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Lot 529
Richard "Dick" T. Brewer (American, b. 1947). Plexiglass with enamel spray paint mixed media painting titled "Still Life with Produce" depicting a red vase with leaves, fruits and vegetables, and a gold chain-like curtain.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 29 1/2 in x width: 19 1/4 in. Framed; height: 30 1/4 in x width: 20 in.Condition: There are no visible rips, breaks, losses, or restorations when inspected under UV light. The colors are bold and bright and the surface is stable. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Lot 865
TRENCH WATCH NINE CARAT GOLD MANUAL WIND the round enamel dial with Roman hour markers, 32mm case, on a brown leather strap, in boxMOVEMENT: Ticking at present. WEAR: Generally worn. DIAL: Lightly marked. CRYSTAL/ACRYLIC: Lightly scuffed, scratched. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Generally worn.
Lot 663
Guild of HandicraftArts and Crafts silver and enamel box, 1902possibly designed by Arthur Cameron or William Marksdepicting two gurnardshallmarks for London6cm high, 10.5cm wide. Provenance:The collection of Paul Whitfield (1942–2018)Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.Damage to the surface of the enamel to right edge, lower middle edge, left edge. Main area of enamel with the fish is OK. Surface of the silver is rubbed in places, and with light surface marks.
Lot 745
Mid-Century Schoolblack enamel floor lamp, probably Frenchwith tripod foot and red shade137cm high (excluding shade).Not heavy but certainly stable and therefore weight is good/weight appropriate.Base/stand – Has a few light surface ware marks.Shade – Four internal round tears, probably moth holes. Exterior of shade good.
Lot 347
A RARE 'FOREIGNER TRIBUTE-BEARERS' BRONZE INCENSE BURNERXuande cast six-character mark, 17th centuryCast with plain slightly tapering sides rising from four bracket feet, the handles formed as a pair of turbaned Western Asiatic figures carrying the rectangular vessel, with bulging eyes and bushy beards and brows, the ears with large earrings, their squat bodies clad with billowing scarves and tunics. 20.3 cm (8in) wide.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十七世紀 銅雙胡人托長方形爐 「大明宣德年製」楷書款Figures of foreigners depicted with large round eyes and bushy eyebrows have been a popular subject in Chinese art dating from at least the Tang period, when the increased presence of foreigners in China prompted a new fascination and a gradual stylisation of the image of the foreigner in Chinese art. Painters of Buddhist luohan and tribute missions to the Imperial Court continued the fascination with the exotic in subsequent periods.The strong facial features, curly beards and hair closely resemble four small foreigners with bare chests kneeling to support a gilt bronze and cloisonné enamel incense of burner, late Ming dynasty: see The Complete Collection of Treasures of the Palace Museum, Metal-Bodied Enamel Ware, Beijing, 2011, p.273, no.144.For further information on this lot please visit Bonhams.com
Lot 376
A BRONZE 'MYTHICAL BEAST' LOZENGE-SHAPED VASE, HULate Ming/early Qing DynastyFinely cast of archaistic hu form and lozenge section, rising from a stepped foot to a flaring neck with two raised ribs, applied with a pair of mythical beasts, each side of the body with a further mythical beast in relief, wood stand. 36.8cm (14 1/2in) high. (2).Footnotes:明晚期/清早期 神獸紋獸耳菱形壺Provenance: Ulrich Hausmann CollectionPublished, Illustrated and Exhibited: Michael Goedhuis in association with Shimizu Oriental Art Ltd., The Gilding of the Lily: An Exhibition of the Divine Vessels of Japanese Flower Arrangement, London, 1986, no.34Michael Goedhuis, Chinese and Japanese Bronzes A.D.1100-1900, London, 1989, no.48來源：Ulrich Hausmann 舊藏展覽著錄：Michael Goedhuis 与 Shimizu Oriental Art Ltd 合作展，《The Gilding of the Lily: An Exhibition of the Divine Vessels of Japanese Flower Arrangement》，倫敦，1986年，編號34Michael Goedhuis著, 《Chinese and Japanese Bronzes A.D.1100-1900》，倫敦，1989年，編號48The present lot exhibits the 17th century fascination with mythical beasts. There was a revival of interest in ancient texts, notably the Shanhai jing (Classic of Mountains and Seas), a compendium replete with descriptions of geography, natural history, and mythology. The availability of various illustrated editions of the Shanhai jing from the late sixteenth century onward quickly led to the appearance of new motifs in the decorative arts. See two similarly shaped vases but in cloisonné enamel, early Qing dynasty, in the Qing Court Collection, illustrated in the Compendium of Collections in the Palace Museum, vol.2, Beijing, 2011, nos.18 and 20.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 63
A Musical Box Playing Eight Airs, By L'Epée with single-spring motor, typical adverse winding lever handle, single-section comb, in stained interior under dustlid, in grained case with the very good figured veneered lid bearing oval geometric coloured enamel inlay in the boullé taste - 19.1/2" (49.5cm) wide, the cylinder 12" (30.5cm)Plays smoothly, all teeth and tips present. Corrosion visible on both comb and cylinder. Serial no.25933.
