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PAUL DUBOIS (1829-1905); a Barbedienne large gilded bronze figure group, mother and two children, signed with foundry details to the base, height 48.5cm.

Gerard Dubois (French, b.1968), limited edition print, ‘The Seven Deadly Sins, Gluttony’, limited edition 56/120, details verso, 37 x 27cm. Condition - good

A LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK THE CASE BY BAUCOUR, CIRCA 1785 The enamelled dial with both Roman and Arabic numerals signed 'D. F. Dubois, A PARIS', ormolu scroll element to one signed 'BAUCOUR' 44cm high, 35cm wide, 10cm deep overall For a related clock, see Christie's, London, 3rd March 1994, Furniture Collection, Lot 7 (£6,900). The Christie's description notes that 'Jean-Louis Bancour, ciseleur, is recorded in the 'cour de lEgout Saint-Antoine, Paris circa 1783-8'.  

Y A GEORGE III KINGWOOD, AMARANTH, TULIPWOOD PARQUETRY AND LACQUERED GILT BRONZE MOUNTED BUREAU PLAT PROBABLY BY AN EMIGRE CRAFTSMAN IN THE MANNER OF PHILIPPE-CLAUDE MONTIGNY AND RENE DUBOIS, LAST QUARTER 18TH CENTURY The gilt-brass banded rectangular top inset with a gilt-tooled blue leather writing surface, above a panelled frieze inlaid with Greek-key motif with two frieze drawers centred by masks headed by acanthus flanked by rosettes and opposing false drawers, with lateral writing slides, the lower border with a ribbon-twist mount, the brass reeded incut square tapering legs headed by laurel swags with square sabots terminating in castors, with a paper label to the pine panelling to underside inscribed in ink 'Brynkinalt RM' 72.5cm high, 122cm wide, 63cm deep Provenance: Possibly supplied to Arthur Hill-Trevor, 2nd Viscount Dungannon (1763-1837) or acquired by Arthur Hill-Trevor, 3rd Viscount Dungannon (1798 - 1862) for 3 Grafton Street, London, thence by descent at Brynkinalt Hall, Denbighshire until sold, Of Royal And Noble Descent; Sotheby's, London, 19 January 2017, lot 382, where acquired by present owner. Although this sophisticated desk, with its 'Etruscan' decoration and interlaced key frieze, has the outward appearance of a French bureau à la grec, a number of constructional idiosyncrasies help to identify it as an unusual example of English craftsmanship. Until recently the bureau plat formed part of the resplendent Hill-Trevor collections at Brynkinalt Hall in Denbighshire and is most likely the output of an émigré ébéniste working in London in the last quarter of the 18th century. London had long tradition of attracting émigré craftsman with the perpetual cycle of European political and religious turbulence of the 17th and 18th centuries spurring their arrival. The lure of the capital reached new heights following the favourable conclusion of The Seven Years' War (1756-1763), a pan-European conflict which did little to dampen the appetite for French fashions in Britain. The maker of the present bureau plat would certainly have had excellent knowledge of French workshop practices and prototypes, namely the output of the celebrated Parisian cabinet-makers Phillippe-Claude Montigny (1734-1800) and René Dubois (1737-1799). The goût grec style swept to popularity in France from the mid-1750s with the celebrated suite of furniture supplied for the collector and financier Ange-Laurent Lalive de Jully. Veneered in kingwood, amaranth and tulipwood and decorated with rosette and laurel swag mounts, the Brynkinalt bureau plat closely follows a well-documented group of bureau à la grec by Montigny and Dubois. However, the Brynkinalt bureau plat diverges in several distinct ways which preclude the possibility of a French origin. Whereas French-made bureau plat use oak, the present desk employs pine in the construction. Further, the oak-lined drawers have front-to-back oak drawer bottoms, where French antecedents would have the grain running side-to-side. The dovetails, with the pronounced fan-shaped tails, are distinctly un-French and quite idiosyncratic being covered by a very thin veneer. The original locks are English, and the lacquered-gilt-brass banding to top, mounts, capping and castors (French models typically employ sabots without castors) all present as English derivatives or casts taken the originals. The presence of a distinctly English 'rococo' influenced ring-pulls to the writing slides further anglicises the French character of the present lot. Interestingly, an almost identical version of this model, sharing the same constructional traits but lacking brass reeding to the legs, is preserved in the collections of the Marquesses of Bute at Mount Stuart, Scotland. The Bute bureau plat is almost certainly from the same émigré workshop and points to a definitive group made for the most prominent families of the day. The present desk formed part of the collections of the Hill-Trevors at Brynkinalt Hall, Denbighshire, on the English-Welsh borders. The family fortune was built at first by Sir John Trevor (1637-1717), an unscrupulous lawyer-turned-politician, who twice held the position of Speaker of House of Commons before being unseated because of a bribery scandal involving the East India Company. He also served as Master of the Rolls 1685 to 1689 and from 1693 until his death in 1717. The financial gains Sir Trevor accrued in these prominent positions allowed him to acquire two London houses on St Clements Lane and Trevor Square, Knightsbridge. All four of his sons predeceased him and his estates, including Brynkinalt, passed to his daughter Anne who married Michael Hill of Hillsborough in Ireland.Arthur Hill, 1st Viscount Trevor (1694-1771), later Arthur Hill-Trevor, 1st Viscount Dungannon, was the second son and also pursued a political career, this time in Ireland as Chancellor of the Irish Exchequer and Commissioner of Irish Revenues. Arthur built Belvoir house in Ireland to designs of Christopher Myers in circa 1750. His son, the Hon. Arthur Hill Trevor (1738-1770), predeceased him also, making him an unlikely candidate for the acquisition of the present bureau plat. Instead, the Dungannon estates, including Belvoir and Brynkinalt, passed to Arthur Hill-Trevor, 2nd Viscount Dungannon (1763-1837) who inherited the title at the age of eight. In 1795, at the age of thirty-two, he married the Hon Charlotte Fitzroy, daughter of General Charles FitzRoy, 1st Baron Southampton (1737 -1797) and grand-daughter of Charles FitzRoy, 2nd Duke of Grafton (1683-1757), and consequently sold Belvoir Park choosing to live between No. 3 Grafton Street, London (built by the Augustus Henry FitzRoy, 3rd Duke of Grafton (1735-1811) to designs of Robert Taylor in 1767) and Brynkinalt Hall. It is conceivable to bureau-plat was acquired before or during this phase of ownership as the Viscountess was a woman of highly cultivated taste and oversaw the significant re-modelling of Brynkinalt which had not been altered since the early 18th century. Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Observations include: the leather to the top has a different gilt tool edging and is either different to the leather on the sliding ends or is faded; the leather to the top also has cracks along the underlying constructions joints; some ormolu mounts are slightly loose eg the edging to to the top of the desk, one of the swags (with a later screw), some of the ribbon edging has vacant holes from missing pins, one brass inlay to one leg is sprung; it is not possible to remove the right frieze drawer as there is a fixed peg/screw preventing it from sliding out; there are two keys that operate the two different locks that suggest one is a later replacement; there is some evidence of old worm; some fading to the back.The Greek key parquetry and ormolu mounts to all sides.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition - they are a vital part of this report. Condition Report Disclaimer

Dubois-Utters, Mechthild (um 2000) Ohne Titel. Acryl/Lwd., verso sign. und dat. 2000. 100x 100 cm. Leiste.

