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Lot 254
A platinum and diamond engagement ring, the round brilliant cut diamond weighing 0.46ct, colour D, clarity SI, mounted in a platinum Saturn setting, part of Heming's Radiance collection, with a double halo, micro claw set round brilliant cut diamonds weighing a total of 0.28ct, colour G, clarity VS, ring size L 1/2, 4.9 gramsIf there is no condition report shown, please request
Lot 97
An 18ct gold and platinum diamond daisy cluster engagement ring, the central brilliant cut diamond in a claw setting approximately 4.9mm diameter, surrounded by a halo of a further eight diamonds, the shank stamped 18ct & Plat, ring head measurement 11.3mm, ring size L 1/2, 3 gramsIf there is no condition report shown, please request
Lot 85
A vintage 1ct round brilliant cut diamond solitaire ring, together with a yellow metal band ring. The solitaire is set in a claw set mount with foliate design shoulders. Diamond clarity is estimated at Si1-2, colour J-K with a grey tint. Bruted girdle with indented naturals to the girdle. Moderate blue fluorescence. Given as an engagement ring in the late 1950s. Unmarked but in white and yellow precious metal, testing ass 18ct gold. Size K. Gross weight approximately 2.79 grams. Together with a D-shaped court ring, in 18ct gold, size L, approximate weight 3.58 grams.
Lot 372
Seventeenth Century Scandal & Female Heiresses. The 1674 'Kidnapping' and Coerced Marriage of the Heiress Bridget Hyde (1662-1734; later Duchess of Leeds), an important contemporary transcript of legal documents, possibly an official court record, dated 1674-75, but presumably 1680, English, with some occasional legal Latin, scrivened by several distinct hands, ink manuscript on paper, marginal glosses, paginated, complete and collating: 935, [8]pp (tables), the whole illustrative of the case, i.e. the charge that Hyde's earlier marriage, aged 12, to her first-cousin John Emerton of Middle Temple in 1674 was still valid and that her coerced marriage, following her scandalous abduction by him, to Peregrine Osborne, then Viscount Dunblane (1659-1729; later 2nd Duke of Leeds), was bigamous (which the jury ruled, thus exacerbating the cause célèbre), resulting in Dunblane's father, then the Earl of Danby, being forced to buy off the Emertons to prevent further prosecution, the text with precis of witness depositions and evidence, including various aristocrats and members of the gentry, demonstrating not only Bridget's familial and social connections, - as well as Emerton's - but also her importance as a 'prize' in the contemporary marriage market, being both an heiress of land and capital (reputedly worth £100,000), in addition to its historic importance, the manuscript affords interesting insights into the conventions of a woman's roll and the extent of its influence in engagement and marriage in the later 17th c, and other pre-matrimonial customs, including the ring: ' Bridgett laying in her said Chamber called [...] to her saying Grace [Millington] come hither did you ever see my Ring showing [...] a Diaming Ring in fashion of a heart that was on her finger [...], contemporary blind-panelled vellum over boards, splat spine titled and indistinctly numbered in manuscript: Mr John Emerton's Case, folio (36.5 x 23.5cm) Provenance: By indirect descent from the Emerton family, via the Byron and later the Seymour families, at Thrumpton Hall, Nottinghamshire. This and similar cases, of what was becoming a familiar result of inheritance and the lack of a male heir, was topically satirised in Aphra Benn's drama The City-Heiress (1682).
Lot 12
A stunning natural round brilliant cut diamond in a 18ct white gold ring with a white gold four claw setting. This perfect engagement ring would make a timeless treasure. Item Specifications: Carat: 0.50 Carats. Colour: D. Clarity: IF. Cut Grade: Excellent. Metal: 18ct White Gold. Ring Size M (NB. This ring can be re-sized by the vendor prior to shipping if necessary.)Condition: Boxed - Unworn - from Manufacturer. Certificate By: AGI Certificate Number: 938165 Certificate Link: https://www.agigems.com/reportcheck/viewpdfreport.php?id=938165 SC:3103245
Lot 672
One can't deny the exquisite elegance of this diamond engagement ring. The 2mm slender band is fashioned from platinum and topped with a 0.71 ct diamond center stone. The solitary center stone has a color grade of E and clarity of VS1. Top height is 6mm and top dimensions measure 16mm by 6mm. A ring of this craftsmanship would make a perfect symbol of your true and unfading love.This Harry Winston Platinum 0.71 ct Diamond Solitaire Engagement Ring comes with the manufacturer's box and a GIA report. 5.9 grams
Lot 42
1.21 Carat Diamond Solitaire Engagement Ring. Weight: 3.0 grams Size: N Central Diamond Details: 1.21 Carats, Colour: E, Clarity: SI2 Shoulder Diamond Details: 0.22 carats, Colour: G-H, Clarity: VS2-SI1 Tested As: 18ct Gold Certificate: IGL - J80588999EN Comments: This ring can be resized, please request upon purchase.
