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Lot 552
FRANK BRANGWYN (1867-1956) CALVARY SCENE, an etching produced for the book' L'Ombre de la Croix', depicting three crosses and trees, unsigned from the collection of William de Belleroche, approximate size 7cm x 9.5cm including margins with Liss Fine Art gallery receipt, together with a still life drawing attributed to George Hooper (1910-1994), attribution by the staff of Brighton College of Art, approximate size 6.5cm x 5cm including margins, Condition Report: dirty marks to the 'Hooper' drawing
Lot 610
ATTRIBUTED TO MICHEL DE GOEYE (BELGIUM 1900-1958) 'ANDERLECHT', an etching depicting a Belgian town at night, featuring drunken sailors, a brothel and lovers, attribution verso, approximate size 66cm x 50cm including margins, Condition Report: the etching is in good condition, frame marked in places
Lot 551
TWO ETCHINGS AND A DRAWING, comprising an etching of a male figure sat at a work bench, indistinctly signed and titled 'The Etcher' to lower margin, approximate size 23cm x 16cm, an indistinctly signed Spanish etching numbered 3/5 and an indistinctly signed and titled panorama sketch of a town
Lot 566
HAROLD WILLIAMSON (BRITISH 1892-1978) SEATED FEMALE NUDE, a full length figure study of a seated female figure, signed lower right, pencil on paper, approximate size 40cm x 32cm, together with an etching depicting a standing full length nude female figure by the same hand, initialled in the plate, approximate size 30cm x 24cm, Condition Report: light spots of foxing in places to the drawing, etching is in good condition (artist resale rights apply) (2)
Lot 544
THREE 19TH / 20TH CENTURY ETCHINGS, comprising Michael Foreman (1938) 'An Egyptian Landscape', depicting the Pyramids of Giza, signed and numbered 141/500 to lower margin, approximate size 17cm x 21cm, a Eugene Delatre (1864-1938) etching 'Impasse Giradon' signed and numbered 27/500 to lower margin, together with Alice Barnwell (exhibited 1930's) 'Winter Willows' depicting trees beside water, signed and titled to lower margin
Lot 597
A QUANTITY OF PICTURES AND PRINTS ETC, to include watercolours by Angela Moody, subjects include summer and winter landscapes and views of Lichfield, Jonathan Watson Norfolk Wherry watercolour, an indistinctly signed coastal watercolour, two watercolours depicting cottages initialled M.E.E.B, a Robert Taylor print 'The Dambusters' signed by Mick Martin who is depicted flying his Lancaster in the print, nine motorsport prints, an etching of a female figure on glass signed and dated Grant 1979 etc
Lot 577
FOUR ART BOOKS comprising A Magic of a Line, The Autobiography of Laura Knight 1st Edition, pub. William Kimber and Co. 1965, Weight; Carel, A Haunted Imagination, 1st Edition, pub. 1994 with a written and signed note on the front endpapers by the author, Modern Masters of Etching, no. 27, pub. 1931 and A Production 1926, being designs projected or realized by Edward Gordon Craig for 'The Pretenders' of Henrik Ibsen, pub. 1930
Lot 540
ARCHIBALD STANDISH HARTRICK (1874-1950) 'Scrooge' a coloured etching, signed and titled in pencil, 27cm x 19cm, together with Frans Wesselman (1953) 'Ariel', a limited edition monochrome print, no.18/75, numbered, titled and signed in pencil, 27cm square and a monochrome etching of Salome, bears label verso with attribution to Alfred Basel, 17cm x 23cm, all three framed and glazed (3)
Lot 378
THREE BOXES AND LOOSE MISCELLANEOUS ITEMS AND BOOKS comprising a box of approximately eighteen boxed candles in glass, a box of vintage art books to include subjects ancient art, Japanese art, Da Vinci, etching, etc, a wooden cased sewing machine, two vintage Cona Coffee machines (untested), a cased putting practice set (3 boxes and loose) (s.d)
Lot 588
FOUR 20TH CENTURY PRINTS, comprising John Lawrence 'Days are where we live', a wood engraving for the book A New Treasury of Poetry', signed, titled and marked A.P to lower margin, approximate size 30cm x 25cm, a J. Whiteford etching with colours 'The Bird Bath' numbered 8/15, a Ian Laurie etching with colours 'Newlyn' and a limited edition wood block print after Charles Tunnicliffe, the print was produced in an edition of fifty from the repaired block by Simon Lawrence for Liss Llewellyn Fine Art, together with a Japanese woodblock print, an unworked Festival of Britain embroidery map with printed instructions and a small number of postcards
![A collection of framed prints to include an etching depicting Garden Front Of The Luxembourg, Paris and similar. [W]](https://cdn.globalauctionplatform.com/698758f9-5103-42b2-93b1-b1e200d74da3/740452b6-1c20-421d-a75b-b20b010ea537/468x382.jpg)
Lot 253
Created in honor of the company's centennial year. Depicts Old World methods of sausage making. Hand painted etching with gold trim around plate. Descriptive history found on back of piece. Two springs attached to metal hangers. #126 printed on back. Artist: George PeterIssued: 1980Dimensions: 10""Dia. Country of Origin: United StatesCondition: Age related wear.
