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Border Fine Art bookends, 10 O'clock Break L158

Border Fine Art, black faced ewe and lambs together with black faced ewe and lambs suckling

Two Border Fine Art otter figurines; River Hideaway A0401 and one other

Border Fine Art, collie and a black faced ewes stand off

Three Border Fine Art bird figurines; owl, robin with daisies RB43 and Riverside Jewel B0805

Border Fine Art, The Crossing

Border Fine Art, Holding Her Ground B0198

Two Border Fine Art, Let's Be Friends A6864 and Out Of Harm's Way

Border Fine Art, Spilt Milk JH 99 and All Things Wise And Wonderful

Two Border Fine Art otter figurines; Scenting The Air and Otter RW2

Two Border Fine Art, Helping Out and Found Safe A0602

Border Fine Art, Lost And Found B0300

Two Border Fine Art Washday Blues RR04 and Surprise A120 (a/f)

Border Fine Art, border terrier puppy groups, golden retriever and cocker spaniel etc.

Two Border Fine Art, Tug of War and Hightop Farm Collies

After Hendrick Avercamp (1585-1634) Winter Landscape with Skaters c.1608, fine art print, original held in the Rijksmuseum, Amsterdam, framed and mounted under glass, 65 x 89 cm (framed)

Border Fine Art, Society piece A Long Day Ahead B0037

Two Border Fine Art figurines; Jack Russell Chasing a Rabbit and A Donkey

After Leonard Campbell Taylor RA (1874-1969) The Patchwork Quilt, fine art print, framed under glass, 60 x 51 cm (framed)

Border Fine Art, A Ewe and a Pair B0238

Border Fine Art, Terrier Race B0242

Border Fine Art, In The Shade B0275

Bessie Pease Gutmann (American, 1876-1960) Awakening 1918, study of an infant in the first moments from slumber, fine art print, framed under glass, 39 x 56 cm

Border Fine Art, Out With The Dogs table lamp A2647

Three Border Fine Art figurines; all (a/f), Split Decision A4072, In From The Cold and Stand Off

Border Fine Art Society piece, Out Of Harm's Way B0537

[ART REFERENCE & EXHIBITION CATALOGUES]. A group of 4 reference works and exhibition catalogues about French artists, comprising:  BERNARD, Emile. Lettres de Vincent Van Gogh A Emile Bernard. Paris: Ambroise Vollard, 1911. Original wrappers bound in. -- RIVIERE, Georges. Le Maitre Paul Cezanne. Paris: H. Floury, Editeur, 1923. Original wrappers bound in. -- MUSEE DE L 'ORANGERIE. Claude Monet. Exposition Retrospective, 1931; Portraits et Figures de Femmes Pastels et Dessins, 1935; Cezanne, 1936, second edition; Degas, 1937; Exposition E. Vuillard, 1938; all published Paris: Musee National de l 'Orangerie, 1931-1938. 5 exhibition catalogues bound in 2 volumes. Original wrappers bound in. Provenance: R.M.L. (signature); Edwin E. Hokin (signature); Grace and Edwin Hokin (bookplate). -- SEUPHOR, Michel. L'Art Abstrait. Ses origines, ses premiers maitres. Paris: Maeght, 1950. Later edition. -- Together, 8 works in 5 volumes, 8vo,   FIRST EDITIONS except where noted, all half morocco, condition generally fine.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

RODIN, Auguste (1840-1917). LAWTON, Frederick. The Life and Work of Auguste Rodin. London: T. Fisher Unwin, 1906.  8vo. Portrait frontispiece. (Damp-staining to margins not affecting image.) Numerous photographic illustrations (spotting throughout.) Later leather, top edge gilt (rebacked, rubbing to extremities).  FIRST EDITION of Lawton 's comprehensive biography of Rodin. Tipped-in: 2pp. Autograph note signed "Rodin" to Antonin Proust, 24 May 1888. Rodin suggests to Proust, the French Minister of Fine Art, the possibility of presenting the Medal of Honor to the sculptor Camille Lefèvre.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[CLUB BINDERY] -- [GROLIER CLUB].  Effigies of the Most Famous English Writers from Chaucer to Johnson. New York: The De Vinne Press for the Grolier Club, 1891.8vo (228 x 150 mm). Engraved portrait frontispiece, title printed in red and black. EXTRA-ILLUSTRATED by the addition of 80 engraved portraits. (Some minor offsetting of plates to text.) Contemporary red crushed levant gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in three, the rest gilt-decorated, turn-ins gilt, top edge gilt, others uncut, STAMP-SIGNED BY THE CLUB BINDERY (tiny bump and scuff to top edge, some light rubbing to corners). Provenance: Edwin B. Holden (1861-1906), President of the Grolier Club (bookplate, sold his sale, American Art Association, 28 April 1920, lot 741).  LIMITED EDITION, one of 200 copies of the LARGE-PAPER EDITION of the Grolier catalogue for their exhibit of effigies of English writers, EXTRA ILLUSTRATED by the addition of engraved portraits of English writers and BOUND BY THE CLUB BINDERY.   Edwin B. Holden, an early member of the Grolier club, served as President of the organization in 1906. A FINE ASSOCATION.  Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