Lot 30
LALIQUE: AN ART NOUVEAU GOLD RING, CIRCA 1900Designed as a tapered wide band etched with a series of dancing nymphs, signed Lalique, with maker's mark 'RL' for René Lalique, ring size QA very similar ring sold for US$12,000 at Christie's in New York, on April 12th 2005 (lot 273)The Art Nouveau movement flourished at the turn of the twentieth century, underpinning a period of creativity and artistic innovation across all fields of design. Artists, inspired by and drawing heavily on forms of the natural world, embraced new, fluid, organic and graceful lines within their work. The Art Nouveau style was broadcasted to a global audience at the 1900 Paris Exposition with René Lalique, hailed as the “Master of Art Nouveau Jewellery,” making his international debut.Japanese art, with its simplicity of form, deference to the natural world, and use of colours, lent itself well as a source of inspiration for Art Nouveau jewellers. A preference for delicate pastel hues led them to experiment with semiprecious stones like amethyst, agate, softly curved and shimmering opal, pearl and moonstone. The gentle glow of these stones embedded a sense of finely crafted dynamism and mystery in Art Nouveau jewellery that emphasised its unique aesthetic as having pioneered a language of design distinct from that of mainstream jewellery at the time. Eugène Gaillard, a designer particularly inspired by exotic art forms, specialised in the technique of “plaque de cuisson” and worked often with horn, enamel, opal and coloured stones.The Art Nouveau movement coincided with a period of significant social change and female empowerment. This shift is reflected in the jewellery of the time, which often featured a highly symbolic female form as its central motif. That symbolism was intwined with a sort of mystic femininity, with female forms depicted as a spirits of nature, goddesses, nymphs and fairies. Lalique drew inspiration from the natural world and the place of man within in it, with his ethereal designs evoking an engagement with these motifs and themes of amorous liberation; delicate orchids, iridescent dragonflies, sinuous snakes, and mysterious profiles of women intertwined with the flora and fauna appear frequently in his work. His designs reflect these themes of feminine liberation and fantasy, which can be seen especially in his designs in which the figures of nymphs and spirits are raised in relief as though their liberation is symbolically linked to their physicality.Lalique’s designs envisioned jewellery as a point of focus rather than a decoration for its wearer. His pieces were often large, bold, and sculptural – informed by his foundational knowledge of traditional techniques such as “plique-a-jour” enamelling, and blended with the distinct, dynamic aesthetic he pioneered. The iconic “Femme Libellule” (dragonfly-woman) brooch was de signed by Lalique in 1882, and perfectly encapsulates his vision. The piece depicts a nude woman as its central motif, with the figure emerging out of a dragonfly, seemingly frozen in a process of metamorphosis. This brooch, evoking a sense of rarified femininity, was worn by Sarah Bernhardt, a French actress and follower of Lalique’s career, at the height of her fame. After taking over the workshop of a Parisian jeweller, Lalique worked independently for private clients such as Bernhardt, as well as opera stars and aristocrats, whose patronage ensured his lasting legacy. The timeless and global appeal of Lalique’s designs remains, with his pieces featuring in the prestigious collections of The Metropolitan Museum of New York and the Victoria and Albert Museum in London. Condition Report: Normal signs of wear, commensurate with ageTotal gross weight approx. 13.9g
Lot 116
REPOSSI: A DIAMOND 'SERTI SUR VIDE' DRESS RINGComposed of a pear-shaped diamond weighing 0.50ct within a three-claw setting, both hoops pavé-set with two rows of brilliant-cut diamonds, mounted in 18K gold, signed Repossi, numbered, with maker's mark, ring size MThe pear-shaped diamond is laser inscribed by the GIA laboratory in America, stating that the natural diamond weighing 0.50ct is E colour, VVS1 clarity. Laser inscription no. 2194999428, dated May 8th 2015Founded in 1957 in Turin, Italy, the Repossi House boasts three generations of Italian designers and have established themselves in Turin, Monaco, Paris, and Place Vendome, where Constantine Repossi, the founder, grounded himself in 1986 and opened his creations to an international market. Their collections have been re-imagined and reconstructed under Repossi’s granddaughter, Gaia who at an astonishing 21 years old, was made the House’s Artistic Director. Gaia has rendered the House’s vision one seeped in timelessness and avant-garde. Repossi’s son Alberto has also brought Repossi to new heights as he was the official jeweller of the Monegasque crown, and has also created the engagement ring for Prince Albert of Monaco’s wife. Condition Report: The pear-shaped diamond is laser inscribed by the GIA laboratory in America, stating that the natural diamond weighing 0.50ct is E colour, VVS1 clarity. Laser inscription no. 2194999428, dated May 8th 2015Remaining diamonds: bright and livelyNormal signs of wear, overall in good conditionTotal gross weight approx. 4.1gFor a similar ring on Repossi's website, with less diamonds, retail price: €7,000https://repossi.com/products/serti-sur-vide-ring-in-white-gold-paved-with-diamonds?_pos=7&_sid=22d3a4064&_ss=rFor a similar ring, on MYTHERESA website, with more or less same diamonds, retail price: €20,500https://www.mytheresa.com/fr/fr/femme/repossi-bague-serti-sur-vide-en-or-blanc-18-ct-et-diamants-argente-p00936425
Lot 101
Tiffany & Co. 0.69 Carat Diamond Engagement Ring. Weight: 3.3 grams Ring Size: H (46) Band Width: 2mm Diamond Carat Weight: 0.69 Carat Diamond Details: Colour: G, Clarity: VS1 Marked: 'Tiffany&Co.' 'D0.69' '750 PT950' and the serial number Certificate: Yes original Tiffany diamond certificate and Tiffany valuation for £6675 from 2016 (Similar Tiffany rings retail at over £8000 now).
