interpreting Greek mythology. Julian Opie's style increased in popularity after he designed the cover of English Britpop band Blur's best of album which was released in 2000.The four-part portrait is not only one of the most famous album covers to be produced but is considered as an iconic artwork. The portraits of the four band members of Blur were bought by the Art Fund in 2001 and now reside in the collection of the National Portrait Gallery in London. Today, Julian Opie is considered one of the leading contemporary artists in the world and his work is exhibited extensively in galleries and museums around the world, including in the Essl Collection, Vienna, the Stedelijk Museum, Amsterdam, Israel Museum, Jerusalem, Takamatsu City Museum of Art, Japan, Museum of Modern Art, New York, Institute of Contemporary Arts, Boston, among many others.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

DAMIEN HIRST (B. 1965)8435. Dilemma Here 2016 signed, titled, dated 2016, numbered 8435 and stamped on the reverseenamel paint on handmade paper21.4 by 29.8 cm.8 7/16 by 11 3/4 in.This work is number 8435 from a series of 10,000 unique examples. The corresponding non-fungible token has been burned.Footnotes:ProvenanceHENI, LondonAcquired directly from the above by the present owner in 2021Damien Hirst has often been considered the definitive enfant terrible and impresario of contemporary art since his monumental rise to global stardom in the 1990s as the figurehead of the Young British Artists (YBAs). His exhibitions and ventures have consistently drawn broad acclaim and criticism, such is the nature of his practice to polarise and activate the passions of his audience. He has never shied away from ideas that would be deemed too unwieldy or all-encompassing for the purview of fine art, approaching life, death, the psyche, and the nature of mythos with a confidence that is nothing short of inspirational. In such a vein, presented here is Hirst's most recent and ingenious project: his first NFT 'drop', titled The Currency. Launched in 2021 and endorsed by Mark Carney, former Bank of England governor, Hirst produced 10,000 unique works – attractive abstract spot paintings on heavyweight paper that are instantly recognisable as Hirst's iconic motif – that exist both as the physical work and a corresponding Non-Fungible Token (NFT). Upon purchase, the buyer was forced to choose between the physical or the digital asset, with the leftover piece being destroyed or burned. The entire 10,000-piece drop sold out and has since become one of the most appreciating and highly sought-after works by NFT and art collectors alike. The work presented here is 8435. Dilemma Here – a physical piece whose corresponding NFT has been burned and only the tangible work remains. Ranked by machine-learning artificial intelligence, the pieces are graded on their colour composition, the weight of the paper, as well as their titles. 8435 boasts an exceptional ranking of 103rd for green pigments, 167th for number of words in the title, as well as 2521st for weight, giving the piece an appealing mass for its handsome scale. The present work represents one of the most exciting enterprises by Hirst, himself one of the pioneers of contemporary artistic practice in the 21st century, to challenge not only the hegemony of capital and financial instruments, but also of the nascent divide between the physical and virtual worlds.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ceal Warnants Girls Are Loud Digital Print Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education 2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Select Exhibitions/Awards 2021 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS 'CHOOSE LOVE' SOHO REVUE GALLERY, LONDON WITH THE PRINT CLUB 'ART CAR BOOT FAIR' WITH JEALOUS GALLERY 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' 2020 "HOUSE OF VANS COMMUNITY MARKET" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON. 2019 'NOTICE THE SMALL THINGS" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON. 2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH "COCO FENNELL" FOR SS18 COLLECTION #COCOXCEAL 2017 COLLABORATION WITH "THE BIG ISSUE" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON. 2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON. 2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON. 2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON. 2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE. 2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD. 2011 'EXAM.' - TRANSITION GALLERY, LONDON. 2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS. 2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON. 2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON. COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION PRIVATE COLLECTIONS WORLDWIDE COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation Jealous Gallery, Gas Gallery, Chappell Contemporary   Statement about AOAP Submitted Artwork Neither demure, shrinking, nor prim... "Girls are Loud" just as they should be. Shout to be heard. Shout anyway.