GOREY, Edward (1995-2000). A group of 18 trade and reprint editions, comprising:  The Willowdale   Handcar or the Return of the Black Doll. 1979. Reprint. Toledano A10d. -- The Sinking Spell. 1964. Toledano A17a. -- The Utter Zoo. N.d. Reprint, fourth issue. Toledano A26b. -- The Blue Aspic. [1968 or later]. Original shrinkwrap (edition unknown). See Toledano A27. -- The Glorious Nosebleed. 1975. FIRST TRADE EDITION. Toledano A59c. -- The Broken Spoke. 1976. FIRST TRADE EDITION. A63c. -- Dancing Cats and Neglected Murderesses. 1980. FIRST TRADE EDITION. Toledano A77c. -- The Water Flowers. 1982. FIRST EDITION. Toledano A84a. -- The Helpless Doorknob. 1989. FIRST EDITION, second printing. Toledano A95b. -- The Dancing Rock. -- The Floating Elephant. 1993. FIRST TRADE EDITION. Toledano A108b. -- The Pointless Book: or, Nature & Art. N.p., 1993. FIRST TRADE EDITION. Toledano A109b. --  Edward Gorey's Haunted Looking Glass. 1984. Later reprint. Toledano B9d. -- MOSS, Howard. Instant Lives & More. 1974. FIRST TRADE EDITION. Toledano B58b. -- Another copy. First paperback edition. Toledano B58c. -- Gorey X 3. 1976. FIRST EDITION. Toledano B62. -- LAMPORT, Felicia. Light Metres. 1982. Later edition. Toledano B69d. -- ELIOT, T. S. Old Possum's Book of Practical Cats. 1982 or later. See Toledano B70. -- McDERMOTT, Kevin. Elephant House or, The Home of Edward Gorey. [2003 or later]. Original shrinkwrap (edition unknown). -- Together, 18 works in 18 volumes, all in original publisher's bindings as issued, condition generally fine.  Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

