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Jack Nicklaus bronze figural sculpture by Garrard & Co Ltd., depicting Jack Nicklaus following through on his golf swing, standing on a bronze plinth mounted on a canted variegated marble base, stamped 27 of 500 on bronze base and bears an engraved name plaque, total height 29cm., mounted in a fitted green Garrard & Co. Ltd front opening case, total height 32cm.
Harry Vardon bronze figural sculpture by Garrard & Co Ltd., depicting Harry Vardon following through on his golf swing, standing on a bronze plinth mounted on a canted variegated marble base, stamped 18 of 500 on bronze base, total height 27cm., mounted in a fitted green Garrard & Co. Ltd front hinged opening case, total height 32cm., golf club slightly warped
Tom Morris Jnr. bronze figural sculpture by Garrard & Co Ltd., depicting Tom Morris Jnr. lining up to chip the ball, standing on a bronze plinth mounted on a canted variegated marble base, stamped with foundry mark for MERDIAN LONDON BRONZE on bronze base and bears an engraved name plaque mounted on bronze base, total height 26cm., mounted in a fitted green Garrard & Co. Ltd front opening case, total height 32cm.
A MAJAPAHIT SCULPTURAL COMPOSITION DEPICTING FIGURES IN A MOUNTAINOUS LANDSCAPE, JAVA, INDONESIA, CIRCA 14TH CENTURY terracotta, modelled in the round, with a seated figure at the top flanked by female attendants sitting outside kiosks, a flight of steps below with a young couple at the bottom, a dog and further figures amidst foliage at the back 50cm high Provenance: Collection of a deceased diplomat, thence by descent. It is not clear what the function of this sculpture was. The hollow structure and hole at the top is reminiscent of figural objects which are though to have supported wood columns. There is an interesting parallel with a Nepalese terracotta lamp in the Walter Grounds collection (Pratapaditya Pal, 'Icons of Piety, Images of Whimsy', Los Angeles 1987, p. 78f., no.42). As with the Nepalese piece, it is likely that the figure at the top with his long hair gathered in a bun or turban represents Siva on Mount Kailas. ++Chips and losses to extremities, repaired breaks in upper half
Große figürliche Jugendstil-Stehlampe von Goldscheider 1-flg.; Keramik, farbig bemalt; Glasschirm; Behang mit Glasperlenketten, Metallmontierung. Auf einem Postamentsockel mit ornamental stilisiertem Blütenrelief stehender, vollplastischer Halbakt einer jungen Frau, die mit den beiden erhobenen Armen einen Blütenfeston und zugleich die Montierung für den Glasschirm und Behang hält. "SCULPTURE"-Firmenmarke, Bez. "FABRIQUÉ EN AUTRICHE", Modell-Nr. 3898(?), undeutl. Entw.-Sign.; Elektrifiziert; H. 162,5 cm. A large figural Austrian Vienna Art Nouveau floor lamp with semi-nude sculpture of a young woman by Goldscheider. Painted ceramic, glass, metal-mounting. Manufacturer's mark, model-no. 3898(?), indistinct signature.Österreich. Wiener Manufaktur Friedrich Goldscheider. Um 1900-1910.
