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Click here to subscribeEdgar Holloway (British 1914-2008)/Keymer, West Sussex/signed, inscribed and numbered 15/25 in pencil/etching, plate size 5.5cm x 7.5cm, unframed and/Benson, Vermont/signed and numbered 4/30 in pencil/etching, plate size 7cm x 10cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Edgar Holloway (British 1914-2008)/Firelight/signed, titled and numbered 18/25 in pencil/etching, plate size 15cm x 10cm/mounted but unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Sir Frank William Brangwyn RA RWS RBA (British 1867-1956)/Illustration for L'Ombre de la Croix/etching on wove paper, 17.5cm x 14cm unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
William Lionel Wyllie (British 1851-1931)/St Paul's Cathedral/shipping to the foreground/signed in pencil/etching, 20cm x 25cm/and another etching by the same depicting fishing vessels, 11cm x 32.5cm CONDITION REPORT: Both have very slight signs of browning to paper, otherwise condition is good. The St Paul's print has slipped in the frame and part of the Wyllie signature is under the mount.
Sale Item: ETCHING SUMMER BY E YORK BRUNTON Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
δ Maggi Hambling (b.1945)Waves IEtching, 2009, signed, dated and numbered from the edition of 20 in pencil, on wove paper, with full margins, sheet 255 x 318mm (10 x 12 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Barbara Rae (b.1943)Winter AchillEtching printed in colours, 2010, signed, titled and numbered from the edition of 100 in pencil, printed by Peacock, Aberdeen, Scotland, with full margins, image 170 x 220mm (6 5/8 x 8 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Terry Frost (1915-2003)PZ and SS (Kemp 257 C)Etching, 2003, signed, dated and numbered from the edition of 30 in pencil, on Chinese tissue attached to Somerset white textured paper, printed by Hugh Stoneman and Michael Ward at Stoneman Graphics, Cornwall, published by the artist, Newlyn, sheet 465 x 431mm (18 1/8 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Callum Innes (b.1962)UntitledPhotopolymer etching printed in colours, 2004, signed and numbered from the edition of 140 in pencil, on wove paper, published by Tate, St Ives, with full margins, sheet 482 x 430mm (19 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Gillian Ayres (b.1930)The Seeds that Woke the ClayEtching with aquatint and carborundum printed in colours, 2010 signed ,dated and numbered from the edition of 50 in pencil, with full margins, sheet 380 x 425mm (15 x 16 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Samuel Palmer (1805-1881)The SkylarkEtching, circa 1850, a clean impression of the completed image with the plate number '17' below, on thick ivory wove paper with bevelled platemark, platemark 120 x 95 mm (4 3/4 x 3 3/4 in), sheet 210 x 170 mm (8 1/4 x 6 3/4 in), some minor spotting and surface dirt (unframed)Together with Christmas - folding the last sheep (from Samuel Palmer A Memoir), etching on wove paper, circa 1850, but a later state with the engraved title and the words "from Bampfylde's Sonnet", platemark 125 x 105 mm. (4 7/8 x 4 1/8 in), sheet 355 x 255 mm. (14 x 10 in) (unframed) (2)Literature:Lister 2; 4
δ John Hoyland (1934-2011)1969Etching with aquatint printed in colours, 2006, signed and numbered from the edition of 200 in pencil, on wove paper, printed by Tate St Ives, the full sheet, image 280 x 450mm (11 x 17 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Pierre-Auguste Renoir (1841-1919)Le Chapeau Épinglé (1re Plance) (see Delteil 6, Stella 6)The rare and previously unrecorded drypoint printing with rich burr, printed in dark brown ink, 1894-95, a unique proof printed before steel-facing and the bevelling of the plate, on laid paper, with full margins, 120 x 85mm (4 3/4 x 3 1/3in) (unframed)Both Delteil and Stella had only seen impressions of this work printed after the plate was steel-faced and mistakenly assumed the work to be an etching. This previously unknown impression printed prior to the steel-facing displays extremely rich burr and a delicate veil of plate tone, and thus we can unquestionably state that the work is indeed a drypoint engraving rather than an etching.