Mandy Franca Dusk I Textile, Oil Pastel and C Type on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About As a multidisciplinary artist Mandy Franca researches the influence of the digital realm on artefacts, mundanity and the influence of migration. Franca's work is an ongoing investigation into the notion of interconnectedness, drawing from life experiences which are informed by growing up in a cross-cultural environment and her personal archive. Mandy actively researches and observes the meaning of mundanity to give eternal value to seemingly insignificant places and objects. As a result, the notion of preserving languages, traditions, domestic settings and everyday objects in a state of flux - meaning - digital and physical due to digitalization and globalization, takes precedence in her work. Franca's priority is to bring the individual experience into a broader communal context and show the parallels between our common needs, objects and experiences with the notion of care as a fundamental aspect of being. As an artist she subverts and challenges the traditional application of printmaking by experimenting with a range of artistic mediums which intersect at painting, photography, print, drawing, collage, video, sculpture and installation using the photographic image and mark-making as a recurring element. With these techniques Franca wants to challenge ideas of digital materiality, painting and the reproductive image.   Education 2018 - 2020: Master of Arts (Distinction) | Print | Royal College of Art | London, UK 2011 - 2016: Bachelor of Arts | Fashion | Willem de Kooning Academy | Rotterdam, NL 2005 - 2009: Vocational Education | Media Design | Graphic Lyceum | Rotterdam, NL   Select Exhibitions/Awards 2021: Sequences 05 | Group Exhibition | The Who Gallery 2021: Warm Vessels in Search at Sunset | Group Exhibition | Harlesden High School 2021: Hotsheet 2020 | Group Exhibition | Downstairs Brixton 2021: Holding Space | Group Exhibition | Subject Matter 2020: Lick the Future | Collection/Group Exhibition | Where's the Frame 2020: London Grads Now - Royal College of Art | Group Exhibition | Saatchi Gallery 2020: Royal College of Art & Slade External Degree Show | Group Exhibition | Kristin Hjellegjerde Gallery 2020: In Touch | Virtual Group Show | Danielle Arnaud Gallery 2020: Final, Not Over: Session 3 | Group Exhibition | Unit 1 Gallery Workshop 2020: Against the Grain | Group Exhibition | Southwark Park Galleries 2019: 20:20 Insight | Group Exhibition | Soho Revue Gallery GRANTS/AWARDS 2020 - Augustus Martin Prize 2020 - HIGH prize for Creative Excellence (shortlisted) 2019 - Koningin Sophiafonds 2019 - Fundatie van de Vrijvrouwe van Renswoude 2018 - Prins Bernhard Cultuurfonds   Statement about AOAP Submitted Artwork For Art on a Postcard, Mandy Franca made a series of 3 cards with the title Dusk. Different shades of the sun going down, when the sky is filled with shades of red, yellow and orange just before the sky turns dark. Reminding her of warm summer nights, waiting to see shimmering stars. Dusk consists of a mixture of glossy and matt photographs showing fractions of the sky in contrast with oil pastels on textile.

Jo Bradford Portal: Sky Cameraless Photography Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Jo Bradford was born in Hertfordshire, UK, and raised in South Africa. She now lives on Dartmoor, UK with her two children. Jo has worked with experimental, alternative process and cameraless photographs in her colour darkroom for over two decades. Jo has exhibited widely and has works in public and private collections around the world. Her work is created using only the primary tools of analogue photography, with precisely timed flashes of light captured on light sensitive paper in utter darkness. These detailed working methods produce in essence a kind of pure photography - not representational of the external physical world, but acutely resonant of something entirely more abstract and possibly internal. Whatever the resonance, there is a subversion, or inversion of the photographic process as it's commonly understood.   Education Master's Degree (Distinction) in Photography: Critical Practice from University College Falmouth in 2004   Select Exhibitions/Awards Exhibitions Photo London. Gas Gallery - Somerset House, The Strand, London, UK. 2021 Expo Chicago. NFP Editions with the Tate and Whitechapel Gallery - Navy Pier, Chicago USA. 2019 Women In Colour: Anna Atkins, Colour Photography and Those Struck by Light - Galerie Miranda, Paris, France. 2019 The Armory Show. Field Editions / NFP Editions; with the Tate - Piers 90, 92, and 94, New York, USA. 2019 Fotofever Art Fair - Paris, France. 2018 Expo Chicago. Field Editions / NFP Editions with the Tate and the Royal Academy et al - Navy Pier, Chicago USA. 2018 NADA New York. Field Editions - Skylight Clarkson Square, New York, USA. 2018 NADA Miami. Field Editions at NADA PROJECTS - Miami Beach, Miami, Florida, USA. 2017 Expo Chicago. Field Editions at Expo Editions - Navy Pier, Chicago USA. 2017 London Art Fair. Eyestorm Gallery - Islington, London, UK. 2017 Lutyens - Showing 22 works by Bradford at 85 Fleet Street, London, UK. 2016 Facing Changes - Guys Hospital, London, UK. 2015 Bristol Festival of Photography - Bristol, UK. 2014 The Photocopy Club presents Space is Ace - Doomed Gallery, Dalston, London, UK. 2014 Photogram - Urmson Burnett Gallery, Salisbury, UK. 2014 Beautiful Science at the Imperial Science Festival - London, UK. 2013 Beautiful Science - Brick Lane Gallery, London, UK. 2012 NASA Space Shuttle Endeavour STS-134 - Launched 16th May 2011, docked with the international space station, orbited for 16 days and 16 million miles around earth, returned to earth. Cliché Verre in the Digital Age - Jenkins Johnson Gallery, San Francisco, USA. 2011. Photo Alchemy - 23 Sandy Gallery, Portland, Oregon, USA. 2011 The Museum of Contemporary Art, Chicago, Illinois, USA. 2011 Facing Changes - Gordon Museum, London, UK. 2011 Low Tech - Center for Fine Art Photography, Fort Collins, Colorado, USA. 2010 Urban - Stramash Space, Glasgow, UK. 2010 Kennedy Space Centre, Florida, USA. 2010 Fort Worth Art Centre, Texas, USA. 2010 Light! Colour! - Madera Design Studio, Downtown, Los Angeles, USA. 2009 La Galerie D'Art - Atelier Mandarine, Brest, France. 2007 Indications of the Infinite - Out Of Place Gallery, Porthtowan, Cornwall, UK. 2007 Heart Of A Garden - Great Oak Hall, Westonbirt National Arboretum, UK. 2007 Cream Of The Crop - Custard Factory, Birmingham, UK. 2003 Homegrown - Millennium Point, Birmingham, UK. 2002 Out Of Bounds - Wallsworth Hall, Gloucestershire, UK. 2000   Awards 2016 - Arts Council England - Grants for the Arts Award. 2015 - DNPA 'Your Dartmoor Fund' Grant - Project Funding Award. 2010 - AA2A - Artist in Residence Scheme - Plymouth College of Art. 2008 - Saatchi Gallery & Harper Collins Publishers - Finalist -Book Cover Design. 2006 - Unlocking Cornish Potential - Graduate Placement Award. 2004 - Fenton Arts Trust Grant - Project Funding Award. 2003 - Arts Council England - Creative Development Award. 2003 - West Midlands Arts - Funding Award. 2002 - Arts Council England - Creative Development Award. 2002 - West Midlands Arts - Funding Award   Gallery Representation Gina Cross Art + Design Eyestorm Gallery Miranda   Statement about AOAP Submitted Artwork My photography begins in the absence of light. Undertaken in a completely black darkroom, in a time-consuming process requiring decades of practiced hand movements to mask light exposures and with continuous precise adjustments made to an array of dials and buttons not visible to the eye my work begins. Combining this with an understanding of the way colours mix in light to create primary and tertiary colours, and through a lot of trial and error and endless patience, hands and masks are used to create areas of shadow, which alter the path of light on its way to the paper during the brief flashes of light exposure. This non-figurative work subverts the established fidelity of the photograph as a record of an object, referring only to itself, without seeking to illustrate or represent anything. In a sense, it is a self-portrait made of photography, whereby the photographic means becomes the object and the medium becomes the subject.

