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TWO BOXES OF ASSORTED VINTAGE FRAGRANCE AND PERFUME BOTTLES, to include mostly empty bottles, maker's names include Chanel, Lentheric, Coty, Avon, Fabergé, Louis Féraud, Versacé, Jean Paul Gaultier, Yardley, Paco Rabanne, Nina Ricci, Lynx, etc. (s.d) (2 boxes)

A diamond-set, gold-mounted and guilloché enamel silver-gilt cigarette caseFabergé, workmaster August Hollming, St Petersburg, 1908 - 1917, also stamped with importers mark Charles Fabergé, and import marks for London 1913Rectangular form, enamelled overall in translucent white enamel over a wavy engine-turned ground, the ends with laurel-chased vari-coloured gold bands, the cover with a diamond-set thumb-piece, with a separate flush-hinged vesta compartment to one end, with inset striking plate, in a leather carrying case, length 9.2cm, weight all-in 4.5oz.Footnotes:In 1903 the London branch for Faberge was established by Athur Bowe.In 1906 Peter Carls Fabergé fourth son Nicholas Fabergé opened a branch at 48 Dover Street Piccadilly with Henry Charles Bainbridge and in 1911 this office moved to 173 New Bond Street and remained open until 1915.For further information on this lot please visit Bonhams.com

Royal Presentation Box: a cased silver-gilt and enamelled boxGerald Benney, London 1977, stamped GERALD BENNEY LONDON, with master enamellers mark AAE for Alan Alfred EvansRectangular form, the hinged cover with vibrant translucent red enamelled surface over a textured rayed ground, applied to the centre with the Royal Cypher EIIR below a crown for Queen Elixabeth II, within a thin polished border, the high sides with vertical bark-effect surface and the underside with fine textured rayed surface, also similar rayed surface to the inside cover, suede interior, contained in original presentation box, gilt tooled cover with EIIR crowned cypher, inside of lined box cover printed with two Royal Warrants, and Gerald Benney Beenham House address, height 4.5cm, length 10.5cm.Footnotes:Provenance:A gift from Queen Elizabeth II to former Danish Lord Chamberlain Hans Solvhoj (1919-1989). The box was presented to him by the Queen during her state visit to Denmark in May 1979. the box has been in the late Lord Chamberlain's family until today.Another box of the same form and dimensions was sold at AUKTIONSHAUS STAHL September 2017.The box was recorded as a gift to Helmut Schmidt by Queen Elizabeth II on the occasion of her visit to Germany in 1978.Provenance was given as Helmut Schmidt, Ruth Loah.GERALD BENNEY CBE RDI (1930-2008)Gerald Benney was one of the most outstanding goldsmiths of the 20th century. With works being continuously produced for over fifty years, from private commissions to mass production. Born in Hull, Yorkshire, in 1930, Benney received many commissions from the Royal Family and was the first craftsman to hold four Royal Warrants simultaneously: from HM The Queen, Queen Elizabeth The Queen Mother, the Duke of Edinburgh and the Prince of Wales.Gerald Benney decided that his home at Beenham House in Berkshire was the place to develop the use of enamels. The first steps were to travel to Zurich to find an enameller who worked for Burch Korrodi. By chance he came across the Norwegian Berger Bergensen who had worked for the House of Bolin as well as Burch. Bergensen was persuaded to come to Beenham House and taught the Benney workforce all he knew about enamelling. With Alan Evans and Robert Winter becoming notable master enamellers for Benney.It took several years to master the craft. He refined and mastered this art enamelling larger surface areas than Fabergé.This lot is subject to the following lot symbols: Ω ARΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

An oval portrait plaque of Marie-Thérèse, Duchess of Angoulême, circa 1814 - 1817painted by Louise Bathilde Girard, Maria Theresa, Duchess of Angoulême (1778-1851) lavishly dressed with a tiara and with large ostrich feather, 9.5cm diam. high, 7.5cm diam wide (unframed) 12.7cm x 11.2cm wide (framed) 'L.Girard' in red to the reverse,Footnotes:Provenance: Christie's London, 17th April 2000, lot 132; The Twinight CollectionLouise Bathilde Girard was a Parisian painter based on the Rue Condé, she took part in the Salon de Paris for the first time in 1824 with three paintings after Gérard and after that took part in the Salons regularly until 1848. She was the wife of the engraver François Girard. (see: W. Neuwirth, Porzellanmaler-Lexicon, 1740-1914, p. 304).The eldest child of King Louis XVI and Queen Marie Antoinette of France, Princess Marie-Thérèse Charlotte (1178-1851) was born at Versailles. She was the ill-fated monarch's only child to reach adulthood. In 1799, she married her cousin, Louis Antoine, Duc d'Angoulême, the eldest son of Charles, Count of Artois, henceforth becoming the Duchesse d'Angoulême. She became the Dauphine of France upon the accession of her uncle and father-in-law, Charles X, to the French throne in 1824. She was herself briefly but unofficially Queen of France for all of twenty minutes, on 2nd August 1830 - between the time of her father-in-law signing his abdication and her husband, reluctantly, signing the same document, although this claim is often disputed.The diamond parure seen in the present lot was assembled for the Duchess in 1814. Upon the return of Louis XVIII after the Hundred Days of 1815, part of the diamond parure was returned to the Crown. The full parure consisted of the diadem, necklace and pendent earrings, all seen in the present portrait, a pair of bracelets, a comb, a bandeau and a belt-clasp. The necklace and earrings were retained by the Duchess together with the pair of matching bracelets because these jewels all belonged specifically to her. The remaining diadem, comb, bandeau and belt clasp were returned to the Crown via the Parisian jeweller, Gibert, with whom the Duchess had left them. The stones from the bandeau were later broken up for use in other jewels.In 1824, the Duchess naturally expressed her desire to keep the diadem as part of her personal collection of jewellery. This magnificent jewel can be seen with the matching necklace and pendent earrings in the Duchesse d'Angoulême's oil portrait of 1816 by Antoine-Jean Gros (French, 1771-1835), which forms part of the Louvre Collection at Versailles (inventory number. 5079). Louis XVIII had instructed that no further items were to be removed from the Crown Collection. He therefore agreed to buy new diamonds for the diadem. Papers from the Crown jeweller, Bapst, that are held by the Bibliothèque Nationale in Paris include a document from the Ministry of the King's Household, dated 4th May 1824 and described as a 'budget of 200,000 francs......to secure the return to the Crown Jewel House of the diamonds mounted on the diadem belonging to the Duchesse d'Angouleme, and to supply H.R.H. with a new diadem of a value equal to that of the first'. The total value of the diamonds acquired by Bapst to replace the original stones from the diadem was recorded as 333,962 francs with the largest diamond exceeding 13.00 carats (see Morel, B. The French Crown Jewels, 1988, p.303, on which an engraving of the present lot is also illustrated). Although the diamond diadem of 1814 tragically no longer exists in its original form, the original stones it consisted of were returned to the French Crown for mounting in different jewels and a new diamond diadem was constructed for the Duchess. The majority of the French Crown jewels were later sold in the Pavilion de Flore at the Louvre on 12th-23rd May 1887 by the Third Republic. The sale attracted worldwide attention from some of the wealthiest personalities of the Gilded Age and the greatest jewellery houses of the day including Bapst, Fabergé, Tiffany and Van Cleef & Arpels. Many of these jewels were deconstructed and broken up - a huge loss to the jewellery world - while others have remained intact and majestically resurface from time to time at auction.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

