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A J T Thrift Limited pine cased artist's box, with integral easel.

A Rococo style mahogany picture easel, with foliate carving, raised on cabriole legs, 171cm high.

A mixed lot comprising modern mirrors, watercolours, artist's easel, prints etc.

A VICTORIAN BRASS LINKED-RING MIRROR with easel back. 22.5cm high, 16cm wideThe bevelled mirror-plate is in good condition. Some solder is evident on the reverse of one bottom corner.

OLD SCHOOL CHAIR, LARGE WOODEN EASEL AND CASE

Two gilt framed wall mirrors, one with shelf, and a small easel backed Venetian style dressing table mirror (3).

A VICTORIAN PIETRA DURA AND GILT METAL PHOTOGRAPH FRAMEC.1870with a pair of oval frames, the hinged covers inset with floral panels on a reticulated, scrolling foliate frame with an easel back inscribed 'Sampson, York'15cm high, 18.5cm wide

A DUTCH FRUITWOOD AND MARQUETRY COIFFEUSE 19TH CENTURYinlaid with musical instruments and vases of flowers, with a pair of fold-out covers flanking a central cover enclosing an easel mirror, above three short drawers, on tapering fluted legs, together with a painted and parcel gilt stool (2)75cm high, 77cm wide, 45cm deep

Silver mounted photograph frame, Charles Green & Co, Birmingham 1923, oak easel back, 32x21.5cm.Condition report:There are numerous kinks and dents in the frame outline. To the left hand side there is a 1cm line that appears to be a split but it doesn't feel like the metal is split at all. The top border has some very dark marks which may prove difficult to polish out. Hallmarks are readable but the definition is rubbed. Some of the pins are missing securing it to the backing. The backing itself is a little loose and one of the slides holding the backboard in place is missing, so it is all a little loose. The easel still works. The glass is chipped around the edging but the chips are obscured by the silver frame.

A MODERN BEECH ARTIST'S FOLDING EASEL with compartment containing pallette

A RENAISSANCE REVIVAL BRASS CLOCK ON EASEL STAND

John B Smith, Adjustable easel. Label to verso reads "John B Smith, 117, Hampstead, London N.K"Condition ReportCasters appear original and work. Crank is missing so unable to give full height, mechanism in working order. Split and old repair to right section of canvas holder.  Surface scratches, scuffs, accretions and old paint. No signs of woodworm.H. 166cm x W. 70cm x D. 74cm

A large Victorian manner repousse copper easel back photograph frame having rocaille and scrollmotifs with empty cartouche to top. Measures 28cm tall.

An Art Deco early 20th century brass cased and gilt guilloche enamel 8-day travel / easel clock. The clock having an embossed frame with arabic numerals to the chapter ring. It measures approx. 7 x 7cm. 

A Late Victorian Silver framed dressing table mirror, with pressed scrolling pierced frame around the bevelled mirror plate, marks for London 1901 and makers mark of the Goldsmiths and Silversmiths Company Ltd, later mounted with a string for hanging, 33.5cm x 51.5cmThe velvet backing worn, the easel stand in need of restoration, the marks clear, signs of old polish overall.

Modern travelling folding artists easel by Milomex

Travelling wooden artists combination easel and box

An Elizabeth II large easel backed dressing table mirror with elaborate scroll decorated frame and bevelled plate, London 1991, 42 x 27cm.

HENRY MATTHEWS; a George V hallmarked silver rectangular photograph frame with velvet easel back, Birmingham 1917, 23.75 x 18cm.

A collection of small wood and metalware to include brass easel, spirit flasks Guinness stand and other unusual and interesting items

A rustic folding artist's easel.

A simple small pine easel, an artist's pallet and brush fixed to the easel, and a bucket.70cm h x 46cm W

A large artist easel

A Sorrento ware inlaid easel table mirror

A QUANTITY OF WOODEN VASE STANDS, comprising an Arts & Crafts style tobacco jar with carved detail, height 18cm, a circular carved wooden cannister with a carved design to the lid of Mt. Fuji, fourteen assorted Oriental style vase stands, three ebonised (one rectangle stand is missing a foot), together with a large triangular vase stand with three carved seated elephants supporting a circular base (20) (Condition report: some stands are faded and worn, a wooden desk easel has lost a knob)

A late Victorian repousse silver mounted rectangular easel mirror, William Comyns, London, 1900, 39.8cm.

A beech artists studio easel

A VENETIAN EASEL BACK DRESSING TABLE MIRROR With foliate decoration 82cm x 45cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

TWO ENGLISH SILVER PHOTOGRAPH FRAMES BY CARRS Sheffield 2005 and 2006, Both plain rectangular with easel back Larger is 26 x 20.5cm smaller 22.5 x 17.5cm  Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A Stained Pine Artist's Easel, with turned finial and x-pattern base, 70ins high

19th century school - Full-length portrait of a maiden wearing a silk dress (head appears overpainted), watercolour, 52 x 35cm, the whole in gilt composition frame and further rosewood glazed outer frame measuring 63 x 47cm; together with a portrait print of a young girl in paste-set easel frame (2)

Artists equipment, to include travelling easel, one other easel, various paints etc

Early 20th century artist easel, with folding action; together with a twin handled tray (2)