Lot 3
Original black & white etching on paper on board of a Jewish woman wrapped in a shawl with her head lowered as she rests on an armchair set in a bare interior. The artist used different drawing techniques of crosshatching and single lines to render the highlights and the darkened areas. Signature in pen on lower right: illegible. Housed in a gilded frame with an ecru mat. Sight size: 5.10""L x 6.75""H. Frame size: 10""L x 12""H x 1.20""W. Issued: c. 1970Condition: Age related wear.
Lot 283
René-Jean CLOT (1913 - 1997). Radierung. Gladiatoren.Darstellung zweier kämpfender Gladiatoren. Radierung. Nr. 8/60. Signiert und handschriflich gewidmet. Gerahmt in Passepartout hinter Glas. Passepartoutausschnitt 28 x 33 cm. Zustand siehe Fotos. Versand kann organisiert werden.René-Jean CLOT (1913 - 1997). Etching. Gladiators.Depiction of two fighting gladiators. Etching. No. 8/60. Signed and dedicated in manuscript. Framed in passepartout behind glass. Passepartout cut-out 28 x 33 cm. See photos for condition. Shipping can be organised.
Lot 468
Robert Morden, The County of Monmouth, hand-coloured engraving sold by Abel Swale Awnsham & Iohn Churchil, 35 x 42, A New Map of Monmouthshire, map of The Road from Chester to Cardiff, three other maps, Edward J Cherry, Elizabethan Houses Holborn, etching, signed in pencil lower left, titled on artist's label verso, 16 x 17cm and Edward J Cherry, Houses of Parliament Westminster, etching, signed in pencil lower left, titled on artist's label verso, 14 x 16cm, all framed and glazed (8)
Lot 501
Anthony Dyson, Calendarivm Londinense or the London Almanack for the Year 1998, limited edition etching, signed in pencil lower right and numbered 86/175 lower left, 42 x 31.5cm, framed and glazed, after Ethel Parkinson (Dutch, b.1968), a pair of nursery rhymes: Little Bo-Peep and Mary, Mary, Quite Contrary, colour prints, each, 29 x 43cm, each framed and glazed and other pictures and prints (1 box)
Lot 1821
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta della Basilica di S. Giovanni Laterano" 1749 Radierung, Platte signiert "Piranesi del. Scol.", HxB: 40/55 cm. Etwas stockfleckig. Rahmen, HxB: 60/74 cm.| PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘View of the Basilica of St. John Lateran’ 1749Etching, plate signed “Piranesi del. Scol.”, hxw: 40/55 cm, somewhat foxing. Frame, hxw: 60/74 cm.