An 18ct white gold diamond and enamel ring, by Victor Mayer for Fabergé, limited edition no.59 of 200. The circular head with a central bezel set round brilliant cut diamond over a royal blue enamel ground, to a pierced under bezel. The flared shoulders with enamel panels into a plain band. Signed Fabergé, Victor Mayer logo, 750. Sponsor mark for GV Woods & Co. Edinburgh 2001, 9.37g Ring size N ¼Buying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportRing in worn condition, with various marks and scratches to the mount. A few chips to the central enamel panel.

A pair of rhodochrosite, jade and diamond cufflinks, by Fabergé, with cushion shaped rhodochrosite double cabochons and jade torpedo terminals, each with a central rose cut diamond millegrain set in white, to S shaped bar fittings, signed Fabergé, 56 zolotnik hallmark for 14ct gold, 11.82gCondition ReportIn good condition.Gemstones have minor surface reaching inclusions and marbling.Surface scratches and marks commensurate with age.With a later box.

CARTIER TANK LC FABERGÉ, BOX AND GUARANTEE, 70S Case: signed, n. 670820040 in 18K gold, caseback with screws. Bracelet/Strap: signed déployante clasp in 18K gold. Dial: signed, white, Roman numerals. Movement: signed, manual-winding caliber 2412, 17 jewels. Accessories: outer-box, box, blank guarantee card. Size: 20 x 27 mm Note: running at the time of cataloguing.

Kleiner Kovsh mit Goldmünze Katharina II.Wohl St. PetersburgL. 8,2/H. 8,3 cm14kt Rot- und Roségold (56 Zolotnik), punziert und Stadtmarke. Im Boden eingesetzte Goldmünze mit Zarin Katharina II, am Henkel Besatz von kleinen Diamantrosen und Saphir-Cabochon. Meistermarke "MP" (kyrillisch), wohl Fabergé-Werkmeister Michail Perchin. Minimal berieben. Ca. 58,2g.

Petschaft mit MonogramRussland wohl um 1900, in der Art von FabergéH 5 cmNephrit mit 8kt Gelbgold (getestet) montiert, transluzides weißes Email auf guillochiertem Grund, sechs kleine Rubin Carrees. Die Siegelplatte mit Gravur IH mit Krone. Ohne Marken. Ca. 59,80g. Guter Zustand mit minimalen Gebrauchsspuren.Christie's New York, Auktion 16. April 1999, Lot 97.

Großes George III Silber-Tablett mit WappengravurLondon, 180667 x 44 x 11 cmOval mit godroniertem Rand, zwei Henkeln und 4 Füßen. Löwenmarken, Jahresbuchstabe "L", Meistermarke von Thomas Hannam & John Crouch II. Ca. 3477g. Kratzer. Die Wappen sind die von Nicholl of Merthyr Mawr, Llantwitt-Major und der Ham, Glamorgan geviertelt mit Buckley und HuddySotheby's, London, Auction Important Silver Gold Boxes and Fabergé, 9. November 2000, Lot 167Lit. Arthur G. Grimwade, London Goldsmiths 1697-1837, Nr. 2805.

Große George III Silber TerrineLondon, 1806H. 32/B. 37 cmRundfuß, Schale und Deckel mit Godronendekor, die Handhaben in Form von plastischen Adlern. Löwenmarken, Jahresbuchstabe "L", Haupt Georgs III, Meistermarke von Digby Scott und Benjamin Smith II. Ca. 4590g. Deckelinnenrand leicht verbeult, auf der Wandung oberhalb der Godronen minimale Delle.Sotheby's, London, Auction Important Silver Gold Boxes and Fabergé, 9. November 2000, Lot 155Lit. Arthur Grimwade, London Goldsmiths 1697 - 1837, Nr. 505.

