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Lot 1764
Nelson Dawson (1859-1941), original design for the Ships badge for HMS Zubian, signed and inscribed, a hand coloured example of the etching derived from it and a commemorative etching for Capt Neville, 3rd Dragoon Guards, killed the same day at the 2nd Battle of Ypres, Preliminary sketch in ink and watercolour on paper, signed and inscribed ‘please return to N.Dawson Shathe House, Chiswick Mall London W4’, 26 x 20cm.Etching sheet overall 30 x 20cm, dated June 12 - 18.Proof Dragoons etching, sheet 25 x 18cm.All unmounted. Condition - two fair, one poor with foxing throughout
Lot 1831
EGLAU, OTTO (1917-1988), "Kyushu VIII", 1963, Aquatintaradierung/Bütten, u.re. mit Bleistift von Hand signiert und datiert, u.li. mit Bleitstift num. 1/50, HxB: Platte ca. 33x60 cm, Blatt ca. 50x77 cm, Außenmaße Passepartout ca. 60x85 cm. Alters- und Knickspuren, leicht gebräunt, fleckig. In Passepartout montiert. DAZU: 2 Plakate Otto Eglau , Kleine Galerie Biberach, 1965.|EGLAU, OTTO (1917-1988), "Kyushu VIII", 1963, Aquatint etching/ laid paper, signed and dated by hand in pencil lower right, numbered 1/50 in pencil lower left, HxW: plate approx. 33x60 cm, sheet approx. 50x77 cm, outer dimensions passepartout approx. 60x85 cm. Traces of age and creasing, slightly browned, stained. Mounted in passepartout. ALSO: 2 posters Otto Eglau , Kleine Galerie Biberach, 1965.
Lot 1815
SCHUCHARDT, DIETRICH (geb. 1945), "am großen deich", 1978, Farb-Aquatintaradierung, u.li. num. EA 3/8 und betitelt, u. re. sign. und dat. "(19)78", HxB: Platte ca. 38x29 cm, Blatt ca. 60,5x50 cm, Bilderglas ca. 60,5x50 cm. Altersspuren. Hinter Bilderglas fixiert. VERSO Informationen zu Künstler und Werk, verfasst von Prof. Dr. med. H.K. Schneider.| SCHUCHARDT, DIETRICH (born 1945), " at the large dike", 1978, color aquatint etching, lower left num. EA 3/8 and titled, lower right sign. and dat. "(19)78", HxW: plate approx. 38x29 cm, sheet approx. 60.5x50 cm, picture glass approx. 60.5x50 cm. Traces of age. Fixed behind picture glass. VERSO information on the artist and his work, written by Prof. Dr. med. H.K. Schneider.
Lot 1814
SCHUCHARDT, DIETRICH (geb. 1945), 2 Grafiken, jeweils Aquatinta-Radierung, 1) "eine Quelle", u.li. mit Bleistift von Hand num. 19/70 und betitelt, u.re mit Bleistift von Hand sign., HxB Platte: ca. 24x34 cm, Außenmaße Rahmen ca. 42,5x52,5 cm. VERSO Werbung zur Einzelaustellung "dietrich schuchardt" von 1979. Hinter Glas gerahmt. 2) ohne Titel, u.li. mit Bleistift von Hand num. 26/45, u.re. mit Bleistift von Hand sign. und dat. "(19)75", HxB: Platte ca. 30x20 cm, Passepartout-Ausschnitt ca. 39,5x28,5 cm, Bilderglas ca. 60x40 cm. VERSO Ausdruck eines Artikels über Schuchardt. Jeweils Alters- und Beriebspuren. | SCHUCHARDT, DIETRICH (born 1945), 2 prints, each Aquatint etching, 1) " a spring", lower left numbered 19/70 and titled by hand in pencil, lower right signed by hand in pencil, HxW plate: approx. 24x34 cm, outer frame dimensions approx. 42.5x52.5 cm. VERSO advertisement for the solo exhibition "dietrich schuchardt" from 1979. Framed behind glas. 2) untitled, lower left hand numbered 26/45 in pencil, lower right hand signed in pencil and dat. "(19)75", HxW: plate approx. 30x20 cm, passe-partout cut-out approx. 39.5x28.5 cm, picture glas approx. 60x40 cm. VERSO print of an article about Schuchardt. Traces of age and wear in each case.