Vertunni, 54-58mm metal solids Series: Premier Empire, Sculpted, Cast & Painted by the Italian Husband & Wife Team of Gustave & Mdm Vertunni in France, Production Ended Circa 1955. Comprising: Lesueur [plume missing] & Dubois. Some minor paint chipping otherwise generally Excellent overall. From the John Dennis Vertunni Collection. [2]

Dubois, Paul (1829-1905), "Johannesknabe", Bronze, H 63, Gießerstempel Barbedienne, Paris

F. Barbedienne nach Paul Dubois Bronze La MeditationBronze, dunkel patiniert, an der Plinthe seitlich bezeichnet F. Barbedienne Fondeur, innen unerkenntlich nummeriert, H 26,5 cm x B 12 cm x T 15 cm, Gewicht 4,5 kg

LEIGH VIVIEN: (1913-1967) English actress, Academy Award winner for Best Actress in 1939 for her role as Scarlett O’Hara in Gone with the Wind and again in 1951 for her role as Blanche DuBois in A Streetcar Named Desire. A good vintage signed 8 x 10 photograph of Leigh in an appealing close-up head and shoulders pose. Signed by the actress in fountain pen ink with her name alone to a light area at the base of the image. VG

DUBOIS THÉODORE: (1837-1924) French composer and organist associated with the Romantic era. The personal printed oblong 12mo black bordered Visiting Card of Dubois, unsigned, featuring his printed name to the centre, as a Membre de l´Institut, and address at Boulevard Pereire (Paris) to the lower right corner. with eight lines of text in his hand, to the recto and verso, in French, in full, ´Merci pour le bel article du Menestrel T.S.V.P Serait heureux qu´il vous fut possible de venir entendre la 1ère audition de son quatuor. Je viendrai mercredi, mais tâchez de commencer un peu avant 4h ½, car il faut que je sois Avenue d´Antin à 5h 20´ (Translation: ´Thank you for the lovely article in Le Menestrel. P.T.O. I would be delighted if you could come and hear the first performance of his quartet. I will be there on Wednesday, but please try to start a little before 4.30 pm, because I need to be on Avenue d'Antin at 5.20 pm´). VG

DUNAWAY FAYE & VOIGHT JON: Faye Dunaway (1941- ) American actress, Academy Award winner for Best Actress in 1976 for her role as Diana Christensen in Network, & Jon Voight (1938- ) American actor, Academy Award winner for Best Actor in 1978 for his role as Luke Martin in Coming Home. A good and unusual signed 10 x 8 photograph by Dunaway and Voight, the image showing both young actors standing in a half-length pose, performing on scene in the 25th Anniversary production of Tennessee Williams´ A Streetcar Named Desire. Dunaway and Voight in their roles as Blanche Dubois and Stanley Kowalski respectively, played at the Ahmanson Theatre of the Music Center, New York, A Streetcar Named Desire in April 1973. Individually signed by Dunaway and Voight in bold black ink across the image. Very small age wear, otherwise G to VG

PAUL DUBOIS1829 Nogent-sur-Seine - 1905 ParisWASSERBÜFFEL UND KALB Bronze, dunkel patiniert, auf naturalistischer Plinthe. H. 22, B. 45, T. 17 cm, Gew. ca. 7,93kg. Vorderseitig bez. 'P. Dubois'. Part Verlust der Patina, best. und ber.

The news of the death of Sir Clements Markham has been received with unanimous and unfeigned regret. His eminent services to Geographical Science, more especially to Polar Exploration, will live for all time. From the President of the French Geographical Society. The spectacular and historic group of sixteen Decorations and Medals awarded to Sir Clements R. Markham, K.C.B., F.R.S., who served as Geographer to the Abyssinian Expedition of 1867-68, and became known as the ‘Father of Polar Exploration’ The Most Honourable Order of the Bath, K.C.B. (Military) Knight Commander’s set of insignia, comprising neck badge, silver-gilt, hallmarked London 1895, and breast star, silver and silver-gilt; Abyssinia 1867 (C. R. Markham Esqre. Geographer to the Force) fitted with silver ribbon buckle; Arctic Medal 1818-55, unnamed as issued, fitted with silver ribbon buckle; Jubilee 1897, silver; Brazil, Kingdom, Order of the Rose, breast badge, gold and enamels, fitted with silver ribbon buckle, crown suspension neatly re-affixed; Portugal, Kingdom, Order of Christ, 2nd class set of insignia, comprising neck badge, silver-gilt and enamels, and breast star, silver, silver-gilt and enamels, one point of star neatly repaired; Norway, Order of St Olaf, 2nd class set of insignia, comprising neck badge, 2nd type, gold and enamels, and breast star, 1st type, by I. Tostrup, Kristiania, silver, silver-gilt and enamels; Sweden, Order of the North Star, 2nd class set of insignia, comprising neck badge, gold and enamels, and breast star, silver. Together with the following Society awards: 1. Royal Geographical Society, Founder’s Gold Medal, W.IV.R. obverse, 55mm, 128.68g (Clements R. Markham. 1888) lacking obverse glass lunette 2. Society of Arts Manufacturers and Commerce, silver medal, 56mm (To Clements R. Markham, for his paper “on the Tinnevelly Pearl Fisheries” 1867) 3. Society of Arts Manufacturers and Commerce, silver medal, 56mm (To Clements R. Markham, Esq., C.B., for his paper on “the Agricultural Statistics of India” 1875) 4. Society of Arts Manufacturers and Commerce, silver medal, 56mm (Clements R. Markham, C.B., F.R.S, for his paper on “the cultivation of Caoutchoue-yielding trees in British India” read 5th April 1876) 5. London Annual International Exhibition of all Arts Industries and Inventions, bronze medal 51mm (C. R. Markham C.B., F.R.S. for Services) 6. Grant Medical College, bronze medal, 51mm unnamed 7. France, Societé Imperial d’Acclimatation, Fondée le 10 Fev 1854, silver medal by Alphée Dubois, 50mm (M. Markham, Quinquina dans l’Inde 1864) 8. Congress of Peru, Lima 1892, Gold Medal, 45mm, 97.79g, specially struck reverse inscription (Á Clemente R Markham Por Sus Trabajos Historicos) [For His Historic Works], a few enamel chips but generally very fine or better (20) £40,000-£50,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Sir Clements Robert Markham geographer and historical writer, was born at Stillingfleet, Yorkshire, on 20 July 1830. After two years at Westminster School, he entered the navy in 1844 and spent four years in H.M.S. Collingwood on the Pacific Station, mainly in South American ports, where he picked up a working knowledge of Spanish. Many things in the service were distasteful to him, but he remained in it for a further three years in order to join H.M.S. Assistance as a Midshipman under Captain Austin on his Franklin Search Expedition of 1850-51 (Arctic Medal). After a year of wandering (1852-53) among the Inca ruins of Peru, which made him a life-long friend of the Peruvian people, Markham joined the civil service, and in 1854 was transferred to the board of control of the East India Company. In 1860 he was charged with the collection of young cinchona trees and seeds in the forests of the Eastern Andes, and with the acclimatisation of the plants in India. The difficulties were great, but the result was a complete success, leading in time to the supply of quinine at a very low price. From 1867 to 1877 he had charge of the geographical work of the India Office. In 1868 he accompanied Sir Robert (afterwards Baron) Napier as Geographer on the Abyssinian Campaign. He was present at the capture of Magdala, and it was he who discovered the body of the Emperor Theodore (Abyssinian Medal). In 1871 he received the C.B., and in 1873 was elected F.R.S. Markham took an active role in promoting the revival of Arctic Exploration, and sailed in 1875 as far as Greenland with the expedition of Sir George Nares, on which occasion his cousin Sir Albert Hastings Markham was second-in-command. In 1877, he left the India Office and retired from official life, only to redouble his geographical and historical studies, travelling widely and writing incessantly. He had joined the Royal Geographical Society in 1854, and maintained a role as one of its honorary secretaries for 25 years (1863-1888). He became president of the society in 1893, and during his 12 years’ tenure he vigourously directed its policy of encouraging exploration and geographical education. He was frequently consulted by the government, on issues such as the difficult question of the boundary between British Guiana and Venezuela. He received the K.C.B. in 1896. For the next few years, Markham threw heart and soul into the promotion of Antarctic exploration, securing funds by urgent appeals to public and private sources. On the joint committee of the Royal Society and the Royal Geographical Society, which was responsible for the National Antarctic Expedition of 1901, it was Markham who selected Commander Robert Falcon Scott as leader, pressing his strong preference that the expedition should consist of naval men under the sole command of a naval officer, with a small civilian scientific staff. The expedition was highly successful, but Markham took little interest in later South Polar achievements (he was not a supporter of Shackleton) until Captain Scott planned the expedition in the Terra Nova in 1910, when his former ardour was rekindled. Captain Scott drew much of his inspiration and encouragement from Markham, and in one of his final farewell letters wrote, ‘Tell Sir Clements I thought much of him and never regretted him putting me in command of the Discovery.’ For many years, Sir Clements Markham’s reputation was established throughout the world as the leading British geographer and his achievements were recognised by his many awards, not least the gold Founder’s Medal of the Royal Geographical Society. Sir Clements Markham died in London on 30 January 1916. Amongst the many memorials is a bronze bust, presented by the government of Peru, which today stands guard at the portals of the Royal Geographical Society’s main entrance to Lowther Lodge in Kensington. Sold with a first edition of The Life of Sir Clements R. Markham K.C.B. F.R.S., by Admiral Sir Albert Markham K.C.B., London 1917.