Kleine Tischuhr im Stil Louis XVIIn der Art von Fabergé7 x 4,5 cmSilber, tlw. vergoldet. Beiges transluzides Emaille auf guillochiertem Grund, mit Ranken und Blütenbemalt, das kleine Zifferblatt mit einem Diamantkranz eingefasst. Rückseitig Elfenbein-Platte. Marken in der Art von Fabergé, WMZ Henrik Wigström und 88. Dazu Schlüssel. Guter Zustand mit leichten Gebrauchsspuren. Mit EU-Verkaufsgenehmigung für Elfenbein Nr. DE-K 240502-271

Weinkanne mit SilbermontierungFabergé, Moskau, Ende 19. JahrhundertH. 26 cmKonische Kanne aus farblosem, reich mit Facettenschliff verziertem Glas. Teilvergoldete Silbermontierung mit Lorbeergirlanden und Klappdeckel. Im Deckel und am Rand kombinierte Stadtmarke und 84 Zolotnik Feingehalt, Hoflieferantenmarke von Peter-Karl Fabergé: K.FABERGÉ in Kyrillisch. Geritzte Nummer 7682. Etwas berieben.Sotheby's, London, Auction Important Silver Gold Boxes and Fabergé, 9. November 2000, Lot 118Lit. Postnikowa-Losewa, Nr. 2605.

Tischklingel Style Louis XVFabergé,Henrik Emanuel Wigström, St. Petersburg 1908-1917D. 5,8 cmNephrit, Gold, Silber, kleine Diamantrosen, Mondstein und Flussperlen. Quadratische Form. MZ Fabergé, WMZ Henrik Emanuel Wigström, BZ 88 Zolotnik, geritzte Inventarnummer 8383. Gewicht ca. 54,35g. Allgemein guter Zustand, später elektrifiziert.Sotheby's London, Auktion 9. November 2000, Lot 85.Literatur:Géza von Habsburg: Fabergé, München 1987. Werkmeister siehe S. 324

Paar große Silber-GirandolenSheffield, 1895H. 53 cmIm klassizistischen Stil. Drei- bis fünfflammig wandelbar, Oberteil abnehmbar. Am Fuß Wappengravur. Stadtmarke, Jahresbuchstabe "c", Hawksworth Eyre Co. Ltd., Beide im Boden gefüllt/geschwert. Leichte Altersspuren, minimal verbeult.Sotheby's London, Important Silver Gold Boxes and Fabergé, 9. November 2000, Lot 132.

Paar George II Silber KerzenleuchterLondon, 1752H. 22.5 cmMit reichem, reliefiertem Rocaillen- und Muscheldekor. Im Boden am Rand punziert, Jahresbuchstabe "r", Meisterzeichen Simon Jouet (Grimwade no. 2557). Zus.ca. 1495g. Beide am Stand leicht verbeult, einer im Boden leicht rest. Ohne Tüllen.Sotheby's, London, Auction Important Silver Gold Boxes and Fabergé, 9. November 2000, Lot 210

Feines Etui Style Louis XVIFabergé, Henrik Emanuel Wigström, St. Petersburg 1903-1908H 10,8 cmGelbgold 14kt, grünes Email auf guillochiertem Grund , Karneol. Ovale längliche Form. MZ Fabergé, WMZ Henrik Emanuel Wigström, BZ St. Petersburg 1899-1908 Koloschnik mit 56, Beschaumeister Jakov Ljapunov. Ca. 56,30g. Guter Erhaltszustand.Provenienz:Christie's New York, 16. April 1999, Lot 140.Literatur:Géza von Habsburg: Fabergé, München 1987. Typus vergleiche Abb. 439, Werkmeister siehe S. 324

Veilchenstrauß in VaseIm Stil von FabergéH 11 cm750/000 Gelbgold (Punze) Amethyst, Besatzdiamanten und grüner Edelstein, Glas. Ca. 336,30g. Mit leichten Bestoßungen, 2 Blätter lose. Dazu Vase mit Erdbeeren und Vase mit Rosen.

Zwei Sträuße mit Vergissmeinnicht bzw. MailglöckchenIn der Art von FabergéH. 12,5/15,5 cm, 10,8 x 18,5 cmMetall, tlw. vergoldet, verschiedene Edelsteine und Glas. Ohne Marken. 389,85g. Tlw. leicht bestoßen. Dazu Doppel-Fotorahmen, Metall vergoldet.

Prunkvolles George II Silber Tablett mit WappengravurLondon, 1751D. 70 cmSeparat gearbeiteter, partiell durchbrochener Rand mit Maskarons, Festons mit Trauben, Rocaillen und Muscheln. Im Zentrum graviertes Doppelwappen mit Krone und Löwe, punziert mit Löwenmarken, Jahresbuchstabe "q", Meistermarke John Harvey I (Grimwade 1401-1404). Am Boden Gewichtsangabe. Ca. 5620g. Platte am Rand restauriert, der Rand mit kleineren Lötstellen.Sotheby's, London, Auction Important Silver Gold Boxes and Fabergé, 9. November 2000, Lot 200Das Wappen ist das von Yorke mit Gray und Campbell für Philip Yorke (1720-1790), 2nd Earl of Hardwicke. Er heiratete 1740 Jemima, Tochter von John, 3. Earl of Breadalbane. Dieser Salver ähnelt sehr stark den Exemplaren von Paul de Lamerie. Dieses Exemplar stammt aus dem Jahr 1751, dem Todesjahr von Lamerie, als sein Restbestand öffentlich versteigert wurde.

Fabergé - a Palais Tsarskoye Selo green enamel and Whitby Abbey surprise pendant on chain, featuring an egg-shaped locket decorated with green guilloché enamel and flush-set diamond highlights, hinged mechanism open to reveal a cathedral miniature, on a cable link chain with lobster clasp, all in 18ct yellow gold, chain length 50.0 cm, total weight of item 16.5 grams.with a certificate of authenticity and box.

