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Lot 1717
CRIME & THRILLER FILM SCRIPTS: 12 scripts comprising Your Turn to Die (x6), Mask of Dust (together with a folder of related ephemera & a box of stills with motor racing interest), Hide My Eyes. Background, Pursuit, A Man on the Beach. Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £50 - £80.
Lot 1716
FILM SCRIPTS: The Amorous Adventures of Moll Flanders; Mayerling; The Ambassadors (x3); Anna Karenina (6)Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £50 - £60.
Lot 1713
THE POPPY IS ALSO A FLOWER 1966: A film based on an idea by Ian Fleming, a US-French-Austrian made-for-TV film made under the auspices of the United Nations, directed by Terence Young. Film script together with a folder of letters & other ephemera mostly relating to the filming in Iran with letters from various Iranian officials. Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £450 - £500.
Lot 1718
WORLD WAR II & OTHER MILITARY INTEREST FILM SCRIPTS: Operation Heavy Water (x8); The Tigers Roar; The Red Beret; Above the Dark Circus; The Jackals; The Unknown Battle (script & synopsis); plus 5 original photos of German airmen captured in 1940.Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £50 - £80.
Lot 1712
CHARLIE CHAPLIN: A King in New York 1957. A release script & 1 other script, collection of c. 100 production stills featuring Chaplin, a framed photo inscribed by Chaplin, a set of 9 double sided 12” records of music from the film.Mickey Delamar was Production Controller: He worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £1000 - £1200.
Lot 1714
FAHRENHEIT 451, 1966, directed by Francois Truffaut, film script dated 23rd. Dec. 1965, complete with ‘revision’ pp. on pink paper binding, plus a folder of letters & other ephemera.Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £200 - £250.
Lot 1715
POPSKI’S PRIVATE ARMY: 11 film scripts, drafts, synopsis, plus a collection of related letters, contracts, folder & album of press cuttings, etc.Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £100 - £150.
Lot 1719
FILM SCRIPTS & EPHEMERA: A box of 11 scripts comprising synopsis & 2 ‘ideas for musical’, plus various movie related ephemera.Mickey Delamar worked in the film industry from 1937-1968 as a producer, production manager and assistant director on over 30 movies, including Chaplin’s ‘King of New York’, Truffaut’s ‘Fahrenheit 451’ and Cliff Richard’s first movie ‘Serious Charge’ starring Anthony Quayle, which he both wrote and produced. Est. £30 - £40.
Lot 3103
Film And Theatre Related Items including scripts for Something to Hide, two Neither the Sea nor the Sand and Don't Just Lie There Say Something; promotion material for films such as Shrek, Oliver 1968, The Avengers, various James Bond films; 10x13 b/w stills from Follow Me Boys; Books relating to Marilyn Monroe, a set of actor information cards and other items
Lot 120
Fernando BoteroDr. Wibke von Bonin and guest (Harald Szeemann) Bleistift auf Papier 50 x 65,2 cm. Unter Glas gerahmt. Signiert, datiert und betitelt '"Dr. Wibke von Bonin and guest" Botero 71'. - Mit leichten Altersspuren.ProvenienzPrivatsammlung, Nordrhein-WestfalenDie Zeichnung entstand nach einer Fotografie von Manfred Tischer, Düsseldorf, und zeigt Wibke von Bonin und Harald Szeemann im Oktober 1970 in Köln. Die Fotografie liegt bei. Fernando Botero porträtiert in dieser Zeichnung zwei maßgebliche Förderer zeitgenössischer Kunst in Deutschland, Wibke von Bonin und Harald Szeemann.Von Bonin ist nach ihrer Promotion zunächst an der Kunsthalle Baden-Baden tätig, wo sie gemeinsam mit Szeemann eine Ausstellung zu kinetischer Kunst konzipiert. 1965 wechselt sie zum WDR nach Köln und ist hier über drei Jahrzehnte hinweg verantwortlich für das Ressort Bildende Kunst. Ihr Hauptaugenmerkt liegt auf der Zeitgenössischen Kunst, in zahlreichen filmischen Porträts und Atelierbesuchen bringt sie deren nationale und internationale Protagonisten einer breiten Öffentlichkeit näher.Der gebürtige Schweizer Szeemann ist 1961-1969 Direktor der Berner Kunsthalle, hier macht er sich mit progressiven kuratorischen Konzepten einen Namen. Wegweisend ist seine Ausstellung „When attitude becomes form“ von 1969, die erstmals Happenings und Installationen in den Museumkontext einbringt. 