Lot 5
BIDDING FOR THIS LOT WILL BE BY TELEPHONE ONLY AND ONLINE BIDS WILL NOT BE ACCEPTED. IF YOU ARE INTERESTED IN THIS LOT PLEASE CONTACT DREWEATTS TO ARRANGE A TELEPHONE BID (+ 44 (0) 1635 553 553 | ytao@dreweatts.com) 本件拍品仅接受电话竞价，网上竞价无效，如您有兴趣，请联系陶映雯博士（ytao@dreweatts.com）A rare Chinese cloisonné 'pomegranate' box and cover, incised Xuande six-character marks and of the period, of circular shape, the centre with two ripe pomegranates, issuing from gnarled gold branches with blossoms and further smaller fruit, the vertical sides of the cover and box decorated with formal lotus scrolls, the slightly recessed base incised with a Xuande six-character mark, the interior of the cover similarly incised with Xuande six-character mark, 12cm diameter x 4.5cm high, wood standProvenance: Sotheby's, Oriental Ceramics, Hardstones and Works of Art, 1st March, 1946, lot 94, where bought on commission by Bluett & Sons, for £19.00, on behalf of Major Edward Copleston Radcliffe (1898-1967) and listed in the family archive as 'K3' Exhibited: National Gallery of South Africa, Chinese Exhibition, Cape Town, 1953, no. 231During the fifteenth century metalwork in China reached new heights. Bearing the Xuande (1426-1435) reign mark, this splendidly made cloisonné box is a rare example of the exquisite production of the Ming imperial workshop. The Xuande emperor was known as a great patron of the arts. During his reign the empire enjoyed a period of relative peace and prosperity. The present lot is particularly successful in presenting the pattern of pomegranate flowers in various stages of growth from delicate buds to exuberant bloom with lush petals. As the Chinese character for 'seed' (zi) is the same as that for 'son', the many-seeded pomegranate is viewed as a symbol of fertility and prosperity, and this has been a common theme in Chinese art since the Northern Song Dynasty. It was also one of the Xuande Emperor's favourite themes as he commissioned such designs in many media during his reign. See a bronze 'Pomegranate' censer (museum accession number故00142843), Xuande mark and of the period, in the Qing imperial collection in the Palace Museum, Beijing. See also a yellow-ground porcelain example of this pomegranate design from the Sir Percival David collection in the British Museum, London, illustrated in Regina Krahl and Jessica Harrison-Hall, Chinese Ceramics. Highlights from the Sir Percival David Collection, London, 2009, pl. 35. The present lot belongs to a group of five identified similar cloisonné enamel boxes known in private and museum collections. There is every indication that all five were made in the same imperial workshop with similar designs and in uniform size, approximately 12cm diameter. Sharing the motif of auspicious fruits on their covers, namely pomegranates, persimmons, melons and grapes, they are all doubly marked with an incised Xuande six-character reign mark on the underside of the box and the interior of the cover. The Radcliffe box is one of the only two known from private collections. The other example was purchased from Spink and Son, Ltd., London, by Lord Cunliffe (Honorary Keeper of the Far Eastern Collections at the Fitzwilliam Museum) in 1946. The Radcliffe box was purchased at Sotheby's on 1st March, 1946, lot 94, for £19.00, and was exhibited at the National Gallery of South Africa in 1953, 'Chinese Exhibition', No. 231. This would suggest both boxes came onto the market at about the same time. The other three remain today in public museums and institutions with the 'melons' box from the Qing Court Collection in the Palace