We found 35988 price guide item(s) matching your search

A Victorian miniature on porcelain depicting bust portrait of an elderly female, signed "F Till Dresden", 3" x 2½" in ebonised and gilt frame

An unusual pair of bronze figural ‘Bergmannleuchter’ candlesticks, German, mid-18th century, each in the form of a Saxony miner, dressed in full Guild uniform, each with an outstretched arm holding a candle socket, and standing on a square baseA similar pair of pewter candlesticks were made by Christian Friedrick Hiemann, master in 1744, Dresden, Saxony

Russian-Dresden 1945-46 unused or used collection on stockcards. STC £260 (44)

17th-century Dutch school. Circle of WILLEM KALF (Rotterdam, 1619-Amsterdam, 1693)."Still Life with Fruit.Oil on panel.Size: 27.5 x 22 cm; 44 x 43 cm (frame).Due to its technical and formal characteristics, the present work can be related to the circle of Willem Kalf, one of the most important Dutch still life painters of all times. It is a small work, faithful to his style, captured in the foreground, in which few but select objects stand out on a table against a dark background. As in many of Kalf's works, there is almost always a bone china bowl, often tilted so that the fruit falls out of it. Willem Kalf was born in Rotterdam in 1619. He was previously thought to have been born in 1622, but research conducted by the archive of H. van Gelder established the painter's correct place and date of birth. In the late 1630s Willem Kalf travelled to Paris and spent time in the circle of Flemish artists in Saint-Germain-des-Prés, Paris. In Paris, he painted mainly small-scale rustic interiors and still lifes. Kalf's rustic interiors are usually dominated by groups of vegetables, buckets, pots and pans, which are arranged in the foreground (e.g. Kitchen Still Life, Dresden, Gemäldegal, Alte Meister). The figures usually appeared in the blurred darkness of the background. Although painted in Paris, paintings of traditional works in Flanders in the early 17th century, by artists such as David Teniers the Younger. The only indication of the Flemish origin of the paintings is that Flemish exponents of the same genre would not have been depicted in their works. The rustic interiors of the calves had a great influence on French art in the circle of the Le Nain brothers. The semi-monochrome still lifes that Calf created in Paris from a link to the banquet or "small banquet pieces" by Pieter Claesz, Willem Claeszoon Heda and others in the 1630s. During the 1640s, Calf further developed the bench into a novel form of sumptuous and ornate still lifes (known as show still life), depicting rich groups of gold and silver vessels. Like other lives of this period, these paintings often expressed vanitas allegories. Kalf's still-life paintings vary little in their structure, and most of them actually present the same objects. There is crockery, with gold and silver vessels, many of which have been identified as goldsmiths, such as Johannes Lutma, and many of which have been identified as goldsmiths.

A Rosenthal 'Chippendale' porcelain footed fruit bowl painted with spring flowers, the shaped border richly gilded, green factory marks, 11¾in. (29.8cm.) diameter; together with a Dresden square bowl; a set of six E. Hughes & Co. rose garlanded dishes; a Wemyss style trumpet vase; etc. (13)

A set of six Dresden style decorated Meissen tea plates the six plates painted in a Dresden style depicting floral sprays and courting couples, 6½in. (16.5cm.) diameter, (one broken), together with a blanc de chine figural vase. (7)

A pair of Dresden baluster vases and covers white ground, with gilt highlights, cartouches having figures in garden setting and floral sprays, one cover yellowed and restored, blue 'AR' Dresden monogram to underside, 10in. (25.4cm.) high. (2)

Mini Champs Police Models, including, 402052090 VW Touareg 2002 mit pferdearnhanger polizei Dresden, 400034090 Mercedes-Benzes polizei, 400111090 Citroen 1970 gendarmerie, alfa Romeo 1972 carabinieri, 430171897 Volvo v70 kantonspolizei, models are in near mint condition. (5 items)