GOREY, Edward. A group of exhibition catalogues and announcements, checklists, and bookseller catalogues, including:  5 Exhibit catalogues, all FIRST EDITION (see Toledano p.176), comprising: Phantasmagorey. The Work of Edward Gorey. New Haven, 1974. -- Ephemera Etcetera. New York: Gotham Book Mart, [1975]. -- Phantasmagorey Too. The World of Edward Gorey. Boston, 1979. -- Gorey Stories. Minneapolis, 1985. --  Artist of Mystery. Original Works by Edward Gorey. San Francisco: Cartoon Art Museum, 1993. LIMITED EDITION, number 12 of 100 numbered copies SIGNED BY GOREY of a total edition of 526.  [With:] 3 exhibition announcement cards, including 2 SIGNED BY GOREY. -- [POSTER]. Soho Weekly News. Gorey Scenes from Transylvania. 4to. SIGNED BY GOREY. -- 3 Gotham Book Mart catalogues. -- 4 additional checklists and dealers' catalogues. -- Together, 16 items, condition generally fine, complete list available on request.  Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[FINE PRESS] -- [WARD RITCHIE PRESS & WARD RITCHIE 'S COPIES]. A group of 14 works in 16 volumes, including:  The Book as a Work of Art. An Exhibition of Books and Manuscripts from the Library of Mrs. Edward Laurene Doheny. Los Angeles: Ward Ritchie Press, 1935. 8vo. Original printed wrappers. One of 650 copies SIGNED BY ESTELLE DOHENY, WARD RITCHIE and 3 others. -- COWAN, Robert Ernest. Forgotten Characters of Old San Francisco. Los Angeles: Ward Ritchie Press, 1938. 8vo. Original printed boards; original dust jacket. One of 500 copies. -- Ballads of Eldorado. San Francisco: The Ward Ritchie Press for the Book Club of California, 1940. 8vo. Original boards. One of 300 copies. -- CHENEY, William M. Edwin H. CARPENTER, compiler. A Natural History of the Typestickers of Los Angeles. Los Angeles: The Rounce & Coffin Club, 1960. 8vo. Original cloth-backed boards; dust jacket. Provenance: Ward Ritchie (bookplate). -- HYLEN, Arnold. Los Angeles Before the Freeways 1850-1950. Images of an Era. Los Angeles: Castle Press for Dawson 's Book Shop, 1981. 8vo. Original cloth-backed boards. Provenance: Ward Ritchie (bookplate). One of 600 copies. -- And 9 others. Together, 14 works in 16 volumes, LIMITED EDITIONS where indicated, condition generally fine, complete list available on request.  Property from the Estate of Lucia von Borisini Batten, Sold to Benefit the Albuquerque Museum FoundationFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Unsigned, circa.1950-51, estate stamped and referenced (0-42) on verso, with original receipt of purchase from 'Andrew D'Arcy Fine Art', oil on board.40.5cm x 57.5cm (16in x 22.75in)Footnote: * Francis Davison spent his childhood in Cannes, the adopted son of George and Joan Davison, who had made their fortune through the Eastman Kodak company. He was sent to boarding school in England, where he met Patrick Heron, who became a life-long friend. Following the Second World War, he moved to St. Ives where Heron introduced him to Margaret Mellis, who later became his wife. Together they moved to London, and then the South of France, where he first started to paint and draw, inspired by the landscape surrounding the family property. They returned to England in 1950, settling in Suffolk and establishing a farm. In 1952, Davison started making collages, using torn paper, and a stark colour palette. He only started to receive recognition for his work in the late 1970s, with inclusion in some high-profile exhibitions. His popularity and renown has increased since his death, with several exhibitions and an acknowledgment of him as an inspiration from Damien Hirst.Artists’ Resale Right (“droit de suite”) may apply to this lot. Condition report: The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed and glazed.

2020, limited edition of 500 unsigned and unnumbered prints with accompanying signed certificate, with full margins, pigment print on fine art paper.sheet size 75cm x 50cm (29.5in x 19.75in)Qty: 2Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There is one minor crease in the lower right corner of the sheet. The print is unframed.

1982, signed and numbered XVII/XXXV in pencil, an artist's proof aside from the edition of 50, (Cramer 655), printed by Curwen Prints Ltd., London, published by Raymond Spencer and Company Ltd. for the Henry Moore Foundation, Much Hadham in association with Visconti Fine Art, Vienna, the full sheet printed to the edges, with gallery label - 'CCA Galleries, London' on verso, on wove, lithograph printed in colours.54.5cm x 75cm (21.5in x 29.5in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.

1971, signed and numbered 7/60 in pencil in the margin, from an edition of 90 (there were also 30 artist's proofs), published by Marlborough Fine Art, London, printed by Curwen Studio, with their blindstamp, the full sheet, on wove paper, lithograph in colours.sheet size 81cm x 58.5cm (31.75in x 23in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. The paper has browned universally across the sheet and there is some light time staining around the edges of the paper. The paper is mounted by tape in each corner of the sheet and in the top two corners, the tape location is highlighted by time staining. The print is framed and glazed.

A fine polychrome lacquer papier-mâché pen case (Qalamdan), signed by Najaf 'Ali, Qajar, Iran, mid 19th century, with rounded ends and sliding tray, the top painted with a vertical composition of the Holy Family, a building behind with an angel flying above and a small bird and figure crouching in prayer below, signed in the sky ya shah-i Najaf, the sides with gul-o-bulbul design interrupted by four portrait roundels, the sides of the red sliding tray with gold scrolling vine, 22.1cm long Provenance: Christies, Art of the Islamic and Indian Worlds, 6th October 2011, lot 272 and by family descent.|Condition Report: small areas of repaintingCondition Report Disclaimer

A HADLEY WORCESTER FINE ART NOUVEAU TEAR DROP SHAPED VASE painted in shades of blue, Hadley Faience mark.