Hamilton (Elizabeth), Letters on the Elementary Principles of Education, two volume set, third edition, Bath: Printed by R. Cruttwell: for C. and J. Robinson, 1803, half-titles, contemporary mottled calf gilt, rubbed, worn and with slight chipped, upper-cover of volume I detached, volume I ffep and both volumes' blanks with contemporary female dedication and ownership inscriptions, 8vo; Dickens (Charles) & Stone (Oliver, illustrator), Our Mutual Friend, two volume set, first edition thus, London: Chapman and Hall, 1865, half-titles, frontispiece of volume I with discreetly re-enforced gutter, one plate of volume II with tatty margin, another repaired, some sporadic foxing as per, contemporaneous green quarter-roan gilt over foliate cloth, speckled edges, 8vo; [Clüver (Johann)], Iohannis Cluveri Historiarum Totius Epitome [...], Amstelædami [Amsterdam]: Joannem Ravesteynium [Joannes Ravesteynium], 1668, double-column, engraved title-page by Jacobus van Meurs, letterpress title with woodcut printer's device, decorative devices, contemporary vellum over boards, spine lettered in manuscript, loosely-inserted TLS on the bibliography of the book from an assistant librarian at the Bodleian, Oxford, dated 1960, 4to; [Prayerbook] The Liturgy of the Church of England Adorn'd with Fifty six New Historical Cuts, London: Sold by Richard Ware [...], n.d., engraved title-page for three titles issued and bound as one, The Book of Common Prayer [...], Together with the Psalter [...], London: John Baskett, 1727, A Companion to The Lord's Table, London: Richard Ware, 1726, & The Whole Book of Psalms, London: William Pearson, 1727, black-ruled letterpress titles, double-column, later 18th c black morocco binding gilt, worn, all edges gilt, marbled endpapers, contemporaneous erased ownership inscription on general title: Richard Parkes Jun:r, gilt green morocco book label of Mary Webster, 1795, the commissioner of the binding, and her manuscript inscription to blank, 8vo; Boccaccio & [Dubois (Edward, translator)], The Decameron, London: Printed by J.F. Dove, 1820, half-title, frontispiece, contemporary quarter-calf over cloth, 8vo; nine Victorian and leather prize bindings, mostly Uppingham, mixed subjects and sizes; etc., mixed bindings and sizes, (31)

Dentistry.- Chémant (Nicolas Dubois de) A Dissertation on Artificial Teeth. Evincing the Advantages of Teeth made of Mineral Paste..., fourth edition, engraved portrait frontispiece and one double-page plate, presentation inscription "From the Author" to front free endpaper, same endpaper with contemporary ownership name of John Turton M.D. to head, frontispiece offset, plate and few text ff. nearly loose, some browning, some spotting or light foxing, upper hinge strengthened affecting flourish to inscription, original marbled boards with printed paper label to upper cover, rebacked in calf, circular sticker of Ash's Circulating Library to lower cover, extremities worn, T. Bensley, 1804; and others 19th century, various subjects, including A Stevenson Medley, one of 300 copies (1899), 8vo & 12mo (6) *** Fourth edition in English of a work originally published in French in 1797 and first translated the same year. Dubois was a pioneer in the manufacture of artificial teeth. 

PENNELL (ELIZABETH), MY COOKERY BOOKS, limited edition, 45/320, mounted plates, ¼ cloth with marbled boards, Boston and New York, Houghton Mifflin, 1903; NAPIER (MRS ALEXANDER), A NOBLE BOOK OF COOKERY, patterned binding, London, Stock, 1882; URBAIN DUBOIS, COSMOPOLITAN COOKERY, POPULAR STUDIES, later ¾ leather, ‘Presented by the Publishers’ blind stamp to title page, London, Longmans, 1870 (3)

Lougarré (presumed French), and Diels (presumed French), and Dubois, Henri-Alfred-Auguste (French, 1859-1930); b. Rome, moved to France by 1863 FRANCE, Fondation du Confédération générale de l'artisanat français [Foundation of the General Confederation of French Crafts], 1922, a bronze award medal by Lougarré and H.-A.-A. Dubois for Diels, young female to left, holding a leaved branch and a vessel from which flames rise, hands holding artisanal tools around, rev. wreath, un-named, edge impressed bronze and cornucopia, 50mm, 58.28g (CGMP p.163 for rev.; cf. iNumis MBS 32, 1422). Very fine, an interesting medal with elements of both Art Nouveau and early Art Déco in the design; in maroon gilt-blocked case of issue by Le Medaillier, Paris [M. Bousquet, Seul Representant, avenue de Minimes 30, Toulouse] £30-£40 --- Provenance: Bt Simmons April 2003. The Confédération générale de l'artisanat français was created in 1922 on the initiative of two Parisian shoemakers. Close to the radical-socialist political movement, and in particular to Étienne Clémentel (1864-1936), the senator who encouraged the artisans to create this union, it represented the principal artisans' voice during the inter-War years. Marius Bousquet was a well-known figure in Toulouse society

