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Lot 400
John Brunsdon (1933-2014) - The Secret Garden, Sedbury Hall, artist proof etching printed in colours, signed, titled and numbered 6/15 in pencil to the lower margin, visible sheet dimensions 46.5 x 31cmCondition report: Unglazed, but framed and mounted.Frame with damage to top left hand corner.Slight surface rippling to paper.Colours good, strong and original.Surface scuff to immediate paper margin at 12 o’clock, approx. 6x5mm.
Lot 375
Michael Manzavrakos (American, 1951-2014). Etching of a nude woman. Signed in pencil along the lower right; dated March 1996 along the lower center; and inscribed "For Don" along the lower left. Housed in a portfolio with a pencil inscription along the front reading " ~ Open this side ~ If you are old enough."Unframed; height: 17 1/4 in x width 12 1/2 in. Matted; height: 20 in x width: 16 in.
Lot 384
Group of nine prints and etchings including:Henri Meunier (Belgian, 1873-1922). "Le Soir (Ile de Brehaut)" (1909), etching and aquatint printed in color. Signed lower right, titled lower center, artist's cachet lower left.A pair of hand-colored etchings by Ch. Giroux after paintings by Daniel Hernandez Morillo (Peruvian, 1856-1932). "Mes Chats," signed in plate lower left; "Mes Colombes," signed in plate along lower right.Group of two aquatints by Frank Short (British, 1857-1945). "The New Moon," (1918) signed in pencil lower right, and one untitled work signed in pencil along lower right.Mutsumi Morita (Japanese, 20th c.). Woodblock print, signed and dated 1970 in pencil along lower right, editioned 47/55 and titled "No. 2" along lower left.Print of ballerinas. Signed illegibly and titled "Repos" in pencil along the lower left.Ethel Kirkpatrick (British, 1869-1966). Color woodcut titled "Canal Boats" (c. 1920). Signed in pencil along lower right.Marcel Gromaire (French, 1892-1971). Etching titled "Petite tete" (1922), signed and numbered 4/5 in pencil along the lower edge.Sight; height ranges from 7 1/4 in to 18 in x width ranges from 10 3/4 to 18 1/4 in. Matted; height ranges from 16 to 26 1/4 in x width ranges from 20 to 24 in.
Lot 10
Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's final state (of five), printing with plate tone on sturdy laid paper, platemark 134 x 104 mm (5 1/4 x 4 1/8 in), sheet 146 x 116 mm (5 3/4 x 4 5/8 in), a few small spots, some minor discolouration to sheet visible verso (unframed)Literature:Hind 108; New Hollstein 120 v/v
Lot 109
δ Katherine Bradford (b.1942)Swimmers in Fog Archival pigment print in colours, 2021, signed in pencil, numbered from the edition of 125, published by Exhibition A, New York, on Hahnemühle museum etching paper, with full margins, sheet 915 x 680mm (36 x 26 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 11
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on sturdy laid paper with "Arches" watermark, a well inked dark impression with Lamoureux's address in the lower right corner, still showing remnants of the coarsely burnished address of Justus Danckerts, platemark 530 x 410 mm (20 3/4 x 16in), sheet 543 x 415 mm (21 3/8 x 16 1/4 in), small margins, lower right margin irregularly trimmed to platemark, faint central horizontal fold, mainly visible verso (unframed)Literature:New Hollstein 119 viii/viii
Lot 12
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression on laid paper without watermark, New Hollstein's final state (of four), platemark 93 x 115 mm (3 5/8 x 4 1/2 in), sheet 100 x 126 mm (3 7/8 x 5 in) (unframed)Literature:New Hollstein 128 iv/iv
Lot 126
δ Damien Hirst (b.1965)I Once Was What You Are You Will Be What I AmEtching, 2006, signed and dedicated 'For Sam ♡' in pencil, on wove paper, with full margins, sheet 483 x 406mm (19 x 16 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 13
Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression of New Hollstein's final state (of four), printing with good contrast and slightly inky edges on sturdy laid paper without watermark, platemark 106 x 94 mm (4 1/4 x 3 3/4 in), sheet 120 x 117 mm (4 3/4 x 4 7/8 in), small margins (unframed)Literature:New Hollstein 158 iv/iv
Lot 136
