We found 38879 price guide item(s) matching your search

Victorian silver drum mustard of plain form, with hinged cover and blue glass liner (London 1847) Sebastian Crespel II, together with a Victorian salt spoon (London 1867). All at approximately 6ozs. Mustard 7cm diameter. (2).

Glossy figure of a young boy with a drum. He is looking at the puppy with the drumsticks. Lladro backstamp. Artist: Regino TorrijosIssued: 2003Dimensions: 4.25"L x 3.5"W x 9.25"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Glossy figure of a young boy banging a large drum. Lladro backstamp. Artist: Juan HuertaIssued: 1969-1979Dimensions: 6"L x 3.5"W x 4.5"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

Five Cheetah drum pads and four Simmons drum pads

Cuban style conga drum, made with wooden staves in the traditional manner with strap

Rowland electric drum set with Rowland Percussion Sound Module TD-3, symbols, foot pedal, headphones and kick drum pedal (not in photograph)

A set of 5 Hallmark ornaments that includes The Night Before Christmas with a mouse nestled on a Santa hat, an old-fashioned sled, a beloved tin drum, a jolly wolly soldier, and a charming 1987 wooden horse. Also featured is a knotted jingle bell, and a whimsical snowman nightlight. Hallmark backstamp. This item has its original box. Dimensions of the largest box: 3.25"L x 3.25"W x 4"HManufacturer: HallmarkCondition: Age related wear.

A Regency mahogany drum top library table, the circular top inset with green leather writing surface, over four real and four dummy frieze drawers, on a later turned column support and three splayed legs and brass castors71 x 87cm

A Baltic medal 1854 - 1855, 35 Drum RR Edwards 27th Foot Baltic Medal 1854 - 1855, unnamedShipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.

A late 19th century French black slate and variegated marble drum mantel clock, the dial with visible escapement, the S. Marti et Cie movement striking the hour and half on a bell, pendulum, key, 29 x 40cm.Movement fully wound, escapement moves but in need of a service, case in good condition with only minor chips to the corners

APOCALYPSE NOWOriginal Concept Artwork (22.5" x 29.75") From the David Frangioni CollectionVery Fine- on board United Artists, 1979Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.An unused concept poster design for Francis Ford Coppola's hard-hitting Vietnamese war epic. While the studio eventually settled on Bob Peak's artwork for the poster campaign, this striking photograph of a child sporting a bullet belt is certainly eye-catching but perhaps a little too contentious for mass production. This example is mounted on board with edge wear and some tears.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

DIRTY HARRYOne Sheet (27" x 41"); Triple Bill Style From the David Frangioni CollectionVery Fine Folded Warner Bros., c.1973Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This rare one sheet is likely for a 1972 or 1973 reissue of Clint Eastwood's first outing as Dirty Harry in 1971. The unusual design features elements from other posters including The Good, The Bad and The Ugly (1968), Superfly (1972) and James Bond with the tagline in the center of the poster then referencing these other movies by saying that Dirty Harry is the "roughest and toughest" of them all!Drawing from the real-life case of the Zodiac Killer, this gritty, cynical cop thriller from director Don Siegel gifted Clint Eastwood with a career-defining role as the eponymous rule-breaking detective and paved the way for a series of sequels that would extend well into the late '80s.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

BONNIE AND CLYDEThree Sheet (41" x 79") From the David Frangioni CollectionVery Fine Folded Warner Bros., 1967Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.A US three-sheet for Arthur Penn's violent gangster biopic of the infamous Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway). The huge success of the film helped launch the careers of everyone involved particularly Beatty who, instead of a fee, took 40% of the gross. The movie made $70 million which was a massive sum at the time."Bonnie and Clyde" emerged as a pioneering film in its era, showcasing an exceptionally violent narrative that challenged the cinematic norms of 1967. It stood as one of the first films, if not the inaugural one, to portray violence in such an unfiltered and realistic fashion, marking a significant shift from conventional cinematic representations.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

ANIMAL HOUSEOne Sheet (27" x 41"); Advance From the David Frangioni CollectionVery Fine Folded Universal, 1978Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This is the advance ("Coming This Summer") poster for John Landis' 1978 college campus comedy, the first film National Lampoon produced. It is considered one of the best films of 1978 and inspired several renowned comedy films, including Police Academy and American Pie. This scarce poster features a shot of the fraternity and is folded as issued and exhibits minor fold wear and crossfold separation.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