Mandy Franca Dusk II Textile, Oil Pastel and C Type on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About As a multidisciplinary artist Mandy Franca researches the influence of the digital realm on artefacts, mundanity and the influence of migration. Franca's work is an ongoing investigation into the notion of interconnectedness, drawing from life experiences which are informed by growing up in a cross-cultural environment and her personal archive. Mandy actively researches and observes the meaning of mundanity to give eternal value to seemingly insignificant places and objects. As a result, the notion of preserving languages, traditions, domestic settings and everyday objects in a state of flux - meaning - digital and physical due to digitalization and globalization, takes precedence in her work. Franca's priority is to bring the individual experience into a broader communal context and show the parallels between our common needs, objects and experiences with the notion of care as a fundamental aspect of being. As an artist she subverts and challenges the traditional application of printmaking by experimenting with a range of artistic mediums which intersect at painting, photography, print, drawing, collage, video, sculpture and installation using the photographic image and mark-making as a recurring element. With these techniques Franca wants to challenge ideas of digital materiality, painting and the reproductive image.   Education 2018 - 2020: Master of Arts (Distinction) | Print | Royal College of Art | London, UK 2011 - 2016: Bachelor of Arts | Fashion | Willem de Kooning Academy | Rotterdam, NL 2005 - 2009: Vocational Education | Media Design | Graphic Lyceum | Rotterdam, NL   Select Exhibitions/Awards 2021: Sequences 05 | Group Exhibition | The Who Gallery 2021: Warm Vessels in Search at Sunset | Group Exhibition | Harlesden High School 2021: Hotsheet 2020 | Group Exhibition | Downstairs Brixton 2021: Holding Space | Group Exhibition | Subject Matter 2020: Lick the Future | Collection/Group Exhibition | Where's the Frame 2020: London Grads Now - Royal College of Art | Group Exhibition | Saatchi Gallery 2020: Royal College of Art & Slade External Degree Show | Group Exhibition | Kristin Hjellegjerde Gallery 2020: In Touch | Virtual Group Show | Danielle Arnaud Gallery 2020: Final, Not Over: Session 3 | Group Exhibition | Unit 1 Gallery Workshop 2020: Against the Grain | Group Exhibition | Southwark Park Galleries 2019: 20:20 Insight | Group Exhibition | Soho Revue Gallery GRANTS/AWARDS 2020 - Augustus Martin Prize 2020 - HIGH prize for Creative Excellence (shortlisted) 2019 - Koningin Sophiafonds 2019 - Fundatie van de Vrijvrouwe van Renswoude 2018 - Prins Bernhard Cultuurfonds   Statement about AOAP Submitted Artwork For Art on a Postcard, Mandy Franca made a series of 3 cards with the title Dusk. Different shades of the sun going down, when the sky is filled with shades of red, yellow and orange just before the sky turns dark. Reminding her of warm summer nights, waiting to see shimmering stars. Dusk consists of a mixture of glossy and matt photographs showing fractions of the sky in contrast with oil pastels on textile.

