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6 Coalport limited edition figurines from the Golden Age Collection to incl Eugenie First Night at the Opera 6514/12500 designed by Shirley Curzon, Beatrice at the Garden Party 5564/12500, Georgina 2396/12500, Charlotte a Royal Debut 4909/12500, Alexandra at the ball 798/12500 designed by Elisabeth Woodhouse and Louisa at Ascot 7208/12500 designed by Elisabeth Woodhouse, approx 22cm tall
Exquisite Royal Crown Derby fine bone china paperweight in the form of a White Pelican, part of the brand's highly collectible paperweight series. This limited edition piece, numbered 1009 from a run of 5000, features intricate hand-gilded 22-karat gold detailing with delicate feather motifs accentuating the pelican's elegant form. The design incorporates soft pink and rich gold highlights, showcasing the craftsmanship and luxurious aesthetic for which Royal Crown Derby is known. The underside bears a signature and the Royal Crown Derby backstamp along with the gold stopper, indicating its status as a collectible first-quality piece. This lot includes the original Royal Crown Derby presentation box, enhancing its collectible appeal. Artist: John AblittIssued: 2004Dimensions: 5.25"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Coalport bone china figurine, Gracious Lily, is the first issue in the Flower Ladies Collection, a series of four elegant designs. Handcrafted in England, this piece showcases a graceful lady in a flowing gown of soft lemon and peach hues, adorned with intricate floral accents. Numbered 157 of 250, this limited edition was exclusively produced for Canada. The figurine is presented in its original box.Issued: 1997Dimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear.
FISHING. GREY, Zane. Tales of the Angler's Eldorado New Zealand, London: Hodder & Stoughton 1926, first UK edition, ffep clipped, spotting, tape repairs internally, gilt blue cloth scuffed, 4to; VESEY-FITZGERALD, Brian and Francesca Lamonte (eds). Game Fish of the World, London: Nicholson & Watson 1949, first edition, gilt blue cloth faded/worn, 4to; ARMSTRONG, Robin. The Painted Stream, London: J. M. Dent & Sons 1985, first edition, signed and with 'fly' device, green cloth, dj, 4to; HOLDER, Charles Frederick. Big Game at Sea, London: Hodder & Stoughton 1909, green pictorial cloth worn, spotting, 8vo; together with 47 others fishing and fishing related, including a number of firsts, some pbk (51)
Exclusive First Editions (EFE) - a collection of boxed EFE models comprising 2 boxed London Underground / Tube carriages - 1938 driving carriage Northern Line 10180 and 1938 trailer carriage Northern Line 12118 - together with 9 boxed models, including 4 boxed sets and 1 single boxed model. The boxed sets include London Transport Museum sets 6 (RML 2296 and RML 2309) and 9 (STL 2175 and STL 2245), Cobham Bus Museum (G150 and SRT97) and Beatties London Transport Limited Edition Gift Set No.1.The models generally appear to be about mint in about excellent boxes (two of the boxed sets also come with protective wholesaler plain outer cardboard boxes). The items have not been checked for completeness. (This does not constitute a guarantee.) [GM]
Exclusive First Editions (EFE) - 12 1:76 scale boxed diecast buses to include Leyland RTL Bus with roof box LONDON TRANSPORT #22801DL, Bristol LS Bus Eastern Counties #16310, Bristol VR III Open Top Southdown #18608 and Ramblers Association / Ramblers Holidays limited edition RML Routemaster Bus LONDON TRANSPORT (with certificate) and others.The models generally appear to be about mint. SOme light storage wear to edges and one box with creasing to one corner noted, but otherwise the boxes generally appear to be in about excellent condition. The items have not been checked for completeness. (This does not constitute a guarantee.) [GM]
° ° Dickens, Charles - The Personal History of David Copperfield. First Edition. pictorial engraved and printed titles, frontis and 38 plates (by H.K. Browne); earlier 20th century half calf and cloth, panelled spine with maroon label, marbled edges (upper board present but detached). Bradbury & Evans, 1850
° Isherwood, Christopher. The World In The Evening, Methuen and Co Ltd, 1954; A Single Man. Methuen and Co Ltd, 1964, 8vo, original cloth cover, with dust jacket. Dust jacket has publisher's clip across bottom of front flap and printed, "Price 16s net in U.K. only."; A Meeting by the River, Methuen and Co Ltd, 1967, all first edition (3)
