Rowling (J.K.) Harry Potter and the Philosopher's Stone, first paperback edition, with "Joanne Rowling", no space between "Taylor" and "1997" and full 10 to 1 number line on title verso, "wand" listed twice on p.53, usual light toning to text, small damp-stain to lower corner of first few and final pp., original pictorial wrappers with misprint "Philospher's" to lower cover, slightly splayed, spine vertically creased with lighter fading than usual, light rubbing to corners, laminate peeled off in places, light creasing, [Errington A1(aa)], 8vo, 1997.
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Westminster Bridge.- Price (John) A Short History of Bridges, Ancient and Modern...Part I [?all published], [seemingly unrecorded], 1728; Some Considerations...for Building a Stone-Bridge over the River Thames...at Westminster..., second edition, folding engraved plate by Fourdrinier, title soiled, light marginal water-staining, [Harris 717, copies at Guildhall & New York Public libraries; this edition not in BAL or BL], 1736 bound with Langley (Batty) A Design for the Bridge at New Palace Yard, Westminster, first edition, half-title, folding engraved plate, [BAL 1747; Harris 455], for the Author & J.Milan, 1736 and James (John) A Short Review of the several Pamphlets, and Schemes...in relation to the Bridge at Westminster, first edition, a few ink marginalia, [Harris 378; not in BAL], by H.Woodfall..., 1736 and Langley (B.) A Reply to Mr. John James's Review..., first edition, folding engraved plate, [BAL 1754; Harris 467], for the Author..., 1737 and Short Narrative of the Proceedings (A)...for building a Bridge at Westminster, first edition, [Harris 820; not in BAL or BL], for T.Cooper, 1738 and [Labelye (Charles)] The Present State of Westminster Bridge..., second edition, advertisement leaf at end, [BAL 1706; Harris 404], for J.Millan, 1743; A Short Account of the Methods...in Laying the Foundation of the Piers of Westminster-Bridge, first edition, 4 folding engraved plates (originally one large sheet but here cut and mounted as four), [BAL 1707; Harris 405], by A.Parker, for the Author, 1739, together 8 works in 1 vol., occasional spotting or browning, Macclesfield copy with embossed stamp to title of first and South Library bookplate, contemporary ink manuscript Index, handsome contemporary calf, gilt, spine gilt in compartments with red morocco label, very slightly rubbed at edges, 8vo *** An excellent sammelband of pamphlets, put together before the middle of the eighteenth century, and relating to the long controversy over the design and construction of a new bridge over the River Thames at Westminster. The majority of the pamphlets are written by those directly involved in the successive projects.Parliament had passed an Act authorizing a bridge in 1736 and various architects submitted designs including John Price and Hawksmoor, but Hawksmoor died and the project descended into a pamphlet war, as evidenced by the present volume. After much deliberation the bridge was finally built by the Swiss engineer Charles Labelye. "This was the first stone bridge to be built over the Thames since London bridge in the thirteenth century. When it opened to the public in November 1750 there was nothing comparable to it anywhere; not only was it the longest bridge constructed entirely of stone over a tidal river with its piers standing continuously in water but it was also the first in which caissons were employed to lay the foundations beneath the river bed." (Harris p.258).
Pain (William) The Practical Builder, or Workman's General Assistant, second edition, 83 engraved plates, one folding, advertisement leaf at end, light stain to edge of title, contemporary half sheep, rubbed, corners worn, [Harris 641; cf. BAL 2371, 1774 edition], I. Taylor, 1776 § Pain (William & James) Pain's British Palladio: or, The Builder's General Assistant, first edition, 42 engraved plates, staining to upper edge affecting a few images, modern half morocco, [BAL 2368; Harris 634; Millard, British Books 49], H.D.Steel for the Authors, 1786 § Salmon (William) The London and Country Builder's Vade Mecum: or, The Compleat and Universal Estimator, third edition, engraved frontispiece, bookplates of Sir Edmund Antrobus and the Royal Institute of Chartered Surveyors (no stamps), contemporary sheep, worn, rebacked, [BAL 2886; Harris 790], J.Hodges, 1755, v.s. (3)
Henry Drury's copy.- Medicine.- Celsus (Aulus Cornelius) Medicinae Libri VIII, collation: *8 a-s8 t4 u x8 (t4 blank), italic type, woodcut printer's device to title and final verso, initial spaces with guide-letters, a few instances of early ink marginalia, occasional spotting or staining, free endpapers loose, later calf, gilt, ?by Charles Lewis, sympathetically rebacked, spine with light brown morocco label, corners restored, rubbed and scuffed, small 4to (207 x 133mm.), Venice, [House of Aldus & Andrea Torresani], [March, 1528]. *** Henry Drury's copy of the first Aldine edition of this compilation of medical texts. It includes a poem on remedies by Quintus Sammonicus Serenus. 'Dans cette édition plusieurs endroits sont heureusement corrigés d'après un bon manuscrit' (Renouard). Provenance: Henry Joseph Thomas Drury (1778-1841), classical scholar, educator at Harrow School, Fellow of the Royal Society, member of the Roxburghe Club, and friend of Lord Byron and Dibdin. According to de Ricci (p.98) the majority of his books were bound by Charles Lewis (autograph ink ownership inscription with shelfmark 'C.226.2' to upper corner of front free endpaper). Literature: Adams C1241; Ahmanson-Murphy 250; Renouard 105:1; EDIT 16 CNCE 10745; Durling 908; Norman 428.
[Clemens (Samuel Langhorne)], "Mark Twain". Life on the Mississippi, first edition, numerous illustrations, 2pp. publisher's catalogue at end dated March 1883, scattered foxing to title and frontispiece, chip to front free endpaper, original pictorial cloth, lettered and decorated in gilt and black, light sunning to spine, spine ends and corners a little bumped, some light surface soiling to covers, extremities a little rubbed, an excellent example, [BAL 3410], 8vo, Chatto & Windus, 1883.*** Twain's classic work on the steamboat era Mississippi, including the inevitable impact of railways upon its use for transport and trade, and the resultant culture that sprung up around it. As with many of Twain's works, the English edition preceded the US.
