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Lot 166
THOMAS P. HALL, framed, oil on canvas, Colmore galleries limited on verso, Genre and Historical Painter Exhibition at Royal Academy, British Institute for Art, Suffolk St. A group of people and a dog in a house setting, with a man surreptitiously Passing notes to one woman, with a fireplace in the background and a dog in the foreground approx 34 cm x 29 cm BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Lot 14
Collection of Dolls House furniture and miniatures, late 19th early 20th century, including soft metal fireplace and guard with marble effect wooden surround, 4 ¾” (12cm) high, brass fireplace with guard, tongs, clock and candlesticks, fire tong set on stand, Waltershausen cupboard (lacks top), various pictures, wooden dressing table and side table with marble tops, mantel clock under dome, four various beds, boxed Dolly towels, pair of Royal Worcester vases, jardinière and other china, glass bowls, decanters and set of blue glass, two photo frames and more including Wendal rocking horse with soldier, (lot).
Lot 27
A Moritz Gottschalk red roof dolls houses and contents, German 1920s, base with two lithographed window, front with small garden with railings, glazed window with green stencilled shutters, large bay window with shelf, and green hinged front door, railed hinged veranda above with two windows and shutters and further attic windows, red painted pitched roof and chimney (replaced), front opening to two rooms, ground floor room with red and cream wallpaper and paper tiled floor contents include two painted wooden cream and gold chairs and oval table, tinplate fireplace, six metal chairs, various accessories and all bisque, bedroom with painted pink walls paper tile floor, wooden bed, wardrobe and side table and various dolls and accessories, 18 ½” (47cm) tall, 12” (30cm) wide, 10” (26cm) deep.
Lot 288
§ Alison Britton O.B.E. (British 1948-) Fireplace Surround, 1973 signed (lower right tile), ten piece tile set, with repeating central tile(each tile approximately 15.5cm wide (6.1in wide), the whole structure approximately 112cm high (44in high))Provenance: The set was commissioned directly from the artist whilst at the Royal College of Art in 1973; Private Collection, London.
Lot 368
A Radley Fireside Armchair handbag,interior scene with Radley, slippers and fireplace, dual flat handles, detachable strap, interior zip and slip pockets, with dust bag, 31cm wide, 7cm deep, 20cm highand a Fireside Armchair coin purse,with dust bagCondition report: Bag - Very good overall condition, there are a few light marks, including one exterior corner, not easily seen - see image. Interior with a few marks.purse - Very little signs of use, a very light mark to one corner.
Lot 1670
A Victorian variegated pink and grey Ashburton marble chimneypiece, last quarter 19th century,: the rectangular shelf with canted front corners, above a plain breakfront frieze, the jambs with stylised blank corbels with scallopped terminals, above block bases; the shelf 177cm wide, 31cm deep; the fireplace width excluding shelf, 147cm; the aperture 96cm high, 104cm wide
Lot 25
JULIEN HENRI VIARD, (Paris 1883-1938).Powder box, ca. 1925.Moulded glass.Provenance: Spanish private collection, formed between 1970 and 1995.Initials on the back "Institute a Beaute, 26 Place Vendôme, Paris".Slightly chipped and hair on one foot.Measurements: 7 x 11 x 11 cm .Art deco gunpowder box, with Egyptian reminiscences of moulded, pressed, frosted and colourless glass, with a triangular section and shape. Designed by Henri Viard. The lid is decorated with falcon wings and Egyptian scarab beetles.Designer of hundreds of perfume bottles during the 1920s, Julien Viard received his training from Antonin Mercié and then from his father, the sculptor Clovis Viard. The latter was associated with the Parisian Leblanc-Barbedienne establishments. During the Universal Exhibition of 1900, the press noticed an ornamental gilded bronze and marble fireplace designed by Clovis with the complicity of DenysPuech. At the 1907 Salon, Julien was awarded the prize of the Society of French Artists, category "engraving on medal and fine stone" and a medal in the decorative arts section. Clovis Viard is also known to have designed perfume bottles between 1900 and 1910, including the Rare de Caron.Around 1910, Julien turned away from bronze to work with glass and produced his first bottles, sometimes associated with Henri Hamm (1871-1961), from whom he would draw inspiration. Julien and his father then teamed up with Georges Viollet-le-Duc (1874-1951) to found around 1914 a glass manufacturing company in Montreuil-sous-Bois called "C. & J. Viard" which, slowed down by the war, became particularly active from 1918 onwards.Viard designed models to be blown or moulded, then had them cast en masse by glassworks such as Baccarat or larger producers such as Dépinoix or the Société parisienne de verreries. Viard generally took care of the finishing touches. Julien Viard also worked in collaboration with Lucien Gaillard and Lalique.Until his father's death in 1927, Julien Viard produced a large number of models of bottles, boxes and glass objects, mainly for French but also American perfume houses.
