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A group of three ornaments comprising a Beswick Trout no 1032 and two Royal Doulton Winnie The Pooh figures "Tigger Signs the Rissolution" and "Kanga and Roo". Condition - the trout has a few minor chips to fins and crazing, the Royal Doulton figures appear damage free.
Two Marquesas Islands carved wood fan handles; one with two kneeling figures and a pierced centre, 8.5cm high, the other with two kneeling figures, 8.5cm high, both mounted on wood stands by Inagaki. (4) Provenance The Collection of Josef Mueller, Christie's, March 1979, lot 219. Dr James Spillius, London. Both bases with stamped seal of Kichizo Inagaki.
Three Tami Island sago / taro spoons, Papua New Guinea, carved figures, masks, serpents and a bird head, the longest 66cm, a Nausung carved wood and painted mask ornament, 54cm long, a Sepik mask and a Kilenge carved wood bailer, 37.5cm long. (6) Provenance The Philip J. C. Dark collection.
An Egyptian Coptic textile fragment, linen and wool, with classical figures and busts within roundels and under arches, and with a row of urns, foliage borders, 6-8th century, 67.5 x 36cm, mounted mounted in a perspex frame, damaged. Provenance Property of a retired diplomat, acquired on his first posting to Egypt in the 1960's.
An Egyptian Coptic textile fragment, linen and wool, with a central band of roundels depicting figures and animals within double border, 6-10th century, 78 x 22.5cm, mounted in a perspex frame. Provenance: Property of a retired diplomat, acquired on his first posting to Egypt in the 1960's.
A Brass carved wood seated male figure "The Warrior", Nigeria, with a bowler hat and white pigment face, late 19th century, 108cm high. Provenance King Ockiya, Brass, Nigeria Bishop Samuel Ajayi Crowther, Church Missionary Society This carved figure was one of the three idols belonging to King Ockiya, of Brass, a port on the Niger delta. They were given to Bishop Crowther, who in 1864 became the first black Anglican bishop. He converted the king to Christianity, who during his reign commissioned figures made in a naturalistic style. They were often representations of his court or family and also deities. A series of photographs taken in 1878 - 1879 show the present figure known as the Warrior or god of war, with two other figures. The large central one, known as Kakenga, now in the National Museum of African Art, Washington, and the female figure on the right, now in the British museum.
A Yoruba carved maternity figure by Lamidi Olonade Fakeye, with a seated female and a suckling infant, the base with further figures including one holding a rifle, one holding a book, another with shango staff and cockerel, another with a gourd and sword and a female balancing a bowl on her head full of fruit, the underside signed L.O. Fakeye, 73cm high. Provenance Leslie Gooday OBE.

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657920 item(s)/page