Ella Devi Dabysing The Lingerie of Liberation Series I Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Ella Devi Dabysing The Lingerie of Liberation Series II Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Ella Devi Dabysing The Lingerie of Liberation Series III Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Ella Devi Dabysing The Lingerie of Liberation Series IV Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Wanda Orme The Truth is an Act of Love Black Oxide and Ash on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Wanda Orme is an artist working across the mediums of photography, sculpture and the written word to pursue an exploration of the world which is both analytical and visceral. Born on the Isle of Man and raised in London, she is drawn to margins, coastlines and wild places. Her work explores desire, instinct, resonance and the relationships between human and non-human bodies. Her works often carrying within them a duality - intimacy and expanse, destruction and creation. Her artistic practice is deeply rooted in an engagement with an animate world that talks back, she is seeking to learn.   Education MA Anthropology (University of California, San Diego), MA Psychology (New School for Social Research, New York)   Select Exhibitions/Awards Nominated for The Louis Roederer Art Prize for Sustainability (2022) Nominated for The Prix Pictet Global Photography Award (2019, 2020) Wanda is known for her site-specific sculptural installations concerning water and the environment. She is the author of three books, The Becoming Light of Water (2018), Blue on Fire (2021) and Volcano Songs (2021). Clients and Publications include: AnOther Magazine, Photo London, The Sunday Times Style, Dazed Digital, Coco de Mer, Vogue Italia and byNWR Studios.   Statement about AOAP Submitted Artwork THE TRUTH IS AN ACT OF LOVE. The truth matters, there is vulnerability and power in it. The truth can work magic. You can both hold it and offer it. To hold another's truth is a tenderness.

Esmé Clutterbuck Celebrity Hair Ink and Pen on Magazine Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Esmé lives and works in Bristol, UK. She has exhibited and completed residencies here and abroad and has had work in numerous Open Exhibitions including the Royal Academy Summer Exhibition, Woolwich Print Open, International Print Biennale and The Discerning Eye (Drawing Bursary, finalist) and many others. She has work in public and private collections; is a member of BV Studios Bristol and a sometime member of Spike Print Studios. She has been a visiting lecturer and tutor at numerous colleges and universities.   Education 1979 - 82 Portsmouth Polytechnic, BA Fine Art 1982 - 85 Royal Academy Schools, Post Graduate Diploma - Painting 1993 - 95 Central St Martins, Post Graduate Diploma (PT) Printmaking Select Exhibitions/Awards 2021 Royal Academy Summer Exhibition, London 'This House Protects the Dreamer' Safe House 2, Peckham, London 2020 Collaborative Residencies at The Garage, Bristol RWA Open, Bristol (delayed 'til 2021) 2019 'Hidden' Fringe Arts Bath, Milsom Place, Milsom St, Bath Drawing Residency, Drawing Projects UK, Trowbridge RWA Open Exhibition, Bristol 2018 Royal Academy Summer Exhibition, London Collaborators 5: The Hand of the Artist, Roaming Room, London 2017 RWA Open Exhibition, RWA, Bristol 2016 The Royal Academy, Summer Exhibition, London Woolwich Print Fair, London (Invited Artist) 'Print', 44AD Gallery, Bath 'Outline', Heritage Courtyard Gallery, Wells, Somerset RWA Open Exhibition, RWA, Bristol 2015 'Drawn' Open, RWA, Bristol 2014 'The Discerning Eye', Mall Galleries, London. (Invited Artist). International Print Biennale, Northern Print, Newcastle-upon-Tyne Statement about AOAP Submitted Artwork Esmé's thoughtful work and intimate work is sometimes representational and sometimes not. It is telling a story but indirectly often through representation and sometimes through simple shapes and pattern. She works with a variety of processes including drawing, photography and print. The relationship between drawing and surface is important whether that be watercolour paper, women's magazines, digital images or domestic linen. These drawings are part of an on-going examination of hair in all its beauty and uncanniness. They are concerned with the sense of loss and otherness that is present when hair is removed from the body. In these images the figure is absent but the woman is nevertheless present; represented by her hair.