Rutter (John) Delineations of Fonthill and its Abbey, first edition, large paper copy, half-title, hand-coloured aquatint frontispiece, additional pictorial title and plate, 10 other engraved plates including unnumbered plate of South West View (as usual), large folding lithographed plan hand-coloured in outline, wood-engraved vignettes, folding sheet of genealogical tables, without list of subscribers at end (not found in all copies and possibly not issued with the large paper copies), some light foxing or soiling, bookplate of William Henry Wills (later 1st Baron Winterstoke, tobacco magnate and politician), original printed boards, uncut, rubbed and slightly stained, rebacked and recornered in dark red morocco, [Abbey, Scenery 418; BAL 2881; Millard, British 72], large 4to (360 x 290mm.), Shaftesbury, by the Author, 1823.*** The best contemporary publication on William Beckford's extravagant Gothic mansion at Fonthill, built for him by James Wyatt between 1796 and 1812. Rutter began the book when the house still belonged to Beckford, but completed it after Beckford had sold the house to John Farquhar, and in its finished form it is a remarkably vivid memorial to the house in the closing days of Beckford's period of ownership. Rutter's text is eloquent on the opulence of the interior and of its furnishings, and his plates convey the grandeur of the central tower (soon to collapse) and the appearance of the principal rooms.
Woolf (Virginia) The Years, first edition, very light browning to endpapers, original cloth, light toning to spine, extremities a little rubbed, dust-jacket, very light toning to spine, spine ends and corners a little chipped, slight creasing to head, small patch of discolouration to upper panel, but overall a near-fine example, [Kirkpatrick A22a; Woolmer 423], 8vo, Hogarth Press, 1937.
Tennyson (Alfred, Lord and Charles) Poems, by Two Brothers, first edition, large paper copy, advertisement leaf after title, original paper spine label pasted to rear endpaper, spotting to endpapers, paper remains of ?bookseller's description to front free endpaper, later red crushed morocco by Riviere, spine gilt in compartments with raised bands, t.e.g., others uncut, [Ashley Library VII, 102; Hayward 244; Wise 1], 8vo (195 x 117mm.), Printed for W. Simpkin and R. Marshall...and J. and J. Jackson, 1827.*** Rare large paper copy of the first edition of Tennyson's first published volume, published when the future Poet Laureate was 18 years old and written along with his brother Charles and Frederick (the latter of whom has 4 poems in the present collection but modestly removed himself from the title).
Hawking (Stephen) & Leonard Mlodinow. A Briefer History of Time, first edition, signed with author's right thumb-print and presentation inscription from Elaine Hawking "Angela - Thank you for all your support. Have a cosmic Christmas" with authentication note from Elaine, illustrations, original boards, dust-jacket, 4to, 2005.
Devon.- Haseler (H.) Scenery on the Southern Coast of Devonshire, first edition, 30 hand-coloured aquatint plates by D. Havell and Hubert Cornish after H. Haseler, some foxing, mostly to tissue guards, contemporary half calf, rebacked, gilt-tooled and lettered label on upper cover, edges rubbed, [Abbey, Scenery 116], oblong 4to, Sidmouth, John Wallis, at the Marine Library, 1819; and 2 others, views of Sidmouth by Butcher (Abbey, Scenery 307, missing one plate); and Rowe (Abbey, Scenery 311, quite badly water-stained), oblong 4to and 4to (3)
America.- [Beresford (William)] A Voyage Round the World; but more particularly to the North-West Coast of America...by Captain George Dixon, first edition, 22 engraved charts and plates, several folding, lacking half-title, some very light browning and offsetting, occasional foxing but overall a very good copy, contemporary calf, spine gilt with red morocco label, extremities slightly rubbed, [Hill 118; Sabin 20364], Geo. Goulding, 1789; and a copy of Portlock's account of the same voyage but lacking 2 plates, 4to (2)*** A series of letters by William Beresford, cargo-officer on Dixon's ship the Queen Charlotte. Portlock and Dixon's was the first commercial voyage to the Pacific Northwest, ostensibly to set up a fur-trading business. They succeeded, however, in a more detailed exploration and mapping of the coast, visiting both the Falkland islands and Sandwich islands (Hawaii), and improved on Cook's charts of the region. This copy with uncoloured plates.Provenance: Joseph Radcliffe of Milnsbridge, Yorkshire (bookplate).
Wright (Thomas) Universal Architecture, Book 1. Six Original Designs of Arbours, vol.1 only (of 2), first edition, title in red & black with engraved vignette by M.Darly, list of subscribers also with engraved vignette, 12 engraved plates and plans, without the preliminary leaf ‘The Method of Executing the Design A (-F)’ (?issued later as not apparently missing), light stain to upper outer corner of title, a couple of marginal spots, stab-holes to upper or lower margins, contemporary marbled boards with paper label titled in manuscript "Designs of Arbours No1" on upper cover, a little rubbed and soiled, [Harris 951; BAL 3720, defective copy of Book I only, lacking 2 of the 12 plates), oblong folio, for the author, 1755.*** One of the great rarities of the literature of English eighteenth-century garden architecture, with fine impressions of the plates and in a contemporary binding. Thomas Wright (1711-1786) had had an initial career as a writer of books on astronomy, but had begun by the late 1740s to design garden buildings and to remodel country houses for a network of aristocratic English patrons. He announced in 1753 his intention to publish a volume of his designs for garden architecture, to be issued in three instalments covering “arbours, grottos and alcoves”, but the publication was dependent on his securing sufficient subscribers and it was not until 1755 that the present Book I, on arbours, appeared in print. The imaginative designs include a domed temple, an arbour “of the parasol kind”, an aviary, a hermitage and a platform for open air entertainment. Sadly he was unable to attract the required number of subscribers and although Book II, on grottos, followed in 1758, Book III, on alcoves, was never published."There are no other pattern-books of grottos, rustic buildings and ruined follies, nor at that time were there any books of architectural design so attractively presented in complete landscape settings." (Harris)
Coward (Noel) Pomp and Circumstance, first edition, signed presentation inscription from the author "For Rexie [Harrison] with love as always, Noel" to front free endpaper, original boards, light sunning to spine, dust-jacket, price-clipped, creasing to head and foot, extremities rubbed, an excellent copy, 8vo, 1960.*** A lovely association copy, Rex Harrison and Noel Coward knew each other well during their lengthy careers on stage and screen. One of Rex Harrison's most famous roles was starring in David Lean's adaptation of Coward's Blithe Spirit.