Lot 1817
SCHUCHARDT, DIETRICH (geb. 1945), "3 Aktgrafiken", 1975, jeweils Aquatinta-Radierung, jeweils u.li. mit Bleistift von Hand num. 3/70, jeweils u.re. mit Bleistift von Hand sign. und dat. "(19)75", 1) liegender Frauenakt in Rückenansicht, HxB: Platte ca. 29x38,5 cm, Blatt ca. 48x57 cm, Bilderglas ca. 50x60 cm. 2) sitzender Frauenakt in Seitenansicht, HxB: Platte ca. 39x28,5 cm, Blatt ca. 57,5x48 cm, Bilderglas ca. 60x50 cm. 3) sitzender Frauenakt in Rückenansicht, HxB: ca. 39x29 cm, Blatt ca. 58x48,5 cm, Bilderglas ca. 60x50 cm. Je Altersspuren, gewellt, gebräunt. Je hinter Bilderglas fixiert.| SCHUCHARDT, DIETRICH (born 1945), "3 Nude Graphics", 1975, each aquatint etching, each numbered 3/70 in pencil by hand lower left, each signed and dated in pencil by hand lower right. "(19)75", 1) reclining female nude in back view, HxW: plate approx. 29x38.5 cm, sheet approx. 48x57 cm, picture glass approx. 50x60 cm. 2) Seated female nude in side view, HxW: plate approx. 39x28.5 cm, sheet approx. 57.5x48 cm, picture glass approx. 60x50 cm. 3) Seated female nude in back view, HxW: approx. 39x29 cm, sheet approx. 58x48.5 cm, picture glass approx. 60x50 cm. Each with traces of age, wavy, browned. Each fixed behind picture glass.
Lot 1841
HÉROUX, BRUNO (1868-1944), "Portrait Ludwig van Beethoven", Radierung/Papier, u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 39,5x28,5 cm, Passepartoutausschnitt ca. 40,5x29 cm, Außenmaße Rahmen ca. 59x47 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt (Glas beschädigt am Rand oben links, Fassung beschädigt).| HÉROUX, BRUNO (1868-1944), "Portrait Ludwig van Beethoven", Etching/paper, signed by hand in pencil lower right, HxW: plate approx. 39.5x28.5 cm, mat cut-out approx. 40.5x29 cm, outer frame dimensions approx. 59x47 cm. Slight traces of age. Framed behind glass in passepartout (glass damaged at upper left edge, frame damaged).
Lot 1839
REMBRANDT VAN RIJN, NACH (R. v. R.: 1606-1669), "Christus heilt die Kranken", Radierung/Papier, Druckausführung wohl 19. Jh., HxB: Blatt ca. 28x38,5 cm (30x41 cm mit Rahmen). Altersspuren, gebräunt und minim. fleckig, minim. gewellt. Mit verglastem Rahmen (Beriebspuren). VERSO Etikett Kunsthaus Schaller, Stuttgart mit handschriftlicher Bezeichnung. | REMBRANDT VAN RIJN, AFTER (R. v. R.: 1606-1669), ‘Christus heilt die Kranken’, etching/paper, print probably 19th century, HxW: sheet approx. 28x38.5 cm (30x41 cm with frame). Signs of age, browned and minimally stained, minimally wavy. With glazed frame (traces of rubbing). VERSO label Kunsthaus Schaller, Stuttgart with handwritten inscription.
Lot 155
Victorian 1845 pattern British infantry officers sword with metal scabbard. brass hilt, wooden handles bound in fish skin, with VR cypher under crown to pierced hilt with leather backing. sword made by Pillin manufacturers of gerard street, Soho, London. single fullered single edge blade, with acid etching dipicting Royal cyper, 3rd London Rifle Volunteers, owners family crest of dolphin and motto avis la fin with initials "AGFK" Possibly belonging to Archibald Kennedy, 4th Marquess of Ailsa. with steel two hanger scabbard
Lot 190
Edmund Blampied (1886 - 1966), the cuckoo in the nest, lithograph signed in ink with presentation inscription from J Blampied dated 1934, 23cm x 36cm, and S van Abbe, scene in Venice, etching, signed in pencil, framed (2) Blampied print is generally discoloured, van Abbe etching very slight paper discolouration
Lot 4381
Alfred Dawson, attr., Englische Flusslandschaftan einem leicht bewölktem Sommertag ein ruhiger Fluss, mit zum Teil bewaldetem Ufer in bergiger Landschaft, auf dem Wasser ein Ruderboot mit Personen, auf der Wiese am rechten Ufer grasende Rinder, mit feinem Pinselstrich eingefangene Landschaftsmalerei, effektvoll gesetzte Spiegelungen der Bäume im Wasser, mit sicherer Hand zum Teil mit spitzem Pinsel getupftes Blattwerk, Öl auf Leinwand, Ende 19. Jh., rechts unten signiert "A. DAWSON", dazu schwer leserlich datiert oder ortsannotiert, rückseitig auf dem Rahmen auf Etikett maschinenschriftlich künstlerbezeichnet, diverse unleserliche Annotationen in Blei, auf Keilrahmen alter Preisvermerk "2400", Retuschen, Leinwand später auf neueren Keilrahmen umgeschlagen, Impressionistenrahmen jüngeren Datums, Falzmaße ca. 27,5 x 46 cm. Künstlerinfo: engl. Landschaftsmaler, Radierer und Holzschneider (1843 bis 1931 England), Sohn des Malers Henry Dawson (1811-1878), stellte 1860-89 in der Londoner Royal Academy, in Suffolk Street und in der British Institution aus, Fokus auf Landschaften, Radierungen, Schabblätter (Portraits) und Holzschnitte, produzierte Holzschnitte und Radierungen zu C. E. Robinsons „A roy. warren of picturesque rambles in the Isle of Purbeck“, mit seinem Bruder Charles Dawson Besitzer der Typographic Etching Company, Quelle: Benezit, Thieme-Becker, Royal Academy of Artists und Saur.