Three: Able Seaman S. W. Cheesmar, Royal Navy, who was killed in action serving with H.M.S. Good Hope at the Battle of Coronel, 1 November 1914 1914-15 Star (J.12085, S. W. Cheeseman [sic], A.B., R.N.); British War and Victory Medals (J.12085 S. W. Cheesmar. A.B. R.N.) with flattened named card box of issue for the Victory Medal, nearly extremely fine (3) £240-£280 --- Stanley William Cheesmar was born in Woking, Surrey, on 13 May 1894 and joined the Royal Navy as a Boy First Class on 9 May 1911. Advanced Able Seaman on 10 June 1913, he served with the armoured cruiser H.M.S. Good Hope during the Great War, and was killed in action serving with her at the Battle of Coronel, 1 November 1914. Early in August 1914 a force, consisting of the old armoured cruisers Good Hope and Monmouth, the light cruiser Glasgow and the armed merchant cruiser Otranto, all under the command of Rear-Admiral Sir Christopher Cradock, R.N., was sent to protect the southern trade routes and to intercept German cruisers operating on the high seas. In October 1914 the squadron was reinforced by the addition of the old battleship Canopus but reports of the ship’s lack of speed led the admiral to leave her behind as he searched for the German East Asiatic Squadron. The German squadron, commanded by Admiral Graf von Spee consisted of the armoured cruisers Scharnhorst and Gneisenau and the light cruisers Leipzig, Nurnberg and Dresden. Both admirals became aware of the proximity of the other on 31 October. At 6.40 p.m. on 1 November the squadrons made contact off Coronel, Chile and at 7.04 p.m. the battle opened at a range of 11,500 yards. As the German ships had a greater number of heavier guns, Cradock’s tactics were to close the range to allow his ships’ more numerous smaller calibre guns to come into play; this however was partly negated by the rough seas and high speeds which prevented many of the British armoured cruisers’ casement guns being brought into action. The British armoured cruisers were repeatedly hit as the range was reduced. As the range reduced to 5,500 yards, the Good Hope was on fire in several places and in a bad way. Endeavouring to reduce the range even further, so as to be able to fire torpedoes in a last ditch attempt to do damage to his adversary, the ship was repeatedly hit by heavy calibre shells and at 7.53 Good Hope blew up, taking the Admiral and all hands with her. At about 9.30 the Monmouth too was hunted down and sunk; the Glasgow and Otranto were able to make their escape under the cover of darkness. Cheesmar is commemorated on the Portsmouth Naval Memorial.

Four: Leading Seaman J. Barrer, Royal Naval Reserve, who was present in H.M.S. Kent during the Battle of the Falkland Islands, and the sinking of the German Cruiser Dresden 1914-15 Star (A. 3699, J. Barrer, A.B., R.N.R.); British War and Victory Medals (3699A. J. Barrer. L.S. R.N.R.); Royal Naval Reserve L.S. & G.C., G.V.R., 1st issue (4478C. J. Barrer. L.S. R.N.R.) contact marks, edge bruising, nearly very fine (4) £80-£100 --- James Barrer was born on 14 October 1891, at Thurles, Tipperary, Ireland, and enrolled for service in the Royal Naval Reserve on 11 September 1911, his home address being at Kilronan, Aran, Galway. He completed the necessary annual trainings, as required for R.N.R. service, and re-engaged in 1913. In 1914 he served in the R.M.S. Aquitania, and during the Great War also served in H.M.S. Kent, and was present on board during the Battle of the Falkland Islands, when H.M.S. Kent engaged the German cruiser Nurnburg, and was present at the sinking of the battle cruiser Dresden, for which he was awarded a prize Bounty. He also served in H.M.S. Excellent, H.M.S. Victory and H.M.S. Hecla. He was demobilized from active service on 13 January 1919, from Portsmouth, and was awarded his Long Service and Good Conduct Medal in March 1923, which was issued to Liverpool. He died on 8 November 1929.

Dresden porcelain inkwell 19th Century, decorated with flowers and gilt scrolling, underglaze blue mark to the underside, 20cm acrossCondition report: Minimal wear overall, consistent with age and use. One of the inkwells and its covers have been restored. Otherwise ok.

