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A mahogany pedestal desk, 122cm by 69cm by 75cm Faded in parts, surface scratching and scuff marks, top leather with wear and staining and slightly lifting in parts, front drawer edges with beading missing, some beading has been has been later replaced to the drawers, cracks to the drawers fronts, other beading is missing from around the desk, base with scuff marks
An 18th century joined oak livery cupboard, with three panel doors over a bank of six drawers, 172cm by 54cm by 215cmThe front of the cupboard and base is slightly faded, below the left-hand cupboard door with a cut mark extending three inches, also another cut mark extending three inches, the moulding just above the base has been later added to the front and side. Cupboard door lock plates are later, the base with later handles and key escuptions, the base drawers with some chips to the outer edges. Top section is detachable from the base.Dimensions of the upper section are 154cm by 116cm by 52cm
A modern white painted open shelving unit, 49cm by 38cm by 170cm, a pair of modern white bedside table with cupboard door, and moving on castors, a large modern circular mirror with red faux leather frame, 90cm dia, a contemporary black circular mirror with fluted frame, 86cm diameter, a modern glass and chrome finish console table, 90cm by 30cm by 76cm; together with a pair of high gloss black square form side tables with curved edges, 40cm by 30cm by 40cm, and a black painted side cabinet with two drawers, and a third for hanging files, moving on castors, 46cm by 50cm by 60cm (8)
A six piece modern cream painted bedroom suite comprising: a chest of drawers, 142cm by 44cm by 77cm; a pair of bedside chests, 37cm by 33cm by 69cm; a mirrored dressing table, 124cm by 60cm by 146cm; together with a matching stool and a wall mirror (6)The chest of drawers with some scratches to the front, all the items with small cracks to the acanthus leaf moulding around the borders, small scratches to all items
A circa 1930's kitchen cabinet, cream painted with green bakelite handles and two leaded cupboard doors, 114cm by 43cm by 179cmThe painted surfaces are rubbed in parts, the front latch is later, later applied stickers to the front, bottom left hand door, the top hinge is broken, the two bottom hinges to one of the doors has been moved and with later screws, doors and drawers with small chips to edges
R1038 Hornby ‘The Boxed Set’ ‘Orient Express’ comprising Merchant Navy 4-6-2 loco & tender ‘United States Lines’ with three Pullman cars – ‘Minerva’, ‘Cygnus’ and ‘Ibis.’ With track & controller. All in a red cabinet with drawers and outer printed corrugated box. (NM-BNM)
A large box containing: over 50 switches; motor gears & spares; motors, control parts and track cleaning items; set of 16 plastic drawers containing many spares; Marksman Air brush kit, new; an air brush holder new; Clarke model CAB-2P part no.3110315 air brush, new; large bag of ‘clean’ matchsticks as used for matchstick models. Three Peco SL-43 loco Lifts. Hornby R8211 rolling road
Original Meccano No.10 Outfit Box, comprising 4 drawers, raised on casters, containing a collection of various Yellow, Black, Blue and base metal components, some additional tools and spares included, not a complete number 10 outfit together with collection of various Meccano related products, to include Horizontal Live Steam Engine with burner, used condition, E15R electric motor box, various ephemera and catalogues to include a No.10 Meccano Instruction Outfit Booklet
Cabinet attributed to ADAM ECK (1604-1664).Walnut and ebonised wood.19th century locks.Measurements: 65 x 52 x 33 cm.Not much is known about Adam Eck's childhood and education, but it can be assumed that he trained with his father for some time. Between 1640 and 1645 he worked in the city of Eger in Bohemia, a centre of expertise in the production of cabinets such as the one presented here, masterfully carved in bas-relief and made of different coloured woods. They were decorated with the mythological and historical themes that circulated at the time in prints and engravings. They remained in families for several generations and some of the most popular workshops were those of Johann Georg Fischer (1587-1669) and Adam Eck. The present cabinet is most probably an interesting piece from the production of this city and the work of the workshop of Adam Eck (1604-1664). It consists of a prismatic structure supported by a rectangular base with a moulded structure. The decoration is concentrated on the front, and on the sides it is reduced to vegetal decoration that is repeated rhythmically on the bottom of all the drawers. The exterior doors are richly decorated with noble motifs. The interior is divided into four levels and three lanes. The central door, with a horseshoe-shaped lock, is surrounded by drawers with handles. The lower level has a continuous drawer. Both the drawers and the door are decorated with bas-reliefs made using the intarsia technique, a decorative process in which a design is made with the wood itself, divided into pieces and shades. In the Renaissance period intarsia became a craft technique, and in countries such as Italy and Germany it was a technique much sought after by royal families in the now historic furniture of the time. The piece culminates in a cubic structure decorated on the front with the figure of an infant.