° ° Cotton, Charles - The History and Antiquities of the Church and Parish of St. Lawrence, Thanet ... Limited Edition (of 250 numbered copies, signed by the author). 14 plates, a map, plan of the church and 6 folded genealogical tables, subscribers list; original half morocco and cloth with gilt spine label, 4to. London... (and) Ramsgate: S.R. Wilson, 1895; Barrett, J.P. - A History of the Ville of Birchington ... Limited Edition. 10 plates (ex.11) and a d-page plan, text engravings; original decorated and gilt lettered cloth, ge. Margate: printed at the "Keble's Gazette" Office, (1893); Barrett, J.P. - A History of the Ville of Birchington ... 2nd edition. photo. plates and other illus.; original blind decorated cloth. Margate: printed at Keble's Gazette Office, 1908); another copy of the first item (4)
° ° Furley, Robert - A History of the Weald of Kent ... also, a Sketch of the Physical Features of the District, by Henry Mackeson. first edition. 2 vols (but published as 3). 6 folded maps (some with part colour); original gilt pictorial and black decorated green cloth. Ashford: Henry Igglesden and London ... 1871-74
° ° Stark, Freya - The Lycian Shore. First Edition. folded map and num. photo. plates; publisher's cloth - 1956; Thesiger, Wilfred - Arabian Sands. First Edition. folded map in end flap, num. photo. plates; publisher's cloth and d/wrapper. 1959; together with another copy of the first item (3)
TWO BOXES, A CASE AND LOOSE LAUREL AND HARDY INTEREST, BOOKS AND SUNDRY ITEMS, to include Laurel and Hardy figures, clocks, pictures, magazines and books, a framed American Silver Dollar coin and dollar bill, ephemera, badge and first day cover relating to the opening of Birmingham International Airport, vintage and antiquarian books including a first edition of Billy Bunter at Butlin's, 1970s and 1980s annuals, a collection of cigarette cards - loose in cigarette packets, playing cards, etc (2 boxes + 1 case + loose) (sd)
New York: Grove Press, 1966. A 2pc softcover book set featuring My Secret Life Volumes I-VI and VII-XI, an anonymous Victorian-era autobiography detailing the author's personal and sexual experiences. Published for the first time in this complete edition, the set explores the social and private intricacies of Victorian England. Each book measures approximately 6.5"L x 5.25"W x 9.75"H. Includes the original slipcase for storage and preservation.Dimensions: See DescriptionCondition: Age related wear.
A collection of three first edition paperback books featuring influential playwrights and poets: Four Black Revolutionary Plays (1969) by LeRoi Jones, A Streetcar Named Desire (1947) by Tennessee Williams, and Under Milk Wood by Dylan Thomas. Each book presents a significant literary contribution, ranging from revolutionary theater to American drama and Welsh poetic prose. Four Black Revolutionary Plays was designed by Quentin Fiore, and A Streetcar Named Desire is a special anniversary edition. The lot measures 5.5"L x 1.5"W x 8.5"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
New York: D. Appleton and Company, 1926. A first edition hardcover copy of Mistress Nell Gwyn by Marjorie Bowen, bound in red cloth with gilt lettering on the spine. This historical novel explores the life of Nell Gwyn, a famed actress and mistress of King Charles II. The book measures 5"L x 1.5"W x 7.5"H. Some wear is visible on the cover and edges, consistent with age. A collectible early edition for literary and historical enthusiasts.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
This limited edition Goebel porcelain collector plate, titled "The Twelve Tribes of Israel," features a vibrant depiction of Jacob surrounded by intricate symbolic artwork representing the twelve tribes. The plate was designed by renowned artist Laszlo Ispanky and is part of the first edition released in 1978. It showcases a gold-toned border, adding elegance to the colorful and detailed imagery. The reverse bears the original backstamp and edition details, including the plate number 2433 of 10,000, and it is marked "Not for Food Use." This plate comes in its original presentation box with a signed insert. A must-have for collectors of Judaica, Goebel, or Laszlo Ispanky artwork.Artist: Laszlo IspankyIssued: 20th centuryDimensions: 11.75" dia. Country of Origin: GermanyCondition: Age related wear.