Quarenghi (Giacomo) Fabbriche e Disegni, first edition, engraved portrait frontispiece and 59 plates & plans, a few with aquatint, light worming to inner margin just touching final plate, a clean uncut copy in contemporary blue boards, rather worn particularly spine and corners, label chipped, [BAL 2677; Berlin Kat. 2776; Millard, Italian 108], folio, Milan, Antonio Tosi, 1821. *** Giacomo Quarenghi (1744-1817) was an Italian architect who spent most of his career designing neoclassical architecture in Imperial Russia, predominately in St. Petersburg. The plates include the Hermitage Theatre, Smolny Institute, and Cavalry Barracks in St. Petersburg, the Alexander Palace at Tsarskoe Selo, and other palaces for Prince Bezborodko and Count Sheremetev, as well as a project from earlier in his career for a theatre at Bassano.
Grahame (Kenneth) The Wind in the Willows, first edition, half-title, frontispiece by Graham Robertson, tissue-guard, some foxing, light browning to endpapers, contemporary ink inscription to front free endpaper, lower hinge repaired, original pictorial cloth, gilt, t.e.g., others uncut, recased, joints repaired, spine ends and corners bumped and frayed, rubbed, 8vo, 1908.
Bertotti Scamozzi (Ottavio) [Le fabbriche e i disegni di Andrea Palladio], vol.2-4 only (of 4), titles and text in French & Italian (French bound first), woodcut ornaments and initials, engraved coat-of-arms to dedication in vol.4, 157 engraved plates on 155 sheets, 23 double-page, some foxing and light staining to fore-edge of plates but generally clean, contemporary mottled calf, spines gilt with red morocco labels, paste-paper endpapers (different in vol.2, front free endpaper lacking in vol.4), rubbed and scuffed, spine ends worn, vol.2 stained and spines a little defective, [BAL 259, 4 vol.], folio, Vicenza, Francesco Modena, 1778-83.*** First and best edition of Bertotti Scamozzi’s magnificent record of Andrea Palladio’s executed buildings and projects, rarely found complete with all 4 volumes.
Society of Dilettanti. Alterthümer von Attika [&] Alterthümer von Ionien, together 2 vol., plate vol. only, lacking text vol., 188 engraved plates, some light foxing, old ink stamp to foot of titles (erased in vol.2), contemporary half calf, rubbed, [Berlin Kat.1890], Leipzig & Darmstadt, [1829-33]; Report of the Committee of the Society of Dilettanti, appointed by the Society to superintend the Expedition lately sent by them to Greece and Ionia..., [30 copies], some with staining to edges, stitched in original wrappers, printed advertisement for 'Antiquities of Attica' label to upper wrappers, rubbed & soiled, some stained, [BAL 3132], 1814, folio & 4to (32)*** The first is the German edition of Stuart & Revett's Antiquities of Athens. The second is an appeal for funds to publish the architectural drawings, views and maps from the expedition to Ionia led by Sir William Gell.
Donovan (Edward) The Natural History of British Insects, 16 vol. in 8, vol.1 third edition, the rest first editions, 576 engraved plates, all but 7 hand-coloured, many plates offset onto tissue-guards, occasional foxing or toning to text, a few plates slightly spotted, mark to plate 231 from ink stain to recto, contemporary green half morocco, gilt, spines gilt with entomological motifs and uniformly slightly faded, g.e., 8vo, Printed...for the Author, 1793-1813.*** A handsome set of Donovan's major work, originally intended to be complete in ten volumes but extended to sixteen as more specimens were found and described.
*** Please note the description of this lot has changed *** Shakespeare (William) Comedies, Histories, & Tragedies being a Reproduction in Facsimile of the First Folio Edition 1623 from the Chatsworth Copy ... with an introduction, one of 1000 copies signed by Lee, with Alls Well That Ends Well, first folio, Y1, pp.253-254 loosely inserted; The Tragedy of Richard the Third, second folio, f1, pp.173-174; The Tragedy of Hamlet, third folio, 3Q5, pp.735-736, and; The Merchant of Venice, fourth folio, O2, pp.163-164, bound-in, very faint spotting to the original leaves, front free endpaper and early blank detached, red morocco and gilt bookplate of Henry Hannen, 2 booksellers labels pasted to front pastedown, contemporary reverse calf, upper cover detached, lacking ties, rubbed, small loss to spine extremities, short tear to upper cover, folio, Oxford, Clarendon Press, 1902. *** A seemingly unique copy containing a single leaf from each of the first four folio editions of Shakespeare's works, inserted by Henry Sotheran & Co., probably at around the time of publication. This includes the final leaf of 'Alls Well That Ends Well' and the first leaf of 'Richard the Third'. The leaf from Hamlet includes the famous line, "Something is rotten in the state of Denmark". Please note that this copy does not include the additional volume containing the census by Sidney Lee.
Malvezzi (Virgilio) Romulus and Tarquin. First written in Italian by the Marques Virgilio Malvezzi: and now taught English, by HCL, translated by Henry Carey, Earl of Monmouth, first edition in English, title and text within ruled borders, lacking additional engraved title, M1 minor chip to lower corner, sig. D small worm trace to outer margins, 19th century calf, gilt, upper joint split, but holding firm, spine ends and corners worn, rubbed, [STC 17219], 12mo, Printed by J[ohn] H[aviland] for John Benson, 1637. *** Rare at auction (the last copy we can trace was in 1973), and often found defective. Malvezzi (1595-1654), Italian historian, essayist, solider and diplomat. His works were praised by the Spanish writer Francisco de Quevedo, amongst others. Provenance: Rev. Alfred Gatty (engraved armorial bookplate to front pastedown).
Robinson (William Heath) Uncle Lubin, first edition, printed in red and black, colour frontispiece and numerous plates and illustrations by the author, very occasional light marginal soiling, very clean otherwise, light browning to endpapers, original blue-green pictorial cloth, decorated in red, tan and white, slight bumping to spine tips and corners with small chip to foot of spine, very light rubbing, a crisp, near-fine example, small 4to, 1902.*** Heath Robinson's first book, rare in this condition without any significant loss to spine and cover illustrations.
[Dodgson (Charles Lutwidge)], "Lewis Carroll". The Hunting of the Snark: An Agony in Eight Fits, first edition, frontispiece and illustrations by Henry Holiday, tissue-guard, spotting to half-title and advertisement f., the odd spot elsewhere, original buff pictorial cloth, very light toning to spine, slight bumping to spine tips, faint spotting to covers, a near-fine example, preserved in custom drop-back box, g.e., [Crutch 115], Macmillan and Co., 1876.