Lot 230
ALFRED GEORGE STEVENS (1817-1875) CARYATIDS FOR THE BOY STOVE, CIRCA 1855 patinated bronze, registration marks for March 1851, 36cm high, with later painted wood mount 56cm high; together with TWO LIONS, bronzed metal, each raised on a painted metal plinth, 37cm highProvenance: The Peter Rose and Albert Gallichan CollectionFootnote: Note: This pair of caryatids would have formed part of a bronze, lacquered brass and steel fireplace known as the 'Boy' stove, designed by Stevens for Hoole & Co., Sheffield and first exhibited at the Great Exhibition in 1851. The original plaster for one of the figures, and design drawings for the stove, are in the Victoria and Albert Museum (inv. no. 4029-1853). Alfred Stevens, active as a sculptor, designer, and painter, rejected traditional distinctions between fine art and design. As chief designer for Hoole & Co., he produced award-winning designs for metalwork, maiolica, terracotta ornaments and chimneypieces. Decorations for the dining-room at Dorchester House, London, and the monument to the Duke of Wellington for St Paul's Cathedral, London are amongst his most celebrated works.
Lot 15
An early 20th century Arts & Crafts style oak fire surround, with a carved Celtic-style shield to the centre panel, with beaded trim above shelf, side supports with Celtic panels either side, under shelf with carved roundel which opens up to reveal four clothes drying arms and a plaque with manufacturer's details of 'Masons, F & Co Ltd', height approx 155cm, width at widest point approx 140cm, fireplace aperture height approx 96.5cm, width approx 100cm.
Lot 6
DINNER, BED & BREAKFAST FOR TWO IN THE PRINCESS MARGARET SUITE AT AWARD WINNING, HISTORIC COUNTRY HOUSE, PLAS DINAS - Plas Dinas is Grade II listed and dates back to the mid-seventeenth century but with extensive Victorian additions. The original house was built around the substantial stone arched fireplace which can still be seen in the Gun Room today. The house, surrounded by farmland, came into the possession of the Armstrong-Jones family in the nineteenth century through marriage. In 1899 Sir Robert Jones, who subsequently altered his name to Armstrong-Jones, had a son named Ronald. The family was, at that time, living in the London area and retained Plas Dinas as their country home. Ronald Armstrong-Jones married Anne, and the marriage produced a son, Antony, who in 1961 married HRH Princess Margaret, the Queen's sister. Lord Snowdon, who suffered a major attack of polio in his youth built a reputation for photography and has portrayed many famous people in his career, including members of the current House of Windsor. In 1963, he was appointed to the post of Constable of Caernarfon Castle and when the young Prince Charles became Prince of Wales, he was largely responsible for organising the investiture ceremony in the castle. Princess Margaret regularly spent weekends at Plas Dinas during this period in their marriage and was highly regarded by the locals. In fact they still recall their memories of Her Royal Highness today. Plas Dinas still retains many family portraits, memorabilia and original furniture. It presents the opportunity to enjoy the ambience of a genuine Welsh Gentleman's Country Residence, largely unspoilt by its conversion into luxury accommodation, telling the story of the much loved Armstrong-Jones family.
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