Published in 1901 by Buffalo Dental Manufacturing Company, this first edition hardcover Illustrated Catalogue of Dental Furniture, Instruments, and Materials offers a historical glimpse into early 20th-century dental supplies. Bound in decorative blue cloth with black Art Nouveau-style illustrations, the book features an illustrated catalog and price list for dentists’ supplies. Measuring 9.5"H x 6.75"L, this rare collectible is an important reference for dental history enthusiasts and antique medical collectors.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
Two first edition hardcover books featuring Hollywood icons. Tracy and Hepburn: An Intimate Memoir by Garson Kanin (Viking, 1971) offers a behind-the-scenes look at the legendary relationship between Spencer Tracy and Katharine Hepburn. Self-Portrait by Gene Tierney with Mickey Herskowitz (Wyden Books, 1979) is the acclaimed actress’s candid autobiography, discussing her career, personal struggles, and encounters with notable figures like Howard Hughes and John F. Kennedy. Includes dust jackets with signs of wear. Dimensions: 6"L x 2.25"W x 8.5"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
A 2-piece lot featuring collectible editions of literary classics. The first book is Jane Eyre by Charlotte Bronte, a 1943 Random House edition with wood engravings by Fritz Eichenberg, known for its striking illustrations. The second book is Marlowe & Shakespeare, part of The Harvard Classics Collector's Edition, elegantly bound in leather with gilt detailing and still sealed in its original shrink wrap. Lot measures 7.75"L x 2.25"W x 10"H. A fine addition to any collector's library.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
This 3-piece jazz book set includes The Story of Jazz by Marshall Stearns (Mentor Books, Fifth Printing), Jazz Country by Nat Hentoff (Harper & Row, First Perennial Library Edition, 1976), and The Sound of Soul by Phyl Garland (Pocket Books, July 1971 edition). Each book explores the rich history and cultural significance of jazz and soul music, highlighting key figures and movements that shaped these genres. The Story of Jazz provides a comprehensive overview of jazz legends like Louis Armstrong and Charlie Parker, Jazz Country offers a fictional narrative exploring race and music, and The Sound of Soul examines the evolution of Black American music. All books are approximately 4.25"L x 0.75"W x 7"H.Dimensions: See DescriptionCondition: Age related wear.
Published in 1912 by the Victor Talking Machine Company, The Victor Book of the Opera is a richly illustrated volume featuring stories of seventy grand operas, alongside three hundred illustrations and descriptions of seven hundred Victor opera records. This hardcover first edition measures 6"L x 8.5"H and is adorned with an elegant gilt-embossed cover and spine. The book includes an inscription dated 1955 and a former owner's stamp. Condition shows signs of wear, including frayed edges, scuffing on the back cover, and slight discoloration on some pages. A valuable historical reference for opera enthusiasts and collectors.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
New York: St. Martin's Press, 1985. First edition of Eve Arden's autobiography, chronicling her journey from early Hollywood to her celebrated career in radio, film, and television. The book offers insight into her life, career, and encounters with Hollywood legends. Hardcover with dust jacket. ISBN: 0312802676.Artist: Eve ArdenIssued: 1985Dimensions: 9.5"H Country of Origin: New YorkCondition: Age related wear. Fine book condition.
New York: Charles Scribner’s Sons, 1914. First edition of Half Hours, a collection of two one-act plays, Der Tag and The Twelve-Pound Look, by J.M. Barrie, the celebrated author of Peter Pan. Bound in a fine half-leather binding with marbled boards, raised bands, gilt lettering, and decorative gilt embellishments on the spine. Printed in the United States. Measures 5.5"L x 1.25"W x 7.25"H. A beautifully bound edition from a significant literary figure.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
Titles include: The Looking Glass War (1965, First American Edition, Second Impression, published by Coward-McCann) and The Honourable Schoolboy (1977, published by Alfred A. Knopf). Both books feature their original dust jackets, with The Honourable Schoolboy housed in a protective cover. John le Carre, known for his gripping espionage novels, delivers compelling narratives that delve into Cold War intrigue and intelligence operations. The dimensions of the collection measures: 8.5"H.Artist: John le CarreIssued: 1965-1977Dimensions: See DescriptionCondition: Age related wear. Very good book condition.