Lot 394
1.00 Carat Marquise Cut Diamond Engagement Ring Weight: 2.4 grams Ring Size: L 1/2 (52) Band Width: 2mm Central Diamond Weight: Approx. 1.00ct Diamond Details: Colour: H, Clarity: SI Total Baguette Diamond Weight: Approx. 0.20ct (0.10ct each) Marked: ‘18CT' Box: The Vintage Jeweller Ring Box Comments: These diamonds have not been certified by a laboratory, they have been graded by our own qualified gemologists as fairly and as accurately as possible.
Lot 82
0.73 Carat Asscher Cut Diamond Engagement Ring. Weight: 3.0 grams UK Ring Size: K 1/2 (51) Central Diamond: Approx. 0.73 carats, Colour: K, Clarity: VS2 Shoulder Diamonds: Approx. 0.36 carats, Colour: G-H, Clarity: SI-I1 Tested As: ‘Platinum' Period: Modern (Art Deco Style) Comments: These diamonds/gemstones have not been certified by a laboratory, they have been graded by our own qualified gemologists as fairly and as accurately as possible.
Lot 794
A collection of unused Gemporia & TJC jewellery including Sterling Silver Jadeite bracelet, pair Silver marquise earrings, 9ct gold blue sapphire pendant, pair 9ct gold faux diamond earrings, Diana Engagement ring commemorative coin, Silver turquoise earrings,9ct gold belcher chain and bead necklaces,most with certificates and unopened packaging. (10)
Lot 12
A stunning natural round brilliant cut diamond in a 18ct white gold ring with a white gold four claw setting. This perfect engagement ring would make a timeless treasure. Item Specifications: Carat: 0.50 Carats. Colour: D. Clarity: IF. Cut Grade: Excellent. Metal: 18ct White Gold. Ring Size M (NB. This ring can be re-sized by the vendor prior to shipping if necessary.)Condition: Boxed - Unworn - from Manufacturer. Certificate By: AGI Certificate Number: 938165 Certificate Link: https://www.agigems.com/reportcheck/viewpdfreport.php?id=938165 SC:3103245
Lot 9
A sparkling round brilliant cut diamond set in four claws on an 18ct white gold ring. A perfectly classic engagement ring and a true timeless treasure. The ring is supplied with the original certificate report and a gift box. Item Specifications: Carat: 0.25 Carats. Colour: D. Clarity: VS. Cut Grade: Very Good. Metal: 18ct White Gold. Ring Size N (NB. Ring size is approx and can vary by +/- 3 sizes, contact vendor for exact size. This ring can be re-sized by the vendor prior to shipping if necessary.)Condition: Boxed - Unworn - from Manufacturer. Certificate By: AGI Certificate Number: 947888 Certificate Link: https://www.agigems.com/reportcheck/viewpdfreport.php?id=947888 SC:3103018
Lot 433
14k white gold diamond engagement ring. Central brilliant cut diamond of approximately 0.90 carats of H to K J color, approximately I1 clarity. With 11 full cut diamonds set in a linear formation on either shoulder. Marked 14k along the interior.Ring size: US 7. Gross weight: 4.5 g.Condition: Wear to the setting. Graded in so far as the mounting allows.
