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Two Royal Doulton pottery character jugs, modelled as Don Quixote D6460, and Robin Hood D6534, together with four Hummel figures, including Toothache and Little Violinist.

A Sunderland lustre motto plaque, printed in black 'PRAISE YE THE LORD', within wreath and coloured flowers 17 x 19.5cms; another 'Behold GOD will not cast away.....' within worn orange border, 20.5 x 23cms; and a small child's nursery plate, probably Don pottery Yorkshire, printed in puce 'PREPARE TO MEET THY GOD' within scale moulded border, 15.5cms. (3)

A quantity of pottery including Le Don, tall American vase, 'Iden Pottery' , Rye etc

Pountney & Allies Bristol Views Series 'River Avon' meat plate together with Don Pottery meat platter 'Port of Alicata

‡ &nbspA STAFFORDSHIRE SALT-GLAZED STONEWARE TRANSFER-PRINTED PLATE CIRCA 1755, THE PRINTING PROBABLY BATTERSEA Printed after François Ravenet in iron-red with 'The Shining Acquisition of Mambrino's Helmet' from Don Quixote 23cm diameter Provenance: Tilley & Co., London Property from the Estate of Majorie Wiggin Prescott; Christie's, New York, March 6, 1981, lot 51 The Harriet Carlton Goldweitz Collection; Sotheby's, New York, 20 January 2006, lot 95 Literature: F. Tilley, Ravenet an Engraver for Battersea Transfers on Salt-glaze plates: The Final Link in the Chain of Evidenc", The Antique Collector, June 1963, pp. 121-128. H. Carlton Goldweitz, An American Collection of English Pottery: A Chronology 16 The scene is taken from T. Smollett, The History and Adventures of the Renown Don Quixote, London, 1755, Vol. 1, Book 3, Chapter VII, p. 126. Condition Report: Surface scratching and firing flaws, particuarly to the reverse, minute chip to the moulding at border at 3 o'clock and another at 6 o'clock. Minor wear.Condition Report Disclaimer

A Near Pair of English Drab-Coloured Pottery Cow Groups, South Yorkshire, Possibly Don or Mexborough, Early 19th Century, each with a cow, calf and standing figure, both splashed in black, the figures picked out in colours, each 5.75ins highHe -Spray to underside of the base and horns. Some light spray to lower part of back legs.  She - some spray to underside of base at right side. Horns sprayed and is part of her bonnet. Some spray to upper part of base at right end. 

A Collection Brameld, Don and Twigg Transfer Printed Yorkshire Pottery, including meat plates and serving dishes, etc (qty)

DANIEL ZULOAGA - a polychrome glazed terracotta tile depicting travellers on donkeys in a landscape, stamped verso 20.3 cm x 15 cm, another tile depicting women in a market place 21.2 cm x 15.6 cm, a circular bowl depicting figures on donkey back with town in background 17 cm diameter x 12 cm high, a small vase depicting figure on donkey back and another walking 9.5 cm high together with two tin glazed pottery tiles by J. RUIZ DE LUNA of Talavera depicting scenes from Don Quixote 27.5 cm x 13.8 cm and a blue and white tin glazed tile decorated with vase of flowers 12.8 cm x 13 cm CONDITION REPORTS Vase is crazed throughout and has general wear and tear. Bowl has large break that has been badly restored, crazing throughout and many chips on it. All of the coloured tiles have got cracks in them. The tile with a dead horse on it has been cracked all the way down the middle and has been repaired. Chips to the edges of all the tiles apart from the travellers on donkeys in a landscape. General wear and tear conducive with age and use - see images for more details.

A Venetian pottery group of Don Quixote and Sancho Panza sculpted by Duso Gigi

19thC blue and white English and Chinese porcelain / ceramics including Chinese export dish, pearlware saucer with boy on a buffalo decoration, covered pedestal sucrier probably Rogers in the Goldfinch pattern, Bovey Tracey Royal Navy Mess no 57 series, Swansea soup plate, Copeland Spode plates, Don pottery tureen, teapot with Eastern scenery decoration, blue and white drainer, basket weave oval plate with reticulated hooped border and rope twist pedestal etc, largest diameter 35, tallest 14cm

A 20th Century Don & Ann Askew studio pottery vase, with floral design, measuring 26cm tall, together with two bowls, the largest bowl measures 24cm in diameter

Eichwald Jardiniere, Brameld small plate, Don Pottery blue and white bowl, Hodgson & Son Leeds small plate and XIX Century Staffordshire flatback of swans:- One Tray

