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Two Royal Doulton large character jugs, modelled as Don Quixote D645, and Mine Host D6468, together with a Studio "D" pottery figure of a man at potter's wheel forming a vase, raised on a oval wooden base, 23.5cm high. (3)

A Pearlware Soup Tureen and Cover, circa 1820, printed in underglaze blue with the 'Spaniel' pattern, 35cm wide, together with a similar supper dish and cover 'English Scenery' pattern, a pair of smaller examples, a Don Pottery sauce tureen stand and a sauce tureen cover and ladle printed with 'Helmsley Castle, Yorkshire', (5)Supper dish 1 - cover with a chip to the corner and crazed, base with repairs and hairlines to one corner and also crazedSupper dish 2 - heavy crazing throughout and some discolourationSupper dish 3 - corner repair, heavy crazing and a large central area of stainingSoup tureen - cover with mutliple underside chips and a glaze chip to the knop, the base with some crazing, and glaze chips to the handle, crazing and stainingSouce tureen - with a hairline crack and crazing to the stand, further crazing to the cover, and ladle, the main body with foot chips, glazed chips to one handle and heavy crazing

Antique Leeds Don pottery water jug (c.1820) with chysanthemum flower decoration - 24cm high - old repairs to handle, crack near spout and slight staining otherwise in good used condition.

† IVAN MARTIN (1913-1979) for Winchcombe Pottery; a slipware mug decorated with fish, impressed IM and pottery marks, made 1947-1951, height 10cm, another Winchcombe mug by Don Jones, a butter dish by Pat Groom, and another butter dish marked AH (4).Condition Report: Re-glued chip to inside rim of Martin mug, nibbles and glaze rubbing to rim of Jones mug, otherwise appears good with no further signs of faults, damage or restorations.