Museum, Beijing; the 'persimmons' box in the Musée des Arts Décoratifs, Paris; and the 'grapes' box in Fenton House, National Trust, London.As Soame Jenyns said, 'It is the 15th century Ming cloisonné pieces which are likely to remain the chief monuments to the skill of the Chinese metal worker in the field'. Cloisonné enamel wares from the early Ming period are rare as production was strictly regulated by the Palace eunuchs who operated under the auspices of the Yuyongjian, a sub-division of the Neifu, 'The Inner Treasury', responsible for supplies to the Imperial Household. The group may have been made over a considerable period as the lotus blossoms on the sides of the covers are rendered in two different ways. The lotus heads on the 'melons' box (Palace Museum), the 'grapes' box (Fenton House), and the Radcliffe box are all executed in three enamel colours and the central areas of the lotus flowers are made of four petals, which suggest that the Emperor probably commissioned the three boxes as a set during the same time. The Lord Cunliffe box and the 'persimmons' box (Musée des Arts Décoratifs) differ in that they have an extra wire which divides the petal at the centre into two parts and the flowers have four colours rather than three. These two boxes were possibly made during a slightly later period of the Xuande reign.明宣德 "大明宣德年制"楷书刻款掐丝珐琅石榴纹盖盒拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族编号K3）， 1946年3月1日委托英国著名古董商Bluetts购自苏富比，拍品编号94号，购买价19英镑 展览信息：南非国家画廊，中国艺术展览，1953年，开普敦，编号23115世纪的中国正值大明帝国革故鼎新之时。此时宫廷的工艺制品技艺更是达到了巅峰，加上宫廷作坊对选料的精益求精，此时官造作品更是成为各时代工艺水平的最高代表。这件存世极为稀少的明宣德"大明宣德年制"款掐丝珐琅石榴纹盖盒无疑体现了大明宫廷作坊的巅峰技艺。宣德皇帝（1426-1435年）是一位艺术文化修养较高的皇帝，在他的统治期间，明帝国享有了一段相对和平与繁荣的时期。这件巧夺天工的明宣德掐丝珐琅石榴纹盖盒，灵活生动的刻画出了石榴花在不同时期生长阶段的图案，从娇嫩的花蕾到繁茂的花瓣。值得注意的是汉字中的'籽'与'子' 同音，多籽的石榴被寓为丰饶和繁荣的象征。自从北宋以来，这一直是一个十分受欢迎的艺术题材，也是宣德皇帝最喜欢的题材之一，可参考的是北京故宫博物馆馆藏的一件明宣德石榴纹铜炉（故00142843）， 以及一件来自大英博物馆大维德爵士收藏的黄地石榴纹碗， 并著录在由康蕊君和霍吉淑一起编著的《大英博物馆大维德爵士藏中国陶瓷精选》一书中。全球已知出版的同类型盖盒加上这件石榴花盖盒，存世仅仅5件，并都由博物馆以及私人收藏。如果我们对这5件盖盒的形制，尺寸进行仔细的研究以及对比，种种迹象表明它们很有可能都出自于同一个宫廷作坊。大约直径都为12厘米，它们的盒盖都以寓意吉祥的水果为主题，即石榴、柿子、西瓜以及葡萄，并在盖内和盒子外底，均双重錾刻六字"大明宣德年制"楷书款。此件明宣德掐丝珐琅石榴纹盖盒是全球现存世已知且纹饰形制相类似的两件中的其中一件，且两件均为私人收藏，另一件是英国Cunliffe勋爵（Lord Cunliffe ）的旧藏，于1946年购于伦敦著名古董商Spink and Son Ltd。此次上拍的这件盖盒，来源于Radcliffe上校家族，并且清楚地在Radcliffe上校家族档案（The Radcliffe family archive）中记载，此盖盒于1946年在苏富比购得，并于1953年在南非国家美术馆（National Gallery of South Africa）的' 中国展览（Chinese Exhibition）'展出（展览编号231号)。这意味着很有可能这两个盒子几乎是同时进入市场的。Cunliffe勋爵的盖盒，由伦敦邦瀚斯(2021年11月2日，拍品234号) 拍出。另三件盖盒都馆藏于全球著名的博物馆中，其中瓜果纹盒馆藏于北京故宫博物馆（The Palace Museum）；柿子纹盖盒馆藏于巴黎装饰艺术博物馆（Musée des Arts Décoratifs, Paris）；葡萄纹盖盒馆藏于伦敦芬顿大宅（Fenton House）。正如Soame Jenyns提到："15世纪的掐丝珐琅制品无疑是各时代掐丝珐琅工艺水平的最高代表"，宣德一朝御用金属珐琅器是由当时制造御用器物的机构"御用监"所生产，其隶属于内府，内府则是当时为皇室成员提供生活所需的后勤供给的机构。上文所提到的五件掐丝珐琅盖盒 ，很有可能是在相当长的一段时间内制作完成的，因为盖盒两侧的缠枝莲以两种不同的方式呈现。北京故宫博物馆（The Palace Museum）馆藏的宣德款掐丝珐琅瓜果纹盒，伦敦芬顿大宅（Fenton House）馆藏的明宣德款掐丝珐琅葡萄纹盖盒，以及此次Dreweatts 即将上拍来自于Radcliffe上校家族的明宣德 掐丝珐琅石榴纹盖盒，此三件盖盒都在侧壁环饰由三种不同颜色，且中心为四朵莲瓣的缠枝莲花纹装饰，这说明它们很有可能在相近时间内由宣德帝下旨所铸造的。而Cunliffe勋爵的盖盒以及馆藏于巴黎装饰艺术博物馆（Musée des Arts Décoratifs, Paris）的明宣德款掐丝珐琅柿子纹盖盒，这两件盖盒两侧的缠枝莲纹都由四种不同颜色的莲瓣组成，不同由前面提到的三件盖盒，所以Cunliffe勋爵的盖盒以及馆藏于巴黎装饰艺术博物馆（Musée des Arts Décoratifs, Paris）的明宣德款掐丝珐琅柿子纹盖盒很有可能是在宣德后期所铸造。Condition Report: Some damage on vertical sides and cover gilding extensively worn and old repairs and other wear and dents Condition Report Disclaimer
Lot 6