VICTOR MAYER FOR FABERGÉ, A MODERN BLUE ENAMEL EGG PENDANT ON CHAIN The gold coloured blue enamelled egg with gilt scroll and star detail, with a red enamelled heart shaped drop, signed FABERGÉ and numbered 363/500, stamped 750 with VM mark, with polished bale, suspended from a Fabergé belcher link chain, with a blue enamelled double eagle panel, signed FABERGÉ, numbered 39, stamped 750 with VM mark, with lobster claw fitting, the loop with partial 18 carat gold London hallmark and FAB maker's mark, with Fabergé box and certificates of authenticity Size/dimensions: egg pendant 2.8cm long, chain 46cm long Gross weight: 19.3 grams Condition Report: The pendant measurement includes the bale, but not the heart drop. There is some light wear, no damage to the enamel. There is some light wear to the chain, the clasp in good working order. The box has some light scuffs, but nothing major. Condition Report Disclaimer

Domino Spiel, 20. Jh. Holzschatulle mit Glasdeckel und Schulade. Darin ''Das Kaiserliche Dominospiel'' aus dem ''Hause Fabergé''. Spielsteine vergoldetes Metall, geprägt und blau emailliert. Zertifikat anbei. Kasten 20 x 37,5 x 7 cm

Fabergé Clipohrstecker GG 750/000 mit heraldischer Lilie auf blauer Emaille, 2 quer gefassten ovalen Rubin-Cabochons 6,5 x 5 mm in guter Farbe, transluzent sowie 2 Brillanten, zus. 0,05 ct TW/VVS , L. 20 mm, 10,9 g, mit original Box

FabergéEmail-EidoseCollection Fabergé by Victor Mayer, um 200018kt Gold, transluzides mint-grünes Email, guillochiert und mit Goldornament verziert, 1 Saphir im Cabochonschliff; auf separatem Goldgestell; innen mit Seidenkissengemarkt: Fabergé mit Meistermarke "VM" für Victor Mayer, Feingehaltspunze "750" und Wiener ImportpunzeNummer: "007/90"H. 6,9 cm (inkl. Gestell)Die Tradition Carl Fabergés (1882 bis 1917) wurde von 1989 bis 2009 durch die Pforzheimer Juwelenmanufaktur Victor Mayer nach längerer Unterbrechung wieder aufgegriffen und weitergeführt. Während dieser zwei Dekaden entstanden Werkstücke unter Verwendung ähnlicher Handwerkstechniken.

FabergéEmaildoseCollection Fabergé by Victor Mayer, um 200018kt Gold, transluzides blaues Email, 1 Saphir im Cabochonschliff, kleine Diamanten im Brillantschliffgemarkt: Fabergé mit Meistermarke "VM" für Victor Mayer und Feingehaltspunze "750"Nummer: "02/400"5,6 x 4,2 cm

Fabergé - Ei-Anhänger 750 GG, d. Ei saphirblau emailliert, besetzt m. kl. Diamanten imBrillantschliff u. 1 kl. Rubin, eingelegte Goldelemente, limitierte Auflage 7/200, L. Ei ohne Öse ca. 20,5 mm, L. m. Öse ca. 40 mm, Gewicht ca. 17,70 g.

Fabergé - Ring 750 GG, Design: Victor Mayer, lim. Auflage 194/300, Ringgröße: 52/53,Gewicht ca. 5,28 g, rot emailliert, besetzt m. kl. Diamanten im Brillantschliff, eingelegte Goldelemente.

Fabergé - Ohrringe 750 GG, Design: Victor Mayer, lim. Auflage 83/300, Gewicht ca. 11,39 g,saphirblau emailliert, besetzt m. kl. Diamanten im Brillantschliff, eingelegte Goldelemente.

Fabergé - Ohrringe 750 GG, Design: Victor Mayer, lim. Auflage 53/300, Gewicht ca. 9,21 g,je rot emailliert, besetzt m. kl. Diamanten im Brillantschliff, eingelegte Goldelemente.

Fabergé - Kette mit Elefanten-Anhänger 750 GG/WG, d. Anhänger rot emailliert u. besetzt m.kl. Diamanten im Brillantschliff, sowie 1 kl. Smaragd, d. Öse abnehmbar u. auch als Brosche tragbar, limitierte Auflage 22/100, ca. 28 mm x 31 mm, Gewicht ca. 16,89 g, Ankerkette, L. ca. 46 cm, limitierte Auflage 180/300, am Verschluss kl. Plakette m. Zarenadler, Gewicht ca. 11,56 g.

Deckeldose (Limoges, Fabergé), Porzellan, Deckel m. Darst. in Eiform, mittig Aussparung m.Schlossansicht, os. beschr. 1903, Messingmontierung, Verschluss 2 Adler m. versch. Wappenschilden, innens. bez., rs. bez.: Fabergé, am Unterboden Limoges Markenstempel, ca. 16 x 11,5 x 5 cm.

Schmuckei, Fabergé, GG 750, nummeriert 339/1000, Emaille, ca. 7.25 g.Echtheitszertifikat anbei

Faberge Ei auf StänderVictor Mayer/Pforzheim, 20. Jh. 750er Gold. Email. Punzen: Herst.-Marke, 18 K, 47/100. H. 7,5 cm. Gew.: 94 g. Mit Kasten u. Zertifikat.Emaille, Fabergé, Gold, Goldschmiedearbeit