1972 kuratiert er die documenta 5, deren bisheriges Konzept er aufbricht, um den Künstlern freie Gestaltungsmöglichkeiten zu geben und „außerkünstlerische Bildwelten“ miteinzubeziehen. Szeemann entwickelt zahlreiche erfolgreiche, innovative Ausstellungen, die teils großangelegte Themenkomplexe behandeln, zweimal leitet er die Biennale in Venedig. Fernando BoteroDr. Wibke von Bonin and guest (Harald Szeemann) Pencil on paper 50 x 65.2 cm. Framed under glass. Signed, dated and titled '"Dr. Wibke von Bonin and guest" Botero 71'. - Minor traces of age.ProvenancePrivate collection, North Rhine-WestphaliaThe drawing originates after a photograph by Manfred Tischer, Dusseldorf, and shows Wibke von Bonin and Harald Szeemann Oktober 1970 in Cologne. The photograph is enclosed.In this drawing, Fernando Botero portrays two significant patrons of German contemporary art: Wibke von Bonin and Harald Szeemann.Following her doctorate, von Bonin started working at the Kunsthalle Baden-Baden where she and Szeemann conceptualised an exhibition on kinetic art. In 1965, she switched to the WDR in Cologne and remained in charge of the fine art department for more than 3 decades. She focused mainly on contemporary art and brought its national and international protagonists closer to a broad public through numerous film portraits and studio visits.A native of Switzerland, Szeemann was the director of Berner Kunsthalle from 1961-1969, making a name for himself with progressive curatorial concepts. His 1969 exhibition “When attitude becomes form” was ground-breaking, bringing happenings and installations into the museum context. In 1972, he curated documenta 5, thowing over its previous concept in order to give the artists free creative scope and to include “non-artistic visual worlds”. Szeemann developed numerous successful, innovative exhibitions which in part deal with large-scale thematic complexes. Twice, he has been director of the Venice Biennale.
Lot 90
A FINE GEM-SET AND DIAMOND BRACELET, BY FRED PARIS, CIRCA 1970 - 1980 Of articulated design, composed of four large openwork bombé links set with alternating sapphire, ruby and emerald cabochons highlighted with brilliant-cut diamonds throughout with textured gold detail, mounted in 18K gold, diamonds approximately 10.00cts, signed Fred Paris, with maker's mark 'AV' for André Vassort, French assay marks, with maker's case, length 17cm Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. n 1995 FRED joined the Moet Hennessy Louis Vuitton LVMH group. In the secluded streets of Paris, shadowed by the celebrity of the great jewellery maisons of France, work the craftsmen whose talents satisfy the constant appetite for glamour. In December 1955, at 34 rue Sainte Anne, André Vassort registered his atelier and soon became one of the most sought-after jewellers in France. He was quickly employed by names such as Boucheron, Van Cleef and Arpels, Mauboussin and FRED. His work adorned their most discerning clients and he became a favourite in carrying out special commissions. Of particular note was the crown that he created under Van Cleef and Arpels for Empress Farah of Iran. Taking six months to complete, the magnificent piece is iridescent with diamonds, emeralds, rubies and pearls, mounted in white gold and set against a backdrop of forest-green velvet. Vassort specialised in working with gold, drawn to the warmth and texture that could be coaxed from the metal, however, he did not shy away from other materials. His understanding of gemstones allowed him to create bold and colourful pieces, exemplified in this lot. Working anonymously for larger houses, a large portion of Vassort's work is unsigned, but, here, we are gifted with his maker's mark 'AV'. When André Vassort closed his workshop in the early 1990s, his name and work were revered within the jewellery industry and his pieces had become synonymous with enduring quality.