A studio pottery rectangular diorama, Clocks, by Bowen Williams, signed, 60cm x 25cm; a pair of Indian leaf paintings, of figures in traditional costume; a carved wooden wall plaque, Don Quixote, 74cm x 29cm; a set of five Edwardian tiles, mounted as one (5)

Four Brameld blue printed earthenware soup plates, including a pair in the Indian pattern and a gadrooned meat dish and two Don Pottery blue printed earthenware soup plates, early 19th c, dish 32cm l, impressed or printed marks (7) Dish cracked, others undamaged

Group of Winchcombe Pottery to include a Don Jones at Winchcombe Pottery iron glazed tankard, 15cm high overall, a cheese dome and cover with cream and speckled glaze, a set of six studio pottery cups or tumblers, jug etc (10) Overall wear, marks and scratches. Some firing and glaze faults as expected due to the firing. The storage jar and cover does not have a seal mark.

A Brameld Pearlware Plate, decorated in the 'Parroquet' Pattern, 25cm diameter; a Brameld pottery soup bowl decorated with a castle scene, a pair of 'Asiatic Pheasant' slop bowls, a Don Pottery soup bowl, etc. (6)

A Pearlware Pottery Soup Bowl, in the 'Oriental Scenery' pattern in blue, 24cm diameter, a Brameld 'Don Quixote' pattern plate, a Rogers sauce boat stand, a porcelain floral decorated tazza, Copeland Spode coffee cup and saucer, etc. (10)

Don Morgan, a green and brown glazed studio pottery bowl, 2.5" (6.5cm) high.

Don Morgan, a ribbed and glazed studio pottery bowl, 3" (7.25cm) high.

A mixed collection of items to include Decorative wall plates, pottery vase together with Royal Doulton Small Character Jugs Athos, Porthos, Aramis, The Lawyer, Bacchus & Don Quixote (6)

Collection of 19thC transfer printed blue and white ware including some rarer patterns by Wedgwood (elephant / camel), reticulated oval dish with pastoral scene, Worlock collection large dish, Don Pottery plates with named views etc

A collection of mainly Nineteenth century blue and white pottery, together with a Cauldon China milk jug, retailed by Harrods, purportedly owned by Lady Furness, Otterington Hall. To include Brameld, Don Pottery and Copeland Spode examples.

A collection of mainly Nineteenth century blue and white pottery, together with a Cauldon China milk jug, retailed by Harrods, purportedly owned by Lady Furness, Otterington Hall. To include Brameld, Don Pottery and Copeland Spode examples.

A Don Pottery Documentary Jug, 1811, with scroll formed handle edged in blue, painted with a floral wreath and inscribed "Benjamin Moore, Joiner and Carpenter, 1811"19cm highCrazed and stained. Handle broken and re glued

A Don Pottery blue printed earthenware Italian Fountain pattern meat dish, c1820-1833, 44cm l, printed mark and another, same pattern in puce, unmarked (2)

A GROUP OF CERAMICS AND SIMILAR ORNAMENTS, to include a Beswick Black-Faced Sheep, model no 1765 (front hoof chipped), a Royal Crown Derby 'Derby Posies' flower shaped trinket dish, a boxed Coalport Ironbridge trinket dish and Ironbridge limited edition tankard, a Lomonosov porcelain lamb, a Border Fine Arts 'All Creatures Great and Small' figure of a Gloucester Old Spot 'Hog Wash' JH56A, a Wade Sandeman 'Don Decanter', an A & S Arcadian crested ware model of the Cenotaph, a Spode 'Anna' figurine by Pauline Shone, a Royal Doulton 'Rev Cassock the Clergyman' D6702 jug, a Bretby Pottery 'The Old Curiosity Shop' plaque, etc (qty) (Condition Report: most pieces appear in good condition, sd)

A Collection of South Yorkshire Blue and White Pottery, including Bramled, Don and Twigg, together with similar factories (one shelf)Other marked factories include Twigg, Spode, Davenport, Longton, Clews

A Quantity of Early 19th century English Pearlware, including a Don Pottery saucer in the Turkey pattern, a pair knife rests, an egg drainer, a pickle dish, a sauce tureen, etc (one tray)

Two Wade Pottery Sandeman port decanters, The Don, together with a Beswick figure of a Labrador