A Chinese cloisonné enamel and gilt bronze tripod censer, Ming dynasty, late 16th or 17th century, of circular form supported on three cabriole feet, applied with a pair of small gilt-copper lion-mask handles, exterior with alternating coral-red, yellow, pale green and purple lotus wreathed by undulating foliate scrolls above a lappet border, the underside similarly decorated, the interior with a band of fruiting vine, Radcliffe Collection label 'K1' 16.2cm diameter x 9.5cm high, wood standCompare with a similar example illustrated in, Chinese Cloisonné, The Peter Uldry Collection, pl. 117Provenance:Major Lindsay F. Hay Collection, Sotheby's, November 17th 1944, lot 237, £9.00Major Edward Copleston Radcliffe (1898-1967) collection and listed in family archive as purchased from Bluetts in 1944, for £10-0s-0dExhibited: National Gallery of South Africa, Chinese Exhibition, Cape Town, 1953, no. 229明16/17世纪 掐丝珐琅缠枝莲纹三足炉拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族档案编号K1), 1944年购自伦敦著名古董商Bluett，源自苏富比1944年11月17日Lindsay F. Hay收藏。展览信息：南非国家画廊，中国艺术展览，开普敦，1953年，编号229Condition Report: wear and some losses commensurate with ageoverall very attractiveCondition Report Disclaimer
Lot 62
A Chinese Sancai glazed Figure of Guanyin, Kangxi, wearing a high bun covered with a shawl falling over her shoulders, the robe with splashed aubergine, orange, green and brown glazes, traces of black enamel to hair knot, with Bluett & Sons and Radcliffe collection labels, 'A33', 18.5cm high Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and listed in the family archive, 'A33', as purchased Bluett & Sons, and recorded in the Bluett archive as sold to Major Radcliffe on the 29th July 1964, for £125-00, having been bought at Sotheby's, 23rd July 1964, lot 126, for £75.00清康熙 三彩观音像拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏，其于1964年7月29日以125英镑购自英国著名古董商Bluett & Sons，并 于其家族档案中标号A33，同年7月23日由苏富比释出，拍品编号126号Condition Report: right hand restored, chips to all fingers of left hand and loss above hand on wrist area, losses to ribbons on robe and other losses, base with 2.5cm chip on lower right side, hair crack to back and other small chips and loss of black enamel to hair knot Condition Report Disclaimer
Lot 73
A Cantonese enamel dish of Wang Zhao Jun, Yongzheng (1723-1735), the base with a finger citrus, with Radcliffe collection label 'K2', 30cm diameter, wood standProvenance: Major Edward Copleston Radcliffe (1898-1967) and by family descent. Listed in the family archive as 'K2' purchased from 'Collier 1931', for £1-10s-0d清雍正 铜胎画珐琅昭君出塞图盘拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族档案标号K2），1931年以1.1英镑购自CollierCondition Report: some enamel loss and dented and with cracks Condition Report Disclaimer
Lot 153
A Chinese rectangular 'bookcase' cloisonné enamel box with hinged cover, Qianlong, finely worked in the form of a book, all raised on a staged pedestal, decorated with key fret pattern reserved on a turquoise ground, with later added lock and hinge adapted for modern use, 16.5cm x 9.8cm x 4.8cm See a similar cloisonné box at the Palace Museum, Beijing, illustrated in Yongle wen yuan - exhibition of qing court scholar art, Macao Art Museum, 2007, pp 259 清乾隆 掐丝珐琅书卷式盒Condition Report: with later added hinge and later applied gilding to the interiorthe base possibly a replacementwear and minor loss to the enamelCondition Report Disclaimer
Lot 156
A rare Cantonese enamel Inkstand, Qianlong, painted in brightly coloured enamels, the pen box with hinged lid and painted with a man flying a kite, the separately modelled inkwells with scrolling foliage, all supported on four circular feet, 21.5cm diameter x 13.5cm deep x 6cm high 清乾隆 铜胎画珐琅人物花卉纹墨水盒Condition Report: generally in very presentable condition but with some stress cracks and minor losses Condition Report Disclaimer
Lot 160