A detailed official map of the Falkland Island Dependencies, focusing on the South Shetland Islands, published by the Directorate of Overseas Surveys in 1960. The map employs a Lambert Conical Orthomorphic Projection, ensuring accurate representation of the region’s geography. This cartographic work highlights key islands, coastal features, and topographical details relevant to Antarctic exploration, navigation, and territorial administration during the mid-20th century. Publisher: Directorate of Overseas Surveys Edition: First Edition, 1960 Condition Report: creases and signs of wear. tears to upper left margin. Size of sheet: 94.5 x 70.5cm Keywords: Falkland Islands, South Shetland Islands, Antarctica, polar exploration, British overseas territories, mid-century cartography, Lambert projection, Directorate of Overseas Surveys.
A mixed collection of Royal Crown Derby items to include lidded boxes, egg, boxed Old Imari pattern miniature sugar, pin trays together with Halycon Days Enamel box, (limited edition of 500) together with other similar items. (Qty) Of first quality and with no obvious signs of damage or restoration.
Two character jugs to include Luck & Flaw 82 Audley Porcelain character jug Richard Ingrams, editor of Private Eye, with a Glazed Expressions character jug of Margaret Thatcher 'The First Ten Years', both limited edition (2), 18.5cm tall. In good condition with no obvious damage or restoration.
A 'The Westminster Collection' Trafalgar Bicentenary Stamp and First Day Cover Collection - including eight coin covers mounted with commemorative crowns, in two frosted plastic binders, with numbered certificate from an edition of 19,500 (unknown if complete); one binder also containing four Royal commemorative coin covers.
A Nissan Qashqai 1.5 DCi [110] N-Tec 4 cylinder 1,461 cc Turbo Diesel engined, 6-speed Manual gearbox 5 door Hatchback Special Edition Motorcar finished in attractive dark metallic Grey with alloy wheels and with a panoramic roof. Personalised registration No. K77 CDM. First registered 24th July 2011, M.O.T. Expired 8th January 2024, currently showing 113,308 miles. Starts and drives and has a good turn of speed. Sadly from a deceased estate and has been standing, one seat-belt frayed, but a replacement is sold with the car, the rear suspension arms are corroded. As with all motor vehicles sold through our auctions, this vehicle is sold in its current condition and all vehicles should be inspected in person prior to bidding.N.B. BUYERS PREMIUM ON THIS LOT 10% + V.A.T. (Total premium 12% plus any specific on-line bidding fees).
This lot includes three first edition hardcover books from notable authors. Unfinished Tales by J.R.R. Tolkien (1980) is a posthumous collection of stories expanding on Middle-earth, edited by Christopher Tolkien. Firestarter by Stephen King (1980) is a psychological horror novel about a girl with pyrokinesis. Showcase, edited by Roger Elwood (1973), is an anthology featuring notable science fiction writers. Each book retains its original dust jacket, exhibiting mild shelf wear. A great addition for collectors of fantasy, horror, and science fiction. Lot measures 6.5"L x 3.75"W x 9.25"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
Bianca Maria Raffaella Courcheval it Night, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bianca Raffaella (b 1992, London) Working from memory and sensory cues rather than direct observation, Bianca Raffaella is a British artist and activist currently based in Margate. As a partially sighted artist, her ephemeral floral and figurative paintings draw viewers into her world by capturing fleeting moments suspended in persistent vision, where her sight is in constant motion, and images appear only briefly as faint shadows or flickers of light. Raffaella's ongoing series of textural flower paintings evoke the artist's experience of beauty in braille, which was how she first learned to read and write. Raffaella relies on touch in her painting process. Never losing contact with the canvas, she blends delicate hues of blue, beige, and dusty pink until they become an ethereal impression, cloudy details made with fingertips, brushstrokes or scrapes of a palette knife. Graduating with a First-Class Honours degree in 2016, Bianca Raffaella was the first registered blind student to graduate from Kingston University with a degree in the Visual Arts. Since completing her 2023/4 residency at the Tracey Emin Artist Residency (TEAR), Raffaella now works from TKE Studios, where she uses gestural fragments and impasto techniques to capture motion and visual shifts on the canvas. In 2021, Raffaella's work was selected for the Royal Academy of Arts' Summer Exhibition, coordinated by Yinka Shonibare, followed by her solo exhibition, Hushed Impressions, at Orleans House Gallery in 2023. She was also awarded the NatWest Entrepreneurship Funding Prize in 2019 for her bespoke sensory fashion label. An advocate for accessibility in the arts, Raffaella has shared her insights as a speaker at the Goethe Institut's Beyond Seeing project and as a panellist at Tate Modern's Please Touch the Art talk. Most recently, she was selected by Dame Tracey Emin for Flowers Gallery's 2024 Artist of the Day series, presenting a one-day solo exhibition as part of the programme's 25th edition. Education 2013-16 BA, Kingston University London [The first registered blind student to graduate from Kingston University with a First-class degree in the visual arts.] Solo Exhibitions 2025 Faint Memories, Flowers Gallery, Cork Street, London, UK 2024 Artist of the Day, Flowers Gallery, Cork Street, London, UK 2023 Hushed Impressions, Orleans House Gallery, London, UK Group Exhibitions 2024 TEARS: The Final Show, TKE Studios, Margate, UK Small is Beautiful: 42nd Edition, Flowers Gallery, Cork Street, London, UK Artist of the Day: Group Show, Flowers Gallery, Cork Street, London, UK 2023 TEARS, TKE Studios, Margate, UK 2022 Layers of Vision, Bush House, London, UK 2021 Summer Exhibition, Royal Academy of Arts, London, UK Breaking Ground, Orleans House Gallery, London, UK Awards 2024 Artist of the Day, Flowers Gallery, Cork Street, London, UK Three To Watch, Hotly tipped female talent of the British art scene, Harper's Bazaar Magazine UK 2023 Tracey Emin Artist Residency (TEAR) 2023-24, TKE Studios, Margate, UK 2022 Artist-in-residence 2022-23, Orleans House Gallery, London, UK Commissioned by King's College London in collaboration with Shape Arts and AccessArt Gallery Representation Flowers Gallery (London New York Hong Kong) Public Collections Tracey Emin Foundation (Margate, UK) Statement about AOAP Submitted Artwork Four impressions from recent memories of Courchevel, in the Tarentaise Valley, France. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Tanaka Mazivanhanga Remnants II, 2024 Remnants II Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Hae-jin Yoo Woman in the Bath 'a', 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Haejin Yoo is a contemporary artist whose work explores themes of identity, persona, and introspection. Working primarily with oil and acrylic paints, she incorporates mixed media such as textiles, carpentry, and spray paint to push the boundaries of traditional canvas art and create immersive, surrealistic expressions. Her celebrated Woman in the Bath series reflects on private thoughts and the fluid nature of identity, drawing inspiration from the intimate setting of the bathroom. Haejin's art has earned numerous accolades, including 2nd prize in the 2024 Beautiful Bizarre Art Prize: RAYMAR Traditional Art Award, being named one of Saatchi Art's Rising Stars for 2024, and winning the First Prize Abstract Award at FIRA International Art Fair Barcelona (2022). After nearly eight years living and exhibiting in Germany, Haejin has returned to Sydney, Australia, where she continues to explore new mediums and themes, further expanding her artistic practice. Education Self-taught Solo Exhibitions 2021 Artland Online Solo Exhibition, represented by Azaro Artspaces Group Exhibitions 2025 BFF Modern Portraits, 33 Contemporary Gallery, USA Corey Helford Gallery, Los Angeles, USA Nanny Goat Gallery, Petaluma, CA, USA Daughters of Eve, Quirky Fox Gallery, New Zealand Gems, Quirky Fox Gallery, New Zealand 2024 Woman in the Bath VI exhibited during HUGFest 2024, Canvas 3.0 Gallery, Oculus, New York City, USA The Other Art Fair, London, UK Beautiful Bizarre Magazine Exhibition, Modern Eden Gallery, San Francisco, USA 2023 The Other Art Fair, Los Angeles, USA The Other Art Fair, London, UK 2022 Impronte d'Arte, Bergamo, Italy (WINNER: Artist Expert Award, presented by Prof. Vittorio Sgarbi) Fira Internacional d'Art, Barcelona, Spain (WINNER: First Prize Abstract Award) Awards 2024 2nd Prize, Beautiful Bizarre Art Prize: RAYMAR Traditional Art Award Saatchi Art Rising Star, Saatchi Art HUG100 Artists to Watch, HUG Finalist, Boynes Artist Award: 10th Edition 