A BRONZE DEATH MASK, GOA MADE, EAST JAVA, INDONESIA, 1ST MILLENNIUM BC - 1ST MILLENNIUM ADPublished: Claudio Giardino, Massimo Vidale, and Gian Luca Bonora (editors), Goa Made - An Archeological Discovery, Rome, 2012, page 220, no. 112.Indonesia. Finely cast from thin bronze, the mask is realistically styled with thin arched brows above heavy-lidded pierced eyes, a broad nose, and full butterfly lips curling into a calm smile. The face has finely aged, covered overall in a solid layer of malachite green encrustation.Provenance: A private collector in London, United Kingdom, and thence by descent to his daughter Amanda Torri. Alex Torri, Bologna, Italy, inherited from the above. Paolo Bertuzzi, acquired from the above in 2002. A copy of the original invoice from Alex Torri, dated 7 October 2002, showing an image of the present lot, and stating a purchase price of ITL 8,000,000 or approx. EUR 6,300 (converted and adjusted for inflation at the time of writing), accompanies this lot. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy, and the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom.Condition: Excellent condition commensurate with age. The shape has remained in its original form. As expected, the bronze has corroded overall and there are a soil encrustations. Minor losses and old wear.Weight: 191.1 g Dimensions: Height 18.5 cm Goa (or Gua) Made (Made Cave) is a site north of the Brantas River in East Java. Its importance was first discovered by Anacleto Spazzapan, an Italian archeologist, designer, and collector of ethnographic and folk art who frequently traveled to Indonesia. He was first introduced to the site in 1999. He brought back several sample fragments of fired clay, which he sent to Arcadia labs in Milan for thermoluminescence testing. The first official excavations were subsequently conducted in an underground temple by the Bureau for the Archaeological Conservation of East Java (BACEJ) in 2001 and 2006, the latter funded by Paolo Bertuzzi (the last owner of the present lot), who had developed a profound interest in the site. Finds included imported glazed pottery, Chinese copper or bronze coins, and highly distinct bronze heads such as the present lot. Thermoluminescence analysis of terracotta bricks found in the excavations indicated a date in the early 1st millennium BC. This would not only suggest the discovery of a lost civilization but also challenge widely held notions of Southeast Asian history. The earliest uncontested architectural remains in East Java are two temples dating from the 8th - 9th century AD.In 2007, larger-scale excavations were carried out by a team of Italian and Indonesian archeologists, which revealed a previously overlooked shaft, a complex subterranean structure displaying a sophisticated integrated design that would have required mass community involvement in both its construction and usage. In the following years, disagreements between archeologists involved in the Goa Made project began to emerge. A 2010 article by Andreas M. Steiner and Massimo Vidale in the renowned Italian magazine Archeo supported the dating of to the early 1st millennium BC. In the same year, however, Fiorella Rispoli wrote an article for World Archeology Magazine wherein she questions the accuracy of the thermoluminescence analysis and instead proposed a post-10th century AD dating for the bronze heads. Rispoli suggested that the underground temple was most likely a water control system but offers no explanation as to why or how the heads, a clear part of East Java religious practices, came to be placed there. Most scholars disagree with Rispoli's arguments, especially given that it is primarily based off a single faulty thermoluminescence test she discovered.Cultural acculturation, the mixture of elements from various cultures over various ages implemented in religious contexts is a well-known practice in Indonesia. Settlers of the Indonesian archipelago had consistent contact with Indian traders which led to the adoption of many foreign religious practices. Unsurprisingly, this had a direct effect on the cultural material of Indonesia. Dong Son, the earliest bronze culture in Southeast Asia, was likely introduced to Indonesia by traders during the 1st millennium BC. More than 100 objects from Goa Made are bronze objects, and the majority of these are bronze masks. Many of the masks have characteristics elements which reflect the style of face common to the Majapahit period (13th-16th century). However, the masks which do not illustrate Indonesian facial styles, like the Malayan-Mongoloid face of this lot, are similar to nekara bronzes. This suggests a far earlier dating for these masks. Given the origin of bronze working in Indonesia came from the Don Son culture, these masks can be dated as far back as 2000 BC. However, archeologists are still not unified on this dating. In his 2016 book Hitawasana, Studies on Indonesian Archeology (where the present lot is illustrated, page 55), Prof. Dr. Agus Aris Munandar from the University of Indonesia wrote that further scientific studies remain necessary, and that additional research is expected to step-by-step resolve the questions regarding this important archeological site.