A PAIR OF MASSIVE DRESDEN PORCELAIN VASES AND COVERS19th centuryEach decorated with mountainous lake views, on a fluted pedestal base, with twin handles, blue underglaze blue crossed swords mark 76.5cm high, 32cm wide. (2)For further information on this lot please visit Bonhams.com

A MEISSEN CABINET DISH19th centuryThe central cartouche painted with a titled view of Dresden, on a deep blue ground, the border painted with floral panels, painted marks, 26cm diameter, together with a small covered jar, painted with the same pattern, underglaze blue crossed swords and black enamel 'Dresden' marks. (2)For further information on this lot please visit Bonhams.com

Postcards, 5 glamour cards inc. 2 photo repros by Fidus and nude with child published by Rommler & Jonas Dresden, Art Nouveau card illustrated by Lelee wtf and glamorous lady illustrated by Arpad Basch wtf (mixed condition) (5)

A 19th century French Empire type two handled vase, mask handles, painted with a continental rural idyll, 30cm; another continental floral encrusted vase; a Copeland and Garrett pedestal comport; a 19th century sucrier and cover on stand; a Dresden oval floral mirror (5)

MOKKASERVICE. Meister/Entwerfer: Dresden. Hermann Behrnd. Technik: Silber, innen vergoldet, Holzgriff. Gewicht: Ca. 340g. Halbmond & Krone, 800, Firmenmarke, Juweliersmarke Menner Stuttgart. Zustand A/B. SilberErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com

MÜLLER, MORITZ('Kindermüller')1825 Diethenburg - 1894 Dresden-BlasewitzTitel: Kinderporträt. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 35,5 x 31,5cm. Bezeichnung: Signiert und datiert rechts: H.M.Müller / Dresden / 1868. Rahmen/Sockel: Rahmen. Moritz Müller Deutschland 19.Jh. Gemälde Kind / Kinder GemäldeErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com

VERSCHIEDENE KÜNSTLERTitel: Vier kolorierte Kupferstiche mit Ansichten Aus Dresden, Amsterdam, Berlin und Hamburg. Jeweils auf Papier. Montierung: Montiert. Verschiedene Maßecm. Rahmen/Sockel: Einzeln gerahmt. Verschiedene Künstler Grafik Stadtansicht DruckgrafikErläuterungen zum KatalogErfragen Sie hier einen Zustandsbericht oder setzen Sie sich mit unseren Experten in Verbindung: antik@van-ham.com

Sprinck, Christian Friedrich Zwei sächsische Ansichten (Dresden 1769-1831) "Sommerpalais des Prinzen Maximilian, in der Ostra-Allee" Dresden, und "Das Badehaus und der Schlossteich zu Tharandt". Umrissradierungen, koloriert. Je 11 x 15 cm; unter Glas ger. - Papier gebräunt und fleckig.Grafik, Stich, Vedute

Böttger, Klaus Hans Christian Andersen (Dresden 1942-1992 Wiesbaden) Ein gezeichnetes Portrait. Mit Tagebucheintragungen, Briefen, Texten und Scherenschnitten des Dichters. Draier Verlag Haun und Hitzelberger, Büchergilde Gutenberg 1984. 150 S. mit 31 Farbtafeln und 12 schwarz-weiß Abbildungen; mit farbiger Offsetlithographie, links unten Auflage "1844/2000" und handsign. 44 x 49 x 3,5 cm, Ganzleinen mit farbig montiertem Titelbild. - Schuber fehlt.deutscher Grafiker

A Egg-shaped porcelain pomander, with floral decorations on a green base. Hinged lid with pierced panels. Marked 'D' to base possibly for Dresden. Approx 180mm high. VGC. £100-150

A Dresden porcelain double gourd lidded vase on dark blue base with scenes of courting couples. VGC. £40-60

A small collection of late 18th century porcelain comprising a tea bowl and saucer with famille rose painted floral sprig and spray detail, a further tea bowl, a cup and saucer with polychrome painted chinoiserie decoration (saucer af) together with a Dresden ink stand with painted floral detail and three brushes with simulated tortoiseshell finish (9)

HAMMERSLEY. A Hammersley dish in the Dresden Sprays pattern, boxed. 24 x 20cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

A Collection of Various Ceramics to include Cauldon Cup and Saucer, Dresden Cup and Saucer, Two Spode Colonial Pattern Coffee Cans and Saucer, Masons Crown Velvet, Five Royal Grafton Malvern Patter Side Plates, Minton Plates, Minton Green Bordered and Floral Decorated Cabinet plates, Coalport Examples, Indian Tree, Limoges Lidded Shaped Vases Etc

Dresden porcelain figurine and other ceramicsCondition report: Dresden porcelain figure- overall very good condition with only a few tiny chips to the flowers and leaves on her dress and top of her hat.