Kelly Jessiman I Miss You, 2025 Stoneware Glazed Ceramic Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About St Leonards-on-Sea-based Kelly Jessiman builds her forms at the family dinner table, and each piece is fired and glazed in her garden shed. She takes a wide range of inspiration from contemporary paintings and ancient artefacts. Each stage is an organic process; the clay often takes on a life of its own, which leads to the final form, and from there, she decides how it will be glazed. Often glazed with hidden notes written on and scratched into the glaze, overlapped with drawings and good luck charms or superstitious markings warding off evil. Kelly enjoys the process of pottery and the unpredictable outcomes it presents. Her pieces are experimental, playing with the juxtaposition of neatly made traditional shapes against the organic imperfections inherent in the act of hand-building. Kelly's background is in fine arts, where she studied foundation art at Chelsea School of Art and went on to study BA Fine Art Sculpture at Camberwell School of Art. Exhibitions 2021 Babes in Arms group show, Big Yin Gallery, December 2022 Hot as Hell group show, Big Yin Gallery, June Burnt Orange group show, Big Yin Gallery, July A Trip Around the Sun group show, Big Yin Gallery, September Babes in Arms group show, De La Warr, September New Colour Now, Livingston, London, November 2023 Babes in Arms studio takeover, The Hastings Contemporary, March A Room of One's Own group show, Livingston, Bristol, May FOLDE group show, Coastal Currents, Hastings, September The Gallerist's Home, MAH Gallery, London, June Collection 04, Felt MKII, London, September The Bedroom and the Study, The House by MAH, London Design Festival, September In Time group show, Gallery 13, October Christmas Cracker, Georgia Stoneman Gallery, Castlecary, December 2024 Gate of Entrancement, Electro Studio Project Space, March Unapologetic Colour group show, Another Country, Marylebone, London, May Shaped, Felt, Straffordshire Street, London, July Gather in Gathering, Milieu Studios, October Served group show, Felt Host, London, December 2025 In Fleeting Moments group show, Secession Gallery, January Statement about AOAP Submitted Artwork The work submitted for Art on a Postcard is unusual for me as I don't usually work on small-scale flat surfaces. Here, I have decided to explore the idea of ceramic postcards and what postcards mean to me-sending thoughts of love, hope, and missing certain special people, added with my usual overlapping of words and images. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Kelly Jessiman Wish You Were Here, 2025 Stoneware Glazed Ceramic Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About St Leonards-on-Sea-based Kelly Jessiman builds her forms at the family dinner table, and each piece is fired and glazed in her garden shed. She takes a wide range of inspiration from contemporary paintings and ancient artefacts. Each stage is an organic process; the clay often takes on a life of its own, which leads to the final form, and from there, she decides how it will be glazed. Often glazed with hidden notes written on and scratched into the glaze, overlapped with drawings and good luck charms or superstitious markings warding off evil. Kelly enjoys the process of pottery and the unpredictable outcomes it presents. Her pieces are experimental, playing with the juxtaposition of neatly made traditional shapes against the organic imperfections inherent in the act of hand-building. Kelly's background is in fine arts, where she studied foundation art at Chelsea School of Art and went on to study BA Fine Art Sculpture at Camberwell School of Art. Exhibitions 2021 Babes in Arms group show, Big Yin Gallery, December 2022 Hot as Hell group show, Big Yin Gallery, June Burnt Orange group show, Big Yin Gallery, July A Trip Around the Sun group show, Big Yin Gallery, September Babes in Arms group show, De La Warr, September New Colour Now, Livingston, London, November 2023 Babes in Arms studio takeover, The Hastings Contemporary, March A Room of One's Own group show, Livingston, Bristol, May FOLDE group show, Coastal Currents, Hastings, September The Gallerist's Home, MAH Gallery, London, June Collection 04, Felt MKII, London, September The Bedroom and the Study, The House by MAH, London Design Festival, September In Time group show, Gallery 13, October Christmas Cracker, Georgia Stoneman Gallery, Castlecary, December 2024 Gate of Entrancement, Electro Studio Project Space, March Unapologetic Colour group show, Another Country, Marylebone, London, May Shaped, Felt, Straffordshire Street, London, July Gather in Gathering, Milieu Studios, October Served group show, Felt Host, London, December 2025 In Fleeting Moments group show, Secession Gallery, January Statement about AOAP Submitted Artwork The work submitted for Art on a Postcard is unusual for me as I don't usually work on small-scale flat surfaces. Here, I have decided to explore the idea of ceramic postcards and what postcards mean to me-sending thoughts of love, hope, and missing certain special people, added with my usual overlapping of words and images. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Kelly Jessiman Holding On, 2025 Stoneware Glazed Ceramic Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About St Leonards-on-Sea-based Kelly Jessiman builds her forms at the family dinner table, and each piece is fired and glazed in her garden shed. She takes a wide range of inspiration from contemporary paintings and ancient artefacts. Each stage is an organic process; the clay often takes on a life of its own, which leads to the final form, and from there, she decides how it will be glazed. Often glazed with hidden notes written on and scratched into the glaze, overlapped with drawings and good luck charms or superstitious markings warding off evil. Kelly enjoys the process of pottery and the unpredictable outcomes it presents. Her pieces are experimental, playing with the juxtaposition of neatly made traditional shapes against the organic imperfections inherent in the act of hand-building. Kelly's background is in fine arts, where she studied foundation art at Chelsea School of Art and went on to study BA Fine Art Sculpture at Camberwell School of Art. Exhibitions 2021 Babes in Arms group show, Big Yin Gallery, December 2022 Hot as Hell group show, Big Yin Gallery, June Burnt Orange group show, Big Yin Gallery, July A Trip Around the Sun group show, Big Yin Gallery, September Babes in Arms group show, De La Warr, September New Colour Now, Livingston, London, November 2023 Babes in Arms studio takeover, The Hastings Contemporary, March A Room of One's Own group show, Livingston, Bristol, May FOLDE group show, Coastal Currents, Hastings, September The Gallerist's Home, MAH Gallery, London, June Collection 04, Felt MKII, London, September The Bedroom and the Study, The House by MAH, London Design Festival, September In Time group show, Gallery 13, October Christmas Cracker, Georgia Stoneman Gallery, Castlecary, December 2024 Gate of Entrancement, Electro Studio Project Space, March Unapologetic Colour group show, Another Country, Marylebone, London, May Shaped, Felt, Straffordshire Street, London, July Gather in Gathering, Milieu Studios, October Served group show, Felt Host, London, December 2025 In Fleeting Moments group show, Secession Gallery, January Statement about AOAP Submitted Artwork The work submitted for Art on a Postcard is unusual for me as I don't usually work on small-scale flat surfaces. Here, I have decided to explore the idea of ceramic postcards and what postcards mean to me-sending thoughts of love, hope, and missing certain special people, added with my usual overlapping of words and images. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Kelly Jessiman Sunflowers and Coffee, 2025 Stoneware Glazed Ceramic Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About St Leonards-on-Sea-based Kelly Jessiman builds her forms at the family dinner table, and each piece is fired and glazed in her garden shed. She takes a wide range of inspiration from contemporary paintings and ancient artefacts. Each stage is an organic process; the clay often takes on a life of its own, which leads to the final form, and from there, she decides how it will be glazed. Often glazed with hidden notes written on and scratched into the glaze, overlapped with drawings and good luck charms or superstitious markings warding off evil. Kelly enjoys the process of pottery and the unpredictable outcomes it presents. Her pieces are experimental, playing with the juxtaposition of neatly made traditional shapes against the organic imperfections inherent in the act of hand-building. Kelly's background is in fine arts, where she studied foundation art at Chelsea School of Art and went on to study BA Fine Art Sculpture at Camberwell School of Art. Exhibitions 2021 Babes in Arms group show, Big Yin Gallery, December 2022 Hot as Hell group show, Big Yin Gallery, June Burnt Orange group show, Big Yin Gallery, July A Trip Around the Sun group show, Big Yin Gallery, September Babes in Arms group show, De La Warr, September New Colour Now, Livingston, London, November 2023 Babes in Arms studio takeover, The Hastings Contemporary, March A Room of One's Own group show, Livingston, Bristol, May FOLDE group show, Coastal Currents, Hastings, September The Gallerist's Home, MAH Gallery, London, June Collection 04, Felt MKII, London, September The Bedroom and the Study, The House by MAH, London Design Festival, September In Time group show, Gallery 13, October Christmas Cracker, Georgia Stoneman Gallery, Castlecary, December 2024 Gate of Entrancement, Electro Studio Project Space, March Unapologetic Colour group show, Another Country, Marylebone, London, May Shaped, Felt, Straffordshire Street, London, July Gather in Gathering, Milieu Studios, October Served group show, Felt Host, London, December 2025 In Fleeting Moments group show, Secession Gallery, January Statement about AOAP Submitted Artwork The work submitted for Art on a Postcard is unusual for me as I don't usually work on small-scale flat surfaces. Here, I have decided to explore the idea of ceramic postcards and what postcards mean to me-sending thoughts of love, hope, and missing certain special people, added with my usual overlapping of words and images. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