Esmé Clutterbuck Curl Ink, Spray Paint and Conté on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Esmé lives and works in Bristol, UK. She has exhibited and completed residencies here and abroad and has had work in numerous Open Exhibitions including the Royal Academy Summer Exhibition, Woolwich Print Open, International Print Biennale and The Discerning Eye (Drawing Bursary, finalist) and many others. She has work in public and private collections; is a member of BV Studios Bristol and a sometime member of Spike Print Studios. She has been a visiting lecturer and tutor at numerous colleges and universities.   Education 1979 - 82 Portsmouth Polytechnic, BA Fine Art 1982 - 85 Royal Academy Schools, Post Graduate Diploma - Painting 1993 - 95 Central St Martins, Post Graduate Diploma (PT) Printmaking Select Exhibitions/Awards 2021 Royal Academy Summer Exhibition, London 'This House Protects the Dreamer' Safe House 2, Peckham, London 2020 Collaborative Residencies at The Garage, Bristol RWA Open, Bristol (delayed 'til 2021) 2019 'Hidden' Fringe Arts Bath, Milsom Place, Milsom St, Bath Drawing Residency, Drawing Projects UK, Trowbridge RWA Open Exhibition, Bristol 2018 Royal Academy Summer Exhibition, London Collaborators 5: The Hand of the Artist, Roaming Room, London 2017 RWA Open Exhibition, RWA, Bristol 2016 The Royal Academy, Summer Exhibition, London Woolwich Print Fair, London (Invited Artist) 'Print', 44AD Gallery, Bath 'Outline', Heritage Courtyard Gallery, Wells, Somerset RWA Open Exhibition, RWA, Bristol 2015 'Drawn' Open, RWA, Bristol 2014 'The Discerning Eye', Mall Galleries, London. (Invited Artist). International Print Biennale, Northern Print, Newcastle-upon-Tyne Statement about AOAP Submitted Artwork Esmé's thoughtful work and intimate work is sometimes representational and sometimes not. It is telling a story but indirectly often through representation and sometimes through simple shapes and pattern. She works with a variety of processes including drawing, photography and print. The relationship between drawing and surface is important whether that be watercolour paper, women's magazines, digital images or domestic linen. These drawings are part of an on-going examination of hair in all its beauty and uncanniness. They are concerned with the sense of loss and otherness that is present when hair is removed from the body. In these images the figure is absent but the woman is nevertheless present; represented by her hair.

Marcelina Amelia Moonlight Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia My Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia Grounding Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia My Big Small Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Mandy Franca Dusk III Textile, Oil Pastel and C Type on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About As a multidisciplinary artist Mandy Franca researches the influence of the digital realm on artefacts, mundanity and the influence of migration. Franca's work is an ongoing investigation into the notion of interconnectedness, drawing from life experiences which are informed by growing up in a cross-cultural environment and her personal archive. Mandy actively researches and observes the meaning of mundanity to give eternal value to seemingly insignificant places and objects. As a result, the notion of preserving languages, traditions, domestic settings and everyday objects in a state of flux - meaning - digital and physical due to digitalization and globalization, takes precedence in her work. Franca's priority is to bring the individual experience into a broader communal context and show the parallels between our common needs, objects and experiences with the notion of care as a fundamental aspect of being. As an artist she subverts and challenges the traditional application of printmaking by experimenting with a range of artistic mediums which intersect at painting, photography, print, drawing, collage, video, sculpture and installation using the photographic image and mark-making as a recurring element. With these techniques Franca wants to challenge ideas of digital materiality, painting and the reproductive image.   Education 2018 - 2020: Master of Arts (Distinction) | Print | Royal College of Art | London, UK 2011 - 2016: Bachelor of Arts | Fashion | Willem de Kooning Academy | Rotterdam, NL 2005 - 2009: Vocational Education | Media Design | Graphic Lyceum | Rotterdam, NL   Select Exhibitions/Awards 2021: Sequences 05 | Group Exhibition | The Who Gallery 2021: Warm Vessels in Search at Sunset | Group Exhibition | Harlesden High School 2021: Hotsheet 2020 | Group Exhibition | Downstairs Brixton 2021: Holding Space | Group Exhibition | Subject Matter 2020: Lick the Future | Collection/Group Exhibition | Where's the Frame 2020: London Grads Now - Royal College of Art | Group Exhibition | Saatchi Gallery 2020: Royal College of Art & Slade External Degree Show | Group Exhibition | Kristin Hjellegjerde Gallery 2020: In Touch | Virtual Group Show | Danielle Arnaud Gallery 2020: Final, Not Over: Session 3 | Group Exhibition | Unit 1 Gallery Workshop 2020: Against the Grain | Group Exhibition | Southwark Park Galleries 2019: 20:20 Insight | Group Exhibition | Soho Revue Gallery GRANTS/AWARDS 2020 - Augustus Martin Prize 2020 - HIGH prize for Creative Excellence (shortlisted) 2019 - Koningin Sophiafonds 2019 - Fundatie van de Vrijvrouwe van Renswoude 2018 - Prins Bernhard Cultuurfonds   Statement about AOAP Submitted Artwork For Art on a Postcard, Mandy Franca made a series of 3 cards with the title Dusk. Different shades of the sun going down, when the sky is filled with shades of red, yellow and orange just before the sky turns dark. Reminding her of warm summer nights, waiting to see shimmering stars. Dusk consists of a mixture of glossy and matt photographs showing fractions of the sky in contrast with oil pastels on textile.