Leon Underwood (British 1890-1975) Bronze of the African Madonna, (Modern British Avant Garde Sculptor ) - Original bronze - the African Madonna with a fine brown Patination. Conceived in 1934/1935, signed to the base Leon. U., numbered IV-VIII, dated 36. on a gnarled walnut rustic wood base. total height 14 1/2". Literature: The sculpture of Leon Underwood by Ben Whitworth, published Lund Humphries 2000 cat no. 93. African Madonna (variants) illustrated on page 60. His works can be seen in major British museums and public collections in the UK. He was the precursor of modern sculpture in Britain, attended the Slade School of Fine Art and the Royal College of Art. In the first World War he worked with Solomon Joseph Solomon, Norman Wilkinson and Paul Klee as a camoufleur creating observation posts camouflaged as trees and other objects. In 1921, Underwood opened the Brook Green School of Art in Hammersmith. Amongst his many students, he taught Henry Moore and Barbara Hepworth. Moore later spoke of his indebtedness to Underwood's influence and teaching. He wrote a number of books on ancient African sculpture including Bronzes of West Africa, which were a great influence to him in later years for cycladic and African culture designs. Provenance - Mirfield Theological College of the Church of England, West Yorkshire. On Saturday October 22nd 2011, the monks at the college held an auction to raise money for the church renovations for the grade listed building. The bronze on offer was sold at this auction and mentioned in the catalogue and sold next to work by Eric Gill - entitled Lord Jesus Christ. The said bronze was also mentioned in the local paper, The Intelligent Weekly Press on 7th October 2011. See https://www.thepressnews.co.uk/press-news/monks-auction-prized-artefacts.

W.M.F Art Nouveau Fine Silver Plated Twin Handled Centrepiece / Bowl with Moulded Glass Liner, In a Fan Shape Inset. Excellent Quality, W.M.F Stamp to Interior of Bowl. Height 4.75 Inches - 11.90 cms High & Width 12.75 Inches - 31.90 cms.

A Border Fine Art model of a Simmental bull modelled by Anne Wall, impressed marks BFA Scotland, incised A. Wall, dated 1978 and numbered 623 of 850, length 18cm, with certificate

A Border Fine Art model of a Limousin bull modelled by Anne Wall, impressed marks BFA Scotland, incised A. Wall, dated 1980 and numbered 467 of 1500, length 21cm, with certificate

An Albany Fine China model of an Art Deco lady applying lipstick, stood before a bronzed stylised motor car, stamped Albany of England, height 20cm.

An Albany Fine China model of a 1980s lady in the Art Deco style stood before a bronzed metal trellis, impressed Ritz, Albany England, height 20cm.

James Webb (British, 1825-1895)'A bit on the coast near Netley' signed 'James Webb 1878' (lower right), signed, dated, monogrammed and inscribed with title 'Painted on the spot/James Webb Sep 7 1877.' (on canvas verso) oil on canvas 40 x 61cm (15 3/4 x 24in).Footnotes:ProvenanceWith N. Mitchell Fine Art Gallery, London.Private collection, UK.For further information on this lot please visit Bonhams.com

James Webb (British, 1825-1895)Evening on an English coast signed and dated 'JamesWebb/77' (lower left) oil on canvas 37.5 x 55.9cm (14 3/4 x 22in).Footnotes:ProvenanceWith N. Mitchell Fine Art Gallery, London.Private collection, UK.For further information on this lot please visit Bonhams.com

James Webb (British, 1825-1895)Koblenz at the junction of the Rhine and the Mosellesigned and dated 'James Webb/1877' (lower left), signed, dated, titled and further extensively inscribed '1877-8/Coblence/At the junction of the Rhine & Mosel/James Webb/1877/from one of my drawings taken on the/spot in the Summer 1864/this picture will be better without varnish/for 10 years JW' (on canvas verso) oil on canvas 51.5 x 81.9cm (20 1/4 x 32 1/4in).Footnotes:ProvenanceWith N. Mitchell Fine Art Gallery, London.Private collection, UK.For further information on this lot please visit Bonhams.com

A Chinese blue and white puce enamelled bowl, Daoguang underglaze blue seal mark and possibly of the period, the wide bowl rises from a short foot and is decorated to the exterior with the eight Daoist immortals in underglaze blue surrounded by an overglaze ground of crashing waves in puce enamel, the interior is further decorated with a central medallion enclosing Shoulao standing beside a spotted deer, against a background of puce-enamelled waves, 22cm diameterCompare with a similar bowl sold Christies, London, Fine Chinese Ceramics and Works of Art, 15th May 2012, Lot 407 八仙过海图青花加彩碗Condition Report: 1cm vertical firing and some wear to interior of bowlCondition Report Disclaimer

Gudrun Sibbons (Dutch, b.1925)A village scene with a blacksmith shoeing horses at his forge, beside the village innsigned 'Gudrun Sibbons' l.r., oil on board40 x 60cmGudrun Sibbons was a marine and landscape painter in oils, born in Germany in 1925 and studied art until she became a nurse in the Second World War. She met her husband Bill, married and moved to London in 1949. Her work was collected by Hollywood stars such as David Niven and Errol Flynn.Condition report: Condition appears fine - modern gilt frame.