A collection of late 18th and early 19th century blue and white teawares to include cups by Newhall, Miles Mason and Spode, together with teabowls to include Worcester, Coalport and Don Pottery and a Spode teabowl and saucer, etc (17)

A Don Pottery Meatplate, circa 1825, printed in underglaze blue with the "Residence of Solimenes near Vesuvius" pattern from the Named Italian Views series, a drainer "View of Corigliano", two further drainers and a Spode "Filigree" cake stand (5)Drainer 1 with a large star crack to the reverse some crazing paint scratches, drainer 2 crazed, stained, paint srcatches and large chip to the rim, small repair to the rim also other drainer with glazed chips to the rim some paint scratchers small star crack to the reverse.

A Collection of Pearlware Plates and Dishes etc., early-mid 19th century, including a Don Pottery soup plate "Obelisk at Cantaca" pattern from the Named Italian Views series, "Grazing Rabbits" plate, Spode "Greek" pattern plate etc. (one shelf)

A Royal Doulton pottery figure The Don Sandeman decanter, height 25cm together with a Johnnie Walker Scotch whisky jug

HISTORICAL: A pair of Staffordshire Pottery Equestrian Figures, modelled as 'Don Quixote'; & Sancho Panza, circa 1850-1870, The Parr Family, the Don in armour, mounted on his horse, Sancho seated on Ruchio his donkey, both painted in colours and titled (2) Refer: Harding Book 1, Page 274, Fig 987 & 988 Thomas Parr, John Parr, & the Kent & Parr firm, passed the moulds to each other and the figures were produced over a long period.