Collection of continental porcelain, including six yellow-ground Dresden dishes, a pair of twin-Handled Herend cups and saucers, etc

Quantity of ceramics and glassware including Dresden chocolate cup and saucer

A large Sitzendorf Rococo floral encrusted shell table centre piece together with a Dresden blue cobalt vase and cover together with an extensive Masons Regency pattern part dinner tea and dessert ware in two boxes 

A Dresden vase decorated with figures flowers and foliage the lid with raised eagle 40 cm .

A Collection Of ceramics including Royal Worcester cup and sauce, Dresden cup and saucer, miniature tea set and a miniature Worcester coffee pot

A collection of china, Dresden, figures, duo's, etc.

Nach Johannes VERMEER (XIX - XX). Brieflesendes Mädchen.85 cm x 66 cm. Gemälde Öl auf Leinwand. Zustand siehe Fotos. Keine Signatur gefunden. Zustand siehe Fotos. Kopie vor der Firnisabnahme. Brieflesendes Mädchen am offenen Fenster, wurde im Original um 1657 -1659 ausgeführt. Zur Zeit in der Gemäldegalerie Alte Meister, Dresden.Objekt kann versendet werden.After Johannes VERMEER (XIX - XX). Letter reading girl.85 cm x 66 cm. Painting oil on canvas. Condition see photos. No signature found. Condition see photos. Copy before varnish removal. Letter reading girl at an open window, was executed in the original around 1657 -1659. Currently in the Old Masters Picture Gallery, Dresden.Object can be shipped.

Paar Goldfasane, Porzellanmanufaktur Dresden, polychrome Bemalung. H.: ca. 23,5 cm. Guter Zustand.

Zwei Porzellanfiguren, Dresden, Frau mit Falke, Mann mit Jagdhund, weiß Unterglasur, polychrome Bemalung, Goldrand, Goldapplikationen, H.: ca. 19 cm, guter Zustand, blau Unterglasur, polychrome Bemalung, Goldstaffage, H.: ca. 16 cm, guter Zustand.

Kupferstich nach Holbein aus der königlichen Galerie in Dresden, C. F. Broece, Nr. 43, Die Madonna mit der Familie des Bürgermeisters Meyer, 18. Jh., verglast, Maße gerahmt: ca. 67 x 48 cm.

Dresden Porcelain Table Lamp in the form of a man and woman stood on a floral encrusted tree, 33cms high (a/f)

Eberhard Göschel. (1943 Bubenreuth - lebt in Dresden). Rost und Rouge. 1988/89. Original-Kassette mit 10 Aquatintaradierungen (z.T. farbig) auf Hahnemühle. Mit 10 zusätzlichen typographischen Bll. auf Transparentpapier v. Bernhard Theilmann. Blattmaße je 39 x 53,5 cm. Je signiert und datiert, zusätzlich im Kolophon v. Göschel u. Theilmann signiert u. nummeriert sowie datiert. 9 Graphiken gerahmt unter Glas (ungeöffnet). - Kassette mit vereinzelten Abrieb u. beschlagenen Kanten sowie kurzem Einriss am Rücken. Die Aquatintas vereinzelt mit zarten Anschmutzungen im weißen Rand (Motive nicht betroffen), 1 Bl. mit Kratz- und Schnittspuren (Motiv z.T. betroffen). Saubere Blätter mit gratigen Abzügen. Ein Exemplar von 30. - Obergrabenpresse, Dresden. Graphiken gedruckt v. Jochen Lorenz. - Bei den typogr. Bll. Transparentpapier alterspurig u. z.T. mit Abdrücken der Graphiken. Original cassette with 10 aquatint etchings (partly coloured) on Hahnemühle. With 10 additional typographic sheets on tracing paper by Bernhard Theilmann. Each signed and dated, additionally signed and numbered as well as dated by Göschel and Theilmann in the colophon. 9 prints framed under glass (unopened). - Cassette with isolated abrasion and tarnished edges as well as short tear at spine. The aquatint occasionally with delicate soiling in the white margin (motifs not affected), 1 sheet with traces of scratching and cutting (motif partly affected). Clean sheets with burr-like impressions. - Each one of 30 copies.