Lot 1827
BREKER, ARNO (1900 - 1991), "Weiblicher Akt", mit Bleistift signiert 'Arno Breker' und nummeriert 46/50. Radierung auf Papier, hinter Passepartout montiert. HxB Platte: ca. 28 x 37 cm, HxB Passepartoutausschnitt: ca. 36 x 45,5 cm (HxB Rahmen: ca. 60,5 x 68,5 cm). Alters- und Beriebsspuren, Blatt leicht wellig, minimale Verfärbungen. Mit verglastem Rahmen (Altersspuren).| BREKER, ARNO (1900 - 1991), "Female nude", signed in pencil (‘Arno Breker’) and numbered (46/50). Etching on paper, mounted behind passepartout. HxW plate: approx. 28 x 37 cm, HxW passepartout cut-out: approx. 36 x 45.5 cm (HxW frame: approx. 60.5 x 68.5 cm). Signs of age and rubbing, sheet slightly wavy, minimal discolouration. With glazed frame (traces of age).
Lot 1813
JANSSEN, HORST (1929 - 1995), weiblicher Akt, 1970, u.li. mit Bleistift von Hand nummeriert 12/22, u.re. mit Bleistift von Hand monogrammiert und datiert, Radierung, HxB: Platte ca. 15x22cm, Passepartout-Ausschnitt ca. 21x27,5 cm, Außenmaße Rahmen 44x52,5 cm. Altersspuren, gebräunt. Im Passepartout hinter Glas gerahmt (Alters- und Beriebsspuren). | JANSSEN, HORST (1929 - 1995), female nude, 1970, numbered 12/22 in pencil by hand lower left, monogrammed and dated in pencil by hand lower right, etching, HxW: plate approx. 15x22cm, mat opening approx. 21x27.5 cm, outer frame dimensions 44x52.5 cm. Signs of age, browned. Framed behind glass in passepartout (traces of age and wear).
Lot 1822
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta della Piazza del Popolo" 1750 Radierung, Bezeichnet "Presso l'Autore a Strada Felice vicino alla Trinità de'monti" unten rechts, HxB: 40/54 cm. Etwas stockfleckig. Rahmen, HxB: 60/73 cm. | PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘Veduta della Piazza del Popolo’ 1750Etching, inscribed 'Presso l'Autore a Strada Felice vicino alla Trinità de'monti' lower right, hxw: 40/54 cm, somewhat foxed. Frame, hxw: 60/73 cm.
Lot 1819
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta del Castello dell' Acqua Felice" 1751 Radierung, Platte signiert "Piranesi F.", HxB: 40,5/68,5 cm. Stockflecken. Rahmen, HxB: 59/85 cm. | PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘View of the Acqua Felice Castle’ 1751Etching, plate signed “Piranesi F.”, HxW: 40.5/68.5 cm. Foxing stains. Frame, hxw: 59/85 cm.
Lot 1812
JANSSEN, HORST (1929 - 1995), "Helgoland Walfisch", 1970, u.li. mit Bleistift von Hand nummeriert 12/22, u.re. mit Bleistift von Hand monogrammiert und datiert, Radierung, HxB: Platte ca. 16,5x25, Passepartout-Ausschnitt ca. 20,5x29 cm, Außenmaße Rahmen 44,5x53 cm. Altersspuren, leicht gebräunt. Im Passepartout hinter Glas gerahmt (Alters- und Beriebsspuren).| JANSSEN, HORST (1929 - 1995), “Helgoland Whale”, 1970, numbered 12/22 in pencil by hand lower left, monogrammed and dated in pencil by hand lower right, etching, HxW: plate approx. 16.5x25, mat opening approx. 20.5x29 cm, outer frame dimensions 44.5x53 cm. Signs of age, slightly browned. Framed behind glass in passepartout (traces of age and wear).