Jessie Stevenson From Different Heights The Restless Gleam Study 2 Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1993, Norwich UK Stevenson's practice explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, she embodies the sensory experience of nature with daring mark making and uninhibited movement in her paintings. She draws inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in paint which fill her numerous sketchbooks, the artist reinvigorates the traditional landscape genre.   Education 2019 - 2022 Masters in Fine Art Painting, Slade School of Fine Art 2013 - 2017 BA Hon Fine Art, Central Saint Martins 2011 - 2013 Foundation Diploma and Painting Course, Leith School of Art   Select Exhibitions/Awards   SOLO EXHIBITIONS 2021 Way Out East, Sapling Gallery, London   SELECTED GROUP EXHIBITIONS 2022 The Pump House, Berntson Bhattacharjee, Battersea Park, London 2021 Thesmophoria, Soho Revue X Purslan 2021 Stäying Alive, Berntson Bhattacharjee, Falsterbo, Sweden 2021 Metis, Purslane 2021 Domesticity and the Feminine, Procrastinarting 2021 To be a shell, Queensrollahouse, London 2021 The Artists' Dozen Charity Auction, The Artists Contemporary X Procrasinarting 2021 Mnemysone, Purslane 2021 Cutting at lemons for freckles, Skippings Gallery, Great Yarmouth 2021 Colour and Poetry online exhibition, The Slade School of Fine Art 2021 Berntson Bhattacharjee X Women's Aid Charity Auction 2020 The Ing Discerning Eye, Tabish Khan Art Critic's Choice 2020 The Heart of Light, The Silence, Online group show 2020 Slade Runner, ASC Gallery, London 2020 SAVAGE 2020, The Crypt Gallery, London 2019 Peacock Yard Sale, Kennington, London 2018 Inhabiting The Dome, Whiteleys, London 2018 Skins X Eccleston Yards, London 2018 The Portuguese Love Affair, Hackney, London 2018 Low Island & Friends, Scala Kings Cross, London 2017 Mercer Street, New York City 2017 New Works 54 The Gallery, Mayfair, London 2016 YAZ, Pip Collective, Vienna 2015 Here in Archway, London 2015 4.3 x 24 x 2.9, The Rag Factory, London 2014 Second Nature, London 2014 Latency, Vyner Street Gallery, London 2014 Slippers, Hoxton Gallery, London   AWARDS AND RESIDENCIES: 2021 Col Art Residency, The Fine Art Collective, London 2019 JOYA: AIR Residency, Sierra María-Los Vélez National Park, Spain 2017 The Cass Art Prize, Central Saint Martins Graduate Award 2015 Ackademie Der Bildenen Künste, Erasmus programme, Vienna

Jessie Stevenson From Different Heights The Restless Gleam Study 3 Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1993, Norwich UK Stevenson's practice explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, she embodies the sensory experience of nature with daring mark making and uninhibited movement in her paintings. She draws inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in paint which fill her numerous sketchbooks, the artist reinvigorates the traditional landscape genre.   Education 2019 - 2022 Masters in Fine Art Painting, Slade School of Fine Art 2013 - 2017 BA Hon Fine Art, Central Saint Martins 2011 - 2013 Foundation Diploma and Painting Course, Leith School of Art   Select Exhibitions/Awards   SOLO EXHIBITIONS 2021 Way Out East, Sapling Gallery, London   SELECTED GROUP EXHIBITIONS 2022 The Pump House, Berntson Bhattacharjee, Battersea Park, London 2021 Thesmophoria, Soho Revue X Purslan 2021 Stäying Alive, Berntson Bhattacharjee, Falsterbo, Sweden 2021 Metis, Purslane 2021 Domesticity and the Feminine, Procrastinarting 2021 To be a shell, Queensrollahouse, London 2021 The Artists' Dozen Charity Auction, The Artists Contemporary X Procrasinarting 2021 Mnemysone, Purslane 2021 Cutting at lemons for freckles, Skippings Gallery, Great Yarmouth 2021 Colour and Poetry online exhibition, The Slade School of Fine Art 2021 Berntson Bhattacharjee X Women's Aid Charity Auction 2020 The Ing Discerning Eye, Tabish Khan Art Critic's Choice 2020 The Heart of Light, The Silence, Online group show 2020 Slade Runner, ASC Gallery, London 2020 SAVAGE 2020, The Crypt Gallery, London 2019 Peacock Yard Sale, Kennington, London 2018 Inhabiting The Dome, Whiteleys, London 2018 Skins X Eccleston Yards, London 2018 The Portuguese Love Affair, Hackney, London 2018 Low Island & Friends, Scala Kings Cross, London 2017 Mercer Street, New York City 2017 New Works 54 The Gallery, Mayfair, London 2016 YAZ, Pip Collective, Vienna 2015 Here in Archway, London 2015 4.3 x 24 x 2.9, The Rag Factory, London 2014 Second Nature, London 2014 Latency, Vyner Street Gallery, London 2014 Slippers, Hoxton Gallery, London   AWARDS AND RESIDENCIES: 2021 Col Art Residency, The Fine Art Collective, London 2019 JOYA: AIR Residency, Sierra María-Los Vélez National Park, Spain 2017 The Cass Art Prize, Central Saint Martins Graduate Award 2015 Ackademie Der Bildenen Künste, Erasmus programme, Vienna