RAMBO: LAST BLOODOne Sheet (27" x 40"); Advance Signed by Sylvester Stallone. From the David Frangioni CollectionNear Mint Rolled Lions Gate , 2019Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.An autographed poster for Adrian Grunberg's action sequel Rambo: Last Blood (2019), the fifth installment in the Rambo film franchise. The poster features the Advance "September 20" design, and it is signed in gold pen by John Rambo himself, Sylvester Stallone.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

PALE RIDERBritish Bus Stop (40" x 60") From the David Frangioni CollectionVery Fine+ Folded; Artwork by David Grove Warner Bros., 1985Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This large-format poster is folded as issued and exhibits only random light edge wear and general fold wear."...and hell followed with him". In his 1985 film Pale Rider, Eastwood creates his own variation of this character, where he plays a mysterious gunfighter named Preacher. Despite the Western genre being pronounced dead after the failure of Heaven's Gate five years earlier, Pale Rider was a box-office hit. Artist David Grove has captured the characteristics of the Old West, creating an impressive depiction of a gunslinging Eastwood surrounded by a striking sun-coloured background.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

MAGNUM FORCEDie-Cut Mobile (15" x 37") From the David Frangioni CollectionVery Fine; Artwork by Philippe Halsman Warner Bros., 1973This rarely-seen die-cut mobiles promoting Clint Eastwood's second outing as Harry Callahan. Eastwood says this is his favorite of the three films to feature San Francisco's toughest detective. The mobile shows Eastwood in full Dirty Harry mode, pointing a very large Magnum .44. It exhibit some light handling wear and there is a slight bend in the wrist of the mobile.Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

BULLITTPaper Banner (24" x 82") From the David Frangioni CollectionVery Fine Rolled Warner Bros./Seven Arts, 1968Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This is a very rare paper banner for Peter Yates' crime thriller starring Steve McQueen. These scarce heavy-stock banners were used between the late 1940s and 1960s and were designed to hang above a cinema entrance or in the foyer. They proved unpopular with cinemas and were predominantly used at drive-ins instead. Many of these banners have not survived, and even fewer survived in decent condition. This example is rolled with some handling wear and a few small tears around the borders.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

BULLITTBritish Quad (30" x 40"); Style A From the David Frangioni CollectionFine on Linen; Artwork by Tom Chantrell Warner-Pathe, 1970Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This is the "Style A" British quad poster for Peter Yates' action thriller starring Steve McQueen, who was at the height of his success at the time. The famed car chase scene, in which McQueen did all his own driving, set a new standard for all such action sequences to follow. Tom Chantrell's poster design/illustration presents a close-up image of McQueen's face with his gun prominently displayed. This design feature would appear in Bill Gold's posters for Dirty Harry (1971). This example is linen-backed with pinholes in each corner and scattered restoration where needed. One of the most collectible of all Steve McQueen Quad titles.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

BARBARELLASpecial Commercial Poster (29" x 42.25") From the David Frangioni CollectionFine Rolled Paramount, 1968Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.Roger Vadim's 'swinging sixties' sci-fi fantasy Barbarella (1968) launched the career of Jane Fonda and firmly established her as one of the decade's sexiest actresses. Printed to promote the film was this commercial poster issued by the company Personality Posters, which features Jane Fonda as the titular space heroine posing with a Penguin. Commercial posters rarely attain any real value, but this particular piece is hugely collectible as it was recalled at the time due to legal and licensing issues. The poster was printed in two sizes, with this example having normal-size borders.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

THE WILD BUNCHWindow Card (14" x 22") From the David Frangioni CollectionVery Fine+ Warner Bros./Seven Arts, 1969Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This is a stylish and unique promotional piece printed in 1968 by Warner Bros. for Sam Peckinpah's gritty western, The Wild Bunch (1969). The "Wanted Poster" design is reminiscent of the psychedelic Avalon Ballroom posters designed throughout the 1960s. Interestingly, the window card does not display any cast or film credits and was issued before the film's release, suggesting it was an advance poster. The design displays no indication of the excessive violence featured throughout the movie. This poster exhibits some handling wear with light surface wear and a horizontal crease across the top third of the poster.This may be the most rare format for this ground-breaking Western film and is rarely offered in auction.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

JAWSJapanese Mobile (11.75" x 19.75"); Double-Sided From the David Frangioni CollectionVery Fine; Artwork by Roger Kastel Universal, 1975Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.An original Japanese mobile display promoting Steven Spielberg's classic summer blockbuster. Roger Kastel's instantly recognisable artwork showing the vicious shark that terrorises Amity Island (featuring on both sides of this piece made from thick cardboard) was used for all of the movie's marketing. A string is threaded through a hole at the top, allowing the mobile to be hung and displayed. This piece exhibits only some minor handling wear. A unique piece of promotional material for this classic film that rarely comes to market.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