Lot 181
GRAHAM CLARKE (BRITISH, B.1941) 'Le Gout de Grenouille', etching and aquatint, limited edition 28/250, with Christie's Contemporary Art certificate of authenticity, 52cm x 67cm, framed and glazed. Condition Report : Note: The certificate states that the print has been signed and numbered by the artist but it has been framed in a manner that obscures the margin (where the signature would normally appear) behind the mount. The frame has not been opened for the purposes of further inspection. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 345
JAN VAN DOETECHUM (CIRCA 1530-1606) AND LUCAS VAN DOETECHUM AFTER PIETER BRUEGHEL THE ELDER (CIRCA 1525-1569): SAINT JEROME IN THE WILDERNESS 'HIERONYUMUS IN DESERTO' ETCHING WITH ENGRAVING ON LAID PAPER, 42.5cm x 31cmSome water damage, wear to bottom left hand corner.The etching and engraving on laid paper mounted loosely at the top to a thicker sheet of paper. For similar see Christies London, Old Master Prints, July 2nd 2024, Lot 70.
Lot 193
Local Interest - John Moulding Clarke (1889-1961), The Peacock Rowsley, signed, etching, 16.5cm x 9.5cm; Bonsall Cross, Derbyshire, signed, etching, 16cm x 20cm; He studied painting and etching at the Slade School of Fine Art, University College London; and the Royal Academy Schools and the Royal College of Art in London. During the 1920s and 1930s he exhibited at the Royal Academy in London; the Royal Cambrian Academy in Conwy, Wales; Manchester City Art Gallery; the Walker Art Gallery in Liverpool; and at the Royal Glasgow Institute of the Fine Arts; James Priddey, RBSA, PPRBSA, FRSA, (19 April 1916 – 10 November 1980 ) Derwent Water, coloured etching, 24cm x 31cm (3)
Lot 1665
Paul Drury (1903-1987) - 'Portrait of a Young Woman' (1930), etching, signed and dated with monogram in print, signed lower right in pencil, together with a Clyffe Hangings receipt of purchase with artist's bio attached, 12 x 15 cm, frame dimensions: 49.5 x 45 cm, double-mounted, glazed and framed
Lot 258
Hugh Paton ARE (1853-1927). Three black and white etchings, comprising two depicting fishing boats, each signed, 20.5cm x 30cm, and another indistinctly titled, depicting a church and buildings from the river, signed and dated 1910, 30cm x 22cm, together with A Modern Etching and Engraving edited by Charles Holme, detailing some works by the artist, page 24.
Lot 314
Penwith Print Room Portfolio A Spring Collection Portfolio of five (of ten) prints published by The Penwith Society of Artists in 1978. Michael FOREMAN (1938) Cuckoo, etching; Sheila OLINER (1930-2020) Janet, etching/drypoint & hand colouring; Lieke RITMAN (1942), Jollytown Barn, silkscreen; Alyson STONEMAN (1948) Lamorna Spring, etching; Roy WALKER (1936-2001); each limited edition number 21 of 75. All signed, titled, numbered & dated. Sheet size 52cm x 38.5cm Image size 24.5cm x 17cm. Original folder & cover.
Lot 247
Sheila OLINER (1930-2020) Three Works Resting I, etching, signed, titled and numbered 2/10, plate size 29.5 x 39.5cm, a similar untitled artist's proof numbered I/V, plate size 30.5cm x 45.5cm and another untitled etching numbered 6/10, 40cm x 30cm (3) Shipping is available from £25.22 to a UK Mainland address.
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78180 item(s)/page