2023 Merit Prize Award, Teravarna International Juried Art Competition You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Tanaka Mazivanhanga (Untitled III) Landscape Series (Detail II), 2025 Mokulito and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Tanaka Mazivanhanga is a contemporary artist whose work delves into themes of memory, identity, and the preservation of histories. Specialising in printmaking, installations, and object-making, she values the physicality of working with her hands and engaging directly with materials. This hands-on approach enables her to layer textures, build marks, and create tactile images. Education 2017-2019 MA: Visual Arts - Printmaking, Camberwell College of Arts, London, United Kingdom. 2010-2014 BA: Architecture, Kingston School of Art, London, United Kingdom. Solo Exhibitions 2025 TBC, ArtWorks Project Space, London, United Kingdom TBC, ASC Gallery, London, United Kingdom Group Exhibitions 2025 LOOP 2025, Bankside Gallery, London, United Kingdom Terra Incognita, Thames-Side Studios Gallery, London, United Kingdom Art on A Postcard International Women's Day Auction 2025, The Bomb Factory Art Foundation, London, United Kingdom 2024 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Don't Be a Square!, AKKA Projects, Venice, Italy East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom The Women in Art Prize, The Roundhouse, London, United Kingdom 2023 Also Known As Africa, Art and Design Fair, Paris, France Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom The Trinity Buoy Wharf Drawing Prize 2023, Trinity Buoy Wharf, London, United Kingdom LOOP 2023, Bankside Gallery, London, United Kingdom Bainbridge Open 2023, ASC Gallery, London, United Kingdom RA Summer Exhibition, Royal Academy of Arts, London, United Kingdom NAE Open 2023, New Art Exchange, Nottingham, United Kingdom Art on a Postcard International Women's Day Auction 2023, Fitzrovia Gallery, London HERE & WHERE, Curious Kudu Gallery, London, United Kingdom 2022 Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom StART x Martin Miller's Gin Emerging Art Prize, Saatchi Gallery, London, United Kingdom Althea McNish, Colour Is Mine, William Morris Gallery, London, United Kingdom African Identities Chapter III, AKKA Project, Venice, Italy Fragile Bites, No Format Gallery, London, United Kingdom 2021 Withheld, Safehouse, London, United Kingdom East London Printmakers - Festival of Print, Art Pavilion, London, United Kingdom artHARARE, Contemporary Online Fair Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom Un I Veiled, Brocket Gallery, London, United Kingdom Mayfair Art Weekend, London, United Kingdom 2020 My Love Is Your Love, Every Woman Biennial, London, United Kingdom Woolwich Contemporary Print Fair, Online Edition 2019 Clifford Chance Postgraduate Printmaking A Survey Exhibition, London, United Kingdom Woolwich Contemporary Print Fair, Woolwich Works, London, United Kingdom MA Visual Arts Summer Show, Camberwell College of Arts, London, United Kingdom Celebrating Women's History Month, Brentwood Road Gallery, London, United Kingdom Awards 2024 Solo Exhibition and Cash Prize, Barbican Arts Group Trust The Printing First Prize - The Printed Editions Award, The Women In Art Prize 2023 ASC Award - Solo Exhibition, ASC Gallery 2022 Cash Prize, StART x Martin Miller's Gin Emerging Art Prize Studio Award, HausPrint Studio 2019 Studio Award, East London Printmakers Studio Award, Bainbridge Print Studios Statement about AOAP Submitted Artwork Untitled III Landscape Series explores the often-overlooked marks and surfaces of the urban landscape. Texture plays a vital role in this work, brought to life through the painterly qualities of the Mokulito process, which evokes the essence of diverse landscapes. Remnants reflects remnants left by enslaved women during the Atlantic slave trade on the Gold Coast, capturing and honouring their presence. Deeply etching the metal plate was essential to convey the depth and weight of their stories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Bianca Maria Raffaella Courcheval Early Morning, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bianca Raffaella (b 1992, London) Working from memory and sensory cues rather than direct observation, Bianca Raffaella is a British artist and activist currently based in Margate. As a partially sighted artist, her ephemeral floral and figurative paintings draw viewers into her world by capturing fleeting moments