A Collection of Mainly 19th Century Transfer Printed English Pottery, including three drainers, a Brameld India pattern plate, a Don pottery plate and various Willow serving platters, etc (one shelf)

Two trays of china to include: 19th Century moulded relief design jugs; Sir Walter Scott commemorative jug, W. Ridgway & Co Hanley jug 1885 with hunting scene, an early 19th Century jug decorated with deer and with impressed mark 'Chetham' and a Don pottery moulded floral rosette jug with lid, Mike Francis pottery blue and white bird and tree design jug, Admiral Nelson and Captain Berry jug, Belleek Irish porcelain jar with clover and impressed woven design, a plate with moulded flowers to the rim and printed and painted figural design to centre, ceramic model of a sheep, Art pottery pig money box, Newhall oriental design rice bowl etc. (2) (B.P. 21% + VAT)

A Collection of Early 19th Century English Pottery, mainly transfer printed, including a Don drainer with a title view of Corigliano, two other drainers, Rogers Monopteros soup plate, Herculaneum India series plate, Enoch Wood Sporting series side plate two pearlware tea canisters, a similar potted meat tub, a Copeland feeding cup, a razor box, a sauce tureen and cover a creamboat and a pair of knife rests (qty)All three drainers with surface scratches, two with hairline cracks.Plates - with one chip and surface scratches to both platesBowl - with surfaces scratches and minor firing cracks to the underside

Two trays of china to include: 19th Century moulded relief design jugs; Sir Walter Scott commemorative jug, W. Ridgway & Co Hanley jug 1885 with hunting scene, an early 19th Century jug decorated with deer and with impressed mark 'Chetham' and a Don pottery moulded floral rosette jug with lid, Mike Francis pottery blue and white bird and tree design jug, Admiral Nelson and Captain Berry jug, classical design gilt and pink glazed jug, Belleek Irish porcelain jar with clover and impressed woven design, a plate with moulded flowers to the rim and printed and painted figural design to centre, ceramic model of a sheep, Art pottery pig money box, Newhall oriental design rice bowl etc. (2)(B.P. 21% + VAT)

Poterie du Don; a group of salt glazed ceramics comprising a twin handled platter, twin handled bowl, two jugs, a planter, mug and soap dish, impressed pottery marks, tallest 23cm (7).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Three nineteenth century blue and white Don Pottery plates, all stamped for Samuel Barker and Sons. Includes two in the 'Wild Rose' pattern. Largest diameter: 27cm. Cracks and chips to largest example.

A Don Pottery "Orange Jumper" Jug, circa 1807, of ovoid form and with double scrolling handle, printed and painted with Earl Fitzwilliam's horse breaker John Clarkson (Orange Jumper), waving a hat, with inscription, 'the figure there is no mistaking, it is the famous man for breaking...', painted mark in red14.5cmJohn Clarkson, who also went under the name of Orange Jumper, was employed by Lord Milton's father, Earl Fitzwilliam, to do his bidding during the 1807 General Election in Yorkshire. Orange was the Fitzwilliam family colour.Some good repair to the end of the spout. Crazed, with enamel wear and scratching. Very small star crack near the handle and another under the base. A large patch of staining to the foot.

A collection of ceramics to include Spode coffee cans Hicks and Meigh. Paris cans with insects on, New Hall coffee can and saucer, Don pottery shell shaped dessert dish and a Ridgway vase all examples C1800-1840 in dates, to include a continental bisque group of the seasons, AF, stands 23cm high. There are chips and restoration and small cracks to most examples,(21)

† PATRICK GROOM (born 1932) for Winchcombe Pottery; a press moulded rectangular slipware dish with pie crust rim partially covered in green glaze with meander decoration, impressed PG and pottery marks, 33.5 x 22cm, a small Don Jones for Winchcombe Pottery jug, an Alan Frewin rectangular dish and an oval dish by another maker (4).Condition Report: Restoration to jug spout, otherwise appears good with no further signs of faults, damage or restorations.

A small nineteenth century Don Pottery plate; black printed depicting children. 'C-shaped' crescent stamped to the base. Diameter: 12cm.

Two Rob Ryan Ceramic Vases, Doulton 'Don Quixote' character jug, pottery toby jug with Auf Wiedershen musical movement, other ceramics, diecast vehicles.

A group of early nineteenth century blue and white transfer printed wares, circa 1800-30. To include: Spode Lucano plate, Palladian Porch plate, Don Pottery Italian Views plate, Russian Palace dish and more. (12)Condition: Some damage throughout. 