Ei-Anhänger mit Diamantrosen, im Fabergé-Stil. 925 Silber, Innenvergoldung. Punzen: Sowjetunion 1958: 4LF A. ANANOW in Kyrillisch. Diamanten zus. ca. 0,25 ct. 2,2 x 1,9 x 1,8 cm. 13,9 g. Eiförmiges Medaillon mit hellblauem Transluzidemail auf guillochiertem Grund. Schauseitig bekrönte Kranzmontierung mit 6 gefassten Diamantrosen. Seitlich aufklappbar, mit Innenvergoldung. Aufrufzeit 12. | Juni 2024 | voraussichtlich 15:17 Uhr (CET) Egg pendant with diamond roses, in Fabergé style. 925 silver, gold-plated interior. Hallmarks: Soviet Union 1958: 4LF A. ANANOW in Cyrillic. Diamonds total approx. 0.25 ct. 2.2 x 1.9 x 1.8 cm. 13,9 g. Egg-shaped medallion with light blue translucent enamel on guilloché ground. Crowned wreath mounting on the front with 6 set diamond roses. Hinged on the side, with interior gilding. Aufrufzeit 12. | June 2024 | voraussichtlich 15:17 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Schlangenring Fabergé von Viktor Meyer, Pforzheim. Gelbgold 585 gestempelt. Punze: VM. Reliefierter Ring mit partiellem Transluzidemail auf Gravuren. Kleines Diamantauge. 1 Auge fehlt. 1989 erhielt die Firma die Lizenz zur Herstellung von Fabergé-Schmuck und Objekten wie die berühmten Fabergé-Eier bis 2009. Aufrufzeit 12. | Juni 2024 | voraussichtlich 17:19 Uhr (CET)Snake ring Fabergé by Viktor Meyer, Pforzheim. Marked yellow gold 585. Hallmark: VM. Relief ring with partial translucent enamel on engravings. Small diamond eye. 1 eye missing. In 1989, the company received the license to produce Fabergé jewelry and objects such as the famous Fabergé eggs until 2009. Call time 12 | June 2024 | probably 17:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

IGOR CARL FABERGÉ: AN EMALLED DIAMOND AND SAPPHIRE CROSS PENDANT NECKLACE in 14ct gold, in a stylised design, set with a square step-cut sapphire to the centre, surrounded by four round brilliant-cut diamonds, the cross inlaid with blue enamel and terminated by cultured pearls, suspended from a fancy link chain, maker's mark, British import marks, stamped '14K', '585', pendant c.3.5cm, (c.5.0g)

A Russian gold cigarette case, rectangular with rounded corners, with flared and diagonal ribbed decoration throughout, ruby cabochon thumbpiece, marked inside to the cover and base with ‘AH’ possibly for Fabergé workmaster August Holmström, St Petersburg, 1891, 56 standard, dimensions 88 x 57mm. £3,000-£4,000 --- Condition Report Light surface wear only, one internal elasticated band loose. Gross weight 86.7gm.

An 18ct yellow gold mounted green enamelled Fabergé miniature egg pendant, height 2cm, approx 7g.

Himbeerenzweig in GlasväschenNiederwörresbach (Idar Oberstein), 2. Hälfte 20.Jh. Meistermarke Robert Juchem. Zweig aus 18K-Gold mit Rhodochrosit-Himbeeren und Blätter aus Nephrit geschnitten, in Glasvase. In der Art von Fabergé. Meistermarke, Feingehalt 750. H 16,5 cm.

The Last Flowering of Court Art: A Russian private collection of Fabergé. By Wartski, paperback book, 152 pages. Sold for Michael Sobell Cancer charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

PAAR MANSCHETTENKNÖPFE 'FABERGÉ - VICTOR MAYER' Gelbgold. Kopf D. 2 cm, Ges.-Gew. ca. 26,6 g. Gest. 750, Herstellersignet für Victor Mayer, Pforzheim, Fabergé, nummeriert. Rote Emaillierung, jeweils ein Brillant, zusammen ca. 0,26 ct. Original Schatulle. Tragespuren.

FABERGE, A JEWELLED AND GOLD MOUNTED AGATE MODEL OF A DUCKLING, ST PETERSBURG, CIRCA 1900 naturalistically carved to depict a standing duckling, its head tilted to one side, the eyes set with rose cut diamonds, standing on chased gold feet, apparently unsigned, within its original Faberge wooden case. Height 4.0cm (1 5/8 inches).Provenance- The property of Emily Yznaga del Valle (1859-1944), sister of the Duchess of Manchester.- Anonymous sale, Christie's Geneva, 28 April 1976, lot 192.- The property of Harry Woolf. - Acquired by the present owners from Christie's London, 29 November 2021, lot 15 (GBP £75,000).Literature - Exhibition catalogue, Exhibition of Russian Art, London, 1935, p. 112, no. 588H (listed).- G. von Habsburg and A. von Solodkoff, Fabergé: Court Jeweller to the Tsars, London, 1979, pl. 104.- Exhibition catalogue, Carl Fabergé. Kostbarkeiten Russischer Goldschmiedekunst der Jahrkunderwende, Zurich, 1989, p. 60, no. 157 (illustrated).- Exhibition catalogue, Fabergé: Imperial Jeweller, St Petersburg, 1993, p. 291, no. 159 (illustrated).- G. von Habsburg, Fabergé: Imperial Craftsman and His World, London, 2000, p. 306, no. 813 (illustrated).- Exhibition catalogue, Carl Fabergé. A Private Collection, London, 2012, p. 51, no. 40 (illustrated).Exhibited- London, 1 Belgrave Square, Exhibition of Russian Art, 4 June - 13 July 1935, no. 588H.- New York, Habsburg, Feldman, The Josiane Woolf Fabergé Collection, 3 - 9 November 1988, no. 40.- Zurich, Museum Bellerive, Carl Fabergé. Kostbarkeiten Russischer Goldschmiedekunst der Jahrkunderwende, 31 May - September 1989, no. 157.- St Petersburg, Hermitage State Museum; Paris, Musée des Arts Décoratifs; London, Victoria and Albert Museum, Fabergé: Imperial Jeweller, June 1993 - April 1994, no. 159.- Wilmington, Riverfront Arts Centre, Fabergé, Imperial Craftsman and his World, 14 August 2000 - 28 February 2001, no. 813.- London, Wartski, Carl Fabergé. A Private Collection, 15 - 25 May 2012, no. 40.