Lot 14
The magnificent and unique C.B., K.H. Napoleonic War group of five awarded to Colonel Sir John Morillyon Wilson, 1st Foot, later Major of Chelsea Hospital, thirteen times wounded during his service in the Royal Navy and the Army, in the Peninsula and in North America where he was desperately wounded at the battle of Chippewa and his life saved by a native American woman before he was taken prisoner The Most Honourable Order of The Bath, C.B. (Military) breast badge in 22 carat gold and enamels, hallmarked London 1815, maker’s mark ‘IE’ for John Edwards, complete with original swivel-ring wide suspension and gold ribbon buckle; The Royal Guelphic Order, K.H. (Military) Knight’s breast badge with swords, gold and enamels, complete with gold ribbon buckle; Naval General Service 1793-1840, 1 clasp, Egypt (J. M. Wilson, Midshipman.); Military General Service 1793-1814, 2 clasps, Busaco, Fuentes D’Onor (Sir J. M. Wilson, Capt. 1st Foot); Sultan’s Gold Medal for Egypt 1801, 3rd class gold medal, 43 mm, fitted with contemporary straight gold bar suspension and gold ribbon buckle, minor enal chips to wreaths on the first two, otherwise generally good very fine or better and an exceptional group (5) £24,000-£28,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Dix Noonan Webb, November 1996. John Morillyon Wilson served as a Midshipman in the Navy for nearly six years. He was employed on the coast of Ireland during the Rebellion in 1798, as well as in the expedition to the Helder in 1799 and Egypt in 1801, where he received a medal from the Captain Pasha for having saved the lives of a boat’s crew belonging to a Turkish man-of-war. He received three wounds whilst as a Midshipman, the last being a severe wound to the head causing total deafness, in consequence of which he was invalided, and quitted the Navy in 1803. His health being restored, Wilson joined the 40th Foot in 1804, before moving to the 63rd Foot in January 1807. Later that year he was a Captain in the 1st Foot (Royals), serving with the 3rd Battalion at Walcheren in 1809, where he was again wounded twice leading the grenadier company during the assault on Flushing. In 1810, he was brought before court martial for using language ‘subversive to discipline, and disrespectful to the character of Colonel Barnes,’ his commanding officer. Although acquitted of conduct unbecoming of a gentlemen, he was found guilty of using language that was disrespectful and sentenced to a public reprimand. He afterwards served in the Peninsula, and was in the battles of Busaco, the retreat to the lines of Torres Vedras, and at the actions of Pombal, Redinha, Condeixa, Casal Nova, Foz d’Arouce, and Sabugal, the blockade of Almeida, and battle of Fuentes D’Onor. In 1812 he joined the 2nd Battalion Royals in Canada, and was in the attack made on Sackett’s Harbour and Great Sodus, where he received a severe bayonet wound. He was also in the actions at Fort Niagara, Black Rock, Buffalo, and the battle of Chippewa. The battle of Chippewa was the first major engagement between Major-General Jacob Brown’s Left Division of the United States Army and the Right Division of Upper Canada led by Major-General Phineas Riall. Both commanders committed a brigade onto the plain of Chippewa during the afternoon of 5 July 1814. The three British units included the 1/1st Foot, 1/8th Foot and 100th Foot. The 1st Foot formed the centre of the British line, and its pre-battle reported strength was 500 all ranks under Lieutenant-Colonel John Gordon. Heavily engaged during the battle, the Royals suffered one officer and 77 other ranks killed, and 8 officers and 144 other ranks wounded. Two officers were taken prisoner and 77 soldiers were reported as missing. Captain John Morillyon Wilson was one of the two severely wounded officers that were taken prisoner. He had been wounded seven times and left for dead on the battlefield. A native armed with a knife then attacked him, but Wilson killed his attacker and was then kept alive by a native woman from a nearby village before being taken prisoner. He was exchanged in February 1815. During his career in the two professions he received 13 wounds, and it is said carried two balls lodged in his body to the grave. The Brevet rank of Major, and that of Lieutenant Colonel, was conferred on him for his conduct at Buffalo and Chippewa. He was placed on half pay in 1822, promoted Colonel in January 1837, and created a Companion of the Bath on 19 July 1838. Colonel Wilson was Gentleman Usher of the Privy Chamber for nearly 20 years to Queen Adelaide. He was appointed Adjutant of the Royal Hospital, Chelsea on 16 November 1822, and Major of the same establishment on 14 July 1855, which position he held until his death there in 1868.
Lot 2023
18ct gold white gold & diamond stacking engagement rings - two diamond rings that fit together. The ring that fits centrally to the larger ring has 2 x 4.5mm diamonds and 10 much smaller diamonds in the shoulders, ring size Q. The larger ring has 10 diamonds, each about 2.5mm wide, ring size N. Clearly these rings have been made to fit together, the difference in ring sizes indicates one has been altered for use on its own, perhaps on a different finger. Indistinct overseas hallmarks indicate 14k, and tests as 14ct or above. Total weight 8.51g.
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