Baroque writing desk. Sweden, ca.1720-1730Elm, birch and birch root wood. Bone and bronze handles.Restored. In very good condition. Retains all the keys.It stands out for its reduced size.This piece of furniture was acquired from a prestigious Spanish antique dealer for 36000€ in 1998.Measurements: 208 x 119 x 55 cm (closed); 208 x 222,5 x 90 cm (open).This Swedish piece of furniture, of lower height than other examples of the same type and period, is made up of two bodies, the lower one as a desk and the upper one as a bookcase. It has a monolithic, closed, typically Baroque structure, decorated with lighter-coloured marquetry filleting. The lower body consists of four drawers, narrower as they increase in height, above which is a 45-degree hinged lid that hides the desk display, the latter with drawers with bone handles. The drawers are decorated with a simple rectangular cut-out that is complemented by the handles and lock escutcheons. Under the lower drawer is a straight flap. The sides of the cabinet are similarly decorated. The upper body has two large doors that conceal various shelves inside. On the outside, the cabinet has a typically Baroque cut-out pediment, based on a set of mitred forms.
MAITLAND-SMITH desk, 1940s-50s.Wood covered in embossed leather and bronze handles.Signature plaque on the first drawer.The leather is damaged.Measurements: 78 x 69 x 35 cm (open); 78 x 48 x 38 cm (closed).The American luxury furniture firm Maitland-Smith produces unique and exquisite pieces characterised by a modern design which, nevertheless, has its roots in the decorative arts of the 17th and 18th centuries. This time we are presented with a desk with a wooden core covered in leather, raised on four curved legs and with a baroque-inspired mixtilinear pediment. The main body, with four drawers (narrower as they get higher), supports a folding desk with multiple drawers. The entire structure of the cabinet is outlined by gilt embossing and has bronze handles.Over the years, the firm has elegantly combined the tradition of English furniture from those centuries with styles, materials and methods from many different parts of the world. In its production, techniques such as eggshell, the use of leather, etc., as well as traditional hand-carved wood, are particularly noteworthy.
Sideboard. Denmark, mid 20th century.Rosewood, 1960s.Measurements: 92 x 255 x 44 cm.Sideboard of Danish design from the 1960s, which reflects the typical character of Scandinavian furniture of the period. Thus, it is a piece of furniture of harmonious proportions and geometric structure, with clean lines, whose design avoids being too monolithic and heavy by incorporating four tall legs. Another characteristic of Scandinavian furniture of the period is the appreciation of natural wood, and as such we see here, jacaranda, used expressively, taking advantage of its expressive grain on the front, its organic and irregular character contrasting with the geometric rigour of the structure. The unit has five front doors, so that each of the modules conceals an interior space organised by means of shelves and drawers with smooth fronts, also with beautiful veining. It has a drawer unit on the side.
Office table; Denmark, 1970s.Rosewood and metal.Measurements: 75 x 180 x 90 cm.Spacious Danish desk from the sixties, whose structure combines metal lateral feet, with a stylised and simple design, and rosewood tops with an expressive grain, without mouldings or reliefs to interrupt it. It has a large top, beneath which are two sections with three drawers each, each with metal handles. Both bodies of drawers have a small upper drawer with holes to house different office utensils. The lightness of the unit is enhanced by the hollow space between the drawer unit and the top.
ARTS & CRAFTS OAK CHEST OF THREE DRAWERS,with stylised copper handles, on castors, 77cm high by 91cm wideOne castor missing to back right leg. Some tarnish to the handles, in keeping with age. Light surface wear present throughout, including watermarking to the top, a few dings and scratches. Some nibbles to the edges. Some white residue to one side (likely paint). Small historic split to top surface. Drawers a little stiff to open and have some gaps. Additional images available.
GEORGE III MAHOGANY BUREAU,the fall front housing fitted interior with central section bearing ivory and parquetry inlay, with chamfered corners flanking arrangement of three short over three long drawers bearing ivory escutcheons, raised on bracket feet, 109cm high by 121.5cm wide and 55cm deep
VICTORIAN WALNUT KIDNEY SHAPED WRITING DESK,with raised gallery and gilt tooled green leather skivver, two short drawers to apron and raised on turned and stretchered column supports to four knee carved outswept legs, 95cm high by 113cm wide and 60cm deepTwo repair patches to upper gallery level, differences in colour of veneer, scratches and scuffs to writing surface with lifting to some corners, historic worm to right support lower section, left support with large chip and crack running three quarters around central section, similar to stretcher right end, somewhat loose in construction with movement to frame, usual general scuffs, scrapes and blemishes commensurate with age and use throughout, additional images available
WALNUT THREE DRAWER SIDE TABLE IN THE FRENCH TASTE,with marble top, with applied gilt metal mounts and raised on slender cabriole front supports, 81cm high by 68cm wide and 37cm deepFew small nibbles to the back edge of the marble. Some general surface wear, in keeping with age and use, including a few scuffs and dings around the legs. Drawers open easily; very slight gaps in the drawer joins. Additional images available.

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586972 item(s)/page