A GROUP OF BLACK TRANSFER PRINTED CERAMICS ( 16)First half 19th century Comprising; a Don Pottery pearlware milk jug and a pair of teacups and saucers printed with children playing with a spinning top or marbles and the `Dancing Dog' pattern, unmarked; a pair of pearlware saucers printed with a an artist and children; a pearlware toy teacup and saucer; a toy teapot and cover; a sugar bowl; a pair of Boch Septfontaines, Luxembourg, coffee cans and saucers printed with pastoral scenes, impressed marksMilk Jug- haircrack to the rim, approx. 2cm length. Some light staining and crazing to the glazePair of teacups and saucers- both cups with haircracks. One also with a large chip to the inner rim. One saucer with a glued section to the rim. The other with a haircrack to the rim.Pair of saucers- one with starcrack to the base. The other with a haircrack to the rim. Both with some wear.Toy teacup and saucer- cup with three haircracks to the rim, a chip and glue slice chip to the footrim. The saucer with a haircrack to the rim and two chips to the footrim.Toy teapot and cover- teapot with chips to the spout and inner flange. The cover has been broken and glued.Sugar bowl- some crazing and light staining to the glazePair Boch coffee cans and saucers- one can with two long haircracks to the rim and two chips to the footrim. The other can with a chip to the outside of the footrim and some scuffing to the glaze.Each saucer with some some some glaze chips and scuffing to the rims 

Staffordshire 19th century blue and white transfer printed supper dish with Fallow Deer pattern, 38cm long, another supper dish in Etruscan pattern perhaps by Hicks and Meigh, 37.5cm long & another of shorter size, Don Pottery supper dish in Port of Alacanta pattern, and a Spode supper dish and two miscellaneou supper dish lids (7) Provenance: The Maisels Collection of British Ceramics

SEATON POTTERY, VICTORIAN MARRIAGE DAIRY BOWL, LATE 19TH CENTURY of circular form, inscribed 'Mrs J. Laing, 57 Don Street, Old Aberdeen, July 30th 1886'43cm wide

Six blue and white printed earthenware plates, early 19th c, to include Spode Carmanian series plate and Don Pottery View of Alicata pattern, 25.5cm diam and smaller, various marks Minor chip to underside of rim of Boy on Buffalo pattern plate, chip to underside of Castle and Bridge pattern plate

A Don Pottery Drabware dessert service including two 'Royal Scollop'd' dishes, c1810-1815, carefully painted in fiery orange enamel with groups of fruit in brown enamel rim, dish 22.5cm l, collectors' label (6)Restored, chip to rim of scalloped dish, some scratches and wear

A Mark Smith Studio Pottery Two Handled Stoneware Bowl (18cm diam. to handles, impressed marks), Robert Tarling bowl, Don Glanville stoneware vase (22.5cm) and an unmarked flask

A Don Pottery Tureen Stand, circa 1820, with moulded lion handles, printed in underglaze blue in the "Named Italian Views" pattern, together with six plates from the same service (7)

† SUZY ATKINS (born 1941) for Poterie du Don, France; a graduated trio of salt glazed jugs, impressed pottery marks, tallest 16cm, and a poster on board about the artist depicting similar jugs, 57.5 x 77.5cm (4).Condition Report: Rim chip to larger jug, rim and spout chips to medium jug, otherwise appears good with no further signs of faults, damage or restorations.

LARGE COLLECTION OF REFERENCE BOOKS ON BRITISH CERAMICS including ‘Staffordshire Porcelain’, by G Godden; ‘Creamware for the American Market’, by Teiteman, Halfpenny and Fuchs; 'Mortlake Potteries', by Howart and Hildyard; ‘Staffordshire Potters’, by R K Henrywood; ‘The Yorkshire Potteries’, by J D Griffin; ‘The Leeds Pottery 1770-1881, vol II, by J D Griffin; ‘The Don Pottery’, by J D Griffen; ‘The Don Pottery Pattern Book; ‘The Cambrian Company’, by J Gray; ’Derby Porcelain', by G Bradley; ‘Godden’s Guide to English Blue and White Porcelain', by G Godden; ‘Eighteenth Century English Porcelain’, by G Godden; ‘British Porcelain’, by G Godden; ‘Oriental Export Market Porcelain’, by G Godden; ‘Printed English Pottery’ , by J Horne; ‘Letters of Josiah Wedgwood’, by Finer and Savage; ‘Naval Ceramics’, by G and M Pugh; ‘British Porcelain Sauceboats of the 18th Century’, by N. Panes; ‘British Ceramic Design 1600-2002’, English Ceramic Circle; ‘The Lady Ludlow Collection of English Porcelain at the Bowes Museum’; and others similar; also including a collection of Simon Spero exhibition catalogues (qty) tallest book 35cm high Provenance: The Maisels Collection of British Ceramics