δ David Hockney (b.1937)Cushions (Scottish Arts Council 64)Etching with aquatint, 1968, signed and dated in pencil, numbered from the edition of 75, printed by Maurice Payne, published by Petersburg Press, London, on wove paper, with full margins, sheet 572 x 521mm (22 ¾ x 20 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 137
δ David Hockney (b.1937)Panama Hat (Tokyo 119)Etching with aquatint, 1972, signed and dated in pencil, numbered from the edition of 125, co-published by Brooke Alexander, Inc., New York, and Petersburg Press, London, on Crisbrook handmade paper, the full sheet printed to the edges, sheet 416 x 337mm (18 1/8 x 13 ¼ in)This tableau depicts the hat, coat and pipe of Hockney's friend and former curator of the Metropolitan Museum of Art New York Henry Geldzhalerδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 14
Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a good but later impression of New Hollstein's final state (of three), on laid paper without watermark, platemark 155 x 132 mm (6 1/8 x 5 1/4 in), sheet 166 x 145 mm (6 1/2 x 5 3/4 in), faint vertical crease running down the left side, handling creases, minor spotting (unframed)Literature:NH 159 iii/iii
Lot 15
Rembrandt van Rijn (1606-1669)Self-portrait in a Velvet Cap with PlumeEtching with delicate plate tone, 1638, a good but later impression of New Hollstein's final state (of four), platemark 135 x 105 mm (5 1/4 x 4 1/8 in), sheet 150 x 120 mm (5 7/8 x 4 3/4 in) (unframed)Literature:New Hollstein 170 iii/iv
Lot 16
Rembrandt van Rijn (1606-1669)Joseph Telling his DreamsEtching, 1638, a good but later impression of New Hollstein's final state (of six), printing with plate tone on cream laid paper without watermark, platemark 111 x 83 mm (4 3/8 x 3 1/4 in), sheet 124 x 94 mm (4 3/4 x 3 5/8 in) (unframed)Literature:New Hollstein 167 vi/vi
Lot 17
Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a fine bold impression on sturdy laid paper without watermark, New Hollstein's second state (of two) printing with much tone, the dark hatching within the doorway showing little wear, platemark 145 x 112 mm (5 3/4 x 4 1/2 in), sheet 153 x 124 mm (6 x 4 3/4 in) (unframed)Literature:New Hollstein 190 ii/ii
Lot 18
Rembrandt van Rijn (1606-1669)The Angel departing from the family of TobiasEtching, 1641, but a later impression of New Hollstein's final state (of nine), printing boldly with delicate plate tone on laid paper without watermark, platemark 105 x 153 mm (4 1/8 in x 6 in), sheet 112 x 163 mm (4 1/2 x 6 1/2 in) (unframed)Literature:New Hollstein 189 ix/ix
Lot 20
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on laid paper without watermark, sheet 155 x 116 mm (6 x 4 1/2 in), thread margins, scraping verso to lower right corner, minor handling creases (unframed)Literature:New Hollstein 206 ii/ii
Lot 21
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a good but later impression of New Hollstein's final state (of nine), printing with strong contrasts on laid paper with partial text-based watermark, platemark 370 x 260 mm (14 1/2 x 10 1/4 in), sheet 392 x 265 mm (15 1/4 x 10 1/2 in) (unframed)Literature:New Hollstein 113 ix/ix
Lot 22
Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's final state (of four), printing with plate tone on laid paper, platemark 117 x 89 mm (4 5/8 x 3 1/2 in), sheet 131 x 101 mm (5 1/4 x 4 in) (unframed)Literature:Hind 148; New Hollstein 165 iv/iv
Lot 23
Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, a later impression of New Hollstein's final state (of three), printing with plate tone on cream laid paper, platemark 94 x 63 mm (3 3/4 x 2 7/8 in), sheet 102 x 71 mm (4 x 2 7/8 in) (unframed)Literature:New Hollstein 210 iii/iii
Lot 24
Rembrandt van Rijn (1606-1669)The Star of the Kings: A Night PieceEtching and drypoint, circa 1651, a very good well inked impression of New Hollstein's second state (of four), with touches of burr on the star-shaped lantern, on laid paper with partial indistinct circular watermark, platemark 91 x 141 mm (3 5/8 x 5 1/2 in), sheet 94 x 143 mm (3 3/4 x 5 5/8 in), minor printers' creases, and some light rubbing (unframed)Literature:Bartsch 113; New Hollstein 263
Lot 25
Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's sixth state (of seven) on wove paper without watermark, sheet 210 x 160 mm (8 1/4 x 6 1/4 in), very thin archival support verso, trimmed to or just within the plate, several careful repairs to tears and perforations within the sheet, some careful repaired losses with restoration, (unframed)Literature:Hind 260; New Hollstein 270 vi/vii
Lot 26
Rembrandt van Rijn (1606-1669)Abraham and IsaacEtching and drypoint, 1645, but a later impression of New Hollstein's second state (of two), with good contrast and printing darkly, on laid paper without watermark, platemark 158 x 128 mm (6 1/4 x 5 in), sheet 170 x 140 mm (6 3/4 x 5 1/2 in), minor surface dirt, some discolouration verso but not showing through through to recto (unframed)Literature:New Hollstein 224 ii/ii
Lot 27
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a later impression of New Hollstein's final state (of nine), printing with plate tone on cream laid paper without watermark, platemark 158 x 131 mm (6 1/4 x 5 1/4 in), sheet 170 x 140 mm (6 3/4 x 5 1/2 in) (unframed)Literature:Hind 229; New Hollstein 240 ix/ix
Lot 28
Rembrandt van Rijn (1606-1669)Clement de Jonghe, PrintsellerEtching and drypoint, 1651, but a later impression of New Hollstein's eighth state (of ten), on laid paper without watermark, platemark 206 x 162 mm (8 1/8 x 6 1/2 in), sheet 215 x 170 mm (8 1/2 x 6 3/4 in), minor marginal nicks, one to lower centre just going into platemark, faint surface dirt and toning to sheet (unframed)Literature:New Hollstein 264 viii/x
Lot 29
Rembrandt van Rijn (1606-1669)David at PrayerEtching with drypoint, 1652, but a later well inked impression of New Hollstein's final state (of three) with the faint scratch on David's cloak, printing with plate tone on cream laid paper without watermark, plate 141 x 91mm (5 5/8 x 3 5/8 in), sheet 155 x 102mm (6 1/8 x 4 in) (unframed)Literature:Hind 258; New Hollstein 268 ii/iii
Lot 30
Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: With the LampEtching, 1654, a good impression of New Hollstein's final state (of three), printing with plate tone on laid paper without watermark, platemark 105 x 130 mm (4 1/8 x 5 1/8 in), sheet 118 x 143 mm (4 5/8 x 5 3/4 in) (unframed)Literature:New Hollstein 279 iii/iii
Lot 31
Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, a good but later impression of New Hollstein's fourth state (of four), on laid paper without watermark, platemark 209 x 162 mm (8 1/4 x 6 3/8 in), sheet 222 x 174 mm (8 3/4 x 6 3/4 in), printing with some plate tone (unframed)Literature:New Hollstein 286 iv/iv
Lot 32
Rembrandt van Rijn (1606-1669)Christ at Emmaus: The Larger PlateEtching with drypoint, 1654, a good but later impression of New Hollstein's final state (of five), on laid paper without watermark, platemark 212 x 161 mm (8 3/8 x 6 3/8 in), sheet 225 x 173 mm (8 3/4 x 6 7/8 in) (unframed)Literature:New Hollstein 283 v/v
Lot 35
Bartolomeo Biscaino (1629-1657) The NativityEtching, circa 1650, an excellent impression on fine laid paper with watermark of the letters 'PA' with three leaf flower [probably mid-17th century], published by Daman, sheet 387 x 270 mm (15 1/4 x 10 5/8 in), small repaired tear to centre right with careful repair verso (unframed)Literature:Bartsch 7
Lot 36
Giovanni Antonio Canal, called Canaletto (1697-1768) The house with the inscriptionEtching, circa 1740-1741, etching on cream laid paper without watermark, platemark 297 x 214 mm (11 3/4 x 8 3/8 in), sheet 305 x 215 mm (12 x 8 1/2 in), small marginal nick repaired in the lower edge, another small fine split within the upper left carefully repaired (unframed)Literature:Bromberg 14 ii/ii
Lot 37
Giovanni Antonio Canal, called Canaletto (1697-1768) View of a Town with a Bishop's TombEtching, circa 1735-1746, a good black impression on ivory laid paper without watermark, sheet 298 x 298 mm (11 3/4 x 11 3/4 in), repaired split within the centre right of the image, old handling creases (unframed)Literature:Bromberg 16 ii/ii
Lot 38
Giovanni Battista Piranesi (1720-1788) The Gothic Arch, from 'Carceri d'Invenzioni'Etching, circa 1749, but a later black impression on thick ivory wove paper, without watermark, Hind's final state (of three) with the number '362' on the pillar to centre-right, platemark 412 x 548 mm (16 1/4 x 21 1/2 in), sheet 555 x 690 mm (21 3/4 x 27 1/4 in), central vertical fold with repairs to old splitting, tape support verso, (unframed) Literature: Hind 13 iii/iii