A.R. Penck (eig. Ralf Winkler). (1939 Dresden - 2017 Zürich). o.T. (Komposition). Lithographie auf chamoisfarben BFK Rives. 53,9 x 67,3 cm (691,5 x 79,5 cm). Signiert und nummeriert. - Verso m. wenigen Spuren d. vorherigen Montierung. Recto im weißen Rand m. minimaler, kleiner Anschmutzung. Insgesamt in sauberem Zustand. Kontrastreicher Abzug. Eines von 30 Exemplaren. Lithograph on buff BFK Rives. Signed and numbered. - Verso with few traces of previous mounting. Recto in white margin with minimal, small soiling. At all in a clean condition. High contrast print.

A.R. Penck (eig. Ralf Winkler). (1939 Dresden - 2017 Zürich). o.T. (Weiblicher Akt). Lithographie auf BFK Rives. 48,2 x 58,2 cm (63 x 80,8 cm). Signiert und nummeriert. - Sauberer, kontrastreicher Abzug. Eines von nur 12 Exemplaren. Lithograph on BFK Rives. Signed and numbered. - Clean, high-contrast print. - One of only 12 copies.

Jahrhundertwende Ludwig Hoffmann (1861 Darmstadt - 1945 bei Dresden)Tanz. 1922. Radierung auf chamoisfarbenem Bütten. 20,5 x 20 cm (35 x 24,6 cm). Signiert und bezeichnet "Probedruck" sowie zus. v. fremder Hand bezeichnet. - Schöner, sauberer Abzug mit kräftigem Plattenrand. Exemplar außerhalb der Auflage. Etching on buff laid paper. Signed and inscribed " Proof printing " and additionally inscribed by another hand

Max Uhlig. (1937 Dresden - lebt in Dresden). 1 mit Fettkreide überarbeitete Radierung sowie 7 Kaltnadelradierungen in: Sonnenquartette. Mit Text von Jan Volker Röhnert. 2006. Je auf chamoisfarbenem Papier. Blattmaße je 39,7 bis 27,3 cm. Die überarbeite Radierung signiert und datiert und lose innenliegend. Die Kaltnadelradierungen je signiert und eingebunden. Zusätzlich im Kolophon von Uhlig und Röhnert signiert sowie nummeriert. - Wohlerhalten und expressiv-gestisch. Eines von 20 Exemplaren der Vorzugsausgabe (B) abseits der herkömmlichen Auflage. - Die überarbeitete Radierung unikatär. - 34. Druck d. Burgart-Presse, Rudolstadt. 1 etching reworked with bold chalk as well as 7 drypoint etchings. Each on buff paper. The reworked etching signed and dated and loosely enclosed. The drypoint etchings each signed and bound in. Additionally signed and numbered by Uhlig and Röhnert in the colophon. - Well preserved and expressive-gestural. - The reworked etching unique. - One of 20 copies of the extra suite off the edition.

Max Uhlig. (1937 Dresden - lebt in Dresden). o.T. 1993. Tusche auf Japanpapier. 47,8 x 64,4 cm. Signiert und datiert. Verso in Graphit bezeichnet. - Zarte Einstichlöchlein als Spuren der vorherigen Montierung, sonst sauberes Blatt. Ink on Japanese paper. Signed and dated. Inscribed in graphite on verso. - Tiny pinholes as traces of the previous mounting, otherwise clean sheet.

Helge Leiberg (1954 Dresden)Tanz im Kopf. 1992/1999. Aquarell auf Hahnemühle-Bütten. 32 x 23,5 cm. Signiert u. datiert "99". - Zusammen mit Multiple eines Plastiskop und Ausstellungskatalog (originalbroschur mit Farbserigraphie auf dem Umschlag) in original Pappkarton mit Serigraphie. Dieser signiert, datiert u. nummeriert. Der Karton mit minimalen Lagerspuren. Eins von 20 (GA 145) Exemplaren mit der Zeichnung. - Edition Mannheimer Kunstverein (hier der Karton der Normalausgabe von 100 Exemplaren mit dem Multiple).