δ Antony Gormley (b.1950)DomainEtching, 2013, signed, titled, dated and numbered from the edition of 100 verso in pencil, on wove paper, with full margins, sheet 380 x 303mm (15 x 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Eduardo Paolozzi (1924-2005)UntitledUnique photo-etching, 1970, signed and dated in pencil, inscribed Artist's Proof, on wove paper, with margins, plate 255 x 360mm (10 x 14in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on laid paper without watermark, thread margins, indistinct collector's note verso, small loss to corner in upper right margin with fine tear, other old small repaired nicks, small loose paper tipped at centre on support, sheet 154 x 116 mm (6 x 4 1/2 in) (unframed)Literature:Hind 198; Hind New Hollstein 206 ii/ii
Claire Falkenstein (1909-1997)Struttura Grafica, Three PlatesThree engravings, with relief, etching and aquatint printed in colours, 1963, each signed in pencil, numbered from the edition of XXX, on C.M.Fabriano wove paper, with full margins, each sheet 694 x 496mm (27 ¼ x 19 ½ in) (3) (unframed)Claire Falkenstein was an American sculptor, painter, printmaker and jewellery designer. She taught for a time at the California School of Fine Arts alongside Clyfford Still and Richard Diebenkorn, and 1950 she moved to Paris where she studied engraving under Stanley William Hayter at Atleier 17 after it had re-located to Paris post war. Whilst at Atelier 17 she worked alongside Jean Arp, Alberto Giacometti Sam Francis and Paul Jenkins, and it was there that she became most associated with Art Informel. One of her most recognisable works are the New Gates of Paradise which were commissioned by her friend Peggy Guggenheim for the entrance to her Palazzo on the Grand Canal, now known as the Guggenheim Venice.
δ David Hockney (b.1935)A Wooded Landscape (Tokyo 72)Etching, 1969, from the unsigned edition of 400, proofed by Maurice Payne, printed by Piet Clement, published by Petersburg Press and Kasmin Gallery, London, on W.S. Hodgkinson wove paper, with full margins, sheet 455 x 310mm., (17 7/8 x 12 ¼ in.)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1935)Home (Tokyo 84)Etching, 1969, signed in pencil on a separate justification sheet, from the unsigned edition of 400, proofed by Maurice Payne, printed by Piet Clement, published by Petersburg Press and Kasmin Gallery, London, on W.S. Hodgkinson wove paper, the full sheet printed to the edges, sheet 455 x 310mm., (17 7/8 x 12 ¼ in.)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)An Erotic Etching (Scottish Arts Council 172)Etching, 1975 signed in pencil, numbered from the edition of 100; and Allen Jones, Navajo Jacket (Lloyd 68) screenprint in colours, signed dated and numbered from the edition of 100 in pencil, both included within the book Peter Webb. The Erotic Arts, with title-page, text and justification, within the original green morocco gilt boards, overall size δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)The Wonder of You, Your SmellEtching printed in colours, 2015, signed in pencil, numbered from the edition of 55 in pencil verso, on wove paper, printed and published by Charles Booth-Clibborn under his imprint The Paragon Press, the full sheet, 920 x 670mm (36 1/4 x 26 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)The Wonder of You, Your TasteEtching printed in colours, 2015, signed in pencil, numbered from the edition of 55 in pencil verso, on wove paper, printed and published by Charles Booth-Clibborn under his imprint The Paragon Press, the full sheet, 920 x 670mm (36 1/4 x 26 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Chris Ofili (b.1968)UntitledEtching with aquatint printed in orange, 2000, signed and numbered from the edition of 100 in pencil, on Hahnemühle wove paper, as included in the Cubitt Portfolio, with full margins, sheet 260 x 210mm (10 1/4 x 8 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Dieter Roth (1930-1998)Kuchen (Cake) (Dobke 148)The rare etching, 1970, signed, dated and numbered from the edition of 30, one of only 15 impressions printed in black ink, there were a further 15 impressions printed in relief in white on black paper, printed by H. Badetzko, Düsseldorf, published by Gallery Wilbrand, Cologne, on wove paper, with full margins, sheet 530 x 775mm (20 7/8 x 30 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964)Five Ring Circus-It's All Fun and Games Till Someone Loses an EyeGiclée print in colors, 2012, signed, dated and numbered from the edition of 50 in pencil, on German etching paper, published by Ingleby Gallery, Edinburgh, the full sheet, 990 x 660mm (37 7/8 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)A Blind Hurdy-Gurdy Player and Family Receiving Alms Etching and drypoint, 1648, but a later very well inked and bold impression, New Hollstein's third state (of five) on laid paper without watermark, platemark 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 180 x 143 mm (7 x 5 5/8 in), marginal loss to upper corners restored, expert restoration to areas of surface abrasion and fine perforations to the sheet (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v
