Albrecht Dürer (1471 – 1528), a German painter, printmaker, and theorist from the Northern Renaissance. Dürer is one of the most significant figures in the history of European art, known for his innovative techniques, meticulous attention to detail, and wide range of artistic contributions.Dürer's works span various genres, including painting, printmaking, and theoretical writings. Some of his notable accomplishments include:1. **Engravings and Woodcuts:** Dürer was a master of printmaking and is renowned for his detailed engravings and woodcuts. His series of woodcuts like "The Apocalypse" and "The Life of the Virgin" are notable for their intricate detailing and rich symbolism.2. **"Self-Portrait" Series:** Dürer created a series of self-portraits throughout his career, showcasing his ability to capture his own likeness with astonishing precision. These self-portraits offer insights into his evolving artistic style and changing perceptions of himself over time.3. **"Knight, Death, and the Devil" (1513):** This engraving is one of Dürer's most famous works, depicting a knight riding through a forbidding landscape accompanied by Death and the Devil. The work is rich in symbolism and allegory.4. **"Melencolia I" (1514):** Another iconic engraving, "Melencolia I" is a complex composition that has been the subject of much interpretation. It is often seen as a reflection on the melancholic temperament of artists and the enigmatic nature of creativity.5. **"Four Apostles" (1526):** In this painting, Dürer portrayed the four apostles (St. John, St. Peter, St. Mark, and St. Paul) with great dignity and depth of character. The work reflects his interest in religious themes and his desire to elevate the status of the artist.Dürer's artistic contributions extended beyond his own works. He wrote treatises on art theory, such as "Underweysung der Messung" (Instruction in Measurement), which discussed the principles of geometry and perspective in art, influencing subsequent generations of artists.Albrecht Dürer's legacy lies in his technical innovations, his exploration of human expression and symbolism, and his lasting impact on the Northern Renaissance. His works continue to be celebrated for their beauty, depth, and the masterful way in which he merged artistic skill with intellectual inquiry.Later printing.Not an engraving.Measures 17 x 22.
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Albrecht Dürer (1471–1528) was a German painter, printmaker, and theorist who is widely regarded as one of the greatest artists of the Northern Renaissance. He was a highly skilled and versatile artist known for his exceptional draughtsmanship, innovative use of various mediums, and significant contributions to printmaking.Key points about Albrecht Dürer and his legacy:1. **Humanism and Renaissance:** Dürer was influenced by the humanist ideas and artistic principles of the Italian Renaissance. His works combined technical precision with intellectual depth and a keen interest in the natural world.2. **Printmaking:** Dürer is renowned for his contributions to the art of printmaking, particularly woodcuts and engravings. His prints often explored religious, mythological, and allegorical themes, as well as portraiture and landscapes.3. **"The Four Horsemen of the Apocalypse":** One of Dürer's most famous works is the series of woodcuts titled "The Apocalypse." This series consists of intricate and highly detailed images depicting scenes from the Book of Revelation.4. **"Melencolia I":** Another iconic work by Dürer is the engraving "Melencolia I." This mysterious and complex image has captivated art historians and enthusiasts for its intricate symbolism and enigmatic atmosphere.5. **Self-Portraits:** Dürer was also known for his self-portraits, which offered insights into his changing appearance over the years and his exploration of identity and self-expression.6. **Theoretical Writings:** Dürer wrote treatises on art theory, including "Underweysung der Messung mit dem Zirckel und Richtscheyt" (translated as "Instruction in Measurement with Compass and Straightedge"). This work explored principles of geometry and perspective in art.7. **Naturalistic Detail:** Dürer's works are characterized by their remarkable attention to detail and meticulous rendering of textures, light, and shadow. He was deeply interested in observing and representing the natural world.8. **Influence:** Dürer's art had a profound impact on subsequent generations of artists and printmakers. His technical innovations and exploration of different styles left an indelible mark on the development of art.9. **International Recognition:** Dürer's reputation extended beyond his native Germany. His works were celebrated throughout Europe, and he had significant interactions with other artists and intellectuals of his time.Albrecht Dürer's contributions to printmaking, his exploration of symbolism and perspective, and his role in bridging the influences of the Italian Renaissance with Northern European art make him a central figure in the history of art. His legacy continues to inspire artists, scholars, and art enthusiasts around the world.Measures 28 x 36.