FABERGE, AN IMPORTANT IMPERIAL JEWELLED GOLD MOUNTED BOWENITE MODEL OF A FROG, ST PETERSBURG, CIRCA 1900 humoristically carved in the Japanese taste, modelled as a frog doing a handstand with its rear feet clasped together, its eyes set with large cabochon rubies and its mouth gold mounted and set with diamonds, modelled after a netsuke, apparently unmarked.Height 5.2cm (2 1/16 inches).Provenance- The property of The Russian Imperial Family.- With Popoff, Paris.- With Wartski by 1936.- Private UK Collection.- Acquired by the present owner.Literature - A. von Solodkoff, Faberge Juwelier des Zarenhofes, 1995, p. 23 (illustrated).- G. Munn, Wartski: The First Hundred and Fifty Years, 2015, p. 72 (illustrated).- Exhibition catalogue, Wilmington,Fabergé: Imperial Craftsmen and his World, 2000, p. 305 (illustrated).- Exhibition catalogue, Wartski, Japonisme: From Falize to Fabergé, 2011, p. 103 (listed), p. 107 (illustrated).Exhibited- London, 1 Belgrave Square, Exhibition of Russian Art, 4 June - 13 July 1935 (apparently)- Wilmington, Riverfront Arts Centre, Fabergé, Imperial Craftsman and his World, 14 August 2000 - 28 February 2001, no. 806.- London, Wartski, Japonisme: From Falize to Fabergé, 10 - 20 May 2011, no. 201.FootnotesFor the only other similar model of a frog known, formerly in the collection of King George I of the Hellenes, see Christies, 24th & 25th January 2007, lot 372 - sold for £114,000

FABERGE, A RARE ROYAL JEWELLED GOLD MOUNTED SMOKEY QUARTZ MODEL OF A BUNNY RABBIT, ST PETERSBURG CIRCA 1900 humoristically carved in the Japanese taste after a netsuke to depict a bunny standing on its hind legs, its nose raised to the air, the eyes set with rose cut diamonds, apparently unmarked, within its original Faberge burled wooden case.Height 3.0cm (1 1/4 inches)Provenance- With the Antikvariat, 1920s.- With Wartski, 1920s.- The property of King Paul of the Hellenes.- Sotheby's, London, The Late King Paul of the Hellenes Sale, 25 November 1957 lot 103.- The property of Robert Strauss.- Christie's, London, The Robert Strauss Collection of Works of Art by Carl Fabergé, 9 March 1976, lot 34.- The property of Lord Thompson of Fleet.- With Wartski.- Private UK collection.- Acquired by the current owners from Andre Ruzhnikov, August 2020.Literature- G. Munn, Wartski: The First Hundred and Fifty Years The First 150 Years, 2015, p. 81 (illustrated).

FABERGE, A JEWELLED BOWENITE MODEL OF TWO PLAYING PUPPIES, ST PETERSBURG, CIRCA 1900 naturalistically modelled to depict two rolling puppies in play, in the Japanese taste after an 18th century Netsuke from the Tsu school, the eyes set with circular cabochon rubies, apparently unmarked.Length 3.5cm (1 3/8 inches).Provenance- Private UK collection- Acquired by the current owner (2021).Literature - Exhibition catalogue, Wilmington, Fabergé Imperial Craftsman and his World, 2000, p. 306 (illustrated).- Exhibition catalogue, Wartski, Japonisme: From Falize to Fabergé, 2011, p. 109 (listed), p. 97 (illustrated).Exhibited- Wilmington, Riverfront Arts Centre, Fabergé, Imperial Craftsman and his World, 14 August 2000 - 28 February 2001, no. 808.- London, Wartski, Japonisme: From Falize to Fabergé, 10 - 20 May 2011, no. 218.

FABERGE, A JEWELLED AVENTURINE QUARTZ MODEL OF A DUSTBATHING SPARROW, ST PETERSBURG, CIRCA 1900 in the Japanese style, after the netsuke type fukura suzume, modelled as a sparrow nesting on the ground, the underside with carved feet, the eyes set with rose cut diamond eyes, apparently unmarked. Length 3.5cm (1 3/8 inches)Provenance- Private UK collection.- Acquired by the current owners, December 2021.For an identical model found in the British Royal Collection, see C. de Guitaut, Fabergé in the Royal Collection, London, 2003, n. 98, p. 92 illustrated. (RCIN 40330). 