Jennine Parker (British b.1971) Compassion, stamped and numbered 138/295 verso, bronze sculpture on marble base, measurements 35 x 15 x 10 cm Accompanied by the certificate of authenticityCondition report: The statue is a bronze figural piece mounted on a marble base. The figure appears in good condition with no obvious evidence for breaks, losses or damage. The base has a scuff to the side (see additional image)
Paul Granlund (American, 1925-2003). Colored pencil on paper drawing of a seated nude figure, shown from the back. Signed in red pencil and dated 1976 along the lower right edge. With a label from Premier Gallery affixed to the verso of the frame.Lot Essay:Paul Granlund was born in 1923 in Minneapolis. His father was a Lutheran pastor, who instilled in him the background in religion which would provide a major inspiration for his work throughout his life. After high school, Granlund served in World War II, an experience which deeply affected him, strengthening his interest in understanding and conveying the human experience in all its facets.Following the war, Granlund went to Gustavus Adolphus College in St. Peter, Minnesota. He graduated with his BA in 1952, then, after some graduate work at the University of Minnesota, moved to Michigan to continue his education at Cranbrook Academy of Art, from which he graduated with his MFA in 1954. He received the Fulbright scholarship to study sculpture in Italy, and on this trip and a subsequent period of study as a Guggenheim Fellow in Rome, he was exposed to important works of traditional sculpture as well as new sculptural techniques.After studying in Italy, Granlund returned to Minnesota, and was a faculty member at the Minnesota College of Art and Design throughout the 1960s. He returned to Gustavus Adolphus as sculptor in residence in 1971, a title he kept until 1996, when he retired, although he kept a studio at Gustavus Adolphus until his death in 2003. His art adorns much of the campus there, often demonstrating his adeptness at using sculpture as a method of Biblical interpretation.During his long career, Granlund taught and exhibited throughout the United States, as well as creating many important pieces of public art, including the Vietnam War Memorial at the Minnesota GovernorÃs Mansion. His dedication to creating all parts of the sculpture himself, including casting his own bronze, made him unique among sculptors, as did his versatility, with his sculptures ranging from traditional-seeming figural works to mind-bending abstract pieces.Sight; height: 13 1/4 in x width: 7 3/4 in. Framed; height: 20 3/4 in x width: 15 1/4 in.
John Maltby (1936-2020), Medallion Man, a stoneware figural sculpture on plinth with wire, seal mark, 18.25cm high/Provenance: purchased directly from the potter CONDITION REPORT: roughness to nose profile; hairline crack to back of neck; residue of sticky label to one side of plinth only visible under UV light; tiny nick to medallion edgeCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfectionARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Maltby (1936-2020), Mother and Child, a stoneware figural sculpture, seal mark, 20cm high/Provenance: purchased directly from the potter CONDITION REPORT: Condition is very good, no damage or restoration apparent. Under UV light, you can see residue from a sticky label to the back of the legs, above the Maltby seal, but this is not visible with the naked eye.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Various carvings by Ronald W. Southgate including 'The Cat' dated 98, carved oak figural abstract sculpture dated 1991, oak swan brooch dated 1950, Yorkshire Rose brooch and others. Provenance - Ronald W. Southgate of Selby is known for carving the heads of Canon J. Solloway and Mr. William Liversidge on the doorway of the vestry in Selby Abbey's west front at the age of 19. In 1987 he carved a stone Bishop for the North Aisle at York Minster.
Große Terrakottagruppe „La chasse“Höhe: 53 cm. Breite: 46 cm. Tiefe: 30 cm.Der Stil der qualitätvollen Bildhauerarbeit führt nach Frankreich im späten 18. Jahrhundert, weitergeführt durch die Bildhauerfamilie Moreau, etwa Jean Baptiste (1797-1855), Mathurin Moreau (1822-1912) oder Auguste Moreau (1834-1917). Auch Pietro Balestre (1672-1729) schuf dergleichen Terrakottagruppen, wobei die meisten erst später ausgeformt wurden. Rötlicher Ton, gebrannt. Drei Putten auf felsigem Sockel um einen Jagdhund gruppiert, der an der Beute – Hase und Fasan – schnüffelt. Die beiden sitzenden Figuren mit Flügeln, der stehende Knabe, der ein Jagdhorn bläst, jedoch ohne Flügel, was dahingehend zu deuten ist, dass es sich bei dem Jäger – oder der kindlich wiedergegebenen Jagdgöttin Diana – um eine mythische Gestalt handelt, während die beiden geflügelten Amoretten als Wesen zu sehen sind, die das Jagdglück bewirken. Drei Finger der stehenden Figur fehlen, ein weiterer der links sitzenden Amorette geklebt, sonst in sehr guter Erhaltung. A.R. (1301819) (11)Large figural terracotta group “La chasse”Height: 53 cm. Width: 46 cm. Depth: 30 cm.The style of this high-quality sculpture suggests France during the late 18th century.