Lot 1807
NÄGELE, REINHOLD (1884-1972), "Feuerbohnen", 1924, Radierung/Papier, u.li. mit Bleistift undeutllich bez., datiert "Jan. 1924" und betitelt, u.re. in der Platte monogrammiert und datiert sowie mit mit Bleistift von Hand signiert, HxB: Platte ca. 16,2x17,2 cm, Passepartout-Ausschnitt ca. 17,5x18 cm, Rahmen ca. 39,5x43,5 cm. Alters- und Beriebsspuren, gebräunt, leicht gewellt. Im Passepartout hinter Glas gerahmt (Alters- und Beriebsspuren).| NÄGELE, REINHOLD (1884-1972), “Fire beans”, 1924, etching/paper, indistinctly inscribed, dated “Jan. 1924” and titled in pencil lower left, monogrammed and dated in the plate lower right and signed by hand in pencil, HxW: plate approx. 16.2x17.2 cm, mat opening approx. 17.5x18 cm, frame approx. 39.5x43.5 cm. Traces of age and rubbing, browned, slightly wavy. Framed behind glass in passepartout (traces of age and wear).BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Lot 1824
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta interna della Basilica di S. Pietro in Vaticano" 1748 Radierung, Platte signiert, HxB: 41/60 cm. Leicht stockfleckig, HxB: 59/73 cm. | PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘Interior view of St. Peter's Basilica in the Vatican’ 1748Etching, plate signed, hxw: 41/60 cm. Slight foxing, HxW: 59/73 cm.
Lot 1820
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta interna dell' Atrio del Portico di Ottavia" c.1760 Radierung, bezeichnet "Piranesi Architetto fec." unten rechts, HxB: 41,5/55,5 cm. Mittelfalte, die Ränder sind geschnitten, etwas stockfleckig. Rahmen, HxB: 53/66 cm. | PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘Veduta interna dell’ Atrio del Portico di Ottavia’ c.1760Etching, inscribed ‘Piranesi Architetto fec.’ lower right, HxW: 41.5/55.5 cm. Centrefold, margins trimmed, some foxing. Frame, HxW: 53/66 cm.
Lot 1823
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta del Romano Campidoglio con Scalinata che va'alla Chiesa d'Araceli" Radierung, Platte signiert "Piranesi del. Scol." unten rechts, HxB: 40,5/55 cm. Schnitt durch die Mittelfalte, etwas stockfleckig. Rahmen, HxB: 53/66 cm. | PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘View of the Roman Capitoline Hill with Steps leading to the Church of Araceli’. Etching, plate signed “Piranesi del. Scol.” lower right, hxw: 40,5/55 cm. Cut through the centerfold, somewhat foxed. Frame, hxw: 53/66 cm.
Lot 1839
DALI, SALVADOR (1904-1989), "The Great Inquisitor Expels the Savior", 1974, aus: nach 50 Jahren Surrealismus, Kaltnadelradierung mit Pochoir auf Japanpapier, u.li. nummeriert "F VII/XXXV", u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 40x30 cm, Blatt ca. 67x50 cm, Außenmaße Rahmen ca, 89x72 cm. Alters- und Beriebsspuren, Ecken und Kanten best., gebräunt, Im Passepartout hinter Glas gerahmt (Alters- und Beriebsspuren). ANBEI Zertifikat der Galerie Vogel. LITERATUR: Ralf Michler/Lutz W. Löpsinger, Salvador Dali, Das druckgraphische Werk I, Prestel, 1995, WVZ-Nr. 671.| DALI, SALVADOR (1904-1989), “The Great Inquisitor Expels the Savior”, 1974, from: nach 50 Jahren Surrealismus, drypoint etching with pochoir on Japanese paper, numbered “F VII/XXXV” lower left, signed by hand in pencil lower right, HxW: plate approx. 40x30 cm, sheet approx. 67x50 cm, outer frame dimensions approx. 89x72 cm. Traces of age and rubbing, browned corners and edges, framed behind glass in passepartout (traces of age and rubbing). Accompanied by certificate from Galerie Vogel. LITERATURE: Ralf Michler/Lutz W. Löpsinger, Salvador Dali, Das druckgraphische Werk I, Prestel, 1995, WVZ no. 671.BEI EINEM ZUSCHLAG ÜBER €400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Lot 1805
MIRÓ, JOAN (1893-1983), Figürliche Komposition aus "Passage de l'Egytienne (Reise der Ägypterin)", Farbaquatintaradierung/Japanpapier, u.re. mit Bleistift signiert, u.li. bezeichnet 'e. a.' (Epreuve d'Artiste), HxB: Blatt ca. 60x42 cm (93x74 cm mit Rahmen). Linker Blattrand minim. beschnitten, Altersspuren, leicht gebräunt und gewellt, an den Ecken hellere Flecken von rückseitiger Montur. Mit Passepartout hinter Glas gerahmt (Kanten part. leicht beschädigt). VERSO Etikett mit Werkbezeichnung. LITERATUR: Jacques Dupin und Ariane Lelong-Mainaud, Miró Engraver, IV. 1976-1983, Daniel Lelong Éditeur 2001, WVZ-Nr. 1191.| MIRÓ, JOAN (1893-1983), Figurative composition from ‘Passage de l'Egytienne (Reise der Ägypterin)’, colour aquatint etching/Japanese paper, signed in pencil lower right, inscribed ‘e. a.’ (Epreuve d'Artiste) lower left, HxW: sheet approx. 60x42 cm (93x74 cm with frame). Left margin minimally trimmed, traces of age, slightly browned and wavy, lighter stains from mounting on the reverse in the corners. Framed with passepartout behind glass (edges partially slightly damaged). VERSO label with plant designation. LITERATURE: Jacques Dupin und Ariane Lelong-Mainaud, Miró Engraver, IV. 1976-1983, Daniel Lelong Éditeur 2001, WVZ-Nr. 1191.