Zoë Zimmer Mirror No. 1 Digital Photo Collage/Giclée Print on Paper Signed Verso 15 x 10cm (5¾ x 3¾ in.) About Artist and Photographer, Zoë Zimmer, was born and raised in London. At fifteen she started modelling, and seven years later transitioned into working as a photographer and graphic artist. Self-taught, she initially started working in fashion and portrait photography while living between London and Los Angeles. Her work has appeared in editorial magazines such as Volt, TWELV, and EXIT, and her portrait work includes Morgan Freeman among others. She has also been featured in various publications such as British Vogue, Tatler, The Observer, The Telegraph and on Dazed Digital. Zoë later turned her focus to working on photo based graphic art and digital collages - which she art directs, shoots, edits and designs herself, and often features self-portraiture - as well as brand collaborations, and album artwork for major labels and recording artists.

Emilia Dubicki Riverview - Spring Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation.   Select Exhibitions/Awards SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Emilia Dubicki Riverview - Summer Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation. Select Exhibitions/Awards   SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Emilia Dubicki Riverview - Fall Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation. Select Exhibitions/Awards   SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Emilia Dubicki Riverview - Winter Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation. Select Exhibitions/Awards   SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Zoë Zimmer Mirror No. 2 Digital Photo Collage/Giclée Print on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Artist and Photographer, Zoë Zimmer, was born and raised in London. At fifteen she started modelling, and seven years later transitioned into working as a photographer and graphic artist. Self-taught, she initially started working in fashion and portrait photography while living between London and Los Angeles. Her work has appeared in editorial magazines such as Volt, TWELV, and EXIT, and her portrait work includes Morgan Freeman among others. She has also been featured in various publications such as British Vogue, Tatler, The Observer, The Telegraph and on Dazed Digital. Zoë later turned her focus to working on photo based graphic art and digital collages - which she art directs, shoots, edits and designs herself, and often features self-portraiture - as well as brand collaborations, and album artwork for major labels and recording artists.

Damien Hirst (British, born 1965)Love all the feelings, 2016 with artist's stamp, hallmark, hologram and microdot, signed, titled, dated and numbered '161. Love all the feelings. 2016 Damien Hirst' (on sheet verso)enamel paint on handmade paper21 x 29.5cm (8 1/4 x 11 5/8in).Footnotes:ProvenanceWith HENI, LondonAcquired from the above by the present ownerPrivate Collection, U.K.Love all the feelings is part of the ambitious and pioneering project called The Currency which Damien Hirst embarked upon in 2016. Creating 10,000 works which were unique but almost indistinguishable, the pieces were originally offered for sale with each work corresponding to a unique NFT. Within two months each buyer had to choose either to keep the physical art work or the digital NFT, thereby actively participating in the project. As Hirst has commented: 'The Currency is an artwork, and anyone who buys it will participate in this work, it's not just about owning it. It is the most exciting project I have ever worked on by far.'Each piece is executed on handmade paper, and is numbered, titled, stamped and signed by the artist on the back, with a watermark, a microdot and a hologram containing a portrait of the artist. Hirst is famous for his innovative projects working in unusual mediums, be they sharks suspended in formaldehyde or mesmerising paintings using real butterfly wings, and The Currency is no less innovative. Expanding into the digital world with this project and inviting the owners of each piece to actively participate too, he invites us to think about the very concept of value, currency and art and how we - and they - interact in the world today.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A high-quality photo print depicting Blondie taken by photographer Martyn Goddard in 1976. The photo depicts the group posing during the shoot for the 'Best of Blondie' artwork. Measures 20 x 16". Signed by the photographer. Numbered 12/40. About The Photographer Martyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories.In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987. In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.

A high-quality photo print depicting Debbie Harry taken by photographer Martyn Goddard in 1986. The photo depicts Debbie Harry posing with a microphone. Measures 20 x 24". Signed by the photographer. Numbered 09/25. About The Photographer Martyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories.In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987. In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.

A high-quality photo print depicting Debbie Harry, taken by photographer Martyn Goddard in 1978. The photo depicts Debbie Harry with Martyn Goddard's tripod on a rooftop in NYC. Measures 20 x 16". Signed by the photographer. Numbered 07/40. About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few.He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019. In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.

A high-quality photo print depicting Debbie Harry, taken by photographer Martyn Goddard in 1978. The photo depicts Debbie Harry posing with a record and would feature on promotional posters and on the picture disc release of 'Parallel Lines'. Measures 20 x 24". Signed by the photographer. Numbered 09/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.