Dubois, Émile-Fernand (Belgian, 1861-1939); b. Renaix BELGIUM, Exposition de Dinanderies, Dinant, 1903, a bronze plaque by É.-F. Dubois, two metalworkers, factory window behind, rev. tablet in foreground, rocks behind, one with a flag-pole, 60 x 45mm, 71.93g (cf. Fischer 143, 2166; cf. Elsen 106, 1666). About extremely fine, patinated £50-£70 --- Provenance: DNW Auction 45, 1 March 2000, lot 759. The Exposition de Dinanderies, curated by Joseph Destrée (1853-1932), was staged from 1 August to 30 September 1903

Dubois, Henri-Alfred-Auguste (French, 1859-1930); b. Rome, moved to France by 1863 FRANCE, Cérès, c. 1900, a plated bronze award medal by H.-A.-A. Dubois [signed dubois inc.], Ceres seated right, holding a sickle, greeting children who offer her farm produce, rev. farmer with plough being pulled by two bullocks, tablet below, named (Offert par M. Simonet, Sénateur), edge impressed bronze and cornucopia, 50mm, 65.36g (PBE 412; cf. Stack’s/Bowers May 2023, 72110). Very fine, toned £30-£40 --- Provenance: Baldwin Auction, 11 February 2006, lot 441 (part). Hippolyte Simonet (1858-1922), radical socialist, lover of arts and crafts, qualified as a lawyer in 1887, served as a magistrate from 1889 to 1903, then député for dép. Creuse 1903-12, elected sénateur 7 January 1912 and served until his death at Saint-Chabrais in August 1922

DUBOIS limitierter Tachymètre-Chronograph von 1990, Box und Papiere. Edelstahl, vergoldet. Mechanisches Handaufzugs-Werk Lemania Kaliber 1873 mit guten Gangwerten (+11 Sek., 259° Amplitude). Guillochiertes, silbernes Zifferblatt mit römischen Ziffern und 3 Totalisatoren. Lederband mit vergoldeter Dornschließe. Guter Zustand mit Tragespuren am Band und Gehäuse. Original Box, Anleitung, Erstkaufrechnung vom 24.04.1990 bei Schweizer Uhren-Editionen, Garantie-Zertifikat und Mikrofasertuch anbei. Durchmesser ca. 38 mm, gemessen ohne Krone.| DUBOIS limited Tachymètre-Chronograph from 1990, box and papers. Stainless steel, gold-plated. Mechanical hand-wound movement Lemania calibre 1873 with good rates (+11 sec., 259° amplitude). Guilloché silver dial with Roman numerals and 3 totalizers. Leather strap with gold-plated pin buckle. Good condition with signs of wear on the strap and case. Original box, instructions, first purchase invoice dated 24.04.1990 for Swiss watch editions, guarantee certificate and microfiber cloth attached. Diameter approx. 38 mm, measured without crown.

Ten American Sterling Silver spoons, some with ornate Art Nouveau finials and souvenir examples for San Francisco, Court House, Toledo (x2), etc. Makers include Gorham, Whiting "Pompadour" pattern, Baker, Manchester, Philo Dubois, etc. Combined weight approx 193g

'Allo 'Allo! (BBC Sitcom 1982-1992) - Michelle Dubois (Kirsten Cooke) - original prop costume beret, as worn by Cooke during production. Vintage '100% Wool - Beret Cap,' size 7 1/2. Black wool, with twin vents and original maker's label to the interior. Minor wear from production, but generally in very good used condition. Supplied with an original 6x4" cast card signed by Cooke in black ink, depicted wearing her trademark beret, and a further larger signed colour photograph. Provenance: accompanied with a certificate from The Prop Gallery.

6 Silbermedaillen. Ø maximal 6,8 cm. Gesamt 347 g. Merkur und Allegorie der Schifffahrt "Compagnie Generale Transatlantique". Rückseitig Kartusche mit gravierter Widmung von 1912. Beidseitig Pagnier bezeichnet. 1 Argent gepunzt. / Rechteckmedaille zur Weltausstellung: Weibliche Allegorie über Paris schwebend "Republic France", "Exposition Universelle, Paris 1900"; F. Vernon bezeichnet. Rückseitig stehender Athlet mit Lorbeer "Concours de Peche a la Ligne". Argent gepunzt. / Allegorie der Geographie mit Globus; Alphee Dubois bezeichnet. Rückseitig Lorbeer/Eichenkranz ohne Gravur; H Dubois bezeichnet. 2 Argent gepunzt. / Allegorie mit Eichenzweig "Mutualite des Peigneuers". Rückseitig Arbeiter in der Fabrik "Peignage 1896"; Beidseitig Hippolyte Lefèbvre bezeichnet. Argent gepunzt. / Paar vor dem Altar; Montagny F. bezeichnet. Rückseitig Kranz mit Namensgravur und Datum 1853. Argent gepunzt. / Knieendes Paar vor dem Priester am Altar "Connubium Christianum"; Gayrard F. bezeichnet. Rückseitig Kranz ohne Gravur. Argent gepunzt. Teils einige Alters-/Gebrauchsspuren. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:56 Uhr (CET)6 silver medals. Ø maximum 6.8 cm. Total weight 347 g. Mercury and allegory of shipping "Compagnie Generale Transatlantique". Cartouche on the reverse with engraved dedication from 1912. Inscribed Pagnier on both sides. 1 Argent hallmarked. / Rectangular medal for the Universal Exposition: Female allegory hovering over Paris "Republic France", "Exposition Universelle, Paris 1900"; F. Vernon inscribed. On the reverse standing athlete with laurel "Concours de Peche a la Ligne". Punched argent. / Allegory of geography with globe; Alphee Dubois inscribed. On the reverse laurel/oak wreath without engraving; H Dubois inscribed. 2 Argent hallmarked. / Allegory with oak branch "Mutualite des Peigneuers". On the reverse workers in the factory "Peignage 1896"; inscribed Hippolyte Lefèbvre on both sides. Argent punched. / Couple in front of the altar; Montagny F. inscribed. Wreath with engraved name and date 1853 on the reverse, hallmarked argent. / Kneeling couple before the priest at the altar "Connubium Christianum"; Gayrard F. inscribed. Wreath on the reverse without engraving. Argent hallmarked. Some signs of age/use. Call time 26 | Feb. 2025 | probably 17:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