2001: A SPACE ODYSSEY3D Standee (38" x 58") From the David Frangioni CollectionFine+; Artwork by Robert McCall MGM , 1968Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia."An epic drama of adventure and exploration". A scarce 3D cinema foyer display standee created to promote Stanley Kubrick's groundbreaking sci-fi film. This thick card standee features the instantly recognisable "Style A" space-wheel imagery most associated with the film as it represents a pivotal scene in the movie when accompanied by the classical music score from Johann Strauss' 'Blue Danube' Waltz. The card stand section is missing from the back and the standee remains fragile and should be handled carefully. It folds into four sections, all of which are reinforced on the verso with shipping tape. The bottom section has separated from the standee and there is edge wear, a few scratches, and several small holes along the top of the standee.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

GET CARTERBritish Quad (30" x 40"); Reviews Style From the David Frangioni CollectionVery Fine+ Folded MGM-EMI, 1971Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia."Caine is Carter". Mike Hodges' iconic gangster film Get Carter (1971) saw Michael Caine play London gangster Jack Carter, arguably one of the most defining roles in his career. This British Quad is much scarcer than the Arnaldo Putzu artwork Quad and is known as the "Reviews" style. The intimidating black-and-white imagery of Carter is surrounded by several positive reviews, some in yellow day-glo text, which looks stunning in person. This example is folded with some minor handling wear and a tiny tear on the right border. A rare poster for a beloved film title.This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

ROCKY IIOne Sheet (27" x 41"); Rematch Style From the David Frangioni CollectionVery Fine+ Folded United Artists, 1979Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This is an interesting piece of movie advertising for the Sylvester Stallone boxing drama, with the poster designed to look like a genuine boxing promotional poster. Dubbed the "Rematch of the Century", it features the challenger Rocky Balboa vs the champion Apollo Creed. This example is folded with bright whites and minor wear on one fold and an MGM/UA snipe over the United Artists logo.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

JAWSRecord Store Mobile (Hanging: 11.25" x 20.5") From the David Frangioni CollectionVery Fine+; Artwork by Roger Kastel Universal, 1975Provenance: David Frangioni is a published author, music businessman, producer, technologist, engineer, philanthropist, and drummer. He has worked with Aerosmith, Shakira, Ringo Starr, Ozzy Osbourne, Robbie Williams, and hundreds more. He is CEO of Modern Drummer Magazine and has several books published, including Clint Eastwood: Icon: The Essential Film Art Collection and Crash: The World's Greatest Drum Kits, both by Insight Editions. Frangioni is considered one of the world's most prominent and knowledgeable collectors of Clint Eastwood memorabilia and boasts an enviable archive of movie posters and memorabilia.This is a very scarce three-piece mobile for Steven Spielberg's classic summer blockbuster. It was created to be displayed within record stores to help sell copies of the iconic soundtrack written by the legendary John Williams. The mobile features elements of Roger Kastel's famous artwork and the three pieces are held together with plastic wire with little grommets on the end, which are still present. This example exhibits only some light handling wear.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

A FRENCH ENGRAVED GILT BRASS AND CHAMPLEVE ENAMEL MINIATURE CARTEL TIMEPIECE AND MATCHING BAROMETERTHE TIMEPIECE MOVEMENT STAMPED L.R., PARIS, CIRCA 1800The timepiece with circular eight-day movement incorporating platform cylinder escapement regulated by sprung monometallic balance applied to the backplate stamped L R opposing serial number 1595, the 1.75 inch circular convex white enamel dial with vertical Arabic hour numerals within a floral festoon decorated band, with fine rococo scroll cast gilt hands set behind hinged convex glazed cast gilt brass bezel, the barometer with circular cream register calibrated in centimetres of mercury, each gilt brass case overall decorated in polychrome champleve enamel with Hispano-Moresque inspired foliate strapwork, with acorn finial enamelled with red flower centred cream panels within powder blue borders over a cobalt collar surmounting a drum housing the mechanism with repeating cobalt lappet leaf cavetto band around the bezel and conforming repeating panels to circumference, set on a waisted upright over a tapered pedestal applique incorporating swollen polychrome ribbon-tied laurel band over strapwork panel picked out with mottled red motifs and green leaf details within a cobalt line border and foliate scroll border, the sides with similar panels over a cobalt faced block and ogee-shaped foot terminating with a pendant finial, each mounted on a shaped giltwood panel.The timepiece/barometer 32cm (12.5ins) high, 7.7cm (3ins) wide, 5cm (2ins) deep, the wooden panels 38cm (15ins) high, 12cm (4.75ins) wide. Condition Report: The timepiece movement is presently fully-wound but not currently running. The escapement appears intact and undamaged hence the mechanism is most likely just gummed-up with dry oil hence requires a clean/service. The regulation lever is presently disconnected. The dial appears free form visible damage/faults. The barometer does not appear to respond to change in pressure when 'bag tested' hence will require attention. The scale appears to be printed paper and has some light discolouration/rubbing and the bezel appears have been glued into position (traces of glue visible to the interior). Both cases appear to be in fine original condition with faults limited to a couple tiny enamel chips (hard to find even with very close examination). The wooden back panels are probably later additions with both exhibiting some light surface wear.There is no winding key present.Condition Report Disclaimer