Lot 118
A DIAMOND 'LEGENDE D'AUTOMNE' RING, BY JULIE GENET Realistically modelled as a thin maple leaf set with coloured diamonds of yellow and brown tint throughout, finished with a trifurcated gold hoop, mounted in 18K gold, diamonds 0.96ct total, signed 'JGJ' for Julie Genet Joaillerie, with maker's mark, French assay mark, with maker's case and pouch, ring size M The Autumnal colours of the ring's diamonds, tactile texture and maple leaf silhouette were inspired by the iconic film 'Legends of the Fall' based on Jim Harrisons short story. Harrison's writing portrays regions of North America, with stories set in picturesque areas like Nebraska's Sand Hills, Michigan's Upper Peninsula, Montana's mountains, and along the Arizona-Mexico border. The scenery illustrating the variety of nature and the passing of seasons are all featured in the film, which was of influence for the creation of this beautiful ring. Native American culture emphasizes harmony with nature, which is evident in the film. Legends of the Fall was primarily filmed on location in Alberta and British Columbia, Canada. Principal photography began in mid-September 1993. The maple leaf became a symbol of Canada as early as the 1700s. In 1848, The Maple Leaf, a Canadian literary annual published in Toronto, ON, announced the maple leaf as the chosen emblem for Canada. By 1860, the maple leaf was used in the Royal Canadian 100th Regiment Badge. Maple trees symbolize balance, offering, practical magic, promise, longevity, generosity, and intelligence. Leaves hold symbolism in many cultures, but in general, they symbolize fertility and growth. The green leaves of spring and summer depict hope, renewal and revival. Blazing yellow, orange and red leaves of fall represent the change of season.
Lot 89
A FINE GEM-SET AND DIAMOND PENDANT/BROOCH, BY FRED PARIS, CIRCA 1975 -1980 Designed as a stylised present bow, centring a ruby cabochon within a surround of brilliant-cut diamonds, the ribbons of openwork decorated with alternating sapphire, emerald and ruby cabochons with brilliant-cut diamond highlights throughout, mounted in 18K gold, diamonds approximately 6.00cts total, signed Fred Paris, with maker's marks for André Vassort (partially rubbed), French assay marks, with brooch and pendant fitting, length 6.4cm Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. n 1995 FRED joined the Moet Hennessy Louis Vuitton LVMH group. In the secluded streets of Paris, shadowed by the celebrity of the great jewellery maisons of France, work the craftsmen whose talents feed the ever-hungry mouths of glamour. In December 1955, at 34 rue Sainte Anne, André Vassort registered his atelier and soon became one of the most sought-after jewellers in France. He was quickly employed by names such as Boucheron, Van Cleef and Arpels, Mauboussin and FRED. His work adorned their most discerning clients and he became a favourite in carrying out special commissions. Of particular note was the crown that he created under Van Cleef and Arpels for Empress Farah of Iran. Taking six months to complete, the magnificent piece is iridescent with diamonds, emeralds, rubies and pearls, mounted in white gold and set against a backdrop of forest-green velvet. Vassort specialised in working with gold, drawn to the warmth and texture that could be coaxed from the metal, however, he did not shy away from other materials. His understanding of gemstones allowed him to create bold and colourful pieces, such as the current lot. Working anonymously for larger houses, a large portion of Vassort's work is unsigned, but, here, we are gifted with his maker's mark 'AV'. When André Vassort closed his workshop in the early 1990s, his name and work were revered within the jewellery industry and his pieces had become synonymous with enduring quality.
Lot 200
Important Photographic Record in Three Photograph Albums of Pathe News Photographer in China 1921, France & South Africa c.1910 etc. Believed to be A.A.Simon whose task was to set up a Film Laboratory in Peking. Interesting images throughout with captions in French, including view from the Grand Hotel over Peking (1922), street carts, Station and train,Peking. Military band and parades with Marshal Joffre and his staff in attendance, while Chinese look on, Pathe Office with "Pathe-Orient" sign displayed, staff with camera etc. Also Shanghai, Chinese camera "aide", street scenes, Soochow,, Westerners celebrating, "Ecole Municipal franco-chinese" marching past, etc. Another Album which dates from c.1910 has excellent Chinese harbour scenes and junks, even a flying boat with camera visible. Also scenes, possible for a film, in South Africa "Defending the Krall". Three contemporary Albums with c. 200 images, various sizes, very clear and most captioned.
Lot 3
Important Original Report "Some Official Tests of E.R.Calthrop's Patent Safety "Guardian Angel" Parachute, Type A " …at the Experimental Station of the Royal Flying Corps at Orfordness January 1917. c.52pp in landscape format with heavy duty green cloth, gilt. Numerous real photographs from a Biograph film of the preparation and parachute drop, initially a dummy then an Observer Captain C.F.Collett RFC. the number under each gives the timing in seconds at which each picture is taken....This copy has a signed inscription from E.R.Calthorp presenting it to the Library of the House of Commons 1917. This is an important historical event for even though a Parachute had been proved it was not issued as it was feared pilots would abandon their aircraft ! Note a number of pages have had the captions neatly cut out, whether by Calthrop of later for some reason is not known. Heavy item. (1)
Lot 74
FILM PROGRAMMES / LOBBY CARDS / POSTERS. Excellent collection of film memorabilia: Programme/film books for Star Wars, Battle of Britain, Waterloo, ET, Close Encounters of the Third Kind. Also a collection of film memorabilia to inc: lobby cards, Italian 'Locandina' posters for films to inc: Falling Down, Regarding Henry, Getting Even With Dad and more.
