ELKINGTON & CO; an Edwardian hallmarked silver four branch epergne, with four detachable hallmarked silver flutes, with later added central bowl, hallmarked for London 1919, maker's mark indistinct, raised on skeleton frame, diagonal measurement 37.5cm, height to top of flute holder 12cm, each flute height 12.5cm with a diameter of 8cm, the central bowl height 7cm, diameter 20.5cm, combined approx 45ozt.Condition Report: The bowl, even though it is a replacement, still looks the part, there is some movement between the bowl's foot rim and the recess of the stand but nothing too detrimental.
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A collection of 19th and early 20th century china and glass - including a Staffordshire toby jug, 24.5cm high; four cranberry glass vases from an epergne; an 'Oriental Ivory' oval covered vegetable dish and eleven matching graduated plates by Powell, Bishop & Stonier; a Minton 'Florentine' pattern large oval serving platter, 49cm long and matching oval covered vegetable dish; two 9in Staffordshire Whieldon style plates; a Copeland transfer printed and painted circular serving dish and cover; a Chinese export blue and white ginger jar, 12.8cm high (lacks cover); etc.
An Edwardian Hallmarked Silver Epergne Table Centrepiece, Walker & Hall, Sheffield 1907, the shaped circular pedestal dish with wide scroll pierced border, engraved "Presented to Joseph Robert Johnson Esq. J.P. C.C. by His Friends on His Elevation to the Chair of the Chesterfield Rural District Council 17th June 1908", with central flute vase, overall on shaped pedestal base with scroll pierced detail, overall height 42cm (overall weight 1500grams).
A Victorian copper blue vaseline glass three-tube epergne with frilled mouths and trailed decoration over a petal-edged dish base, 26 cm width x 50 cm overall height.One of the side tubes has a section of the crimped rim missingThe rims of the tubes and base fluoresce slightly under UV light.
An Edwardian Walker & Hall silver Centrepiece/Epergne, designed with three plain formed trumpet vases with tapering stems and pierced scroll borders, interspersed with three shallow dishes, the large central trumpet on a loaded column and decorative pierced circular base, 38cm tall, Sheffield 1909
A group of silver and silver plate. Various dates and makers. The group including: a silver christening cup, London, 1942, Wakely & Wheeler, engraved with initials, 7cm high; a silver tazza dish with scroll handles and pierced border, Sheffield, 1912, Ackroyd Rhodes, 17.7cm high (inc. handles); a Victorian silver locket, Birmingham, 1880, maker GLC, 3.8 x 5.1cm; and a silver epergne, Birmingham, 1906, E. S. Barnsley & Co., complete with a pierced silver dish (1907) and two white metal hanging baskets, with maker's mark only, assumed plated, approx. 16cm high, total weighable silver approx. 31.7ozt (a lot)
An early 20th century silver epergne vase, the central fluted vase having Chippendale style rim with scrolling arm attachments for a further two fluted vases, raised on a circular step moulded foot having a personalised inscription dated 1920, rubbed hallmarks, 21.5cm x 21cm, 504g (weighted)
Wiltshaw & Robinson - Carlton Ware - A heather pattern table centrepiece, circa 1900, plated stand with central scroll frame supporting trumpet epergne, over fluted and lobed circular plate with flowering heather sprigs over blush ground, on circular plated base, pattern no. 1160, printed blue marks, height 34cm.
CALCUTTA - AN INDIAN EGG EPERGNE WILLIAM HENRY TWENTYMAN, MID 19TH CENTURY of circular form, loop handle, the plain egg cups with a threaded border, raised on a circular foot, with six associated British hallmarked spoons, of Fiddle pattern, engraved motif to terminals 32.5cm high, 34.5oz (gross weight) William Henry Twentyman working in Calcutta mark and name is seen to many fine examples of Colonial Indian silver made in a British style. Due to his very ‘British style’ of design and manufacture his work for many years was often confused as a Scottish provincial maker. In many early exhibition, books and sale catalogues work by the ‘unknown WHT’ was attributed to Greenock, presumably due to the use of an anchor mark on many of his pieces.Arriving in Calcutta in 1810, William was apprentice to his uncle John Hunt for five years. He set up on his own immediately leaving the employ of his Master in 1815 and worked at Tank Square and Hare Street until 1842.Through his career the business would have various partnerships, with some partners taking control of certain aspects of the business, George H Hosmer controlling the watch making for example. These partnerships also allowed Twentyman to leave India and return to Europe leaving the business partners in control. By 1829 William takes back full control of the business and works until his retirement in 1842.
A REGENCY SILVER-PLATED AND CUT-GLASS TABLE CENTREPIECE EPERGNE APPARENTLY UNMARKED The central column with four S- scroll leaf clasped supports, raised on a square base with ornate stylised shell border and four leaf and shell clasped paw feet, with four scroll branch arms with openwork baskets and cut-glass bowls, the central basket with a larger cut crystal scalloped bowl 36cm high, 50cm across branches

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