7 Silbermedaillen. Ø maximal 7 cm. Gesamt 419 g. Frauen mit Musikinstrumenten. Rückseitig Gravur "L'Orchetre du Théatre Lyrique Municipal Paris" "1908". Argent 950 gepunzt. / Stillende Mutter am Spinnrad; ohne Gravur. Beidseitig J. P. Legastelois bezeichnet. Argent gepunzt. / Harfe spielende Frau "La Musique"; Ad. Rivet bezeichnet. Rückseitig Kartusche mit Instrumenten und Gravur "À Mon Exellent Confrère Amalou" mit Namenszug. Argent gepunzt. / Weibliche Allegorie "Republique Francaise"; H Dubois bezeichnet. Rückseitig Lorbeerkranz mit Umschrift "Ministère de L'Instruction Publique et des Beaux Arts" sowie Gravur mit Namenszug und Datum 1909. 1 Argent gepunzt. / Bildnis Jeanne d'Arc; beizeichnet mit Monogramm ER. Rückseitig Lorbeerzweig ohne Gravur. Argent gepunzt. / Harfe spielende Frau. Rückseitig Nike und Eichenzweig sowie Legende "Concours Mondolinistique Boulogne sur M. 1909". Beidseitig L.O. Mattei bezeichnet. 1 Argent gepunzt. Nachträglich montierte Öse. / Bildnis Jeanne d'Arc. Rückseitig ihre Wappenbilder und Wahlspruch. Undeutlich Argent gepunzt. . Teils minimale Alters-/Gebrauchsspuren. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:58 Uhr (CET)7 silver medals. Ø maximum 7 cm. Total weight 419 g. Women with musical instruments. Engraved on the reverse "L'Orchetre du Théatre Lyrique Municipal Paris" "1908". Hallmarked Argent 950. / Nursing mother at the spinning wheel; without engraving. Inscribed J. P. Legastelois on both sides. Hallmarked argent. / Woman playing the harp "La Musique"; Ad. Rivet inscribed. On the reverse cartouche with instruments and engraving "À Mon Exellent Confrère Amalou" with inscription. Hallmarked argent. / Female allegory "Republique Francaise"; H Dubois inscribed. On the reverse laurel wreath with inscription "Ministère de L'Instruction Publique et des Beaux Arts" and engraving with name and date 1909. 1 hallmarked argent. / Portrait of Jeanne d'Arc; inscribed with monogram ER. Laurel branch on the reverse without engraving. Hallmarked argent. / Woman playing the harp. On the reverse Nike and oak branch and legend "Concours Mondolinistique Boulogne sur M. 1909". On both sides L.O. Mattei inscribed on both sides. 1 argent hallmarked. Subsequently mounted eyelet / Portrait of Jeanne d'Arc. Her coat of arms and motto on the reverse. Indistinctly hallmarked argent. . Parts with minimal signs of age/use. Call time 26 | Feb. 2025 | probably 17:58 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

8 Silbermedaillen. Maximal 7 x 5 cm. Gesamt 490 g. Frauenakt bei der Ausgrabung "Archeologie"; S.E. Vernier bezeichnet. Rückseitig Artefakte ohne Gravur; bezeichnet mit Monogramm EV. Argent gepunzt. / Sitzende mit Blick zur Akropolis "Meminit Patria" "L'Association Générale des Mutiles de la Guerre" mit Namensgravur. Rückseitig Nike von Samothrake "Quovis cum Vulnere Victrix"; beidseitig E. Blin bezeichnet. Argent gepunzt. / Frauen beim Pflanzen eines Baumes. Rückseitig sitzendes Kind unter dem Baum; je Daniel-Dupuis bezeichnet, 1x mit Datum 1892. Argent gepunzt. / Spinnende Frau und Fabrikarbeiter; Alphée Dubois bezeichnet. Rückseitig Rosenzweig "Chambre de Commerce d'Avensis". 1 Argent gepunzt. / Rechteckmedaille: Bauernpaar bei der Getreideernte; F. Rasumny bezeichnet. Rückseitig Lorbeerzweig "Société..." mit Namensgravur in der Kartusche. Argent 950 und weitere Punzen. / Rundmedaille: Bauernpaar bei der Getreideernte; Pierre Lenoir bezeichnet. Rückseitig Getreidehocken und leere Kartusche. 2 Argent gepunzt. / Säender und pflügender BauerJ Lagrange bezeichnet. Rückseitig Erntekorb "Republique Francaise Ministere de l'Agriculture" und Kartusche ohne Gravur. 2 Argent gepunzt. / Gärtner am Tempel mit Spruchbändern. Rückseitig Wappen "Société d'Horticulture de Arrond de Senlis". Argent 950 gepunzt. . 1x starke Alters-/Gebrauchsspuren, sonst wenige oder minimale. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:58 Uhr (CET)8 silver medals. Maximum 7 x 5 cm. Total weight 490 g. Nude woman at the excavation "Archeologie"; inscribed S.E. Vernier. On the reverse artifacts without engraving; inscribed with monogram EV. Argent punched. / Sitting figure with view to the Acropolis "Meminit Patria" "L'Association Générale des Mutiles de la Guerre" with engraved name. On the reverse Nike of Samothrace "Quovis cum Vulnere Victrix"; inscribed E. Blin on both sides. Argent punched. / Women planting a tree. Sitting child under the tree on the reverse; each inscribed Daniel-Dupuis, 1x with date 1892. hallmarked Argent. / Spinning woman and factory worker; Alphée Dubois inscribed. Rosenzweig "Chambre de Commerce d'Avensis" on the reverse. 1 hallmarked argent. / Rectangular medal: Peasant couple harvesting grain; F. Rasumny inscribed. On the reverse laurel branch "Société..." with engraved name in cartouche. Argent 950 and other hallmarks. / Round medal: Peasant couple harvesting grain; inscribed Pierre Lenoir. Grain stakes and empty cartouche on the reverse. 2 Argent hallmarked. / Sowing and plowing farmerJ Lagrange inscribed. Harvest basket "Republique Francaise Ministere de l'Agriculture" and cartouche without engraving on the reverse. 2 Argent hallmarked. / Gardener at the temple with banners. Coat of arms "Société d'Horticulture de Arrond de Senlis" on the reverse. Hallmarked argent 950. . 1x strong signs of age/use, otherwise few or minimal. Call time 26 | Feb. 2025 | probably 17:58 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Three French faience cabinet plates, comprising a 19thC Leroy Dubois Malicorne cabinet plate, signed D and numbered 4-9, 29cm diameter, a 19thC Faience plate, unmarked possibly for Porquier or HB, with blue floral sprays, 27cm diameter, and a H B Quimper 1930's Seaweed pattern platter by Paul Fouillen, 30cm diameter. (3)

DuBois, Damenarmbanduhr, Schweiz, 1960er, Gehäuse und Gliederarmband in 18kt Gelbgold, goldenes Zifferblatt mit römischer XII und V, Handaufzug, Werk läuft an, 23 x 15 mm exkl. Krone, Gesamtgewicht 26.3 g, geringe Tragespuren

Frédéric Dubois, Miniatur-DamenportraitBrustbildnis einer jungen Frau im schwarzen schulterfreien Kleid, mit korallroter Perlenkette und Rose im schwarzen Haar, fein mit spitzem Pinsel festgehaltene Miniaturmalerei, um 1820, links signiert "F. Dubois", minimale Altersspuren, rückseitig fragmentarische alte frz. Büttenbuchseite als Abdeckung, hinter Glas im rechteckigen ebonisierten Rahmen mit ovalem, von ziseliertem Messingprofil gefasstem Bildausschnitt, Falzmaße ca. 12 x 8,5 cm. Künstlerinfo: frz. Maler, Pastellzeichner und Miniaturmaler sowie Graphiker und Karikaturist (ca. 1760 bis ca. 1822), wohl Schüler von Johann Heinrich Schröder, beschickte ab 1780 den Pariser "Salon de la Correspondance", ab Mitte der 1880er Jahre entstehen Miniaturen, mit denen er 1895-1804 den Louvre beschickte, bis 1804 als Hofmaler von Louis Joseph, Prince of Condé in Paris tätig erwähnt, anschließend bis 1818 in St. Petersburg, hier 1813 zum Mitglied und Professor der Kaiserlichen Akademie der Künste St. Petersburg ernannt, fertigte Portraits für den Hof des Zaren Alexander I. und den Adel, ab 1818 in London, beschickte hier 1819-20 diverse Ausstellungen - vor allem die Ausstellung der Royal Academy, vertreten im British Museum London, im Puschkin-Museum und der Tretjakow-Galerie Moskau sowie in der Eremitage in St. Petersburg, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit, Ernst Lemberger "Meisterminiaturen aus fünf Jahrhunderten" und englische Wikipedia.