Lot 39
Stefano della Bella (1610-1664)Le Vase de MediciEtching, 1656, a very good delicate impression on laid paper with watermark of grapes, sheet 315 x 274 mm (12 1/4 x 10 3/4 in), trimmed to or just within the platemark, upper right corner with repair to old tear, minor handling creases (unframed)Literature:De Vesme 832 ii/ii
Lot 40
Jusepe de Ribera (1591-1652)Saint Jerome readingEtching, circa 1624, a delicate impression on laid paper without watermark, sheet 190 x 253 mm (7 1/2 x 10 in), trimmed to or just within the platemark some toning to sheet, old handling creases, scattered careful repairs to small losses (unframed)Together with: The Martyrdom of St. BartholomewEtching, 1624, an even impression on cream laid paper with watermark of a fleur-de-lis within a circle, sheet 320 x 235 mm (12 1/2 x 9 1/4 in), faint vertical line of rubbing in upper right corner, some other minor abrasion and surface dirt (unframed) Literature:Bartsch 3; 6
Lot 60
δ Marc Chagall (1887-1985)Le Rêve de L'Âne (see Cramer 63)The original cancelled copper plate for the editioned etching, 1963, published by Gérald Cramer, overall 310 x 240mm (11 ¾ x 9 3/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 62
δ Salvador Dalí (1904-1989)Gala assunta (Field 73-18; M&L 580b)Drypoint etching, 1973, signed in pencil, numbered from the edition of 74, printed by Atelier Torrents, published by Ärzte-Sammlerkreis, Weiden, on wove paper, with full margins, sheet 760 x 560mm (30 x 22in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 63
δ Salvador Dalí (1904-1989)Liquid and Gaseous Television, from Imaginations and Objects of the Future (Field 75-11 C; M&L 824a)Etching with lithograph, screenprint and collage in colours, 1975-76, signed in pencil, numbered from the edition of 250, published by Merrill Chase Publishing Association, on Arches wove paper, with full margins, sheet 773 x 560mm (30 1/2 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 72
δ Salvador Dalí (1904-1989)Sainte Anne (Field 65-3; M&L 132a)Etching with aquatint printed in colours, 1965, signed in pencil, numbered from the edition 150, published by Pierre Argillet, Paris, on Arches wove paper, the full sheet, sheet 764 x 568mm (30 1/8 x 22 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 77
δ Salvador Dalí (1904-1989)Philosophe écrasé par le Cosmos, from La Conquête du Cosmos (Field 74-12-A; M&L 642a)Etching and lithograph printed in colours with embossing, 1974, signed and numbered from the edition of 195 in pencil, published by Lavigne, Paris, on watermarked BFK Rives wove paper, the full sheet, 996 x 700mm (39 1/4 x 27 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 78
δ Salvador Dalí (1904-1989)Infra-terrestres adorés par Dalí à 5 ans car il se croyait insecte (Field 74-12 F; M&L 649b)Etching and lithograph printed in colours with embossing, 1974, signed and numbered from the edition of 195 in pencil, printed by D'Art Bellini, Paris, published by Jean Lavigne, Paris, on BFK Rives wove paper, full sheet, 995 x 697 mm (39 1/8 x 27 1/2 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 89
δ Pablo Picasso (1881-1973)Le Singe (Baer 586 II A/C; Bloch 339)Etching with aquatint, 1936, a rare proof with the title inked before the steel facing and the bevelling of the plate, signed in red crayon, Baer cites 8 impressions in this state, as included in Buffon: Histoire Naturelle, on Montval laid paper, with full margins, sheet 442 x 330mm (17 3/8 x 13 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 90
δ Pablo Picasso (1881-1973)Le Taureau (Baer 377 II B/a; Bloch 330)Etching with aquatint, 1936, with the title inked, signed in red crayon, Baer cites the edition as 47 impressions in this state, as included in Buffon: Histoire Naturelle, on Montval laid paper, with full margins, sheet 442 x 330mm (17 3/8 x 13 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 91
δ Pablo Picasso (1881-1973)Le Couvent, from Saint Matorel (Bloch 22, Baer 26, see Cramer books 2)Etching, 1910, from the edition of 87, published by Kahnweiler, Paris, on Van Gelder laid paper, the full sheet, sheet 263 x 223mm (10 3/8 x 8 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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