Lot 1817
PENCK, A.R. (geb. 1939), "Kontrolle", 1991, Farbaquatintaradierung/Bütten, u.li. mit Bleistift von Hand nummeriert 22/50, unten mittig mit Bleistift von Hand betitelt, u.re. mit Bleistift von Hand signiert, am unteren rechten Blattrand undeutlicher Trockenstempel, HxB: Platte ca. 89,5x65,5, Blatt ca. 106,5x76 cm, Außenmaße Rahmen ca. 129x100,5 cm. Altersspuren. Im Passepartout hinter Glas gerahmt (Alters- und Beriebsspuren). | PENCK, A.R. (born 1939), “Control”, 1991, color aquatint etching/laid paper, numbered 22/50 in pencil by hand lower left, titled in pencil by hand lower center, signed in pencil by hand lower right, indistinct dry stamp in the lower right margin, HxW: plate approx. 89.5x65.5, sheet approx. 106.5x76 cm, outer frame dimensions approx. 129x100.5 cm. Traces of age. Framed behind glass in passepartout (traces of age and wear).
Lot 1837
DALI, SALVADOR, nach (1904-1989), "Dionysos", 1967 Farbradierung/Japanpapier, u.li. mit Bleistift von Hand nummeriert "135/250", u. re. mit Bleistift bezeichnet, HxB: Platte ca. 36,5x38,5 cm, Blatt ca.56,5x76,5 cm, Außenmaße Rahmen ca. 78,5x97,5 cm. Alters- und Beriebsspuren, gebräunt, Ecken und Kanten bestoßen. Im Passepartout hinter Glas gerahmt (Alters- und Beriebsspuren). ANBEI Zertifikat der Galerie Vogel.| DALI, SALVADOR, after (1904-1989), “Dionysos”, 1967, color etching/Japanese paper, numbered “135/250” in pencil by hand lower left, inscribed in pencil lower right, HxW: plate approx. 36.5x38.5 cm, sheet approx. 56.5x76.5 cm, outer frame dimensions approx. 78.5x97.5 cm. Signs of age and wear, browned, corners and edges bumped. Framed behind glass in passepartout (traces of age and wear). Accompanied by certificate from Galerie Vogel. BEI EINEM ZUSCHLAG ÜBER 400€ MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Lot 1825
PIRANESI, GIOVANNI BATTISTA (1720-1778) "Veduta del Porto di Ripetta" 1753 Radierung, Platte sig., HxB: 40/60 cm. Min. Altersspuren. Rahmen, HxB: 57/77 cm. | PIRANESI, GIOVANNI BATTISTA (1720-1778) ‘View of the Port of Ripetta’ 1753Etching, plate signed, hxw: 40/60 cm. Min. traces of age. Frame, hxw: 57/77 cm.