Pointillist um 1900, Ansicht von Venedigab Mitte der 1880er Jahre begannen sich Künstler wie Georges Seurat oder Paul Signac von der naturnahen, spontanen Auffassung ihrer impressionistischen Vorbilder zu emanzipieren, es ging ihnen darum, Bilder zu schaffen, die sich vom individuellen Ausdruck des Impressionismus abhoben - und etwas Objektives ausdrückten, Seurat befasste sich mit Farbtheorie, mit der Leuchtkraft von Pigmenten, und gelangte darüber zu der Erkenntnis, dass Farben, die sich sonst in ihrer Intensität kaum unterscheiden, im Auge des Betrachters dann eine kontrastive Wirkung entwickeln, wenn sie direkt nebeneinander gesetzt werden, es war diese Erkenntnis die Geburtsstunde des von ihm so genannten "Divisionismus", der von der zeitgenössischen Kritik aber oft verächtlich bzw. karikierend "Pointillismus" genannt wurde, und doch stieß dieser Stil, in der Kunstgeschichte heute oft auch Neoimpressionismus genannt, das Tor zur Moderne früher und entschlossener auf als jede andere Kunstrichtung, bedeutete seine Programmatik doch die endgültige Abstraktion der künstlerischen Darstellung von der Anschauung in der Natur, daher folgten Seurat und Signac auch zügig andere, darunter Charles Angrand, Henri-Edmond Cross, Albert Dubois-Pillet, Maximilien Luce, Hippolyte Petitjean, Alfred William Finch, Théo van Rysselberghe, oder auch Paul Baum und Curt Herrmann, mit einem frühen Verfechter des Pointillismus um die Zeit der Jahrhundertwende und somit einem bemerkenswerten Zeugnis der Kunstgeschichte der Moderne haben wir es auch in dem vorliegenden Werk zu tun, der leider unbekannte Pointillist versetzt uns nach Venedig, das etwa auch Cross oder Signac immer wieder Motive lieferte, Provenienz: westdeutscher Privatbesitz, ehemals aus dem Besitz des Malers Fritz Weber-Kiffe, auf der Grundlage einer naturwissenschaftlichen Untersuchung kamen Dr. und Prof. Dr. Elisabeth und Erhard Jägers in ihrem Gutachten vom 11.8.2004 zu folgendem Schluss: "Alle nachgewiesenen Malmaterialien waren um 1900 bekannt und als Künstlermaterialien weit verbreitet. Das Bindemittel ist nach seinen spektroskopischen Daten durchpolymerisiert und gleichmäßig gealtert. Somit sprechen die Ergebnisse der Malmaterialbestimmung nicht [...] gegen eine Entstehung in den Jahren um 1900.", laut schriftlicher Erklärung Fritz Weber-Kiffes vom August 2000 wurde das Bild von dessen Eltern im Jahre 1927 auf deren Hochzeitreise bei einem Kunsthändler in Marseille erworben als Werk des Pointilisten Henri Edmond Cross, Öl auf Leinwand, um 1900, rückseitig auf dem Keilrahmen mit Klebeetikett "290 37", Druckstelle in der Leinwand in der linken unteren Bildhälfte, etwas Craquelure und vereinzelt Retuschen, Bespannung auf dem Keilrahmen wohl nachträglich, ungerahmt, Falzmaße ca. 50,5 x 67 cm.

A set of two prints after the 'Description de l’Égypte', 19th century, by Henri-Joseph Redouté and Jean Marie Dubois-Ayme, larger 80 x 60 (2)Condition Report65 x 75cm

1 bt Gosset Grand Blanc de Blanc Brut NV oc 1 bt Gosset Grand Rosé Brut NV oc 1 bt Moët et Chandon Prèmiere Cuvée NV bs, pt dis, torn label 1 bt Moët et Chandon Brut Impérial NV bs, sl torn label 1 bt Nicolas Feuillatte Brut NV vsl bs, vsl torn/cdl 1 bt Ayala House of Commons Brut NV bs 1 bt Lanson Black Label NV bs, foil damage 1 bt Paul Goerg Brut Tradition NV bs 1 bt Dubois-Caron Brut NV vsl torn label 1 bt Charpentier Tradition Brut NV vsl scuffed label Above 10 bottles

Dubois,U.: Cuisine de tous les pays etudes cosmopolites avec 220 dessins composes pour la demonstration. Paris, Dentu 1868. Gr.8°. Mit gest. Front., 2 gest. Taf. u. 392 Textholzst. VI, XXXIX, 457 S., 1 Bl. Pbd. d. Zt. mit aufgez. Titel des OU. (Etw. berieb. u. best.). Vicaire 290. Bitting 131. Erste Ausgabe. - Gering gebräunt, St. verso Front. - ╔Dabei: Ders.╗ Ecole des cuisinieres... 6. ed. Ebda. 1888. - ╔Ders.╗ La cuisine d'aujourd'hui... 2. ed. Ebda. (um 1880). - ╔Suzanne,A.╗ La cuisine et patisserie anglaise et americaine. 2. ed. Paris 1904. - ╔Bernardi╗ Le cuisinier imperial par Viart, Fouret et Delan. 26. ed. Paris, Barba 1859. - ╔Claudine╗ Nouvelle cuisine pratique. Paris, Sceaux o.J. - Zus. 6 Bde.

FIVE PIECES OF E RADFORD FROG THEMED POTTERY, comprising two large bowls with integral vase and holes for flowers, shaped as pond with tree stump and frog (pale green piece has a hairline on the tree stump), one of which has a waterlily shaped floral frog, a jardiniere mounted with a frog and toadstools, signed Paul Dubois, and a small ashtray with frog figure attached (hairline on base, a little staining) (5) (Condition Report: generally ok, obvious specific damage as stated, one or two minor firing faults, would benefit from a clean)

Theatre Interest: photograph album, c.1880s 150 mainly Woodburytype photographs of actors and actresses, late 1800s Mostly annotated, many in an early hand, including Miss Ellen Terry (twice), Miss Lily Langtry, Miss Amy Roselle, Mdlle. Camille Dubois, Madame Adelina Patti, Mrs Bancroft, Miss Kate Bishop, Miss Kate Stanley, Miss Fanny Josephs and others, alongside Captain Webb (the first person to swim the Channel),  mostly 11.5 x 8.5cm and 9 x 5.5cm, with a quantity of newspaper clippings and other photographs, all laid into a red half morocco album

Jacques Dubois ( 1694-1763)- manner, Bureau de Dame ,, curved and bombed body and legs, fall front with chinese red and gilded fine laquer scenes of landscape objects and flowers . Original gilded bronze mount , painted and decorated on all sides , inside three drawers and two hidden chambers , damages. 90 x 70 x 45 cm