A Don Pottery neoclassical creamware vase, c1800, moulded with swags and paterae and enamelled in a bright palette, 19.5cm h, collectors’ label   Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 34 slightly chipped with some localised flaking of the green enamel of the swag

A rare Don Pottery dark-brown body jug, c1810-1815, with yellow chinoiserie underglaze transfer print and diaper inner border and handle, 12.5cm h, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 254 John Griffin: "A very rare jug being the only one so far recorded in this very dark brown body, best described as being of the same colour as dark bitter chocolate. It is also rare on another count, as it is the only one known which is decorated with a yellow underglaze transferred design." Good condition

A smear glazed blue stoneware 'quintal' vase, possibly Don Pottery, c1810, sprigged with classical figures, 16.5cm h, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 255 John Griffin considered the present vase as possibly Don because, whereas the Leeds, Castleford and Whitehead Potteries all made quintal vases, the details and those of a matching pair known to the author conform to the illustration in the Don design book. These, of pearlware, with blue edging and a yellow wash, are in marked contrast to the present example being "curious as I do not know anything else in this body colour, nor with this particular sprig decoration." Broken near base and neatly re stuck with tiny loss, no professional restoration

Seven Don Pottery underglaze black transfer printed pearlware cup plates and other plates, c1820-1830, various subjects, including two moulded children's plates, one in colour, 13cm diam and smaller, impressed DON.POTTERY or unmarked, collectors' labels Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 116 The two moulded plates cracked and somewhat stained

A Don Pottery pearlware marriage jug, dated 1826, inscribed on a yellow reserve George & Ann Dickinson Married August 14th 1826, in a colourful surround flanked by flowers, the rims and handle in brown enamel, with border or trailing leaf, 15cm h, collectors' label Provenance: J D & D A Griffin Collection Comparative literature: A similar marriage jug of the same shape, dated 1828 is illustrated Griffin (John D) – The Don Pottery 1801-1893, plate 39 Hairline cracks and light wear, no restoration

Six Don Pottery black transfer printed pearlware cup plates, c1820-1830, various subjects, comprising shepherdess and sheep and rural scenes, one including a smoking bottle oven, 11.5cm diam, printed lion mark or unmarked, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 117 and 118

A pair of Don Pottery blue bordered pearlware oval stands and a blue printed pearlware cup plate, knife rest and overglaze enamelled plate, c1820-1830, stand 16.5cm l, impressed GREEN DON.POTTERY, DON.POTTERY, or lion mark, collectors' label Provenance: J D & D A Griffin Collection Good condition

Three Don Pottery fine white earthenware botanical and mixed floral painted dessert plates, c1810, with brown or green enamel rim, 20.5 and 21cm diam, painted title in red script or unmarked, collectors’ label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 187, 197 and 206 On one plate a flaking of the green enamel of the rim

Two Don Pottery Drabware jugs, c1810-1815, one inscribed in gilt J Dove, 14 and 16cm h, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 231 The name "J Dove" may be that of Beverley Innkeeper recorded in Viscount Milton's election accounts for the 1807 election: "Paid John Dove, a writer employed during the election £21-0-00" Dove jug crack in neck and localised wear to gilding, larger jug flaking of brown enamel on rim

A Don Pottery blue printed pearlware Vermicelli pattern jug and group of teaware, c1820, jug 16cm h, printed lion mark or unmarked, collectors' label (10) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 65 Jug broken and repaired with loss, bowl broken and restuck, one saucer chipped, the others mostly good

A pair of Don Pottery fine white earthenware plates, c1805-1810, with classical bat prints in black enamel rim, 18.5cm diam and pair of original late 18th c source prints, navette shaped and hand coloured engravings in verre eglomise, framed, collectors' labels (4) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 180, 181 and 181a One plate slightly scratched, some very light wear to the enamel on the rim, the prints in good condition

A Don Pottery pearlware vase, shaped square dessert dish and two plates, c1825, including a child's plate, with various printed and enamelled patterns, vase 12.5cm h, impressed lion or DON.POTTERY mark, or unmarked Provenance: J D & D A Griffin Collection Child's plate - rim chippedSquare dish - corner formerly broken and stapled, now situ to a museum type repairSecond plate - in good conditionVase - holed in base and chipped on the inverted rim