Hemingway (Ernest) Men Without Women, first edition, mixed issue with Scribner's seal to title verso and weighing 15oz. but with "3" type a little broken on p.3, some cracking to hinges but holding firm, bookplate to front pastedown, original black cloth with gilt labels to upper cover and spine, second issue dust-jacket with review quotes to upper panel, price-clipped, spine browned, spine ends and corners a little chipped, splitting to head of upper joint with 1" tear running vertically across, [Hanneman A7a], 8vo, New York, 1927.*** Hemingway's second short story collection, including "The Killers", one of his most celebrated, adapted numerous times for the screen.
Graves (Robert) I, Claudius, first edition, contemporary ink ownership inscription and spotting to front free endpaper, original cloth, fine, dust-jacket, light browning to spine and lower panel, minor chipping to spine tips and corners, short nick to foot of lower panel, light creasing to head, spotting to upper panel, a sharp and excellent example, 8vo, 1934.
Bertotti Scamozzi (Ottavio) Le Fabriche e i Disegni, 4 vol., engraved portrait and 210 plates on 208 sheets (including one unnumbered plate opposite p.35 in vol.1), several double-page, Giovanni Rossi, 1796; Le Terme dei Romani disegnate da Andrea Palladio, engraved portrait and 25 plates, some double-page, Tommaso Parise, 1810, together 5 vol., some light foxing, later ink signatures and bookplate of Gilbert R.Redgrave, uniform contemporary pink paste-paper boards, paper labels, rubbed and faded, [BAL 260 & 2382; Fowler 235], small 4to, Vicenza*** A good set of the small quarto edition of Bertotti Scamozzi’s four volumes on Palladio’s architectural works, providing carefully drawn measured plans, elevations, and sections of each of Palladio’s buildings, accompanied (as often) by a later printing in the same format of the supplementary publication on the Terme dei Romani. The first three volumes show designs for public buildings (including the Teatro Olimpico at Vicenza), town houses and villas, while the fourth is devoted to mainly churches and unexecuted projects. Gilbert Richard Redgrave (1844-1941), art historian, book collector and bibliographer.
Clark (George T.) Mediaeval Military Architecture in England, 2 vol., original pictorial red cloth, gilt, 1884 § Turner (T.Hudson) Some Account of Domestic Architecture in England from the Conquest to the End of the Thirteenth Century [- Richard II. to Henry VIII.], 2 vol. in 4, original cloth, vol.1 stained, Oxford, 1851-59 § Warton (Rev. T.) & others. Essays on Gothic Architecture, third edition, engraved plates, original boards, uncut, rebacked, 1808 § Willis (R.) Remarks on the Architecture of the Middle Ages..., original cloth, engraved plates, some foxing, original blind-stamped cloth, Cambridge, 1835 § Bloxam (Matthew Holbeche) The Principles of Gothic Architecture, first edition, wood-engravings by Orlando Jewitt, bookplate of Frank Broomhead (author of 'The Book Illustrations of Orlando Jewitt' , PLA, 1995), original printed boards, worn patches to upper cover, rebacked, soiled, 1829, plates & illustrations, a little rubbed; and 29 others on medieval & gothic architecture including 16 others by or about Bloxam (mostly later editions of his work), v.s. (37)
Bradbury (Ray) Fahrenheit 451, first English edition, frontispiece, light spotting, original boards, slight shelf-lean, dust-jacket, slight toning to spine, spine ends and corners neatly repaired and restored, neat repairs to head and foot of panels, some retouching to spine and joints, light spotting to flaps, in effect an excellent example overall, 8vo, 1954.
Smith (James) Specimens of Ancient Carpentry, engraved throughout with title, list of plates and 35 plates engraved by J.Seago after Smith dated 1787, foxed, pencil sketch to verso of one plate, old ink inscription of Philip A.Robson, Sir Howard Colvin's copy with his signature and several letters to him loosely inserted, 19th century cloth, rubbed and stained, rebacked, corners repaired, new endpapers, [Harris 837, copies at New York Public Library and RIBA], 4to, [?1820s].*** The first illustrations of historic English roof carpentry to appear in a published book. First published as Specimen of Ancient Carpentry in 1736, but now virtually unobtainable, it was reissued by Seago with the plates re-engraved and some additional plates of Gothic mouldings in 1787, and again by J.Taylor in c.1819/20. All issues are rare.The loosely-inserted letters, written by librarians in Oxford, Cambridge and elsewhere, are in response to an inquiry from Colvin in the late 1970s, indicating that their libraries then possessed no copies of the first edition.
de Thou binding.- Bosse (Abraham) La Pratique du Trait a Preuves, de Mr Desargues Lyonnois, pour la Coupe des Pierres en l'Architecture, first edition, 2 additional engraved titles (one to plates), engraved dedication and 114 full-page illustrations on 58 leaves, a few spots, contemporary ink shelf-mark to front pastedown, with old pencil note “exemplaire provenant de la bibliotheque de M.Joly de Fleuri” to rear pastedown, contemporary calf with central gilt arms of Jacques Auguste de Thou and his second wife to covers, and gilt monogram of Jacques Auguste de Thou in compartments of spine, spine gilt, a little rubbed and marked, joints split, spine slightly worn at head, [BAL 339; Berlin Kat. 2540; Fowler 55; Millard, French 32], 8vo, Paris, Pierre Des-Hayes, 1643.*** Only edition of this treatise on the geometric methods for cutting stone, particularly for vaulting, which was derided by masons who wished to keep to their traditional practices. This copy was part of the celebrated De Thou family library, with the gilt arms of the famous historian and book collector Jacques Auguste de Thou (1553-1617) and his second wife Gasparde de la Chastre, but bound thus for their surviving son Jacques Auguste de Thou II (1609-1677). The “M.Joly de Fleuri” in the pencil note is most probably Jean François Joly de Fleury (1718-1802), Minister of Finance for Louis XVI in the early 1780s.