suspended in persistent vision, where her sight is in constant motion, and images appear only briefly as faint shadows or flickers of light. Raffaella's ongoing series of textural flower paintings evoke the artist's experience of beauty in braille, which was how she first learned to read and write. Raffaella relies on touch in her painting process. Never losing contact with the canvas, she blends delicate hues of blue, beige, and dusty pink until they become an ethereal impression, cloudy details made with fingertips, brushstrokes or scrapes of a palette knife. Graduating with a First-Class Honours degree in 2016, Bianca Raffaella was the first registered blind student to graduate from Kingston University with a degree in the Visual Arts. Since completing her 2023/4 residency at the Tracey Emin Artist Residency (TEAR), Raffaella now works from TKE Studios, where she uses gestural fragments and impasto techniques to capture motion and visual shifts on the canvas. In 2021, Raffaella's work was selected for the Royal Academy of Arts' Summer Exhibition, coordinated by Yinka Shonibare, followed by her solo exhibition, Hushed Impressions, at Orleans House Gallery in 2023. She was also awarded the NatWest Entrepreneurship Funding Prize in 2019 for her bespoke sensory fashion label. An advocate for accessibility in the arts, Raffaella has shared her insights as a speaker at the Goethe Institut's Beyond Seeing project and as a panellist at Tate Modern's Please Touch the Art talk. Most recently, she was selected by Dame Tracey Emin for Flowers Gallery's 2024 Artist of the Day series, presenting a one-day solo exhibition as part of the programme's 25th edition. Education 2013-16 BA, Kingston University London [The first registered blind student to graduate from Kingston University with a First-class degree in the visual arts.] Solo Exhibitions 2025 Faint Memories, Flowers Gallery, Cork Street, London, UK 2024 Artist of the Day, Flowers Gallery, Cork Street, London, UK 2023 Hushed Impressions, Orleans House Gallery, London, UK Group Exhibitions 2024 TEARS: The Final Show, TKE Studios, Margate, UK Small is Beautiful: 42nd Edition, Flowers Gallery, Cork Street, London, UK Artist of the Day: Group Show, Flowers Gallery, Cork Street, London, UK 2023 TEARS, TKE Studios, Margate, UK 2022 Layers of Vision, Bush House, London, UK 2021 Summer Exhibition, Royal Academy of Arts, London, UK Breaking Ground, Orleans House Gallery, London, UK Awards 2024 Artist of the Day, Flowers Gallery, Cork Street, London, UK Three To Watch, Hotly tipped female talent of the British art scene, Harper's Bazaar Magazine UK 2023 Tracey Emin Artist Residency (TEAR) 2023-24, TKE Studios, Margate, UK 2022 Artist-in-residence 2022-23, Orleans House Gallery, London, UK Commissioned by King's College London in collaboration with Shape Arts and AccessArt Gallery Representation Flowers Gallery (London New York Hong Kong) Public Collections Tracey Emin Foundation (Margate, UK) Statement about AOAP Submitted Artwork Four impressions from recent memories of Courchevel, in the Tarentaise Valley, France. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Bianca Maria Raffaella Courcheval in a Snow Storm, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bianca Raffaella (b 1992, London) Working from memory and sensory cues rather than direct observation, Bianca Raffaella is a British artist and activist currently based in Margate. As a partially sighted artist, her ephemeral floral and figurative paintings draw viewers into her world by capturing fleeting moments suspended in persistent vision, where her sight is in constant motion, and images appear only briefly as faint shadows or flickers of light. Raffaella's ongoing series of textural flower paintings evoke the artist's experience of beauty in braille, which was how she first learned to read and write. Raffaella relies on touch in her painting process. Never losing contact with the canvas, she blends delicate hues of blue, beige, and dusty pink until they become an ethereal impression, cloudy details made with fingertips, brushstrokes or scrapes of a palette knife. Graduating with a First-Class Honours degree in 2016, Bianca Raffaella was the first registered blind student to graduate from Kingston University with a degree in the Visual Arts. Since completing her 2023/4 residency at the Tracey Emin Artist Residency (TEAR), Raffaella now works from TKE Studios, where she uses gestural fragments and impasto