Expressionismus Conrad Felixmüller (1897 Dresden - 1977 Berlin)Rendezvous. (1974/75). Farbholzschnitt auf festem Velin. 30,2 x 25 cm (49 x 38 cm). Signiert, nummeriert sowie im Druckstock monogrammiert. - Sauberes Blatt. Söhn 699 b. - Ein Exemplar von 75. - Der Maler und Graphiker Conrad Felixmüller studierte an der Dresdner Kunstakademie, 1914 wurde er Meisterschüler von Carl Bantzer. Wegen seines expressionistischen Stils wurde er unter den Nationalsozialisten abgelehnt. Colour woodcut on strong wove paper. Signed, numbered and monogrammed in the printing block. - Clean sheet. - One of 75 copies - The painter and graphic artist Conrad Felixmüller studied at the Dresden Art Academy. In 1914 he became a master student of Carl Bantzer. He was rejected by the National Socialists because of his expressionist style

Gerda Lepke. (1939 Jena - lebt in Gera und Dresden). o.T. (Strukturen). 1991. Öl auf Leinwand. 198 x 140 cm. Signiert und datiert "9.3.91". - In schmaler weißer Holzleiste gerahmt. Provenienz: Privatbesitz, Berlin. - Gerda Lepke studierte von 1966 bis 1971 an der Hochschule für Bildende Künste in Dresden Malerei bei Gerhard Kettner. Sie war Mitbegründerin der Dresdner Sezession 89 und ist Mitglied des Verbandes Bildender Künstler der DDR. "Malen ist ein Prozeß, der Eigendynamik entfaltet. Ich setze etwas auf die Leinwand und das zieht etwas anderes nach sich. Ich bestimme; aber ich werde zugleich auch bestimmt. Für mich spielt das, was im Machen entsteht, eine Rolle. Da ist eine Faszination, der ich mal ganz tief innen begegne oder dann wieder auch äußerlich im Ablauf. Es gibt ja während des Prozesses einen Punkt des Sich-Loslassens, des Versinkens. Und an dieser unbewußten Stelle spielt sich dann alles ab, was an bildnerischer Intelligenz in mir ist. Ein Zustand des blinden Vertrauens zu mir selbst. Vielleicht ist Malerei die Urform des Vertrauens zu mir selber. Ich arbeite mit der Bewußtheit, daß ich mir vertrauen kann. Aber das heißt natürlich nicht, daß ich immer ein richtiges Ergebnis habe." (GERDA LEPKE, Hrsg: Lindenau�Museum Altenburg/Kunstsammlung Gera 1999, Gespräch mit Ulrike Rüdiger: "Ich bin Malerin und führe Selbstgespräche", Seite 21). Oil on canvas. Signed and dated. - Framed in narrow wooden strip. - Provenance: private estate, Berlin.

Neue Sachlichkeit - - Bernhard Kretzschmar. (1889 Döbeln - 1972 Dresden). Sammlung von 12 Grafiken. 1980. 11 Kaltnadelradierungen und 1 Strichätzung, je auf Hahnemühle Bütten. Blattmaß je 53 x 39 cm. Je in Graphit nummeriert, teilw. in der Platte signiert bzw. monogrammiert und datiert. Je verso mit der Nachlass-Signatur der Witwe des Künstlers, Hildegard Stilijanov-Kretzschmar, versehen.- In O-Pappkassette, mit einem Titelblatt. Schmidt 172b, 177b, 180b, 181b, 190, 199b, 205b, 217b, 219b, 230b, 254b, 267b. - Je eines von 40 Exemplaren. Gedruckt 1980 von Ernst Lau, herausgegeben 1981 von der Eikon Grafik Presse. - Sehr gut erhaltene, saubere Blätter mit zartem Plattenton. Sehr seltene Ausgabe.