Cain (James M.) The Postman Always Rings Twice, first edition, light browning to endpapers, neat pencil inscription of Clive Hirschhorn to front pastedown, original cloth, very light discolouration to spine, slight rubbing to spine tips and corners, dust-jacket priced at $8.00, very slight toning to spine, neat repair to spine tip, minor chipping to corner tips, a near-fine example overall, preserved in custom drop-back box, 8vo, New York, 1934.*** A superb copy of the author's first book and a landmark in the develepoment of noir fiction. Adapted twice for film, in 1946 staring Lana Turner and John Garfield, and in 1981 staring Jack Nicholson and Jessica Lange. This copy sold at the Hirschhorn sale, Bloomsbury Auctions, 25th October, 2012, lot 38.
Lee (Harper) To Kill a Mockingbird, first English edition, some scattered edge-spotting, light browning to front free endpaper and head of following few leaves, original boards, slight bumping to spine and corner tips, dust-jacket, spine creased, a few small marks to flaps, light rubbing to extremities, an excellent example, 8vo, 1960.
Novel.- The Rival mother; a late true history: digested into a novel, first edition, title within ruled border, B1 piece from lower margin, C1 paper flaw to lower corner, very slightly affecting text without loss of sense, C10 short tear with loss of a few words, E1 very short tear to outer margin, just touching a word recto and verso, but without loss, some worming, spotting and staining (including title), lightly browned throughout, contemporary calf, upper cover detaching, spine and corners worn, rubbed and marked, [Wing R1546], 12mo, Printed for R. Baldwin, near the Oxford-Arms-Inn in Warwick-Lane, 1692. *** Rare English novel. We can trace no copy offered at auction, and institutional copies are scarce.
Bloch (Robert) Psycho, first edition, usual marginal toning, very light browning to endpapers, original boards, slight bumping to spine tips and corners, dust-jacket, minor chipping to spine tips and corners 1 or 2 nicks to head and foot of panels with some light creasing, light rubbing to extremities, a sharp and excellent copy overall, 8vo, New York, 1959.*** A cornerstone of modern horror fiction, Psycho was famously adapted into Alfred Hitchcock's seminal 1960 film of the same name.
Jerrard (Paul) and Son, publishers. The Night-Flyers: A Series of Moth-Pictures, first edition, hand-coloured pictorial title, pictorial presentation leaf, 10 hand-coloured lithographed plates, index printed in gold, text printed in red with headings in gilt and decorative borders in gilt or hand-colouring, publisher's advertisement at end printed in gold, a little foxed and soiled, floral endpapers printed in gold, publisher's morocco-backed imitation tortoiseshell boards, upper cover with gilt ornamental border, g.e., [Dunbar 56], large 8vo (270 x 185mm.), Paul Jerrard & Son, [c.1860].*** Dunbar calls this charming work "a scarce treasure for the collector". Published as part of Paul Jerrard's series "Cream and Gold Presents appropriate for marriage, birthday and festive occasions for all seasons".
Livius (Titus) The Romane Historie written by T. Livius of Padua, translated by Philemon Holland, first edition in English, large woodcut device to title, woodcut portrait of Queen Elizabeth I to title verso, woodcut portrait of Livy to verso of A4, woodcut initials and headpieces, bound without initial blank, loss to title fore-edge with sympathetic repair, copious ink marginal notes in an early hand, occasional ink and pencil underlining and marginal notes in different later hands, ex-Campion Hall library with occasional neat ink-stamps and faint shelfmark to title verso, 4N5 with tiny rust hole affecting odd letter, 6C3 with loss to bottom affecting woodcut devices, occasional faint water-staining, mostly marginal, light soiling to title, odd faint spot, later reverse calf, rebacked and recornered, gilt lozenge with initial 'W. D.' to boards, [STC 16613; Pforzheimer 495.], folio, by Adam Islip, 1600. *** A good copy of the first edition in English of Livy's Roman History translated by Philemon Holland, with some interesting marginal notes. "Holland's first book, the first complete rendering of Livy into English, was published in 1600 when he was nearly fifty. It was a work of great importance, presented in a grand folio volume of 1458 pages, and dedicated to the queen. The translation set out to be lucid and unpretentious, and achieved its aim with marked success. It is accurate, and often lively, and although it does not attempt to imitate the terseness of Latin, it avoids prolixity." - Oxford DNB.
Hyams (N.) & others, editors. Plan. Architectural Students Association Journal, No.1-10 [a complete set], original spiral-bound printed wrappers, some a little spotted or soiled, a few ink stains to upper cover of No.2, 1948-51 § Cook (Peter) & others, editors. Archigram, New York, 1973 § Smithson (Alison & Peter) The Euston Arch and the Growth of the London, Midland & Scottish Railway, original cloth-backed laminated pictorial boards, 1968 § Rowe (Colin, editor) James Stirling: Buildings and Projects, Gavin Stamp's copy with his book-label, 1984 § Geddes (Patrick) City Development: A Study of Parks, Gardens, and Culture-Institutes, Edinburgh, 1904 § Pevsner (Nikolaus) An Enquiry into Industrial Art in England, Cambridge, 1937 § Gibberd (Frederick) Town Design, second edition, 1955, illustrations, all but the first and third original cloth, the second and fourth with dust-jackets, the second slightly frayed at edges; and a quantity of others, modern British architecture and planning, v.s. (4 boxes)
[Lastri (Marco)] L'Osservatore Fiorentino sugli Edifizi della sua Patria, 8 vol. in 4, third edition, large folding aquatint plan with vignette, 16 engraved plates, one folding, old ink signature to titles, a few leaves in vol.1 browned, contemporary half vellum, [Cicognara 4213, first edition, wrongly dated 1766; not in BAL], Florence, 1821 § Spreti (Camillo) Compendio Istorico dell'Arte di Comporre i Musaici...nelle Basiliche di Ravenna, ?lacking half-title, bookplate of William Long, contemporary half vellum, lacking label, [Cicognara 214], Ravenna, 1804 § [Oddi (Giuseppe) & others.] Memorie e Documenti da servire alla Storia della Chiusa dell'Aniene in Tivoli..., 7 folding engraved plates with partial hand-colouring, contemporary roan-backed marbled boards, Rome, 1831 § Guicciardini (Francesco) La Historia d'Italia, 2 vol. in 1, title with woodcut vignette, browned, contemporary ink signature of Sir John Halkett at head of title and his bookplate of Pitfirrane, contemporary limp vellum, stained, defective at head of spine and edge of upper board, [Geneva], Stoer, 1636 § Magistris (F. de) Status rerum memorabilium tam ecclesiasticarum, quam politicarum, ac etiam aedificiorum fidelissimae civitatis Neapolitanae, title in red & black with engraved vignette, woodcut device to final leaf, Macclesfield copy with embossed stamp to title and North Library bookplate, 18th century sprinkled calf, gilt, Naples, L.A. de Fulco, 1678, all a little rubbed; and 3 others, v.s. (11)
[Martyn (Thomas)] The English Connoisseur: containing an Account of whatever is curious in Painting, Sculpture, &c. in the Palaces and Seats of the Nobility...of England..., 2 vol., first edition, attractive contemporary mottled calf, lacking one label, L.Davis & C.Reymers, 1766 § Alison (Archibald) Essays on the Nature and Principles of Taste, 2 vol., second edition, lacking half-titles, title & contents leaf to vol.2 bound at end of vol.1, contemporary half calf, spines gilt, labels chipped, Edinburgh, 1811 § Walpole (Horace) Anecdotes of Painting in England, edited by Rev. James Dallaway, 5 vol., engraved portrait and plates, spotting, contemporary roan-backed boards, uncut, 1828 § Opie (John) Lectures on Painting, mezzotint portrait, list of subscribers, 10 engraved portraits, 9 with border in red and pink wash, offsetting, bookplate of William Gordon of Fyvie, contemporary half red roan, spine gilt, 1809 § Flaxman (John) Lectures on Sculpture, first edition, lithographed portrait on india paper and 51 plates (plate 18 never issued), contemporary cloth, uncut, spine faded, recased, [BAL 107], 1829, all rubbed; and 14 others, art, v.s. (25)*** The first item is "the first general review in book form of collections of pictures in England" (Frank Herrmann. The English as Collectors, p.422) although much of the material was taken from earlier publications. The work covers Blenheim, Chatsworth, Devonshire House, Hampton Court, Kensington Palace, Stowe, Wilton and Windsor amongst others.