A Chinese enamelled Yixing teapot, Qianlong, of square section with C-shaped handle, the body finely decorated with four oval panels of peonies in gilding amongst enamelled flowering branches, the base impressed with the four-character pan qian rong zhi mark, 15.5cm high清乾隆 紫砂珐琅彩花卉纹壶Condition Report: the spout is a later silver replacement.The cover with one damaged section of 3cm x 1.5cm and glued, and one firing crackwear to the enamel and gildingCondition Report Disclaimer
Lot 269
An attractive pair of Chinese ormolu mounted biscuit porcelain parrot candelabra, the porcelain Kangxi (1662-1722), the parrots glazed in turquoise and aubergine and the mounts finely cast with tied acanthus leaves to the rear of the bases and with chiselled oval bases supported on four feet, with spiral branches supporting flower scones, the mounts French, Louis XVI, second half 18th century, overall height 29cm and the parrots each approximately 21cm high (2)Provenance: Asher Wertheimer (1844-1918), a leading art dealer in London Ferdinand Joseph Conway Wertheimer by descent circa 1925 Mrs Joan Young Conway, wife of the above, by descent, 1953 By descent through the family 清康熙 三彩鹦鹉一对 拍品来源：伦敦著名古董商Asher Wertheimer (1844-1918)，后由家族继承 Condition Report: one parrot broken in several places and with old glued repairs and while most pieces present some small filled repairs please see images for detailed reference to conditionthe other parrot with some loss of black enamel and old repair to tip of beak some overall wear to gilding commensurate with ageCondition Report Disclaimer
Lot 273
A rare Chinese Famille Verte square dish, early Kangxi, circa 1680, the shallow sides rising to flat rims and resting on low, wide conforming foot, the interior decorated with a butterfly and grasshopper above pierced rockwork, large leaves and flowering plants, the exteriors with various floral sprays, the base with a four-character mark of Yu Hai Tang zhi, 'Made for the Hall of the Jade Sea' in black enamel within a double square, 13.2cm squareCompare with a similar example illustrated, Michael Beurdeley and Guy Raindre, 1987, Qing Porcelain, p.83, pg.84, and two related trays painted with insects, rockwork and flowering plants illustrated by John Ayers, Chinese Ceramics in the Baur Collection, 2, nos. 153, 154, collection no. (A549,550), p. 29Provenance: Property of a Gentleman. His father purchased the dish from Sydney L. Moss Ltd for £150.清康熙 素三彩"玉海堂制"款草虫图方盘拍品来源：英国私人收藏，其父亲以150英镑购自英国著名古董商Sydney L. Moss Condition Report: a few areas of retouches to the rim, two corners restoredCondition Report Disclaimer
Lot 277
A Chinese Wucai 'Eight Immortals' bowl, Kangxi, the exterior painted with the Eight Immortals traversing to greet Shoulao, the interior with a Fo mark in green enamel, the base with underglaze blue six-character qishi baoding zhizhen mark within double circle, 14.3 cm diameter Provenance: Formerly in a private Swedish Collection 清康熙 "奇石宝鼎之珍"款五彩八仙图碗拍品来源：瑞典私人收藏Condition Report: 6cm hair crack running and small chip filled where crack starts on rimfurther minor rim frits and some scathing to interior Condition Report Disclaimer
Lot 281
A large Chinese Armorial dish, the porcelain Kangxi, decorated with blue enamel foliage and flower heads and also with pale white and pale lilac flowers highlighted in black, iron-red details and gilding, 46.5cm diameter Provenance:The Wodehouse, Wombourne, Staffordshire.清康熙 外销粉彩家族纹章大盘拍品来源： 英国斯塔福德郡乡村大宅（The Wodehouse） Condition Report: some wear and scathes to enamel and gilding the rim with several chips but mostly on underside largest approximately 3.5cm x 5mm smaller also some chips latest 1.5cm x 5mm and smaller to unglazed foot see additional images for visual reference to condition decoration possibly European or later Condition Report Disclaimer