FABERGE, AN IMPORTANT JEWELLED CHALCEDONY MODEL OF A POUTER PIGEON, ST PETERSBURG CIRCA 1900 naturalistically carved to depict a standing pouter pigeon, set to the eyes with circular cabochon rubies, apparently unsigned. Height 5.7cm (2.25 inches).Provenance- The property of Lady Juliet Duff (1881-1965), née Lowther.- With Wartski until October 1989.- The property of Harry Woolf.- Acquired by the present owner from Christie's London, 29 November 2021 (GBP £112,500).Literature - H.C. Bainbridge, Peter Carl Fabergé, London, 1949, pl. 76 (illustrated).- Exhibition catalogue, Fabergé from Private Collections, London, 1992, no. 113 (illustrated).- Exhibition catalogue, Fabergé: Imperial Jeweller, St Petersburg, 1993, p. 292, no. 161 (illustrated).- A. von Solodkoff, Fabergé, Juwelier des Zarenhofes, Heidelberg, 1995, p. 64, no. 20 (illustrated).- Exhibition catalogue, Carl Fabergé, Goldsmith to the Tsar, Stockholm, 1997, p. 115, no. 54 (illustrated).- G. von Habsburg, Fabergé: Imperial Craftsman and His World, London, 2000, p. 308, no. 825 (illustrated).- Exhibition catalogue, Carl Fabergé. A Private Collection, London, 2012, pp. 40-41, no. 31 (illustrated).Exhibited- London, Wartski, Fabergé from Private Collections, 2 - 15 December 1992, no. 113.- St Petersburg, Hermitage State Museum; Paris, Musée des Arts Décoratifs; London, Victoria and Albert Museum, Fabergé: Imperial Jeweller, June 1993 - April 1994, no. 161.- Hamburg, Kunstgewerbemuseum, Fabergé, Juweilier des Zarenhofes, 12 April - 25 June 1995, no. 20.- Stockholm, Nationalmuseum, Carl Fabergé, Goldsmith to the Tsar, 6 - 19 October 1997, no. 54.- London, Spencer House, Fabergé from Private Collections - An exhibition on behalf of Music in Country Churches, 8 December 1998, no. 25.- Wilmington, Riverfront Arts Centre, Fabergé, Imperial Craftsman and his World, 14 August 2000 - 28 February 2001, no. 825.- London, Wartski, Carl Fabergé. A Private Collection, 15 - 25 May 2012, no. 31.

FABERGE, A LARGE AND IMPORTANT JEWELLED OBSIDIAN STUDY OF A DUSTBATHING SPARROW, ST PETERSBURG, CIRCA 1900 humoristically carved in the Japanese taste to depict a seated dustbathing sparrow, modelled after an ebony netsuke by Horaku, set to the eyes with circular cabochon rubies, feet carved on the underside, apparently unsigned, within its original Faberge wooden case.Length 7.5cm (3 inches).Provenance- The property of Emily Yznaga del Valle (1859-1944), sister of the Duchess of Manchester.- With Wartski- Private UK collection- Acquired by the present owner from Andre Ruzhnikov, September 2022.Literature - G.C.Munn, 'Fabergé and Japan', The Antique Collector, 1987 (illustrated)Exhibited- London, Wartski, Fabergé from Private Collections, 2 - 15 December 1992, no. 41 (illustrated). 

FABERGE, A JEWELLED AVENTURINE QUARTZ MODEL OF A PIG, ST PETERSBURG CIRCA 1900 carved whimsically to depict a pig, possibly inspired by the traditional Dutch wooden Maileg pig, its head tilted to one side, the surface left with an unusual matte texture emulating the skin of a pig, the eyes set with rubies, apparently unsigned. Length 5.0cm (2 inches). Provenance- Anonymous sale, Sotheby's New York, 11 December 1996, lot 491.- The property of Harry Woolf.- Acquired by the present owner from Christie's London, 29 November 2021, lot 14 (GBP £32,500).Literature- Exhibition catalogue, Fabergé - A Private Collection, Helsinki, 1997, p. 18, no. 17 (illustrated).- G. von Habsburg, Fabergé: Imperial Craftsman and His World, London, 2000, p. 311, no. 846 (illustrated).Exhibited- Lahti, Lahti Art Museum, Fabergé - A Private Collection, 14 March - 4 May 1997, no. 17.- Wilmington, Riverfront Arts Centre, Fabergé, Imperial Craftsman and his World, 14 August 2000 - 28 February 2001, no. 846.

FABERGE, AN IMPORTANT IMPERIAL JEWELLED GOLD MOUNTED CARVED OBSIDIAN MODEL OF A CARRIER PIGEON, ST PETERSBURG, CIRCA 1907 naturalistically carved as a carrier pigeon, with its head tilted to one side in an inquisitive pose, the eyes set with rose cut diamonds, standing on finely chased gold feet and legs, apparently unsigned, within its original Faberge wooden case containing a handwritten note in English: From Olga of Russia Xmas 1907Length: 5.0cm (2 inches)Provenance- Gifted by Grand Duchess Olga Alexandrovna of Russia (1882-1960), to her aunt, Princess Thyra of Denmark, Duchess of Cumberland, for Christmas 1907.- Sotheby's, London, Imperial and Royal Presents, 24 November 2008, lot 99 (GBP £61,250).- Private UK collection.- Acquired by the present owner from Andre Ruzhnikov, August 2020.Literature - Géza von Habsburg, Fabergé Hofjuwelier de Zaren, Munich, 1986, p. 198 (illustrated).- Géza von Habsburg, Fabergé-Cartier Rivalen am Zarenhof, Munich, 2003, p. 246 (illustrated).Exhibited- Fabergé, Munish, Kunsthalle of the Hypo-Kulturstiftung, 1986-87, no 327.- Fabergé - Cartier, Munich, Kunsthalle of the Hupo-Kulturstiftung, 2003-04, no 325.

FABERGE, A JEWELLED AGATE MODEL OF A RABBIT, ST PETERSBURG, CIRCA 1900 naturalistically carved in varicoloured pink to white agate, depicting a rabbit crouching on all four pads with its ears raised in an alert position, the eyes set with rose cut diamonds, apparently unmarked, within its original fitted Fabergé hollywood case.Length 4.7cm (1 7/8 inches).Provenance- Anonymous sale, Christie's, Geneva, 1996.- With Wartski.- Private UK collection.- Acquired by the current owners from Andre Ruzhnikov, August 2020.