Lot 1801
DANLER, HERBERT (1928 - 2011) "Hager/Pfons", 1982, Bergbauerngehöft in winterlichem Pfons, Aquatintaradierung/Papier, u.re. mit Bleistift von Hand signiert und datiert, u.li. mit Bleistift bezeichnet 'E. A.' und betitelt, HxB: Platte ca. 15,5x33,5 cm, Blatt ca. 32,5x51 cm, Passepartoutausschnitt ca. 17x35 cm, Außenmaße Rahmen ca. 35,5x53,5 cm. Altersspuren, gebräunt und Lichtrand, am rechten Blattrand außerhalb der Platte markante Flecken, gewellt und Knicke (vom Passepartout verdeckt). Im Passepartout hinter Glas gerahmt. | DANLER, HERBERT (1928 - 2011) "Hager/Pfons", 1982, Bergbauerngehöft in wintry Pfons, aquatint etching/paper, signed and dated by hand in pencil lower right, inscribed ‘E. A.' and titled, HxW: plate approx. 15.5x33.5 cm, sheet approx. 32.5x51 cm, mat opening approx. 17x35 cm, outer frame dimensions approx. 35.5x53.5 cm. Signs of age, browning and light-staining, prominent stains, wavy and creases (concealed by mount) to right edge of sheet outside plate. Framed behind glass in passepartout.
Lot 1802
DANLER, HERBERT (1928-2011) "Oberhöfe / Martell", 1982, Bergbauerngehöfte in Südtirol, Aquatintaradierung/Papier, u.re. mit Bleistift von Hand signiert und datiert, u.li. mit Bleistift bezeichnet 'E. A.' und betitelt, HxB: Platte ca. 15,5x33,5 cm, Blatt ca. 32,5x51 cm, Passepartoutausschnitt ca. 17x35 cm, Außenmaße Rahmen ca. 35,5x53,5 cm. Altersspuren, leicht gebräunt, zu den Rändern hin gewellt (vom Passepartout verdeckt). Im Passepartout hinter Glas gerahmt (Passepartout leicht fleckig). | DANLER, HERBERT (1928-2011) "Oberhöfe / Martell", 1982, Mountain farms in Südtirol, aquatint etching/paper, signed and dated by hand in pencil lower right, inscribed ‘E. A.' and titled, HxW: plate approx. 15.5x33.5 cm, sheet approx. 32.5x51 cm, mat opening approx. 17x35 cm, outer frame dimensions approx. 35.5x53.5 cm. Signs of age, slightly browned, wavy towards the edges (covered by the mount). Framed behind glass in passepartout (passepartout slightly stained).
Lot 1838
DALI, SALVADOR, nach (1904-1989), "Cavalier Cosmique", 1982, nach einer Federzeichnung Dalis von 1962, kolorierte Radierung, u.li. mit Bleistift von nummeriert "92/300", u.re. mit Bleistift bezeichnet, HxB: Platte ca. 37,5x47 cm, Blatt ca. 56,5x75 cm, Außenmaße Rahmen ca. 70,5x90,5 cm. Alters- und Beriebsspuren, unten mittig geknickt, gewellt, gebräunt. Hinter Glas gerahmt (Alters- und Beriebsspuren). ANBEI Zertifikat Galerie Pfeil, Heilbronn.| DALI, SALVADOR, after (1904-1989), “Cavalier Cosmique”, 1982, after a pen and ink drawing by Dali from 1962, colored etching, numbered “92/300” in pencil by hand lower left, inscribed in pencil by hand lower right, HxW: plate approx. 37.5x47 cm, sheet approx. 56.5x75 cm, outer frame dimensions approx. 70.5x90.5 cm. Signs of age and wear, creased at bottom center, wavy, browned. Framed behind glass (traces of age and wear). With certificate Galerie Pfeil, Heilbronn.BEI EINEM ZUSCHLAG ÜBER €400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Lot 1003
Zeichnungen - - Giovanni Battista Piranesi. Veduta dell'Arco di Constantino. 1771. Radierung auf festem Bütten. 47,5 x 70,5 cm (54,5 x 79 cm). In der Platte bezeichnet "Cavaliere Piranesi del. ed. inc.". Hind 97 I (von III). Wilton Ely 230. Focillon 757.- Mit geglättetem Mittelfalz. Etwas braunfleckig. Größerer Wasserfleck in der rechten Bildhälfte. Verso mit Spuren früherer Montierung. Kräftiger Abzug der gratigen Radierung. Architecture - Etching on firm laid paper. Inscribed 'Cavaliere Piranesi del. ed. inc.' in the plate. - With smoothed centrefold. Somewhat brownspotted. Larger waterstain in the right half of the image. Verso with traces of earlier mounting. Strong impression of the burnished etching.