A FINE AND RARE ORMOLU MOUNTED BLACK MARBLE MANTEL TIMEPIECE OF IMPRESSIVE PROPORTIONSBENJAMIN LOUIS VULLIAMY, LONDON, NUMBER 1921, 19th CENTURYThe circular eight-day four columnar pillar single chain fusee movement with plates measuring 5.25 inches in diameter and Vulliamy type half deadbeat escapement regulated by heavy disc bob half-seconds pendulum stamped with serial number 1921 and with transverse pivoted beam rise/fall regulation to the suspension, the backplate signed VULLIAMY, LONDON over No. 1921 to centre, the 5 inch circular silvered dial with fine engine-turned centre within narrow Roman numeral chapter ring incorporating engraved signature VULLIAMY, LONDON flanking the XVII numeral centred with the regulation adjustment square, with dot minute markers to outer track and blued steel Breguet type moon hands set within parcel frosted and burnished complex moulded bezel surround, the substantial ormolu mounted black marble case of 'drumhead' design centred with a large cast ormolu surmount modelled as an eagle opening its wings and looking to the left whilst grasping a baton issuing flames from each end draped over the drum housing the movement and dial, the rear of the drum with brass circular brass cover secured by blued steel turn screws, raised via a stepped block-shaped cradle over a wide plinth base applied with finely cast and chiselled fire-gilt bronze figures of recumbent lions modelled after Canova flanking the dial, the front applied with generous apron mount centred with a bearded male mask issuing scrolling acanthus over a stepped skirt.42.5cm (16.75ins) high, 61.5cm (24.25ins) wide, 15cm (16ins) deep. Provenance:Previously sold at Bonhams, Sydney, sale of The Owston Collection, 25th June 2010 (lot 464) for $30,000 AUD where it was noted that the timepiece was acquired from Algy Rothman, Winchester, in 1986. Benjamin Lewis Vulliamy is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1780 to Benjamin Vulliamy and gaining his freedom of the Clockmakers' Company in 1809. He worked from 52 Pall Mall, served as Warden 1821-5 and was appointed Master five times. He was the last of the celebrated dynasty of Royal clockmakers which started with his grandfather, Justin, forming a partnership with George II's clockmaker, Benjamin Gray (see previous lot). Benjamin Lewis Vulliamy was perhaps one of the most influential horologists of his time publishing many works and undertaking numerous high profile public commissions as well as holding the Royal Warrant. He supplied many clocks to the Royal family including the turret clock for Windsor Castle in 1829 (replacing an earlier movement by Joseph Knibb); however his horological legacy is perhaps somewhat slightly blighted by his tendency to undertake controversial alterations to earlier important clocks by makers such as Tompion. The Vulliamys started numbering most of their clocks from 1788 until 1854. Two of the original Vulliamy workbooks still survive in the library of the British Horological Institute at Upton Hall, these often can provide valuable information regarding the manufacture and provenance of many clocks made by the workshop. Unfortunately the records are incomplete hence only note clocks with serial numbers 296-469 and 746-1067. There is also a third surviving Vulliamy workbook, relating only to repairs and servicing dating to the period 1846-53. Interestingly this volume records at least sixty-five clocks being in the possession of the government 'Office of Works' and another forty being in the possession of Queen Victoria at Buckingham Palace. Roger Smith in his article entitled Vulliamy Clock Numbering, A Postscript, published in Antiquarian Horology Vol. 21 No. 5 (September 1994), used surviving data in the records of the British Horological Institute at Upton Hall and known documented examples to compile a graph from which unrecorded clocks can be dated. According to this chart number 1921 would appear to date to the end of the second quarter of the 19th century.  The general design of the present timepiece follows the 'lion' form made popular by Vulliamy during the early years of the 19th century. Vulliamy's earliest models utilised lions with balls either between or under one of the front paws no doubt inspired by the ancient Roman 'Medici Lion' in Florence. Later models also incorporated eagle surmounts modelled alongside those applied to the smaller pedestal drumhead timepieces also made popular by Vulliamy. The current timepiece is unique in both its unusual large scale and the provision of fine recumbent lions modelled after those sculpted by Antonia Canova for the tomb of Pope Clement XIII at St. Peters Basilica in 1792. From this it would be appropriate to speculate that it was most likely a one-off commission no doubt for a mantelpiece of an important mansion house or palace interior. 