A pair of Don Pottery white ware plates, c1805-10, transfer printed with figures possibly emblematic of 'taste' or 'night', on a chocolate brown enamel ground, 21cm diam, collector's label and an unusual speckled ochre ground creamware plate, c1810, transfer printed with vestal virgins at an alter (3) Provenance: (pair) John Fowler CBE (1906-1977). For other examples see Griffin (John D) - The Don Pottery 1801-1893, plates 179 and 181, pp.149 and 150 Pair of plates - rim of one chipped at 11 o'clock, both scratched. Single plate - small rim chip and crack at 5 o'clock, no restoration

Ca. 490-480 BC.Attributed to the Athena painter. This vase depicts a scene from a centauromachy, showing a hoplite soldier on one knee, thrusting the point of his spear into his opponent's mid-section. The centaur, rearing up on hind legs and armed with a large fir tree branch, takes hold of the hoplite by his helmet's high crest. Five nonsense letters are scattered in upper field. For a similar lekythos by the Athena Painter, with the same subject, see the white-ground example in the Museo Nacional de Belles Artes, Havana, inv. no 141 (J. D. Beazley, Attic Black-Figure Vase-Painters, Oxford, 1956, p. 523, no. 7, Beazley Pottery Database no: 330755).We are a dynamic company proud of the innovations we can bring to the traditional Ancient Art market. This is one of the first catalogues in the world to offer NFTs/DOTs of Ancient Art. Apollo Art Auctions and Coinllectibles, world leaders in digital art markets, have started working on this collaboration to bring Ancient Art together with digital content. Lots 1 to Lot 5 in this catalogue have been specially chosen due to their beauty and fantastic provenance to be transformed into DOTs. The buyer of each lot will receive both the physical and digital assets, which gives ownership over the DOT that making it a liquid access on both traditional and virtual marketplaces.From Coinllectibles Coinllectibles™️Coinllectibles Coinllectibles™️ is a technology company supporting the collectibles industry with a focus on rare memorabilia and artworks that exist and have intrinsic value in the real world, whether tangible or intangible in nature. Coinllectibles™️ applies blockchain, marketplace, metaverse and DOT technologies as tools to enhance the real-world collectibles industry. The technology underpinning DOTs (digital ownership tokens) has multiple functional use cases that Coinllectibles™️ is applying to areas including art and collectibles areas. A DOT (Digital Ownership Token) is a proprietary DOT format that provides a gold standard of rights and title of ownership of a digital asset, securely underpinned by smart contracts and legal documents stored on the blockchain, each with a unique identification code and metadata, also beneficial title to the relevant Collectible to which it is pegged.Size: L:238mm / W: 98mm; 343.05gProvenance: Part of an Oxford gentleman’s collection; from an old British collection formed in the 1980’s. Ex, Christie’s, Lon- don, 2 July 1980, lot 75. Fine Antiquities, Christie’s, London, 2 July 1980, lot 75. Fine Antiquities, Ex, Christie’s London, 6 June 1989, lot 490. Fine Antiquities, Ex, Christie’s London, 11 July 1990, lot 161. Private collection, Geneva, Fine Antiquities, Ex, Christie’s London, 6 June 1989, lot 490. The Castle Ash- by Vases; Ex, Christie’s, London, 2 July 1980, lot 75. Spencer Joshua Alwyne Compton, Second Marquess of Northampton (1790 - 1851), Castle Ashby, and thence by descent.

Antique Leeds Don pottery water jug (c.1820) with chysanthemum flower decoration - 24cm high ~ old repairs to handle, crack near spout and slight staining otherwise in good used condition

A Don Glanvile for Wolf House Gallery Silverdale Forth Lancs, pottery 1960s bowl with stylised leaf and cherry design in shades of brown and copper oxide, (14cm x 24cm) paper label verso

A 18th/19th Century Wedgwood Creamware Basket Oval Plate Together with a Don Pottery Creamware Jug, Various Condition Issues

Six pieces of French Le Don Montsalvy art pottery

NO RESERVE Ceramics.- Henrywood (R.K.) Staffordshire Potters 1781-1900, 2002 § Cox (Alwyn & Angela) Rockingham 1745-1842, 2001 § Drakard (D.) and Paul Holdway. Spode Transfer Printed Ware 1784-1833, enlarged edition, 2002 § Godden (Geoffrey A.) Godden's Guide to Ironstone, Stone & Granitewares, 1999 § Griffin (John D.) The Don Pottery 1801-1893, Doncaster, 2001 § Sarni (E.P.) Italian Renaissance Maiolica, 2012, illustrations, original cloth or boards with dust-jackets, the first four Woodbridge; and c.60 others on pottery and porcelain, mostly English, 4to & 8vo (c.65)

Don Jones (1936-2019) at Winchcombe PotteryThree jugs, a large bowl, a vase, and a bell (an apprentice piece)each with impressed potter's and pottery sealsthe bell 21cm high; and a Don Jones bowl and vase (8). Provenance:The collection of Ron and Lorna Wheeler.