CLAUDE DUBOIS BRUT NV CHAMPAGNEtwelve 75cl bottles, boxed (12)

Snell (James). A Practical Guide to Operations on the Teeth. To Which is Prefixed a Historical Sketch of the Rise and Progress of Dental Surgery, 1st American edition, Philadelphia: Carey & Lea, 1832, 5 engraved plates, contemporary, large ink ownership name of James B. Eames at head of title, some spotting, uncut, old cloth-backed boards, some soiling and wear to backstrip, 8vo, together with:Ruspini (Bartholomew), A Treatise on the Teeth…, 3 parts in one, 8th edition, London: Printed for the Author, 1797, [4], 75, [1], [2], 43, [1], 60 pp., first leaf blank, separate title to second part, original printed pink wrappers, rubbed, some loss to spine, lower wrapper slightly creased, 12mo, preserved in a gilt-titled cloth wallet with button fastenerQTY: (2)NOTE:Lots 263-331 comprise the residual book stock of Hamish Riley-Smith (1941-2020).Snell's book was first published in London in 1831. The illustrations include an operating chair and various dental instruments. In the historical sketch Snell refers to the works of Martin, Berdmore, Fauchard, Geraudy, Larini, Mouton, Lecluse, Bunun, Dubois de Chemant, Hunter, Blake and Fox. The chapters include The Operating Chair, Extraction of the Teeth, Excision of the Teeth, The Dental Mirror, Stopping, Scaling the Teeth and Ligatures for Fastening Loose Teeth.

Plate features an elegant 18th-century parlor scene depicting a musician serenading two finely dressed ladies seated on a green upholstered couch. The richly detailed artwork is framed by a gilded, ornate scalloped border. Signed by artist. LDBC Limoges France backstamp. Artist: DuboisIssued: 20th centuryDimensions: 2"H x 13.5" dia. Manufacturer: Lazard de Baye & CieCountry of Origin: FranceCondition: Age related wear.

Hand painted lovely charger with gilt scrolled rim and center scene colored in brown, purple and green. Signed by artist. LDBC Flambeau Limoges France backstamp. Artist: DuboisIssued: 20th centuryDimensions: 2"H x 13" dia. Manufacturer: LDBC FlambeauCountry of Origin: FranceCondition: Age related wear.

Oak bowl with rose to the centre, together with a piece of wood marked 'Oak and Bell metal of York Minster burnt May 20 1840' and black bakelite calendar holder after G. Dubois for La Gerbe d’Or

Bronze Medaille 1887 rund glattrandige Medaille *Reitwettbewerb* Reliefdarstellung von Pferden in der Natur, Medailleur Charles Jean Marie Degeorge (*31.3.1837 Lyon †2.11.1888 Paris) war ein französischer Bildhauer und Medailleur, umseitiges französisches von Eichenlaub und Lorbeer flankiertes Auf- und Umschrift-Medaillon, Medailleur Henri Alfred Auguste Dubois (*1859 Rom †1930 ebenda) war ein französischer Medailleur, Schüler seines Vaters Alphée Dubois, Chapu und Falguièr, Quelle Internet, Ø ca. 41 mm, ca. 36 Gramm, in kleinem Münzetui

Dutch School (20th Century): Skating Through a Town, oil on canvas signed 'Dubois', in swept gilt frame 49cm x 75cm

 J and A DUBOIS a description of the manners and customs of the PEOPLE OF INDIA 1879 no foxing                                                                                                                                              

J B Dubois : Still life with flowers in a Delft vase, oil on canvas, 51 cm x 64 cm.

A D. J. DUBOIS, PARIS EIGHT DAY MANTEL CLOCK, marble and gilt bronze, white enamelled dial, 44cm high.

'Allo 'Allo! (BBC Sitcom 1982-1992) - Michelle Dubois (Kirsten Cooke) - original prop costume beret, as worn by Cooke during production. Vintage '100% Wool - Beret Cap,' size 7 1/2. Black wool, with twin vents and original maker's label to the interior. Minor wear from production, but generally in very good used condition. Supplied with an original 6x4" cast card signed by Cooke in black ink, depicted wearing her trademark beret, and a further larger signed colour photograph.Provenance: accompanied with a certificate from The Prop Gallery.

Theorein "REPETITION AUTOMATIQUE" full set. Cassa da 42 mm laminata oro giallo con pulsante a ore 6. Fondello con vetro zaffiro e meccanica a vista. Cal. ETA 2892 con l'aggiunta del modulo ripetitore di 5 minuti prodotto da Dubois Depraz. Quadrante in porcellana bianca con numeri arabi. Ottime condizioni generali, funzionante.

Ingeborg Dubois (Danish, 1897-1970), Interior scene, oil on canvas, signed, 38x49cm, framed

3 Bottles non-Vintage Champagne to include: F Dubois Pure Selection NV Champagne, Charles Lafitte Brut Grande Cuvee, Fortnum & Mason Blanc De Blancs Grand Cru NV Champagne

DUBOIS 1785 "Luna" Limited Edition. Ungetragene Mondphasen Herrenuhr. Edelstahl / vergoldet. Limited Edition Nr. 281/499. Automatik-Werk Kal. ETA 7750 Valjoux mit sehr guten Gangwerten (-4s/d. 300°). Graues Zifferblatt mit Pfeilindizes, 3 Totalisatoren, Mondphase, kleiner Sekunde und Datumsanzeige. Original Lederband mit vergoldeter Dornschließe. Die Uhr ist ungetragen, mit leichten Lagerspuren. Durchmesser ca. 39 mm ohne Krone.| DUBOIS 1785 "Luna" Limited Edition. Unworn moon phase men's watch. Stainless steel / gold-plated. Limited Edition No. 281/499. automatic movement cal. ETA 7750 Valjoux with very good performance (-4s/d. 300°). Grey dial with arrow indices, 3 sub dials, moon phase, small seconds and date display. Original leather wristband with gold-plated pin buckle. The watch is unworn, with slight signs of storage. Diameter approx. 39 mm without crown.

FOUR BOTTLES TO INCLUDE CLEMENTINE & CRANBERRY BUCKS FIZZ, VALDO PROSECCO, ETIENNE DUMONT CHAMPAGNE AND FRANCOIS DUBOIS CHAMPAGNE