Lot 1005
Zeichnungen - - Giovanni Battista Piranesi. Veduta interna del Panteon. (1768). Radierung auf Bütten. 48 x 56 cm. In der Platte bezeichnet "Caval. Piranesi F." Hind 86 I (von IV). Wilton Ely 219. Focillon 763. - Aus der Serie "Vedute di Roma". - Bis an den Plattenrand beschnitten. Kanten leicht bestoßen, sehr vereinzelte kurze und kaum merkliche Randeinrisse. Insgesamt sehr gut. Kräftiger, kontrastreicher Druck. Etching on laid paper. From the series 'Vedute di Roma'. - Trimmed to the platemark. Edges slightly bumped, very isolated short and barely noticeable marginal tears. Overall very good. Strong, high-contrast impression.
Lot 1008
Zeichnungen - - Sammlung von 7 alten architektonischen Graphiken. 18. u. 19. Jh. Verschiedene Techniken: Radierung, Kupferstich und Stahlstich. Blattmaße von ca. 45 x 32 cm bis 52 x 72 cm. Enthält: Luigi Rossini. Sostruzioni dei gran portici che attorniano il recinto del Tempio d'Ercole in Tivoli. Rom, 1824. Radierung. - Luigi Rossini. Avanzi creduti della Villa di Domiziano in Albano. Rom, 1826. Radierung. - Francesco Morelli. Veduta dell'antico Foro romano volgarmente detto Campo Vaccino. Rom, 1796. Kupferstich. - Bonaventura van Overbeek. 2 Blätter aus: Reliquiae antiquae urbis Romae. (Amsterdam, 1708). Kupferstich. - G. Brinckmann nach R. Bauer. Die Fürstengruft in Weimar. 1886. Kolorierter Stahlstich. - Perspectivischer Entwurf des Landschaffts Hauses zu Hanover. 17. Jh. Kupferstich. - Teils mit leichten Randläsuren. Vereinzelt etwas fleckig. Wohlerhalten. - Dabei: Originalzeichnung "Garten im französischen Stil". 20. Jh. Collection of 7 old architectural prints. 18th and 19th century. Various techniques: etching, copper engraving and steel engraving. - Contains: see above. - Partly with slight marginal wear. Occasionally somewhat stained. Well preserved. - With: original drawing.
Lot 1256
Erotica - Curiosa - - Andre Billy. Visions de Danse. Trente compositions dessinees et gravees a la pointe seche par le peintre et graveur Lobel-Riche. Mit 1 Originalzeichnung, 30 Original-Kaltnadelradierungen und 2 Extrasuiten mit je 26 Radierungen mit Remarquen von Almery Lobel-Riche. 94 S., 1 Bl. Paris, chez l'artiste, 1949. Gr.-4° Lose Doppelbogen in OUmschlag, Pappdeckel und Schuber. Monod 1571. Eins von 20 Exemplaren der Vorzugsausgabe auf Velin de Rives mit der Originalzeichnung und zwei separaten Suiten in Sepia und Schwarzweiss (Radierungen mit Remarquen) (GA 210 Ex.) - Die Abweichungen der Anzahl der Radierungen in den Extrasuiten durch 4 Doppeltafeln, bei denen zwei Motive auf eine Radiertafel komponiert wurden. - Wohlerhalten. Dance. - Monod 1571. With 1 original drawing, 30 original cold-needle etchings and 2 extra suites of 26 etchings each with remarques by Almery Lobel-Riche. One of 20 copies of the special edition on vellum de Rives with the original drawing and two separate suites in sepia and black and white (etchings with remarques). (GA 210 ex.) - The variations in the number of etchings in the extra suites due to 4 double plates, where two motifs were composed on one etching plate. - Well preserved.
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