le Carré (John) A Murder of Quality, first edition, second impression, signed by the author on title, original boards, spine very slightly dulled, slight shelf-lean, dust-jacket, very slightly browned, spine tips and corners a little chipped, small splash mark to upper panel, very light creasing to head but a sharp and excellent example overall, 8vo, 1962.*** Published in the same year as the first impression, scarce.
Grey (Charles) Biography of His Royal Highness The Prince Consort, first edition, signed presentation inscription from Queen Victoria "To Major General Francis Seymour. In recollection of his beloved Mother from the dear Prince's devoted & sorrowing widow Victoria RI, April 25. 1867" to front free endpaper, engraved portrait frontispiece and 19 mounted photographic plates, tissue-guards, gutter cracked at points with some text leaves and a few plates loose, including front free endpapers, half-title and frontispiece, pp.14-15 browned, a few leaves slightly frayed at edges, occasional light soiling (heavier to a few plates), some spotting to endpapers, original cloth, gilt, spine slightly mottled and with short tear to head, spine ends, corners and upper joint quite worn, lightly rubbed elsewhere, upper joint split at foot, 8vo, Printed for private circulation by Smith, Elder and Co., 1866.
MONTBLANC, PATRON OF ARTS, LORENZO DE MEDICI, 4810 A LIMITED EDITION FOUNTAIN PEN, NO. 1952/4810, 1992 Cap and Barrel: Octagonal silver cap and barrel engine turned and engraved with Renaissance motifs, stamped 925 with common control marks, the barrel with engraver's initials Z. He Nib and Filling System: Two tone gold coloured nib, stamped 18K and 750, piston filling system, inked Accessories: Original Montblanc lacquered wood box, Lorenzo de Medici International Warranty card, Lorenzo de Medici International Service Certificate and Lorenzo de Medici booklet, and Lorenzo de Medici outer card box The Lorenzo De Medici was the very first Patron of the Arts pen from Montblanc, issued in 1992, and pays tribute to one of the most important figures of 15th century Italian Renaissance culture and politics. Lorenzo 'il Magnifico' (1449-1492), ruler of Florence in all but name, was a patron of major Renaissance artist talents such as Leonardo da Vinci, Michelangelo, Botticelli, Verrocchio and Ghirlandaio, who were all resident at his court.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Inked with light use. Some scuffs and wear to the outer card packaging.Condition Report Disclaimer
Y MONTBLANC, PATRON OF ARTS, GAIUS MAECENAS, 888 A LIMITED EDITION FOUNTAIN PEN, NO. 635/888, 2011 Cap and Barrel: The 18 carat yellow gold cap pierced with the First Odes of Horace 'Maecenas Atavis Edite Regibus', the white marble barrel with gold finials engraved with key pattern bands, the cap with two colour sword clip and mother of pearl Montblanc star emblem, stamped Au 750 Nib and Filling System: Medium yellow gold coloured nib engraved with laurel wreaths, stamped 18K and 750, piston filling system, uninked Accessories: Original white lacquer Gaius Maecenas box, Gaius Maecenas booklets, Gaius Maecenas outer card box and white card sleeveProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: The pen was delivered to Dreweatts still factory vacuum sealed, and has been opened for inspection only. As new uninked and unused. Packaging is mint.Condition Report Disclaimer
Y MONTBLANC, PATRON OF ARTS, KARL DER GROSSE, 888 A LIMITED EDITION HOMMAGE À CHARLEMAGNE FOUNTAIN PEN, NO 791/888, 2000 Cap and Barrel: White gold cap and barrel with pierced bands set with tsavorite garnets and engraved with Renaissance patterns, with a mother of pearl Montblanc rounded star in the cap, stamped with 750 with Swiss assay marks and common control mark Nib and Filling System: Medium two tone gold coloured nib, stamped 18K and 750, piston filling system, uninked Accessories: Original Montblanc Karl Der Grosse 888 black lacquer box, Karl Der Grosse International Service Certificate, Karl Der Grosse 888 outer card box and outer white card sleeve Charlemagne (748-814) was the first Carolingian Emperor who united much of Western and Central Europe, incorporating much of present day France, Southern Germany, Northern Italy and the Low Countries. His reign brought political stability and ushered in the intellectual movement of the Carolingian Renaissance, which helped to preserve ancient Greek and Roman culture, and saw the spread of ideas across literature, the visual arts, architecture, music and legal frameworks, bringing about political and social change.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. Packaging in almost mint condition.Condition Report Disclaimer
MONTBLANC, PATRON OF ARTS, PRINCE REGENT, 888 A LIMITED EDITION FOUNTAIN PEN, NO. 624/888, 1995 Cap and Barrel: Royal blue resin 18 carat gold filigree overlay, the cap with a ruby and diamond set crown, stamped 750 with Swiss assay marks and common control mark Nib and Filling System: Medium yellow coloured nib, stamped 18K and 750 and engraved with a crown, piston filling system, uninked Accessories: Original Prince Regent blue lacquer box, Prince Regent International Service Certificate and Prince Regent outer card box George Augustus Frederick, Prince of Wales, who became the Prince Regent in 1811, was famed in equal measure for his knowledge, style and manners as well as his gluttony, laziness and unsustainable expenditure. He was the leader of British artistic tastes in the early 19th century especially through his patronage of the architects John Nash and Jeffry Wyatville and his commissions to the miniature portraitist Richard Cosway.The Prince Regent was the first of the Patron of the Arts pen to be made not only in edition numbers of 4810, but also using more precious materials in edition numbers of 888Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. Some surface scuffs to blue lacquer box and very minor rubbing to edges of outer card box.Condition Report Disclaimer