A VICTORIAN CARVED MAHOGANY TWIN FUSEE DIAL WALL CLOCKBENNETT, LONDON, THIRD QUARTER OF THE 19th CENTURYThe five columnar pillar twin chain fusee bell striking movement with anchor escapement regulated by heavy lenticular bob pendulum incorporating transverse pivoted beam rise/fall regulation to suspension, the 12.5 inch circular silvered brass Roman numeral dial with curved SLOW/FAST regulation adjustment scale over signature BENNETT, 65 Cheapside, LONDON., MAKER TO THE ROYAL OBSERVATORY to centre, with blued steel trefoil hands set behind hinged glazed cast brass bezel incorporating canted insert to inner edge, the case with dial surround carved with stylised palm leaves issuing from a shield cartouche to envelop the bezel, applied to the drum-shaped rear incorporating curved door to right hand side and pendulum access flap to base, the back panel with rectangular brass grille sound fret.42cm (16.5ins) wide, 40.5cm (16ins) high, 17.5cm (6.5ins) deep. John Bennett was first educated to become a pastor but after the death of his father he joined the clock and watchmaking business established in Greenwich by his grandfather. He subsequently established himself at 65 Cheapside, London in 1846 and became particularly interested in the 'modernisation' of the English watchmaking industry which brought him into conflict with many of his peers. John Bennett was a colourful character who subsequently became involved in machinations of the City of London Corporation serving as 'Sheriff of London and Middlesex' in 1871. He was knighted and served as 'Lord Lieutenant of London' the following year. Sir John Bennett died in 1897 leaving the business in the hands of his successors trading as 'Sir John Bennett Limited', which continued well into the 20th century.  

A LOUIS XVI NEOCLASSICAL ORMOLU, WHITE MARBLE AND BRONZE QUARTER-STRIKING MANTEL CLOCK VOISIN, PARIS, CIRCA 1790 The circular eight-day two train movement with anchor escapement regulated by gilt sunburst-mask cast bob pendulum incorporating silk suspension, the 'two-in-one' strike train ting-tang striking the quarters on a graduated pair of bells and sounding the hours on the larger of the two, the backplate with visible strikework and numbered 323 to lower margin, the 4.5 inch circular slightly convex white enamel Roman numeral dial signed VOISIN, a Paris to centre and with Arabic fifteen minutes within the outer minute track, with gilt moon hands within fine engine-milled repeating anthemion decorated bezel, the case with surmount cast as a pair of swans drinking from an oval footed planter containing bullrushes set on a marble block mounted over the drum housing the movement, fitted with chimera decorated scroll cast pendant mount flanked by a pair of kneeling winged female sphinx supports set on gilt star decorated black and white marble plinths with gilt lions paw feet, the breakfronted platform base inset with gilt frieze cast with putti and a ram drawn cart flanked by roundels cast with masks of Apollo, on gilt engine-milled squat bell-shaped feet 49cm (19.25ins) high, 32.5cm (11.75ins) wide, 11cm (4.25ins) deep.The present lot is most likely by one of two makers with the surname Voisin working in Paris during the closing years of the 18th century. The first possibility is Antoine-Henry Voison (1733 until after 1815) who took over his father's business in 1760. He became one of the most important Parisian clockmakers of the 18th century until the Revolution, collaborating with makers such as J.J. de Saint-Germain and B. Lieutaud for his casework. He first worked from rue Dauphine and later Quai des Grands-Augustins. The second (probably more likely) possibility is Henry Voisin who is recorded in Britten, F.J. Old Clocks & Watches AND THEIR MAKERS as working from Rue Thionville from before 1773 until 1807.The visible strikework to the movement backplate of the present lot is typical of Swiss clockmaking with similar layouts seen on the backplates of bracket clocks made in the Neuchatel region during the closing years of the 18th century. From this it would be reasonable to suggest that the movement for the present clock was supplied from a workshop located in Switzerland. Condition Report: Movement is very dirty/dusty, it will run but is prone to stopping and the strikework is currently not operating correctly. Both hammers are present and will operate however the rack is prone to not gather fully hence will run-through. This could be just be down to dirt grime. We have not taken the movement out of the case to check for losses/replacements and clock is being offered as a project requiring a clean/service/overhaul. The dial has some hairline cracks but no apparent losses; the text 'VOISIN' looks to have been strengthened, the hour hand is bent. The case is generally in good original condition with all mounts present retaining original finish with slight rubbing/wear oxidation only. The marble has overall yellowing (nicotine staining?) and some very slight edge wear and chipping in places otherwise case appears to free of notable faults.Clock has pendulum and a winding key. Condition Report Disclaimer