A Victorian mahogany round cornered Pembroke table, with single end drawer, together with a travelling artist's easel (2)

A contemporary grey painted round cornered two-tier side table, w.128cm; together with a stained pine artists easel (2)

An early 20th century base metal easel photo frame relief decorated in the Chinese style with figures crossing a bridge before pagodas within mountain landscape, 25x18cm, together with six various eastern black lacquered table cabinets (7)

An Art Nouveau style silver clad double easel photograph frame, stamped Stirling, width 11cm

A reproduction oil on board depicting a dog within a landscape and moulded frame, 14 x 15cm; together with a brass easel mirror, having a scrolling frame with Bacchus mask (2)

A collection of various artist's equipment to include travel box and easel

A Silver faced Easel Clock with raised swag decoration, Sheffield 1994, maker R. Carr, 3 1/2'' tall, working order.

An imported hardwood Rococo form artist's easel, 200cm high, maximum width 70cm

A Queen Elizabeth II silver photograph frame, repousse decorated with mask, songbirds and acanthus scrolls, around vacant cartouche, on easel support, 17.5 x 15cm (external) London 1990, together with another, plain, with ribbon tied crest, 13 x 8cm 

Large quantity of art supplies and equipment to include Crimson & Blake easel, tabletop easel, two large Winsor & Newton canvases and further smaller canvanses, sketchpads, paints etc

Two freestanding blackboards with easel type stands, tallest example H126cm

A modern Birmingham silver circular photograph frame on plush easel stand, (d 6.5cm, internal 4cm) and a modern London silver rectangular photograph frame with hardwood back and easel stand, (18.5cm x 3.5cm, internal 14.5cm x 10cm) (2)

An as new softwood easel 

C20th brass jardinière stand with pierced gallery and lion mask handles, on three paw feet, late C20th brass easel, C20th brass jam pan with steel strap handle, late C20th brass 2 tier pan stand with pierced tiers, collection of other brassware and metalware including pierced trivet, sharpening steel, etc

Edwardian sepia print of "The Bath of Psyche", a printed triptych of nude ladies together with an artist's plein air easel

A vintage 20th century hand painted cut out fire board in the form of a pheasant with an easel back. The back finished in black. Measures approx. 55cm x 75cm. 

Table top easel, Hereford map print, case and Royal Doulton wooden tray etc.

A foldaway standing wooden easel, closed length 83cmApprox 1 pieces

A late 19th century gilt and black framed easel mirror with carved laurel leaf borders and painted bird and flower decoration, 42 x 57cm

A brass easel frame with cherub decoration and framed print of German emperor, 35cm tall

A silver mounted shield form easel mirror - a/f, 45 x 33cm

A collection of faux tortoiseshell items including two easel picture frames, largest 29cm high, various brushes etc.

An Art Nouveau bronze plaque group of a mother and children on a rosewood easel back mount

Clare WHITE (1903-1997) Church of holy apostles, agora, Athens c 1960s Watercolour, 38 x 51cm.The historic 10th century Church of Holy Apostles on the Ancient Agora of Athens is the main attraction in this absorbing painting by St Ives watercolourist Clare White. Clare White always painted from life, en plain air, and viewed the world from her own perspective – and from where ever she was sitting at her easel. The intricate detail of a beautiful, ruined column dominates the foreground in front of Clare here, and, figures, which she always found appealing in a scene, dot the landscape to animate the scene.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.

Clare WHITE (1903-1997) A row of gondolas, Venice Watercolour, 38 x 51cm.St Ives artist Clare White loved to travel and to paint. Across Europe and beyond, she would set up her easel in a hidden spot, take out her watercolours and paint in some of Europe’s most beautiful places,. This quiet painting focuses on a row of gondolas on the canals of Venice, waiting for customers to arrive.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.

Clare WHITE (1903-1997) Boys, Saint-Malo, Brittany Watercolour, initialled, 38 x 50cm.Painted in the 1950s / 60s, this characterful watercolour by St Ives artist Clare White shows a group of young men exiting a gate through the walls of the medieval town of Boys, Saint-Malo in Brittany. She captures the quiet, solid age of the walls and the swagger of the young men who look back at the artist as she works at her easel in the shade. Clare always painted from life and loved to include ordinary people, going about their day, in her engaging street scenes. She spoke fluent French, as well as Italian and German, and visited France regularly, to visit friends and paint.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.

Clare WHITE (1903-1997) Pliva waterfalls, Jajce, Bosnia Watercolour, 50 x 37.5cm. To verso there is a pencil sketch of The Minack Theatre, Cornwall. St Ives artist Clare White always painted from life ‘en plain air’ and must have been thrilled to set down her stool and get out her sketchbook, easel and watercolurs to capture this scene in Bosnia Herzegovina. The power of the Pliva waterfalls, with the fragile figures of people admiring them from the rocks below, and the solid and lovely town of Jajce above inspired Clare to create one of very few upright (portrait) paintings. Top to bottom, she captures the scudding clouds, silent towers and the calm of the blue water before it cascades over the falls.From the collection of art historian and curator Andrew Pollard, the proprietor of the Clare White Gallery, who studied and exhibited Clare’s work 2002-2013. Andrew knew White and has been a passionate advocate for restoring the artist to her rightful place in Cornish art history. The works were purchased directly from the artist’s god daughter.