Three Don Pottery Drabware teacups, saucers, a saucer dish and a 'Royal Scollop'd' dessert dish, c1810-1815, painted in monochrome with rural scenes or landscapes, dessert dish 22cm l, collector's labels  Provenance: J D & D A Griffin Collection; H Blakey Collection (dessert dish) Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 240 and 241 Very good save for some slight and localised wear to the enamel on the rim of the cups

Seven Don Pottery fine white earthenware dessert plates and dishes, c1810, painted in bright enamels with groups of flowers, a black or brown enamel rim, plate 21.5cm diam, collectors’ label Provenance: J D & D A Griffin Collection Literature. Griffin (John D) – The Don Pottery 1801-1893, illustrated, plate 204 One plate broken and one square dish broken and stapled, shaped dish restored, brown edge square dish with chip on foot rim and localised flaking of brown enamel rim

A Don Pottery fine white earthenware dessert service, c1815, enamelled with leaf and tendril border, in brown rim, dish 24.5cm l, collectors' label (7) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 216 With occasional small spots of flaking on the brown enamel of the rim; dish slightly worn

Three Don Pottery blue printed earthenware Italian Landscape Series and other plates, c1830, 21.5-25.5cm diam, impressed DON.POTTERY and printed lion marks, or printed mark alone, or unmarked, collectors' labels, sold with original source print and companion engravings, framed (5) Provenance: J D & D A Griffin Collection Good condition

A Don Pottery creamware cream bowl, cover and stand and plate, c1805, with lion knop and moulded handles, enamelled with trailing leaves, the plate with sepia leaf border, 10.5cm h, impressed DON.POTTERY (plate), collectors' label (4) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 29 and 31 Bowl - Cover chipped; some staining of the glazePlate - good condition

A Don Pottery fine white earthenware 'Jumper' jug, printed and painted with the 'Orange Jumper' John Clarkson and inscription, the rim and handle in brown enamel, 18cm h, collector's and exhibition labels Provenance: J D & D A Griffin Collection Exhibited: Rotherham, Northern Ceramics Society 1997 Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 169 Slightly scratched, not cracked or chipped, no restoration

A Don Pottery fine white earthenware botanical cream bowl, cover and stand and two contemporary Don Pottery fine white earthenware botanical cream bowls and cover, the first 15cm h, painted titles in red script or unmarked, collectors' labels Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 207 Cream bowl cover and stand in unusually good condition with only a couple of small nicks on the rims of the bowl and crack in loop handleOne of the other cream bowls with descending hairline crackThe other broken and restuck

A Don Pottery fine white earthenware dessert stand, dish and plate, c1810, enamelled with trailing oak leaves, thistles or morning glory on a white or turquoise ground, in brown edged rim, stand 29cm l, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 214 and 217 Dish stained; wear to brown enamel rimOak leaf plate cracked

Two Don Pottery underglaze black transfer printed and onglaze enamelled plates and a jug, c1820, with continental peasant scenes, the rims and handle in brown enamel, jug 15cm h, impressed lion mark or unmarked, collectors' labels Provenance: J D & D A Griffin Collection Exhibited: Manchester, Northern Ceramic Society 1976 Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 136 Chip and minor crack on rim of jug, wear to brown enamel on rims and handle, localised wear to decoration, better on one of the two plates

A rare Don Pottery neoclassical caneware octagonal teapot and cover, c1805, with fine black sprigging of classical figures in beaded medallions flanked by pendant foliage and paterae, 15cm h, impressed GREEN/DON POTTERY, collectors' label Provenance: J D & D A Griffin Collection Comparative literature: Don Pottery Pattern Book, fig 45. The matching sugar box and cover from the Emerson collection and sold by Phillips in 1871, now in the Victoria & Albert Museum, is illustrated in Griffin (John D) – The Don Pottery 1801-1893, front piece illustration and discussed pp.173-4 Cover chipped. Tip of spout broken and restuck, with lossBase broken and neatly restuck, no professional restoration and of fine appearance

A Don Pottery 'Royal Scollop'd' fine white earthenware dessert service, c1810, painted in bright green and brown enamel with a bold Greek key and oak leaf border pattern, centrepiece 27cm l, collectors' label (8) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 213 Centrepiece - descending hairline crackDish - minor star crackPair of dishes - one fine hairline, one plate with some localised flaking of the ground enamel, another slightly cracked, but in overall good condition and of pleasing appearance