A CONTINENTAL SILVERED METAL AND ENAMEL FIGURAL MUSICAL AUTOMATON TABLE VESTA GROUPUNSIGNED, FRENCH OR SWISS, CIRCA 1900With musical movement playing two melodies in succession via a 1.25 inch pinned cylinder on a 30 tooth comb, set on a brass bed stamped 1128 and with wooden pulley line take-off to drive the automaton together with a wire start/stop plunger, set within a circular moulded ebonised plinth surmounted by a silvered white metal figure of a clown holding a stick perched with two lovebirds over a barrel, together with a drum and a figure of a dancing dog holding a ring with two further lovebirds in his mouth who rotates whilst the music is playing, in the foreground is an enamel-lidded vesta box decorated with a portrait of an 18th century style female, opening the lid activates the plunger for the music and automata, the underside of the base with indistinct oval paper label, on brass ball feet.21cm (8.25ins) high, 16.5cm (6.5ins) diameter.  Provenance: From a Private Collection. 

A FRENCH GILT BRASS AND SEVRES STYLE PORCELAIN SMALL BOUDOIR TIMEPIECEPROBABLY BY A. DUMAS, PARIS, LATE 19th CENTURYThe circular eight-day single train movement with replaced frosted gilt platform lever escapement regulated by sprung monometallic balance vertically planted on the backplate over small stamp A.D. within an oval to lower margin, the 2.25 inch circular powder blue ground porcelain dial with gilt rosette to centre and Roman cartouche numerals, with gilt spade hands set behind fixed bevel glazed leaf cast bezel, the case formed as a drum with leafy bud finial to the scroll pierced surmount, with leafy band to circumference, hinged rear door and raised on conforming twin strapwork scroll cast side supports, over a tray base inset with porcelain plaque polychrome painted with a reclining cherub within gilt-edged floral trail and blue banded borders, set into a leaf moulded surround over turned feet.18cm (7ins) high, 13.5cm (5.25ins) wide, 10cm (4ins) deep. The 'A.D.' oval trademark stamped to the backplate of the current lot is noted in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as appearing on the gong blocks of French carriage clocks. Allix also notes in his biographical entry for A. Dumas that the eminent French horologist, Claudius Saunier, commented that Dumas specialised in Mignonettes and that he also even made cases and gongs. With this in mind it would be logical to speculate that the oval stamp that appears on gong blocks, as well as the backplate of the current lot, is for A. Dumas. 

A WILLIAM IV/EARLY VICTORIAN SILVER PLATED 'GOSSAGE'S PATENT' REMOTE WATCH ALARMWILLIAM GOSSAGE, WARWICKSHIRE, SECOND QUARTER OF THE 19th CENTURYThe circular three pillar movement with single spring barrel driving a gear train incorporating a pin-wheel for a single steel hammer to sound on a bell mounted within the inside of the case, the mechanism released via a spring pivoted detent engaging with a slot cut into a hoop-wheel at a pre-set time, the backplate stamped 296, the top with curved aperture revealing revolving white enamel Roman hour numeral setting dial over adjustment square and centre spring winding square, the lower margin applied with die-stamped relief oval plate inscribed W. GOSSAGE, PATENT around a Royal coat of arms, housed in a drum-shaped case with pierced and engraved repeating leaf design to the moulded circumference, the rear stamped with repeat serial number 296, with original black japanned drum-shaped travelling case applied with paper label titled DIRECTIONS FOR SETTING, Gossage's Patent Alarurum... to the interior of the lid.The case 8.2cm (3.25ins) diameter, 4.5cm (1.75ins) deep. William Gossage patented the design of the present lot in 1823 at the age of 24. He went onto to become a chemical engineer and founder of a soap-making business in Widnes Lancashire. He died in 1877 and his factory was subsequently acquired by Lever Brothers. The present alarm mechanism is operated by setting the alarm dial at the desired time calculated in hours ahead of the time on a watch. The winding arbor of the watch is then connected to the alarm dial setting square (via a squared pipe), and the watch is then left in position resting on top of the alarum. As the watch unwinds (as it runs) it turns the setting dial until the slot in the hoop wheel (within the mechanism connected directly to the setting dial) lines-up with the hammer release detent causing the alarm to sound.  