RAY HOWARD JONES (Rosemary Howard-Jones) (British 1903-1996, painted particularly along the coastline of Wales, educated Slade School of Fine Art), 'Three Cliffs, The Gower', signed and dated 1956, with label and inscription verso, oils on board, 41 x 56cm approx. (B.P. 21% + VAT) Appearing in good original condition. Bearing original label verso. No obvious damage.

Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, Charles Chenil and Co., Ltd., 1920, numerous monochrome illustrations, some light toning & spotting throughout, front gutters cracked, loose errata to the rear, publishers original quarter white cloth, boards & spine slightly marked & rubbed with minor loss to head & foot, large 4to, limited edition 134/325, includes Catalogue of OneHundred and Twenty-Five Etchings by Augustus E. John, The Chenil Gallery, 1919, black & white portrait frontispiece, some light spotting, publishers original wrappers, covers slightly spotted & rubbed, 8vo, together with; Carter (Charles [editor]), Etching and Dry Points from 1924 by James McBey (1883-1959), Aberdeen Art Gallery, 1962, numerous black & white illustrations, some minor toning, publishers original green cloth, spine lightly faded, large 8vo, and Kennedy (Edward G.), The Etched Work of Whistler, Alan Wofsy Fine Arts, San Francisco, 1978, numerous monochrome illustrations, original cloth in dust jacket, covers slightly rubbed to head & foot, large 8vo, plus 4 further volumes of etching & engraving reference, including Charles Meryon, catalogue raisonné of the etchings, by Loys Delteil & Harold J. L. Wright, Alan Wofsy Fine Arts, San Francisco, 1989, Catalogue of the Etchings of Joseph Pennell, by Louis A. Wuerth, Alan Wofsy Fine Arts, San Francisco, 1988, 8vo/4toQty: (7)

[Canada; Inuit people]. Drawings by Enooesweetok of the Sikosilingmint Tribe of Eskimo, Fox Land, Baffin Island [cover-title], 1st edition, Toronto: Robert J. Flaherty, 1915, one text leaf ('These drawings were made at Amadjuak Bay, Fox Land, the Winter Quarters of Sir William Mackenzie's Expedition to Baffin Land and Hudson's Bay, 1913-14'; imprint below), 21 photogravure plates from original drawings by Inuit artist Enooesweetok (Nungusuituq), all with tissue-guards (tissue-guard for plate 7 askew), string-bound through 3 grommets in original black roan covers with title gilt to front, rubbed, loss to spine, string frayed, oblong 8vo (16 x 23 cm)Qty: (1)NOTESSee Zawadski & Poortenaar, 'Indelible Ink: The Enduring Images of Nungusuituq', Inuit Art Quarterly, 15 September 2019. In 1910 Robert J. Flaherty was engaged by Sir William Mackenzie, president of the Canadian Northern Railway, to undertake a survey of the east coast of Hudson Bay. Nungusuituq (1890-1950) served as Flaherty's guide; the expedition's best remembered contribution to posterity is Flaherty's film Nanook of the North (1922). Very rare. Four institutional copies are known: WorldCat cites copies in the British Library and Yale; Zawasdki & Poortenaar's article mentions two others, in the Government of Nunavut Fine Art Collection (currently on loan to the Winnipeg Art Gallery) and the Royal Ontario Museum. A facsimile edition was published in 2001.

* Sporting etchings. Slocombe (Frederick), Salmon fishing, The Fine Art Society, March 1st, 1889, uncoloured etching on vellum, remarque to the lower right of a creel, gaff and brown trout, signed by the artist in pencil to lower left, slight marginal dust soiling, 415 x 595 mm, together with Whymper (Charles). Duck shooting, The Fine Art Society, Feby. 1st. 1886, uncoloured etching on faux-vellum, remarque to the lower right of a duck feather, signed by the artist in pencil to lower left, some marginal dust soiling and slight staining but not affecting image, 400 x 570 mm, mounted, with Kirk (Alex H.). The Angler, circa 1948, etching on wove, signed in pencil by the artist to the lower left, slight mount staining, 355 x 255 mm, plus Wilkinson (Henry). Trout Fishing, circa 1980, dry-point etching, printed in colours and finished by hand, limited edition 11/75, signed in pencil by the artist to lower left, 230 x 330 mm, and Birket Foster (Miles). Mother and Children in a Country Lane, The Fine Art Society, Feby. 2nd, 1891, uncoloured etching on faux-vellum, Print Sellers Association blind stamp to lower left and signed in pencil by the artist below image to lower left, slight marginal dust soiling, 565 x 400 mm, with another 6 etchings of portraits, sporting and genre subjects, various sizes and conditionQty: (11)