A Don Pottery leaf moulded earthenware plate, green glazed plate with the emblematic foliage of the United Kingdom and yellow glazed bee skep jug, c1820, jug 13.5cm h, impressed boxed DON.POTTERY or unmarked, jug painted in sepia No 1, collectors' labels Provenance: (leaf bordered plate) Dukes of Portland, Welbeck Abbey; J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 222, 225 and 227 The jug in the present lot was the only example of the type of which John Griffin was aware Lip of jug broken and stapledGreen glazed plate in good conditionLeaf bordered plate, two fine hairline cracks and slight wear

Three Don Pottery underglaze black transfer printed pearlware jugs, c1820, with children at play or a shepherd, 16cm h and smaller, printed lion mark or unmarked and the original source print of the see-saw, after Francis Wheatley, framed (4), collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 96, 96a and 101 Large jug cracked around baseSmall jug with children - chip on rimShepherd jug - cracked and slightly stained, print stained

Three Don Pottery fine white earthenware and pearlware dessert dishes, c1810, boldly painted with groups of flowers, one including lilies of the valley, in black or brown enamel rim, 24.5-29.5cm l, collectors' labels Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 211 Large lilies of the valley dish in good conditionPattern flower dish - large section of the rim broken out and stapledThird dish - light wear and short hairline crack, typical flaking of the brown enamel rim

A group of Don Pottery underglaze black transfer printed pearlware teaware , c1820-1825, various patterns, principally children and rustic, various sizes, impressed or printed mark or unmarked (18) Provenance: J D & D A Griffin Collection Some damage

A Don Pottery fine white earthenware botanical dessert stand, c1810, painted with three specimens after illustrations from Curtis' Botanical Magazine or, Flower-Garden Displayed, brown enamel rim, 27cm l, painted titles in red script, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 189 Hairline crack descending from rim and localised light mushroom coloured stain, no restoration

A caneware oval teapot and cover, possibly Don Pottery, c1812, 11cm h, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 257 Tip of spout damaged, lower body cracked

A Don Pottery Chalcedony or Orange Body teapot, cover, stand and milk jug, with black or red bat prints of putti or landscape, 18cm h, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 244 and 245 Teapot minor star crack on side, cover lacking the 'pip' from the top of the knop

Seven Don Pottery Chalcedony or Orange Body tea and dessert wares, c1806-1815, with different sepia bat prints, on two plates on a white slip ground, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 250 One plate with chip under the rim and some localised flaking of the ground enamel on the rim, the rest of the lot in good condition

A Don Pottery creamware sauce tureen and cover, twig basket and three pierced round or oval stands, c1800, tureen and cover 17cm h, impressed DON.POTTERY, collectors' labels (6) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 22, 24 and 25 Good condition

Three Don Pottery blue printed pearlware mugs, c1820-1830, various patterns, 12.5-14cm h, printed lion mark, collectors' labels Provenance: J D & D A Griffin Collection Floral mug - chipped on footMug with boat - broken and restoredThe other mug - cracked

A Don Pottery fine white earthenware mug and plate, dated 1815, inscribed George Diggins 1815, framed by red, green and mauve foliage and, on the mug, by roses, the rims and handle picked out in blue enamel, mug 90mm h, collectors' labels Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 218 Mug in good condition, plate stained, some slight flaking on the blue enamel rim, neither cracked or chip, no restoration

A Don Pottery fine white earthenware botanical fruit stand and floral dish, c1810, with brown enamel or undecorated edge, 28cm l, impressed DON.POTTERY and title in sepia script, or impressed 6, collectors' labels Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 210 Dish - minor hairline crackStand - good

A Don Pottery black basalt teapot and cover, c1805-1810, a contemporary black basalt Death of General Sir John Moore commemorative teapot and cover, possibly Don Pottery, c1810 and a smaller contemporary black basalt teapot, the first 21cm h, impressed GREEN S, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plates 258 and 261 Green teapot repaired; chip on spout, the others good

A Don Pottery Drabware trio, coffee can and set of three plates, c1810-1815, bat printed on an orange reserve, the rim painted in brown enamel, plates 18.5cm diam, collectors' label Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 237  Print on saucer slightly scratched from contact wear

A Don Pottery blue printed pearlware Vue Prise dans le Environs de Leon Forte pattern plate, c1820, 25cm diam, printed lion mark, collectors' label and the original source print engraving, folio (2) Provenance: J D & D A Griffin Collection Literature: Griffin (John D) – The Don Pottery 1801-1893, illustrated plate 60 Good condition