A 'ROYAL GEOGRAPHICAL SOCIETY' WORLD TIME GLOBE TIMEPIECEIMHOFF, LA CHAUX-DE-FONDS, FOR THE ROYAL GEOGRAPHICAL SOCIETY, LONDON, CIRCA 1980The circular fifteen-jewel eight-day movement with lever escapement regulated by sprung balance driving a rotating silvered annular twenty-four hour Roman numeral 'sidereal' chapter ring, set within a cavetto moulded brass drum incorporating knurled winding knob and glazed collar for the chapter ring and fixed pierced hour hand, surmounted by a 5.5 inch satin black finish terrestrial globe annotated in gilt with land masses outlined and countries labelled together with time-zones clockwise from the Greenwich meridian, set within square brass horizon plate divided for minutes and raised on four faceted uprights, over an cavetto moulded ebonised platform applied with a brass plate inscribed 19 80, THE ROYAL GEOGRAPHICAL SOCIETY WORLD CLOCK, to leading edge.27.5cm (11.75ins) high, 22.2cm (8.75ins) square. 

A cased Hobgoblin music drum, dia. 46cm.

A GEORGE III MAHOGANY DRUM LIBRARY TABLE CIRCA 1790 The top with a gilt tooled leather inset, the four frieze drawers interspersed with false drawer fronts 74cm high, 121.5cm diameter Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits The leather top is a replacement and of high quality, with fine gilt tooling The drawer linings are solid mahogany, a sign of high quality construction The handles are later replaced, but match well to the piece. The locks appear to be original - no key present, all locks open. The top is screwed to the base and is designed to be fixed, without revolving. There are no old breaks to the legs. Please see all additional images for a visual reference to condition. Condition Report Disclaimer

A REGENCY BIRD'S EYE MAPLE 'DRUM' LIBRARY TABLE IN THE MANNER OF GEORGE BULLOCK, CIRCA 1815 With a tooled green leather inset top 74cm high, the top 78.5cm diameter Provenance: Formerly from Annan House, Dumfries & GallowayGeorge Bullock (d.1818), is known to have worked in Scotland (see Anthony Coleridge, 'The Work of George Bullock, cabinet-maker, in Scotland, The Connoisseur, 1965), and the form of the present table with the double stacked frieze drawers is a known Scottish form. Bullock favoured pale timbers including frequent use of bird's eye maple. Condition Report: Marks, scratches and abrasions comensurate with age and use. Various old chips, splits and cracks. Some old repairs and replacementsThe handles appear original. Various old marks, abrasions and discoloration to the leather and a small number of ring marks that could likely be disguised with careful treatment/ polishing. To many this would be a pleasing surface and appearance but is of course a question of personal taste. The table stands firmly and is of solid structure overall. The top overall is of a slightly more oval shape that the frieze, to opposing sides there is a small 'overhang' over the frieze, whereas there is less of an overhang on the other sides, This may possibly be as a result of shrinkage over time to a degree. Some old staining to drawer interiors as expected for age. Some expected shrinkage and slight movement at joints of frieze result in drawewr having minor movement in position but still operate as expected. Various old losses to stringing at the edge of drawers. Please refer to all additional images available via email for visual reference to condition.  Condition Report Disclaimer

A REGENCY OAK REVOLVING LIBRARY BOOKCASE CIRCA 1820 Of 'drum' form, the open sections of bookshelves divided by terminals fronted by false book bindings 120cm high, 65cm diameter overall

Y&nbspA GEORGE III ROSEWOOD AND INLAID 'DRUM' LIBRARY TABLE CIRCA 1810 With tooled leather inset top above an arrangement of drawers 71cm high, the top 90cm diameter Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some minor old chips and splits. Tooled leather inset to the top has good colour and some age but is a later replacement. Handles appears to be very fine period replacements. Locks are later replacements and vary from each other. No key is present but all locks are open. Some old repairs - see images. Including; veneer repairs, 'butterfly' repairs to the boards to the underside of the top, and a repaired crack to end of one leg. Some evidence of old worm to the block to underside of top. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