Lot 286
A Chinese famille rose square vase, 19th century, with everted rim and the body painted with a continuous riverscape scene, under the rim inscribed in ink with names of five different scenic sites in Jiangxi Provence, 37cm high, with wooden base清19世纪 粉彩江西十景图方瓶Condition Report: the vase with minor wear to the enamel and the foot with a shallow chip of 2.5cm, star crack to the interiorCondition Report Disclaimer
Lot 536
AN RAF SWEETHEART BROOCH, WHICH BELONGED TO LADY ESSY GORDON JANE MITCHELL just under 9cm in length, with diamonds, approximately combined 1.5 carats and enamel, the gold reverse is unmarked but is likely 18ctLady Essy Gordon Jane Mitchell was the wife of Air Chief Marshal Sir William Gore Sutherland.
Lot 593
A GENTLEMAN'S SILVER TRENCH WATCH with manual wind movement, the white enamel dial with black Roman numerals and dark blue steel hands, with a leather strap; and two other gentleman's trench watches, one inscribed to the case back "A memento to 70th Battalion Fusiliers active service 1915 S.S80 N. Timbers" (3)
Lot 546
FRENCH BRASS REPEATER CARRIAGE CLOCK LATE 19TH CENTURY the gilt dial with cream enamel chapter ring with black Arabic numerals, anglaise riche case of typical form with Corinthian columns and bevelled glass panels, the twin train brass movement with silvered platform escapement, striking to a coiled steel gongDimensions:11cm wide, 21cm high [handle up], 9.5cm deepProvenance:Provenance: Private Scottish Collection, Morayshire
Lot 399
LATE VICTORIAN GILT METAL MOUNTED OAK BRACKET CLOCK LATE 19TH CENTURY the circular dial with a cream enamel chapter ring with Arabic numerals and a pierced brass centre, signed 'Manoah Rhodes & Sons Ltd, Bradford', the oak case with a caddy top mounted with Orientalist style gilt metal mounts, on bracket feet, the French twin-train brass movement by Vincenti et Cie stamped '23196', striking a gong, with matching number pendulumDimensions:27cm wide, 44cm high, 21.5cm deep
Lot 199
MASON'S IRONSTONE PART DINNER SERVICE EARLY 19TH CENTURY with underglaze blue and overglaze ochre enamel decoration depicting a vase issuing flowers and foliage; comprising: twenty dinner plates, ten soup bowls, a meat drainer, five graduated ashets, a hexagonal twin handled soup tureen and cover, and three hexagonal low tureens and covers; impressed MASON'S PATENT IRON STONE CHINA, some with blue printed markDimensions:largest ashet 47cm long, plates 24cm diam, bowls 24cm diam, tureen 31cm high
Lot 551
FRENCH ENAMEL CHEROOT BOX LATE 19TH CENTURY of rectangular form, the hinged cover and sides with scenes of ladies and gentlemen smoking and drinking, the interior and base painted with further smoking theme vignettes, with silver gilt mounts inscribed 'Gratty From Bunny . Novr . 1883', and retailer's inscription 'Paris 23 Bt des Capucines JONES & 41 St James's St . London', 16.5cm wide, 5.5cm high, 8.5cm deep; together with a CONTINENTAL PORCELAIN BOX, the hinged cover painted with an equestrian scene, the sides with various vignettes alternating with floral garlands, within metal mounts, underglaze blue, 7.3cm wide, 4.8cm high; and a BATTERSEA ENAMEL PILL BOX, the cover painted with a quayside scene within a scrolling cartouche on a pink ground, the sides with floral and diaper panels, the base with a gilt diaper design, within a metal mountDimensions:5.5cm wide, 3cm high, 4.3cm deep
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