Edmund Kesting (1892 Dresden - 1970 Berlin)Set aus 3 Arbeiten. 1933 - 1946. Je Silbergelatineabzug auf Photopapier. Blattmaße je 40,5 x 30 cm. Je verso mit dem Nachlasstempel. 1 Blatt punktuell unter Passepartout montiert. - Vereinzelt im weißen Rand etwas knickspurig bzw. mit leichten Bestoßungen. Enthält: - Mary Wigman - Javanischer Tänzer der Wigman-Schule - Gret Palucca. - Jeweils spätere Abzüge der Griffelkunstvereinigung, Hamburg. Set of 3 works. Each silver gelatin print on photographic paper. Each with the estate stamp on verso. 1 sheet mounted in spots under passepartout. - Occasionally a little bit creased in the white margin resp. with slight bumps. - With works as listed above. - Each later prints.

Max Uhlig. (1937 Dresden - lebt in Dresden). o.T. (Kopf). 1978. Öl auf Leinwand. 73,5 x 41 cm. Signiert und datiert. Gerahmt. - Vereinzelt mit feinem Craquelé. In einer Ecke mit zwei winzig-kleinen Einstichlöchlein, diese unauffällig. Insgesamt wohlherhalten. Zentrales Thema und Motiv von Uhligs Kunst sind Darstellungen von Menschen, konkret Brust- und Kopfdarstellungen. Diesen Arbeiten entzieht der Künstler mit seinem expressiv-gestischen Pinselduktus und kräftigem Farbauftrag in raster- und kreuzartiger Struktur das Biographische und verleiht seinen Köpfen eine bestimmte Unbestimmtheit. Oil on canvas. Signed and dated. Framed. - Occasionally with fine craquelé. In one corner with two tiny-small puncture holes, these unremarkable. Overall well preserved.

A Royal Crown Derby teapot together with a porcelain Victorian spill vase, modern mask jug by Royal Worcester, A Brecknell Turner and Sons Loysel's match striker, a miniature Dresden vase and cover (A/F) and a small hand painted porcelain saucer depicting port scenes marked 'AR'. (6)

Yardley's Old English Lavender Dresden Figure Group, 31cm high.

A large Dresden pottery model of a parrot, 30cm high, together with another and an Italian pottery bird (3)Condition report: These appear to be basically ok. Each has the green stem of the cherry broken away and maybe tiny chips to the leaves. They are dirty. They were removed from a local house clearance in Essex.

Pair of Dresden porcelain twin branch wall sconces decorated with ram masks, H28cm

Collection of 19th and 20th century porcelain cabinet coffee cups and saucers including three Copeland blue and white Willow pattern coffee cups, two Crown Staffordshire coffee cans pattern no. A3215, Hammersley, Dresden and others, together with a Meissen milk jug

A mixed lot of ceramics and glassware to include an Imari pattern paperweight in the form of a bird, Susie Cooper for Wedgwood plates and a bowl, Dresden cup and saucer, and other itemsLocation: 4:2

AFTER JEAN ETIENNE LIOTARD (1702-1789) LA BELLE CHOCOLATIERE Inscribed A. Kraffe .. [unclear]/ Dresden 1856 verso, oil on canvas laid on board 43 x 29cm. * After Liotard's original pastel, c.1744 (Dresden) ++ Needs a clean

19THC MEISSEN PLATE - DRESDEN the centre painted with a landscape view of Dresden, with a gilded scroll border and dark blue around. The reticulated rim with various floral motifs and gilded decoration. Blue crossed sworks mark, and in black Dresden. 25cms diameter

A Dresden porcelain muffin dish and cover, painted with floral sprays, together with an early 19thC English porcelain part tea and coffee service, gilt and grey decorated with foliate scrolls, including a bread plate, tea and coffee cups and saucers. (a quantity)

A Dresden style china two bottle ink stand, the cover in the form of figures playing chess, length 72cm.

A Dresden Sitzendorf porcelain lace figurine of a flower seller, late 19th century, the lady with fine lace dress raised on a gilt trimmed base, holding two baskets of flowers, underside marked Germany with cobalt blue crown mark, 24cm high.Condition report: Small loss to lace, minimal if no loss to flowers