Lot 63
DISNEY FILM POSTERS AND PROMOTIONAL MATERIALS. Disney film ephemera to include: two UK quad (30 x 40'') posters for circa 1987 reissues of 'Snow White..', a folded UK quad for 50th anniversary reissue of 'Fantasia', two circa 1972 'Snow White..' film books, a 1964 'Mary Poppins' film programme, four lobby cards inc one original for 'The Aristocats' and three for 'Mary Poppins', five 'Peter Pan' FOH stills, a 1978 'Mickey Mouse' still.
Lot 119
BING CROSBY ARCHIVE - ORIGINAL SCRAPBOOK COMPILED BY 'BING'S BIGGEST FAN' INC SIGNED LETTERS FROM BING. An excellent collection of Bing Crosby memorabilia, formerly compiled and owned by Frank Grant, who amassed an incredible collection of Bing Crosby recordings and memorabilia before his death. This lot includes the scrapbook kept by Mr. Rogers detailing his life in 'Bing collecting' (as well as Frank's football career) to include many press cuttings as well as photos and more as well as a hand signed letter from Bing Crosby. Also an excellent photo album with approx 37 original photos, film stills and lobby cards.
Lot 140
CAPTAIN NEMO AND THE FLOATING CITY FILM SCRIPTS. Three scripts (137 page, 136 page and 109 page) for the 1969 film that went on to be called Captain Nemo and The Underwater City. The story was famously written by Jules Verne with this screenplay being written by Pip and Jane Baker. The film starred among many others Robert Ryan, Chuck Connors and Nanette Newman. Provenance: Consigned by a family member of husband and wife team Pip and Jane Baker.
Lot 138
DOCTOR WHO WRITERS PIP AND JANE BAKER ASSORTED TV & FILM SCRIPTS. Six scripts from early on in their career for stories which all made it onto the big screen. To include A Moment of Blindness (film title ''The Third Alibi'' from 1961) which starred Laurence Payne, four scripts for episodes of the TV series The Pursuers from 1961/62 which starred Louis Hayward and a script for an episode for TV series of Detective from 1968 entitled ''The Beast Must Die'' which starred Christine Finn and one time Doctor Who actor Richard Hurndall. Provenance: Consigned by a family member of husband and wife team Pip and Jane Baker.
Lot 109
CLIFTON WEBB SIGNED VISITOR'S BOOK PAGE: A page removed from the visitor's book of the actor Clifton Webb, annotated 'Mabelle Birthday' and dated 24th March 1951 in his hand at the head, individually signed in bold blue inks by over twenty film actors and actresses and other Hollywood personalities etc., all of whom attended Webb's party in honour of his mother's birthday, including Lew Schreiber (Twentieth Century Fox production executive), Anne Baxter ('Anne Baxter Hodiak'), John Hodiak, Richard Sale, Charles Brackett, Delmer Daves, Reginald Gardiner, Ethel Barrymore, Cole Porter, Cobina Wright, Marlene Dietrich, Michael Wilding, Joan Bennett ('Joan Bennett Wanger'), Walter Wanger, Gladys Cooper etc. Sold originally at International Autograph Auction, April 2019.
Lot 139
DOCTOR WHO WRITERS PIP AND JANE BAKER ASSORTED TV & FILM SCRIPTS. Three scripts from early on in their career for stories which all made it onto the big screen. To include script for the film The Painted Smile from 1962 which starred Liz Fraser and Kenneth Griffith, script and DVD for the 1967 horror Night of The Big Heat that starred Christopher Lee & Peter Cushing and was directed by Terence Fisher and also a first draft of a script entitled The Break that was made into a film in 1967 that starred Tony Britton, William Lucas and Eddie Byrne. Provenance: Consigned by a family member of husband and wife team Pip and Jane Baker.
Lot 110
CLASSIC FILM STARS SIGNED. Six signed items to include: Tippi Hedren 8 x 10'' photo, postcards signed by Constance Cummings, Rex Harrison, Olivia De Havilland, a page from an autograph book signed by Danny Kaye, a large format (11 x 14'') photograph signed clearly in blue ink by Robert Fuller. Sold with COA from Todd Mueller.
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