A BOTTLE OF FRANCOIS DUBOIS CHAMPAGNE AND A PULIGNY MONTRACHETCHANSON 1984

LAPLACE PIERRE SIMON: (1749-1827) Marquis de Laplace. French Scholar and Scientist whose works developed mathematics, physics and astronomy. Laplace formulated the equation named after him and was one of the first scientists to postulate the existence of black holes. His five volume work Celestial Mechanics has been a guide for many leading scientists. He is widely considered one of the greatest scientists of all time, and often referred to as the “French Newton”. A good D.S., `C[om]te Laplace´, one page, oblong 4to, Paris, 24th December 1808, in French. The partially printed document, completed in Laplace´s hand, is a receipt confirming the payment Laplace gets obliged to pay a year after according to the decree aproved by the Emperor related to the nobility title granted to him, as Count, by the Emperor. The partially printed document states, with Laplace´s annotations in cursive, `Décret du 17 Mars 1808 - Le vingt-quatre Décembre mil huit cent neuf, je payerai à la grande Trésorerie de la Légion d´honneur la somme de Deux cent vingt francs... que je suis tenu de verser en exécution du statut Impérial du 1er Mars 1808, pour l´emploi qu´il prescrit, à cause du Majorat relatif au Titre de Comte que Sa Majesté Impériale et Royale a bien voulu me conférer. Pour le payement de la présente, j´élis domicile à Paris, à La Chancellerie du Sénat. Fait à Paris, le vingt quatre Décembre mil huit cent huit . Cte Laplace´ (Translation: "Decree of March 17, 1808 - On December twenty-four of the year one thousand eight hundred and nine, I will pay to the great Treasury of the Legion of Honor the sum of Two hundred and twenty francs... which I am required to pay in execution of the Imperial statute of March 1st 1808, for the employment it prescribes, because of the Majorat relating to the Title of Count that His Imperial and Royal Majesty was kind enough to confer on me. For the payment of this, I take up residence in Paris, at the Chancellery of the Senate. Done in Paris, December twenty-fourth, one thousand eight hundred and eight. Cte Laplace´. The document bears a revolutionary blind embossed seal to the front and a tax ink stamp to the verso, bearing also to the verso a three lines handwritten annotation signed by the responsible of the Legion d´honneur Treasury Dubois. Very small minor age wear, otherwise G to VG

KELLERMANN FRANÇOIS CHRISTOPHE: (1735-1820) Marshal of France, Duc de Valmy. A.L.S., `Le Gral Kellermann´, one page, 4to, Paris, 15th February 1795, to citizen Alexander, Commissair General of the Sambre & Meuze army, in French. An interesting letter by Kellerman, referring to General Alexandre Dumas, father of the author of The Count of Montecristo, stating in part `...J´ai prévenu vos désirs et les miens en vous demandant en qualité de commissaire général pour les armées des Alpes et d´Italie. Dubois Crancé ne m´a pas paru très disposé à me l´accorder. Cependant je persiste et je vais me joindre Dumas pour renouveler ma demande. J´espère qu´elle sera d´autant plus efficace que ce représentant vient aux armées avec moi et que nous allons partir dans trois jours. Vous aurez de nos nouvelles avant de quitter Paris...´ (Translation: "...I have anticipated your desires and mine by asking you as Commissioner General for the armies of the Alps and Italy. Dubois Crancé did not seem very willing to grant it to me. However, I persist and I will join Dumas to renew my request. I hope that it will be all the more effective as this representative is coming to the armies with me and we will be leaving in three days. You will hear from us before leaving Paris...") With blank address leaf, bearing a red wax seal in good condition with the initials of Kellerman. VGEdmond-Louis Dubois de Crancé (1747-1814) French GeneralThomas-Alexandre Dumas Davy de la Pailleterie (1762-1806) was a Creole General, from the French colony of Saint-Domingue, in the Revolutionary France. Father of Alexandre Dumas (1802-1870) the writer and author of The Count of Montecristo. Dumas commanded 53,000 troops as the General-in-Chief of the French Army of the Alps. Dumas's victory in opening the high Alpine passes in 1794, short before the present letter was written, enabled the French to initiate their Second Italian Campaign against the Austrian Empire.

Limitierte Herrenarmbanduhr von DuBois-"Perpetuelle Sport"-Chronograph von 1999Stahl. Rundes Uhrengehäuse, weißes Zifferblatt, Indexe und römische Zahlen, Lanzenzeiger mit Tritiumauflage, Kleine Sekunde, Stunde, Mondphase, verglaster Boden. Schwarzes, geprägtes Lederarmband mit Dornenschließe. Automatikwerk mit Kaliber 410. Auflage 008/549. Herstellerzeichen. Gentlemen's wristwatch by DuBois, automatic movement with chronograph, in steel. Maker's mark.

Herrenarmbanduhr von Philippe DuBois & Fils-"Double Temps"Stahl, teilw. Gelbgold doubliert. Rundes Uhrengehäuse, fein guillochiertes Zifferblatt, schwarzer arabischer Zifferring, römische Zahlen, gebläute Zeiger, Datumsanzeige, Weckfunktion, Mondphase. Schwarzes Lederarmband mit Dornenschließe. Automatikwerk. Auflage 296/1799. Herstellerzeichen.Gentlemen's wristwatch by DuBois & Fils, automatic movement with alarm, moonphase, in steel and gilded. Maker's mark.

Limitierte Herrenarmbanduhr von Roger Dubuis-"Hommage 40-Perpetual Calendar" von 2000Roségold, gest. 750. Rundes Uhrengehäuse, schwarzes Zifferblatt mit Tachymeterskala, arabischen Zahlen und Indexen, Lanzenzeiger, Zentraler Sekunde, Datumsanzeige, Wochentag und Monat, Mondphase, verglaster Boden mit Saphir-Gravur "RD". Automatikwerk, Kaliber 5739 mit Signatur-"RD"-Rotor. Schwarzes, geprägtes Lederarmband mit Dubuis-Gold-Dornenschließe. Nr. 454. Ref.-Nr. H4057395. Herstellerzeichen. Gew. ca. 83,77 g. Garantie-Pass und Original Garantie- und Chronometer Zertifikat.Gentlemen's wristwatch by Roger Dubois. Automatic movement with perpetual calendar, in 18 k red gold. Maker's mark. Certificate included.

[?Hughson (David)] The Family receipt-book; or, Universal repository of useful knowledge and experience in all the various branches of domestic oeconomy, ?first edition, double column, 20pp. index bound at end, 6K1&2 trimmed (?from another copy), e1 of index upper corner torn, with loss of the odd letter recto, occasional mostly marginal biro markings, a few marginal tears with loss (not affecting text), occasional spotting or staining, contemporary tree calf, rebacked in modern lighter calf gilt in compartments and with black leather label, joints starting, but holding firm, corners repaired, some chipping to upper cover, rubbed and marked, [Bitting p.550; Cagle 674; cf. Cagle 766 & Oxford p.144-145], Printed for the Editors, and published by Oddy and Co. 27, Oxford Street, [c.1810] § Kitchiner (William) The Art of invigorating and prolonging life, by food, clothes, air, exercise, wine, sleep, etc., sixth edition, occasional spotting lightly browned, contemporary half calf, spine gilt and with black morocco label, corners worn, rubbed, [Simon BG 912], printed for Geo. B. Whittaker, 1828; and c.40 others, 19th century Cookery (some defective), including Acton, Francatelli, Rundell, Urbain-Dubois, and De Salis, v.s. (c.42) sold not subject to return.  *** The first mentioned includes an entry on Ortolans (pp.96-97), the French bird delicacy eaten with a towel over ones head so as to supposedly shield your God's eyes from such a decadent act. 

Paul DUBOIS (1829-1905), bronze Le courage militaire signed and marked foundry Barbedienne ParisPaul DUBOIS (1829-1905), brons Le courage militairen getekend en gemerkt gieterij Barbedienne ParisH 51 cm

A large collection of various boxed collectors cars - To include Dubois Cr‚ations limited edition 1/5 1954 Rolls-Royce Silver Wraith "Singapore State Landaulet by Hooper", together with Vroom model Rolls-Royce Phantom II Jonkheere 1934, gold; cased Aston Martin, and a large selection of various boxed collectors cars, mostly Rolls-Royce & Bentley. (large quantity)