Y&nbspA GEORGE III MAHOGANY LIBRARY DRUM TABLE CIRCA 1810 With a gilt tooled leather inset top and ebony escutcheons 73cm high, the top 108cm diameter Condition Report: Table with the marks, knock, scratches and abrasions commensurate with age and use. Some minor old splits and chips. Some old veneer and moulding repairs - see images. Handles are high quality replacements in period style. One lock plate is lacking. No key present but all locks are open. Leather inset surface to to the top appears to be an old replacement. It is in generally good presentable order, with just the scratches marks and abrasions consistent with age and use. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

HOHNER STUDENT III CASED ACCORDIAN & VINTAGE MARCHING BAND'S DRUM, 36cms (h) x 37cms (diam.)Provenance: private collection Conwy

BALINESE BRONZE SMALL DRUM - 27CMS (H) APPROX

BALINESE BRONZE DRUM A/F (PERIOD - 2ND CENTURY BCE TO 1ST CENTURY) - 54CMS (H) APPROX

SMALL LEATHER DRUM TABLE & NEST OF TABLES

Britain's Soldiers - Two Limited Edition Sets : A Grenadier Guards Drum and Fife Band set issued in a limited edition of 1,000 sets #41175,. Also a Grenadier Guards Band set issued in a limited edition of only 500 sets # 43058. Both sets appear mint in box with original outer box bearing label. (The outer box for the 2nd set does have a mark/stain and some pen writing) (This does not constitute a guarantee) [L]

Airfix, British Traditions - Four model kits. Three 54mm Airfix kits: #02553-5 Polish lancer 1815, #02558-0 Cavalier Roundhead and #02556-4 Life Guard 1815, Majority still attached to sprues. Also included is a British Traditions "Drum Major" model kit (2 colours) Sets have not been checked for completeness. (This does not constitute a guarantee) [L]

A late 19th century brass and glass drum shaped timepiece unusually with an English single fusee movement with platform lever escapement, 12.5cm high. Condition - good, unchecked if in working order

A 19TH CENTURY ROSEWOOD AND MARQUETRY INLAID SIDE TABLE, plus a small drum table and a mahogany tilt top occasional pedestal table, 19th century. (3)

Edwardian six piece silver cruet set by Deakin & Francis, Birmingham 1907, comprising a pair of drum mustard pots, open salts and pepperettes with blue glass liners, 5cm (6)

A pair of Edwardian silver 'drum' napkin rings, William Hutton, Sheffield 1907 and two other silver napkin rings (4)

Honda XR500 motocross bike. 1983. 500ccRuns and rides. Last raced at the King of the Castle in 2022. Fitted with Ohlins shocks, Yamaha YZ250 front drum brake, 450cc carburettor, CR500 front suspension springs. Comes with the original engine as a spare.No Docs. No Keys

An ethnic kettle drum with glass top - as a coffee table - on wrought iron frame base, 89 cm dia., c/w two mallet drumsticks

An antique mantel clock with drum movement in ornate Florentine brass strut frame, 32 cm high

An antique Delft blue and white plate painted with flowers in the Chinese taste, a Regency porcelain tea-bowl and saucer (bowl repaired), ironstone Willow pattern plate and other ironstone including Masons etc (box) to/w a French inlaid mahogany mantel clock with lancet case and drum movement, 22 cm high

A Pearl 14" marching percussion snare drum serial No.960078 with carrier and drum major mace, COLLECT ONLY

A Victorian silver mustard pot, of drum form, with pierced scroll body, ensuite with blue glass liner, John Keith, London 1860, height 8.2cm, weight (sans liner) 120g/3.85ozt approx

An Elizabeth II silver mustard pot, of drum form, modelled in the Regency style, with cast foliate borders, ensuite with blue glass liner, C F Hancock & Co, London 1962, height 8cm, weight (sans liner) 169g/5.43ozt approx

A George III silver drum form mustard pot, the hinged cover with reeded border and pierced thumb-piece, with S scroll handle, ensuite with blue glass liner, Robert Hennell, London 1786, height 7.2cm, weight (sans liner) 104g/3.34ozt approx

A late 19th century black slate portico clock - of typical form with an arrangement of six fluted columns flanking a white enamel dial set out with Roman numerals and fitted with a French drum movement, 42cm wide

A Collection of Assorted Silver, comprising a George IV mustard-pot, by Rebecca Emes and Edward Barnard, London, 1825, drum-shaped and with gadrooned rim, with blue glass liners; a cased condiment-set, comprising a pair of mustard-pots, a pair of salt-cellars, a pair of pepperettes and various spoons; a pair of mustard-pots; a fluted bowl and a small jewellery box, (one tray)