Y MONTBLANC, AMERICA'S SIGNATURES FOR FREEDOM, THOMAS JEFFERSON, 50 A LIMITED EDITION FOUNTAIN PEN, NO. 32/50, 2009 Cap and Barrel: The octagonal cap and barrel of 18 carat white gold inset with petrified wood, the clip with engraved with a portrait of Thomas Jefferson and set with a mandarin garnet, the cap set with brilliant cut diamonds and a mother of pearl Montblanc star emblem, stamped Au 750 Nib and Filling System: Medium white gold coloured nib stamped 18K and 750 and engraved America's Signatures For Freedom with 13 stars for the original 13 colonies, piston filling system, uninked Accessories: Large glass presentation box with bound volume Wendell Garrett 'Thomas Jefferson Illuminated' Thronwillow Press. 2008, America's Signatures For Freedom Thomas Jefferson booklet, black card outer box Launched in 2007 by Montblanc, the America's Signatures For Freedom Series honours the lives of American Presidents and their commitment to preserve and defend the American Constitution. The pens in the series were issued in limited numbers of 50 pieces each, in reference to the 50 States of America. The first four pens commemorate the lives of the Founding Fathers of the United States, and its first four Presidents: George Washington, John Adams, Thomas Jefferson and James Madison. Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. Large presentation box is still sealed.Condition Report Disclaimer
MONTBLANC, ARTISAN, ONE FOUNDATION SKELETON 30 A LIMITED EDITION FOUNTAIN PEN, NO. 04/30, 2008 Cap and Barrel: The cap and barrel with 18 carat white gold skeleton lattice with a brilliant cut diamond number 1 and brilliant cut diamond bands, the cap set with a specially cut diamond in the shape of the Montblanc star emblem, stamped Au engraved MEISTERSTÜCK 149 Nib and Filling System: Medium white gold coloured nib stamped 18K and 750 and engraved with the smiling face emblem of the One Foundation, piston filling system, uninked Accessories: Original black lacquer Montblanc One Foundation box, One Foundation booklet, One Foundation outer card box and outer white card box Founded in 2007 by the Chinese-American martial arts actor Jet Li, the One Foundation is a Chinese philanthropic NGO, and is the first private charitable fundraising institution in China. The One Foundation focuses on disaster relief as well as physical and metal health, education and the environment.Jet Li is a world famous martial artist and film actor, who has appeared in both Chinese and East Asian films as well as Hollywood blockbusters including Lethal Weapon 4, Kiss Of The Dragon and The Expendables. In 2006 he became an ambassador for the Red Cross Society of China donating proceeds of his films to mental health projects in China. Through the One Foundation Jet Li has promoted his philosophy of mankind as one family.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. Packaging is in good condition, although one corner of the inner card box is torn.Condition Report Disclaimer
Y MONTBLANC, HOMMAGE À MAX REINHARDT 30 A LIMITED EDITION FOUNTAIN PEN, NO. 25/30, 2007 Cap and Barrel: The cap and barrel with carved rock crystal panels depicting Oberon, Titania and elves from Reinhard's interpretation of A Midsummer Night's Dream, set in 18 carat white gold, the cap set with a mother of pearl Montblanc rounded star, the clip set with a square cut sapphire, stamped 750 with Swiss assay marks and common control marks Nib and Filling System: Medium white gold coloured nib stamped 18K and 750 and engraved with Hohensalzburg fortress Salzburg, Austria, piston filling system, uninked Accessories: Original black lacquer Montblanc Max Reinhardt box, Max Reinhardt booklet, Max Reinhardt outer card box and outer white card box Deutsche Stiftung Edelsteinforschung (DSEF) Test Report dated June 1, 2007 stating: Natural Quartz, Variety: Rock Crystal The avant garde and Expressionist stage and film director Max Reinhardt (1873-1943) started the annual summer Salzburg Festival with composer Richard Strauss and dramatist Hugo von Hofmannstall in 1920. A particular directorial favourite of Reinhardt was Shakespeare's 'A Midsummer Night's Dream', which he first staged at Salzburg in 1927. In 1935 it became his first American film. He founded theatres and drama schools in Austria and Germany in the early 20th century, and later opened the Reinhardt School of Theatre in Hollywood.In 2002 Montblanc became the exclusive sponsor of the Young Directors Project at the Salzburg Festival. From 2003, Montblanc have made annual limited Editions of 'Hommage À Max Reinhardt' fountain pens each year, in small numbers of 20 or 30. The pens were sold during the Salzburg Festival at the Montblanc boutique in Alter Markt, Salzburg, with profits helping to fund the Young Directors Project. The winning ensemble of the Young Directors Project were also given one of the limited edition Max Reinhardt pens.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. Packaging is mint.Condition Report Disclaimer
MONTBLANC, PATRON OF ARTS, GAIUS MAECENAS, 4810 A LIMITED EDITION FOUNTAIN PEN, NO. 3045/4910, 2011 Cap and Barrel: The silver cap engraved with first verse of The First Odes of Horace with a two colour sword, stamped Ag 925 Nib and Filling System: Medium white gold coloured nib engraved with laurel wreaths, stamped 18K and 750, piston filling system, uninked Accessories: Original white lacquer Gaius Maecenas box, Gaius Maecenas booklets, Gaius Maecenas outer card box and white card sleeveProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Delivered to Dreweatts factory sealed, and opened for inspection only. As new, uninked and unused. Packaging is mint.Condition Report Disclaimer