δ Salvador Dali (1904-1989)The Cycles of Life. Reflections (Field 79-C)Etching with lithograph printed in colours, 1979, signed in pencil, numbered from the German edition of 125, published by Graphos Verlag, Germany, on BFK Rives paper, with full margins, sheet 615 x 440mm (14 ¾ x 21 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Ananas (Field 67-11)Photolithograph with etching, 1967, signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union Française, Paris, on Japon nacré paper, with full margins, 590 x 388mm (23 ¼ x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state with the aquatint, signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Lieven Willemsz van Coppenol, Writing Master: The Larger PlateEtching, engraving and drypoint, circa 1658, but a later impression of New Hollstein's eighth state (of nine), on thick fibrous laid paper without watermark, sheet 141 x 131 mm (5 1/2 x 5 1/4 in), trimmed just within the plate (unframed)Together with:'The Pancake Woman', etching, 1635, but a later impression of New Hollstein's final state (of seven), on thin laid paper without watermark [AND] 'The Tribute Money', etching, circa 1634, but a later impression of New Hollstein's third state (of three), on thin laid paper without watermark (unframed) (3) Literature:New Hollstein 306 viii/ix; 144 vii/vii; 138 iii/iii
δ Pablo Picasso (1881-1973)Negre (Bloch 633, Baer 841)Etching, 1949, signed in pencil, one of 16 proofs with the corrected title-page for the book Corps Perdu as cited by Baer in volume V of her catalogue, as included on a folded sheet of Montval wove paper, with full margins, 390 x 570mm., (15 3/8 x 22 ½ in.) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)A Beggar Woman Leaning on a StickEtching, 1646, but a later slightly faint and delicate impression of New Hollstein's fourth state (of five) on ivory laid paper, platemark 82 x 66 mm (3 1/4 x 2 1/2 in), sheet 86 x 70 mm (3 1/2 x 2 3/4 in), thinning to platemark indentation at lower left corner, expertly repaired (unframed)Literature:Hind 219; New Hollstein 229 iv/v
δ Pablo Picasso (1881-1973) after.BethsabéEtching with aquatint printed in colours, circa 1960, signed in pencil, the edition was 300, printed by Atelier Crommelynck, with their blindstamp, on BFK Rives paper, with full margins, sheet 455 x 560mm, (17 3/4 x 22in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Balzac (Bloch 713)Etching, 1952-61, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on laid paper, with full margins, sheet 356 x 530mm., (14 x 20 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Homme Assis Près d'une Femme Allongée (Bloch 1456)Etching, 1967, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margins, sheet 446 x 559mm., (17 ½ x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marcel Duchamp (1887-1968) and Jacques Villon (1875-1963)La Mariée (The Bride) (Ginestet et Pouillon E672)Etching with aquatint printed in colours, 1934, signed by both Duchamp and Villon, also titled in English by Duchamp, numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, sheet 711 x 533mm (28 x 21in) Jacques Villon (Gaston Duchamp) was the elder brother of Marcel Duchamp and a master printmaker, at the behest of Gelerie Bernheim-Jeune he produced and number of aquatints reproducing important works of the day by artists including his brother Marcel Duchamp, Henri Matisse, Amedeo Modigliani, Pablo Picasso, and others. In the most past these incredible aquatints were produced with the artist who had originally conceived the work and often works were signed by both aritsts.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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![Cecil Aldin [1870-1935]-Terrier in a chair,:-etching, signed and numbered 72/100 in pencilimage size 25 x 19cm.](https://cdn.globalauctionplatform.com/b62c9512-977a-47ad-a541-abde0119dcc2/4c9062a4-682f-42c3-8c59-abfa0101d0a6/468x382.jpg)