FABERGE, AN IMPORTANT IMPERIAL BOWENITE MODEL OF A MYSTIC APE / MONKEY, ST PETERSBURG, CIRCA 1900 humoristically modelled as a monkey covering its mouth, ears and eyes to represent the adage 'see no evil, hear no evil, speak no evil', in the Japanese taste, after an ivory netsuke by the master Kaigyokusai Masatsugu, apparently unsigned.Height 3.0cm (1 1/4 inches)Provenance- The property of The Russian Imperial Family.- With Popoff, Paris.- With Wartski by 1936.- Private UK Collection.- Acquired by the present owner (2021)Literature - A. von Solodkoff, Faberge Juwelier des Zarenhofes, 1995, p. 22 (illustrated).- Exhibition catalogue, Wilmington,Fabergé: Imperial Craftsmen and his World, 2000, p. 305 (illustrated).- Exhibition catalogue, Wartski, Japonisme: From Falize to Fabergé, 2011, p. 109 (listed), p. 97 (illustrated).Exhibited- Wilmington, Riverfront Arts Centre, Fabergé, Imperial Craftsman and his World, 14 August 2000 - 28 February 2001, no. 805.- London, Wartski, Japonisme: From Falize to Fabergé, 10 - 20 May 2011, no. 218.Catalogue Note:Five of these mystic apes are known to exist, three of which are found in the Victoria and Albert Museum as part of the Kenneth and Sallie Snowman Collection. Bowenite - the model above being offeredAmazonite, Obsidian, White Chalcedony - Victoria and Albert Museum, the Jewellery RoomNephrite - last seen in the collection of A la Vielle RussieThe example offered here is featured in archival photographs of Wartski from the early 20th Century, described as 'light Jade'.

FABERGE, AN EXCEPTIONAL JEWELLED AGATE MODEL OF A SHE GOAT, ST PETERSBURG, CIRCA 1900 naturalistically carved in striated agate to depict a goat, its head tilted to the side and its tail uplifted, the eyes set with rose cut diamonds, apparently unmarked, within its original Faberge wooden case.Length 5.7cm (2 1/4 inches).Provenance- With A La Vieille Russie- Private US collection.- Sotheby's, New York, Russian Art, 21 April 2010, lot 137 (USD $182,500).- Acquired by the present owner from Andre Ruzhnikov, September 2022.Literature- A. Kenneth Snowman, The Art of Carl Fabergé, London, 1953, p. 64-65, no. 210 (illustrated).

A pair of Royal Crown Derby Handley Cross or Mr Jorrocks's Hunt cabinet plates, dated 1952, diameter 26cm, together with a mixed group of decorative ceramics, including a Franklin Mint Fabergé Firebird Vase, height 24cm, with stand, a set of twelve Franklin Mint Birds and Blossoms of the World bird models, with certificates, a pair of Continental porcelain figures, modelled as a hunter and his companion, height 37cm, and two blue printed platters.

A decorative Fabergé-style quartz timepiece, together with a metal lantern.

A CD storage box in the form of a mummy, together with contemporary quartz mantel timepiece, Fabergé-style egg ornament, glass and ceramic penguin figures, porcelain ring stand, etc. (1 box)

Victor Meyer Fabergé Ei-AnhängerCollection Fabergé by Victor Mayer (1989-2009), 750 Gelbgold, punziert und grün emailliert, 13 Diamanten im Brillantschliff, gesamt ca. 0,13 ct, Fabergé signiert, 207/1000 nummeriert, Länge 2,7 cm, Gewicht ca. 5,5 gVictor Meyer Fabergé egg pendantCollection Fabergé by Victor Mayer (1989-2009), 750 yellow gold, hallmarked and green enameled, 13 brilliant-cut diamonds, total approx. 0.13 ct, Fabergè signed, numbered 207/1000, length 2.7 cm, weight approx. 5.5 g

Victor Mayer Fabergé Ei-Anhänger 'Kunsthalle 2003-2004 München'Collection Fabergé by Victor Mayer (1989-2009), 750 Gelbgold, punziert, weiß und blau emailliert, Ei signiert Fabergé und 79/1000 nummeriert, Länge 2,8 cm, Gewicht ca. 6,7 g, weiße Emaille etwas fleckig Original-Box und -Zertifikat vorhandenVictor Mayer Fabergé egg pendant 'Kunsthalle 2003-2004 Munich'Collection Fabergé by Victor Mayer (1989-2009), 750 yellow gold, hallmarked, white and blue enamel, egg signed Fabergé and numbered 79/1000, length 2.8 cm, weight approx. 6.7 g, white enamel slightly stained Original box and certificate available

Posten Fachliteratur Schmuck10 Stk., bestehend aus: 1) Pariser Schmuck, München Hirmer 1989, 327 S., 2) Fabergé, Hofjuwelier der Zaren, von Geza von Habsburg, München Hirmer 1986, 359 S., 3) Ausstellungskatalog Münchner Schmuck 1900-1940, Danner-Stiftung München 1990, 112 S., 4) Costume Jewelers, The golden Age of Design, englisch, von Joanne Dubbs Ball, West Chester Schiffer Publishing Ltd. 1990, 208 S., 5) Art Deco Jewellery 1920-1949, von Melissa Gabardi, Woodbridge/Suffolk by the Antique Collectors Club 1989, 329 S., 6) Schmuck in Deutschland und Österreich 1895-1914, von Ulrike von Hase, München im Prestel-Verlag 1977, 430 S., 7) Bruckmanns Handbuch des Schmucks, von C. Heller, I. Schneider und W. Dennert, München im Bruckmann-Verlag 1977, 252 S., 8) European & American Jewellery 1830-1914, englisch, von Charlotte Gere, London by Heinemann 1975, 240 S., 9) Schmuck, Vom Klassizismus bis zum Art déco, von Lydia-Lida Dewiel, München bei Mosaik Verlag GmbH 1979, 160 S., 10) Armbanduhren, Gisbert L. Brunner, München im Wilhelm Heyne Verlag 1990, 376 S.; Format max. Lex. 8°, unterschiedlich starke Gebrauchsspuren.