Y MONTBLANC, MEISTERSTÜCK 149, SKELETON, 333 A LIMITED EDITION FOUNTAIN PEN, NO. 090/333, 2001 Cap and Barrel: The clear resin cap and barrel with platinum plated lattice overlay, the cap with polished clip and mother of pearl Montblanc star in the cap Nib and Filling System: Medium white gold coloured nib stamped 18K 750, piston filing system, uninked Accessories: Original black lacquer Montblanc Skeleton 333 box, service guide and outer card box Based on the classic Meisterstück 149 'Diplomat' fountain pen, the Skeleton 333 is a limited edition pen created in 2001 to celebrate the first skeletonised pen previously created by Montblanc's Artisan Department (Atelier Privé) in 1999 for the company's 75th Anniversary.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Appears unused. Box interior slightly perishing and the corner of the outer card box is coming unglued.Condition Report Disclaimer
MONTBLANC, PATRON OF ARTS, OCTAVIAN, 4810 A LIMITED EDITION FOUNTAIN PEN, NO. 4123/4810, 1993 Cap and Barrel: Black resin cap and barrel with sterling silver filigree overlay across the cap and barrel representing a spider's web Nib and Filling System: Yellow gold coloured nib engraved with a spider, stamped 18K and 750, piston filling system, inked Accessories: Original Octavian blue lacquer box, Octavian Reply Card, Octavian International Service Certificate and Octavian outer card box In 27 BC Gaius Octavius was granted the title of Imperator Caesar Augustus by the Roman Senate and became the first Emperor of the Roman Empire, ruling for 31 years until 14 AD. His rule brought peace after years of turbulent conflict within the Empire, and so political and artistic life in the Roman Empire flourished. Octavian, or Augustus, is considered to be the greatest of all Rome's Emperors.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Lightly inked. Some signs of very light use, but still in excellent condition. Some scuffing to the lacquer box and some light wear to the outer box.Condition Report Disclaimer
Y MONTBLANC, SAKURA 333 A LIMITED EDITION FOUNTAIN PEN, NO. 245/333, 2001 Cap and Barrel: The cap and barrel of white Meissen porcelain hand painted with cherry blossom, and a mother of pearl Montblanc rounded star in the cap Nib and Filling System: Medium rose gold coloured nib stamped 18K and 750 and engraved with Japanese Kanji characters, piston filling system, uninked Accessories: Original Black lacquer Montblanc Sakura 333 box, Sakura 333 booklet, Sakura 333 outer card box Montblanc's limited edition special theme pen of 2001 is a tribute to the cherry blossom (Sakura) of the Japanese spring. The tradition of celebrating the arrival of spring dates back to the 9th century when the Japanese Emperor Saga held the first cherry blossom festival.Provenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: As new, uninked and unused. The inner box in good condition, but some slight wear and scuffing to the outer box.Condition Report Disclaimer
An Omega Speedmaster First Omega In Space FOIS mechanical chronograph wristwatch, 2017, the black dial with luminous indices and an outer seconds track, with triple subsidiary dials for seconds, 30 minute and 12-hour registers, with tachymeter bezel, in a stainless steel case with twin pushers, the case back with engraved Omega Hippocampus logo and The First Omega in Space October 3, 1962. Numbered Edition 6931. On an omega brown leather strap with Omega clasp. Serial number: 78762021. Reference: 31132403001001. 42mm case. Sold with box, pouch, Omega tag, spare strap, receipt, Warranty and Pictogram cards in pouch and instruction booklet.
Bachmann OO Gauge (Limited Edition) 32-108V Class 08 First Great Western Diesel Locomotive No. 08410, produced exclusively for Kernow Model Rail Centre complete with certificate No. 247 of 512 produced. Please note this Locomotive may have a decoder added. Condition is Excellent Plus to Near Mint in Fair to Good box.
Bachmann OO Group of Coaches and TPO Stock: 39-031A BR MK1 Corridor Network Southeast, 39-575 BR Auto Trailer Crimson and Cream, 39-775 LMS 50FT Inspection Saloon LMS Lined Crimson Lake, 39-576 BR Auto Trailer Maroon, 39-180 BR MK1 Full Brake NEA Intercity, 39-155 BR MK1 Corridor First FK Intercity, 39-130 BR MK1 Composite CK Network Southeast, 39-420W TPO Sort van Royal Mail Red (Produced Exclusively for Modelzone), 2x 39-271Z BR MK1 GUV Parcels Express Maroon (Produced Exclusively for Modelzone), 39-420X TPO Sort Van Royal Mail Blue/Grey (Produced Exclusively for Modelzone), Conditions: Excellent Plus in Good plus to Excellent boxes, Also included is 39-500K (Limited Edition) BR Mk.I SLF Coach (Sleeping Car 1st Class) in royal claret livery compete with Limited Edition certificate No.501 of 504 produced for Bachmann Collectors Club, condition Mint in Excellent Plus box.
Slabbed and Graded MS70 First Day of Issue Special Edition Label Limited to 5000. The obverse side depicts Liberty in full stride, wrapped in folds of the flag and cradling branches of laurel and oak. The reverse side shows an eagle swooping down into a nest, an oak branch in its talon. Coin in a protective clear case. Approximate measurement with the case: 2.5"L x 0.5"W x 3.5"H. Artist: Adolph A. WeinmanIssued: 2022Dimensions: See DescriptionEdition Number: Edition of 5000Condition: Age related wear.
All ANACS Slabbed and Graded PR70 DCAM First Day Issue Connecticut, Maryland, Massachusetts and South Carolina. Certified number 273 of 420. Each coin on the obverse side have the Statue of Liberty. The reverse have unique images that are significant to the state: Connecticut Heinz Gerber Variable Scale; Maryland Hubble Telescope; Massachusetts Telephone; and South Carolina Septima Clark. Each coin is  in a clear protective case. For one coin, approximate measurement with the case: 2.25"L x 0.25"W x 3.25"H. Artist: Justin KunzIssued: 2020Dimensions: See DescriptionEdition Number: 273 of 420Condition: Age related wear.

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