Paragon blue and gilt fine bone china tea service to include side plates, jug, sugar bowl, dishes, 12 cups and saucers, and eight Paragon Art Deco green and gilt cups and saucers (one handle broken) Note the serving platter on right hand side is Aynsley of a similar pattern, not Paragon.Blue and gilt service: 1 cup has 2cm crack to interior rim. 1 cup has 4cm crack to interior bowl of cup. 1 cup has 4cm crack to interior rim of cup. Some cups have dark staining to interiors. 1 cups is completely broken. Rubbing to gilding on central well of 5 saucers. Cream jug has restoration to spout. Some minor wear to gilding on side plates.

Philip Wilson Steer O.M., N.E.A.C. (British, 1860-1942)The seesawsigned and dated 'PWSteer 1903' (lower left) oil on canvas 97.2 x 102.2cm (38 1/4 x 40 1/4in).Footnotes:ProvenanceThe collection of Sir Cyril Butler.With The Fine Art Society, London.Private collection, UK. ExhibitedBedford, Cecil Higgins Museum, Wilson Steer, 1954, no. 5.For further information on this lot please visit Bonhams.com

Edward le Bas (British, 1904-1966)'Winter near Ware, Herts'signed 'E le Bas' (lower right) oil on board 45.7 x 61cm (18 x 24in).Footnotes:ProvenanceWith The Fine Art Society, London, 1956.The National Art Gallery of New South Wales, Australia.With Paisnel Gallery, London. Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Camille Léopold Cabaillot Lassale (French, 1839-1888)Il m'aime, il ne m'aime pas signed and dated 'CLLE CABAILLOT-LASSALLE./1878.' (lower left) oil on canvas82.5 x 116.5cm (32 1/2 x 45 7/8in).Footnotes:ProvenanceAnon. sale, Phillips, London, 28 January 1974, lot 92. With Haynes Fine Art, Broadway. Private collection, UK.For further information on this lot please visit Bonhams.com

William Callow, RWS (British, 1812-1908)Boats before The Dogana and San Giorgio, Venice signed and dated 'Wm Callow 54' (lower left)watercolour heightened with white and gum arabic58.4 x 40.7cm (23 x 16in).Footnotes:ProvenanceThe Fine Art Society, Ltd., London, April 1942.Private collection, UK.For further information on this lot please visit Bonhams.com

James Holland RWS (British, 1799-1870)A canal scene, Venice indistinctly signed 'HOLLAND' (on boat lower right)watercolour heightened with white34.9 x 24.7cm (13 3/4 x 9 3/4in).Footnotes:ProvenanceWith Thos Agnew and Sons, London. With The Fine Art Society, London. Private collection, UK.For further information on this lot please visit Bonhams.com

Henry Wallis (British, 1830-1916)Sir Walter Raleigh at Durham House 'Sir Walter's study at Durham House was a small chamber facing the river, and with a marvellously pleasant prospect from the window.'oil on canvas36 x 29cm (14 3/16 x 11 7/16in).Footnotes:ProvenanceRobert Martin, 94 Upper Brook St, Manchester.His sale, Christie's, 9 June 1865, lot 28 (bought in).Thomas McLean, London.Anon. sale, Keys Fine Art Auctioneers, 29 November 2018, lot 1257.Private collection, UK.ExhibitedLondon, Royal Academy, 1862, no. 268.LiteratureLondon Society, Vol. II, 1862. p.22.The Examiner, 3 May 1862, p.279.The Times, 8 May 1862, p.8.The Spectator, 10 May 1862, p.522.The Athenaeum, no.1803, 17 May 1862, p.668.The Daily News, London, 22 May 1862, p.3.The Spectator, 24 May 1862, p.578.The Times, 25 May 1865, p.20.Dennis T. Lanigan and Ronald Lessens, Henry Wallis (1830-1916): From Pre-Raphaelite Painter to Collector/Connoisseur, Woodbridge, 2019, cat.48, p.112 (illustrated).For further information on this lot please visit Bonhams.com