Pierre ALECHINSKY (1927) "Point" colored copperplate engraving on Arches vellum. His works are a blend of expressionism and surrealism. The engraving is signed in pencil in the lower center. Edition Georges Visat Paris. - Weight: 1.99 kg - Shipping available - Region: Belgique - Period: XXeme - Sizes: H 190 MM L 150 MM - At first glance: good condition - Author / artist: Pierre ALECHINSKY (1927) - Object type: Lithographie
ible Torah with an impressive 925 silver binding, by Yaakov Ettlinger and marked "Bezalel Jerusalem". (Bezalel Academy of Art and Design) Dedication "To the Rubins from the Ettlingers of Israel" The binding is decorated with engraving and filigree, made in Jerusalem, Israel, circa 1950. Founded in 1906 by artist Boris Schatz, the Bezalel name is synonymous with over 100 years of Israeli art, innovation and academic excellence. Bezalel's unique strength stems from the many breakthroughs it has been responsible for, and its ability to react and adapt to cultural change. It is proud of its many generations of graduates, spearheading Israeli artists, designers and architects in Israel and around the world. Bezalel Academy of Arts and Design is, above all, a group of talented, inspired and motivated artists and professionals. The faculty and students are driven by a passion for creation and a dedication to quality and excellence. - Weight: 555 g - Shipping available - Region: Israel - Period: XXeme - Sizes: L 140mm x l 105mm x h 35mm - At first glance: normal wear / patina of use
Isle Of Wight. John Speed (1552-1629) Map of 'Wight Island', John Sudbury and George Humble, a mid 17th century map with outline colouring, inset town plans of Newport and Southampton, border with heraldic shields, text verso, framed, double glazed within mount 39.5 x 52cm., and 'A Correct Chart of the German Ocean', Rapin-Thoyras, Paul de, engraved for Harrison’s edition of Rapin. Date: c.1787. Original copper engraving. 47cm x 37cm. Blank to the reverse. Early outline hand-colouring. (2)
After Richard Ansdell (British, 1815-1885), "Pheasant", engraved by David George Thompson, published by Owen Bailey, 4 Arlington Street, Mornington Crescent, London, March 1 1852, coloured engraving, 54 x 83 overall, and another engraving "Wild Duck Shooting", published by R Ackermann, 191 Regent Street, London, coloured engraving, 21 x 65cm. (2)
Albrecht Dürer (1471, Nürnberg - 1528, ebda.) Kupferstich auf Bütten, 1496, "Der verlorene Sohn", Wasserzeichen Schrobenhausener Wappen, ca. 23,5x18,5cm, ungerahmt, beschnitten, unterer Motivrand mit Monogr. fehlt, am oberen Rand auf Pappe montiert Provenienz: Privatsammlung Offenbach, Kaufbeleg (Kopie) Karl Vonderbank, Frankfurt a.M. und Echtheitsbestätigung, je dat. 4.Oktober 1973 beiliegend Lit.:Jaro Springer (Hrsg..), Albrecht Dürer, Kupferstich, Holbein-Verlag, München, 1914, Abb. 5 (B.28) Campbell Dodgson, Masters of Engraving and Etching, Albrecht Dürer, The Medici Society, London, 1926, S. 13, Abb. 10 Erich Schneider (Hrsg.), Dürer als Erzähler, Ludwig & Höhne, Schweinfurth, 1997, S. 178/179
Albrecht Dürer (1471, Nürnberg - 1528, ebda.) Kupferstich auf Bütten, 1523, "Apostel Bartholomäus", u.l. im Druck monogr. und dat. 1523, ca. 12x7,5cm, ungerahmt, auf dem Plattenrand beschnitten, verso von fremder Hand bleistiftbetitelt, oberer Rand auf Pappe montiert Provenienz: Privatsammlung Offenbach, original Kaufbeleg Karl Vonderbank, Frankfurt a.M., dat. 26. September 1972 beiliegend Lit.:Jaro Springer (Hrsg..), Albrecht Dürer, Kupferstich, Holbein-Verlag, München, 1914, Abb. 96 (B.47) Campbell Dodgson, Masters of Engraving and Etching, Albrecht Dürer, The Medici Society, London, 1926, S. 127, Abb. 97
A Kutch Indian Silver Beaker, Apparently Unmarked, Last Half 19th Century, tapering and on spreading foot, the lower body lobed, overall chased with robust foliage scrolls on a matted ground, with beaded borders, 12.5cm high 8oz 16dwt, 273grThere is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the engraving.
A Victorian Silver Teapot, by Edward, Edward, John and William Barnard, London, 1845, tapering cylindrical and engraved with foliage, rocaille and drapery swag, the hinged cover with flower and foliage final and with ivory insulated handle, 22.5cm wide over handle, gross weight 23oz 1dwt, 718grWith non-transferable standard ivory exemption declaration number 64RJHYWZ. Fully marked underneath. The hinged cover and handle each further part marked with conforming marks. The base and handle each further stamped '518'. The finial apparently unmarked but appears to be original to the pot. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving. The ivory insulators are stained and with some cracking but do not show signs of having been altered or replaced. There is no indication of an erasure.
Paul Marny (1829-1914)A French PortSigned, inscribed and indistinctly dated 1918?, watercolour, 19cm by 31cm; together with a work attributed to Sholto Johnstone Douglas (1871-1958), In the South of France; a drawing attributed to Charlotte Berrington, Isola di san Giulio, indistinctly insribed; English School (19th Century), South Bank of the River Thames, watercolour; and an engraving of a ship in high seas (5)
A George III Silver Snuff-Box, Maker's Mark IT, Birmingham, 1817, oblong and engraved with foliage and with a vacant cartouche, the interior gilt, 80mm wide, 2oz, 18dwt, 90grPart marked inside base and cover. There is some wear to the marks. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to teh engraving. There is a shallow bruise on the cover. 80mm wide by 43mm deep by approximately 30mm high.
Michael Renton (1934-2001), signed wood engraving on paper, Untitled, 14.3cm x 23cm, signed, numbered and titled in pencil, Ed. 22/50, mounted, glazed and framed.Also known as Sun and the Moon, this wood engraving is understood to have been commissioned as an album cover for the folk musician Don Shepherd
Clare Leighton (1898-1989), wood engraving printed from the block on paper, September, Apple-Picking, from The Farmer’s Year, 1933, 22cm x 28cm, mounted, glazed and framed. This original, full page wood block print is from the first edition of Clare Leighton’s most famous work, which she wrote, engraved and designed
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