An unusual German patinated bronze figural element originally forming the central stem support for a chandelierprobably Nuremberg, 16th centurythe male figure, possibly a King, wearing an elaborate headdress, his torso partially revealed beneath draped robes, his hands and feet of exaggerated proportions, raised on an integral circular base, 28cm high approximatelyFootnotes:Provenance: With Matthew Holder, European Sculpture & Works of ArtFor further information on this lot please visit Bonhams.com
Große Figurenuhr mit Postament, Potschappel Dresden, nach einem Entwurf von Johann Friedrich Eberlein Meissen von 1743, Ausformung 80/90er Jahre, allegorische vollplastische Figurenbekrönungen: Mars und Minerva, Flora und Eirene, über dem Zifferblatt Adlerskulptur mit dem Porträt von August III, Kurfürst von Sachsen, König von Polen, Großherzog von Litauen, mit Quarzwerk, Seiten und Hut mit Durchbrucharbeit, Sockel reich mit Blüten und Blättern appliziert, reiche Goldstaffage, Blumenmalerei und Wappen, allegorische Deckelbekrönung am Attribut unvollständig, min. best., ansonsten gute Erhaltung, H. ca. 80 cm, B. 30 cmLarge figural clock with pedestal, PotschappelDresden, based on a design by Johann FriedrichEberlein Meissen from 1743, model 80s/90s, allegorical fully plastic crowned figures: Mars and Minerva, Flora and Eirene, above the dial an eagle sculpture with the portrait of August III, Elector of Saxony, King of Poland,Grand Duke of Lithuania, with quartz movement,sides and hat with openwork, base richly applied with flowers and leaves, rich gold decoration, flower painting and coat of arms, allegorical crowning of the lid on the attribute incomplete, slightly dam., otherwise good condition, H 80 cm, W. 30 cm
Französische Bronzestatuette von Pradier, um 1850-70 Skulptur der altgriechischen Dichterin Sappho, am Fuß signiert "Pradier", mit Gießerstempel "SUSSE FRES", patinierte Bronze, auf gestuftem Sockel aus rotem Marmor und Bronze mit eingelassener Plakette, Gesamthöhe 41 cm. - Die Figur war ehemals für Kerzen vorgesehen und wurde Anfang des 20. Jahrhunderts elektrifiziert. - Anmerkung: Jean-Jacques Pradier (1790 -1852) war ein französischer Bildhauer und bekannt für seine Arbeiten im neoklassischen Stil. - Die Pariser Gießerei Susse Frères ist bekannt für ihre feinen Bronzegüsse mit hervorragend aufgetragener Patina. Der Stempel auf dieser Statuette wurde von ihnen von ca. 1850 bis 1870 verwendet. Start Price: EUR 180 French Bronze Figure by Pradier, c. 1850-70 Sculpture of the ancient Greek poet Sappho, signed "Pradier" on the foot, with foundry stamp "SUSSE FRES", patinated bronze, on stepped red marble and bronze figural base with inset recessed plaque, overall height 16 in., a figural candelabra, electrified during the early 20th century. - Note: Jean-Jacques Pradier (1790-1852) was a French sculptor and known for his work in the neoclassical style. - The Susse Frères foundry firm from Paris attained recognition for its bronze castings and finely applied patinas. The stamp on this statue was in use from c. 1850 to 1870. Start Price: EUR 180
A Murano glass figural sculpture by Sergio Rossi, second half 20th century, modelled as a standing figure with arms raised, the clear body with internal pale blue colour and bubble detail, raised on a black glass base, engraved mark, height 61.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Vincenzo Gemito (Italian 1852-1929): 'L'Acquaiolo' (The Water Carrier), a bronze figural sculpture, foundry mark,height 52cmOverall with a light silvered bronze tone throughout, a little oxidised and dirty in places, some verdigris beneath the feet, foundry stamp to the top of the large urn and inscription to the back of the plinth,PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. height 52cm
NICHOLAS DIMBLEBY (b.1946) A COMPOSITION RESIN RELIEF CAST FEMALE FIGURAL FOUNTAIN, ‘AFTERNOON’Late 20th CenturyUnsigned, 200cm high x 84cm wideCondition report: Several chips and losses, notably one the corner and another two to the side, as per illustration. The area of loss with further cracks and weakness along the edge and will require repair. Otherwise general dirt and environmental weathering.Please see wwwnicholasdimbleby.co.uk for a version of this sculpture in situ and entitled ‘Afternoon’
An Isle of Wight glass vase, of small proportions, with makers label to body, 7cms high; together with a free-blown glass vase by Dan Aston; a Royal Copenhagen annual mug 1974, with unengraved silver disk to underside; a cut glass decanter with stopper; Ringtons tea pot; a contemporary figural sculpture; and other items.

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953 item(s)/page