A group of early nineteenth century blue and white transfer-printed wares, c. 1825-50. To include: a Spode Italian drainer, a Spode Willow pattern supper set section, a Don Pottery Italian Scenes circular bowl, a Clews Donkey & Ruins sauce tureen (no lid), two Don Pottery Named Italian Views plates and two Rogers Elephants plates. 25 - 31 cm wide. (8)Condition: damage throughout.

An early nineteenth century transfer-printed and hand-painted Don Pottery botanical dessert plate, c. 1820. It is unmarked. 21 cm wide. (1)Condition: good overall condition. D

Royal Doulton stoneware 'Army Club' cigarettes advertising ashtray, with painted black marks, 14cm high, a Don Jones (1936-2019) for Winchcombe pottery stoneware bottle-shaped vase in cream glaze, impressed seal marks, a turquoise glazed studio pottery vase, a Regency cut glass boat-shaped salt on lemon squeezer base, two engraved wine glasses with faceted notched cut stems, a small tear-shaped glass vessel and a 19th century globe-shaped decanter engraved with ferns Condition ReportArmy club ashtray with surface marks, accretions, crazing throughout. Crack to rim of ashtray bowl.  General wear and tear.

A GROUP OF CERAMICS AND MINTON 'HADDON HALL' PATTERN TEA WARES, comprising six tea cups (three are marked as second quality), six saucers, six tea plates (all six marked as second quality), two side plates (both second quality), a 19th Century Copeland Spode Jasper Ware teapot (hairline crack near spout visible inside and out), a pair of Mason's 'Mandalay Red' pattern posy vases, height 12cm, a Bendigo Pottery limited edition 444/3000 Epsom 'Sir Don Bradman' character jug, height 15cm together with a Bendigo Pottery limited edition 364/3000 'Henry Lawson' character jug with certificate of authenticity, a Royal Doulton 'Wolsey' jug (crazed and hairline cracks), a Royal Doulton blush ivory pot decorated with a carriage and horses, two Minton trinket dishes (one boxed), diameter 11cm, a Nao Lladro sculpture 'a group of three geese' 6960, a Royal Doulton basket of flowers (crack in basket and one yellow petal, chipped petal), a Royal Doulton pot of flowers (pot cracked underneath), a Jon Anton Staffordshire pot of china flowers (crazing to pot), two Minton 'Brocade' pattern plates, diameter 27cm, a Spode Copeland cabinet plate decorated with 'Wild Duck' signed by H.C Lea, a Royal Worcester 1979 No. 1 plate in a series of 4 Christmas eve 'God Rest Ye Merry Gentlemen', etc. (39) (Condition report: obvious damage and second quality pieces are mentioned in description)

Poterie du Don; a salt glazed twin handled bowl, impressed pottery mark, diameter 16cm (including handles), a Conwy Pottery conical bowl decorated with flowers, and a pierced bowl by a different maker (3).Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

IRISH STUDIO POTTERY COFFEE SET BY CARRAIG DON

A Don Pottery Italian Views Series Meat Dish and Similar Serving Dish, both circa 1830, together with a collection of other 19th century English pottery etc (one shelf)

John D Griffin 'The Don Pottery 1801 - 1893 (signed), D G Price 'Rockingham Pottery and Porcelain'. Dr K Berling Meissen China an Illustrated History, other reference books, etc:- One Box.

A group of early nineteenth century blue and white transfer-printed plates, c. 1825. To include: two Don Pottery Named Italian Views series plates; Terrace of the Naval Amphitheatre at Taorminum and a Clews Ponte Rotto plate. All unmarked to the underside. 23 - 25 cm wide. (3)Condition: Good condition.

A collection of early 19th century predominantly Yorkshire, blue and white transfer printed pearlware pottery, to include a ladle, serving dishes by Brameld, Don and Twigg, a Minton tile, three lidded tureens and other wares. 22 pieces.