A high-quality photo print depicting Debbie Harry, taken by photographer Martyn Goddard in 1978. The photo depicts Debbie Harry in New York City. Measures 20 x 16". Signed by the photographer. Numbered 07/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.

A high-quality photo print depicting Debbie Harry, taken by photographer Martyn Goddard in 1978. The photo depicts Debbie Harry posing in a revealing dress in a NYC cocktail bar. Measures 20 x 16". Signed by the photographer. Numbered 15/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.

A high-quality photo print depicting Ian Dury, taken by photographer Martyn Goddard in 1980. The photo depicts Ian Dury on 'Ian's Bench'. Measures 20 x 16". Signed by the photographer. Numbered 10/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting Echo and the Bunnymen, taken by photographer Martyn Goddard in 1980. The photo depicts the band onstage in Buxton. Measures 20 x 16". Signed by the photographer. Numbered 09/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting Phil Collins, taken by photographer Martyn Goddard in 1981. The photo depicts Phil Collins onstage in Munich. Measures 14 x 11". Signed by the photographer. Numbered 05/50.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting a contact sheet of images of Elton John, taken by photographer Martyn Goddard in 1982. The images depict Elton outside Air Studios. Measures 24 x 20". Signed by the photographer. Numbered 15/25.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting George Michael, taken by photographer Martyn Goddard in 1987. The photo depicts George Michael during the video shoot for 'I Want Your Sex'. Measures 20 x 16". Signed by the photographer. Numbered 09/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting George Michael, taken by photographer Martyn Goddard in 1987. The photo depicts George Michael and a model during the video shoot for 'I Want Your Sex'. Measures 20 x 24". Signed by the photographer. Numbered 17/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting Freddie Mercury and Queen, taken by photographer Martyn Goddard in 1976. The photo depicts the band onstage in London at the Hammersmith Odeon. Measures 20 x 16". Signed by the photographer. Numbered 14/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting Freddie Mercury, taken by photographer Martyn Goddard in 1977. The photo depicts Freddie Mercury at the piano during a performance at Southampton Gaumont Theatre. Measures 20 x 16". Signed by the photographer. Numbered 15/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting Sham 69, taken by photographer Martyn Goddard in 1977. The photo depicts the group during a photo shoot for '..Borstal Breakout..'. Measures 14 x 11". Signed by the photographer. Numbered 05/50.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting The Jam, taken by photographer Martyn Goddard in 1977. The photo would be used for the cover of debut album 'In The City'. Measures 15x 15". Signed by the photographer. Numbered 07/25.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting The Jam, taken by photographer Martyn Goddard in September 1978. The photo would be used as the cover image for the single 'Down In the Tube Station at Midnight'. Measures 16 x 15". Signed by the photographer. Numbered 09/50.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting The Jam, taken by photographer Martyn Goddard in 1977. The photo depicts the band posing for the cover image for the single David Watts / "A" Bomb In Wardour Street. Measures 20 x 16". Signed by the photographer. Numbered 04/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting The Jam, taken by photographer Martyn Goddard in 1978. The photo depicts the band taking a break at Frank's Cafe. Measures 20 x 16". Signed by the photographer. Numbered 16/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting a triptych of images of Paul Weller, taken by photographer Martyn Goddard in 1977. The photos are from the 'In The City' shoot. Signed by the photographer. Numbered 05/10. Measures 70.5 x 36cm.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting a still life scene, taken by photographer Martyn Goddard in 1979. The photo was used for the cover of The Cure's 'Three Imaginary Boys'. Measures 20 x 16". Signed by the photographer. Numbered 06/25. Martyn has previously said this about the shoot: "“The still life on the cover of The Cure’s debut album was conceived by Polydor sleeve designer Bill Smith. I had worked with Bill on The Jam’s In the City album and The Cure were another new act the label was about to promote. There was a problem however; the band didn’t want their portraits on the cover. We came up with using common household goods to represent the band members. The record’s title focusing in on “Imaginary” was a help with our final concept. I wanted to use the bright pink background as it would stand out in the point of sale record racks and I happened to have a roll of pink colorama paper in the studio.”"About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting David Slyvian, taken by photographer Martyn Goddard in 1985. Measures 20 x 16". Signed by the photographer. Numbered 10/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting U2, taken by photographer Martyn Goddard in 1980. The photo depicts the group in their rented house in London. Measures 20 x 16". Signed by the photographer. Numbered 20/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting U2, taken by photographer Martyn Goddard in 1980. The photo depicts the band in their tour van. Measures 20 x 16". Signed by the photographer. Numbered 07/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting George Michael, taken by photographer Martyn Goddard in 1986. The photo depicts George Michael during the video shoot for 'I'm Your Man'. Measures 20 x 16". Signed by the photographer. Numbered 07/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.

A high-quality photo print depicting Wham, taken by photographer Martyn Goddard in 1985. The photo depicts the group during their trip to China, 1985. Measures 20 x 16". Signed by the photographer. Numbered 07/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive of rock bands and musicians.