techniques to capture motion and visual shifts on the canvas. In 2021, Raffaella's work was selected for the Royal Academy of Arts' Summer Exhibition, coordinated by Yinka Shonibare, followed by her solo exhibition, Hushed Impressions, at Orleans House Gallery in 2023. She was also awarded the NatWest Entrepreneurship Funding Prize in 2019 for her bespoke sensory fashion label. An advocate for accessibility in the arts, Raffaella has shared her insights as a speaker at the Goethe Institut's Beyond Seeing project and as a panellist at Tate Modern's Please Touch the Art talk. Most recently, she was selected by Dame Tracey Emin for Flowers Gallery's 2024 Artist of the Day series, presenting a one-day solo exhibition as part of the programme's 25th edition. Education 2013-16 BA, Kingston University London [The first registered blind student to graduate from Kingston University with a First-class degree in the visual arts.] Solo Exhibitions 2025 Faint Memories, Flowers Gallery, Cork Street, London, UK 2024 Artist of the Day, Flowers Gallery, Cork Street, London, UK 2023 Hushed Impressions, Orleans House Gallery, London, UK Group Exhibitions 2024 TEARS: The Final Show, TKE Studios, Margate, UK Small is Beautiful: 42nd Edition, Flowers Gallery, Cork Street, London, UK Artist of the Day: Group Show, Flowers Gallery, Cork Street, London, UK 2023 TEARS, TKE Studios, Margate, UK 2022 Layers of Vision, Bush House, London, UK 2021 Summer Exhibition, Royal Academy of Arts, London, UK Breaking Ground, Orleans House Gallery, London, UK Awards 2024 Artist of the Day, Flowers Gallery, Cork Street, London, UK Three To Watch, Hotly tipped female talent of the British art scene, Harper's Bazaar Magazine UK 2023 Tracey Emin Artist Residency (TEAR) 2023-24, TKE Studios, Margate, UK 2022 Artist-in-residence 2022-23, Orleans House Gallery, London, UK Commissioned by King's College London in collaboration with Shape Arts and AccessArt Gallery Representation Flowers Gallery (London New York Hong Kong) Public Collections Tracey Emin Foundation (Margate, UK) Statement about AOAP Submitted Artwork Four impressions from recent memories of Courchevel, in the Tarentaise Valley, France. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Hae-jin Yoo Woman in the Bath 'b', 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Haejin Yoo is a contemporary artist whose work explores themes of identity, persona, and introspection. Working primarily with oil and acrylic paints, she incorporates mixed media such as textiles, carpentry, and spray paint to push the boundaries of traditional canvas art and create immersive, surrealistic expressions. Her celebrated Woman in the Bath series reflects on private thoughts and the fluid nature of identity, drawing inspiration from the intimate setting of the bathroom. Haejin's art has earned numerous accolades, including 2nd prize in the 2024 Beautiful Bizarre Art Prize: RAYMAR Traditional Art Award, being named one of Saatchi Art's Rising Stars for 2024, and winning the First Prize Abstract Award at FIRA International Art Fair Barcelona (2022). After nearly eight years living and exhibiting in Germany, Haejin has returned to Sydney, Australia, where she continues to explore new mediums and themes, further expanding her artistic practice. Education Self-taught Solo Exhibitions 2021 Artland Online Solo Exhibition, represented by Azaro Artspaces Group Exhibitions 2025 BFF Modern Portraits, 33 Contemporary Gallery, USA Corey Helford Gallery, Los Angeles, USA Nanny Goat Gallery, Petaluma, CA, USA Daughters of Eve, Quirky Fox Gallery, New Zealand Gems, Quirky Fox Gallery, New Zealand 2024 Woman in the Bath VI exhibited during HUGFest 2024, Canvas 3.0 Gallery, Oculus, New York City, USA The Other Art Fair, London, UK Beautiful Bizarre Magazine Exhibition, Modern Eden Gallery, San Francisco, USA 2023 The Other Art Fair, Los Angeles, USA The Other Art Fair, London, UK 2022 Impronte d'Arte, Bergamo, Italy (WINNER: Artist Expert Award, presented by Prof. Vittorio Sgarbi) Fira Internacional d'Art, Barcelona, Spain (WINNER: First Prize Abstract Award) Awards 2024 2nd Prize, Beautiful Bizarre Art Prize: RAYMAR Traditional Art Award Saatchi Art Rising Star, Saatchi Art HUG100 Artists to Watch, HUG Finalist, Boynes Artist Award: 10th Edition 2023 Merit Prize Award, Teravarna International Juried Art Competition You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

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