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William Lionel Wyllie (1851-1931), etching, 'Boulogne fishing luggers', signed in pencil, 22 x 29cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Lionel Wyllie (1851-1931), etching, 'Fishing boats', signed in pencil, 22 x 27cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Lionel Wyllie (1851-1931), etching, 'The Return of the Fishing Fleet, Portsmouth Harbour', signed in pencil, 18 x 36cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 20th century oil on canvas, Fishing boats beside shoreline, indistinctly signed, P M?, 27 x 60cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
TWO BOXES OF BRASSWARE, to include a large metal State Express Cigarettes box, a WWI Christmas 1914 Princess Mary gift box, two clockwork roasting Jacks, copper planter, copper saucepan, brass ornaments, a collection of vintage tins, two pocket cork screws, boot fasteners, a pocket screwdriver set, four bicycle oil cans, a large collection of small silverplate sporting trophies, a brass fishing reel, etc. (s.d) (2 boxes)
An English pearlware puce-printed tankard, c. 1800, with coin-inset white metal hinged cover, (cover probably later), the tankard of cylindrical form printed with a pastoral scene of a family fishing by a river bank, the domed cover with scroll-cast thumbpiece and inset with a Charles IV Spanish 4 Reales silver coin, the inside of the cover with stamped marks. Height overall 18.5cm
English School, portrait of an Elizabethan lady, oil on panel, monogrammed upper right, 45 x 33cm, Brian Rocha, fishing boats, oil on board, label verso from Giles Dominic Art Products, 49 x 59cm, M A Cole, still life depicting blue and white porcelain, wine and fruit, oil on canvas, 45.5 x 56cm, gilt framed, mahogany needlework firescreen, 78cm high and five other oil paintings
Joseph Walter (1783-1856), Marine School, oil on mahogany panel, fishing boat moored on the beach St. Michaels Mount from Penzance Pier to background, signed lower right and bears ink inscription verso' J Walter of Bristol Exhibited in ??? france 1834-1849........ and title (twice)32.2 x 27.5 cm
Heinrich von Zügel 1850 Murrhardt - 1941 München Schwarz- und Gelbschecke an der Jungviehweide. 1918. Öl auf Leinwand. Rechts unten signiert. 50,5 x 70,5 cm (19,8 x 27,7 in). PROVENIENZ: Privatsammlung Baden-Württemberg. LITERATUR: Eugen Diem, Heinrich von Zügel. Leben - Schaffen - Werk, Recklinghausen 1975, WVZ-Nr. 902 (m. Abb.). Um 1894 beginnt Zügel, das 'Malerparadies' um das kleine am Altrhein gelegene Fischerdorf Wörth in der Nähe von Karlsruhe für sich zu entdecken, wo er in seiner mehr als 20-jährigen Lehrtätigkeit an der Karlsruher und Münchner Kunstakademie mit seinen Studenten, der sogenannten Zügelschule, in den Sommermonaten zahlreiche impressionistisch gemalte Landschaften und Tierbilder schafft. Nach 1900 hat sich Zügel vollends der Plein-air-Malerei zugewandt, woraufhin seine Werke zusehends an Schwung und Dynamik gewinnen. Dabei weicht Zügel von der noch zu Beginn seines Schaffens realistisch-beschreibenden Malweise ab und zeigt eine erstaunliche malerische Freiheit, die sich in den breiten, mit Pinsel und Malmesser aufgetragenen pastosen Farbstrichen, aufgelockert durch große und kleinere Tupfen, ausdrückt. Sein eigentliches Interesse als bedeutender Vertreter der Tiermalerei gilt weniger einer präzisen Wiedergabe der Tieranatomie und der Formen als vielmehr dem bewegten und lebendigen Licht in der Natur, das so das Bildgeschehen bestimmt. Zügels späte Werke zeigen einen Künstler, der bis in seine letzte Schaffensphase einer auf impressionistischer Lockerheit basierenden Unmittelbarkeit treu bleibt, die ganz aus der kraftvollen Farbigkeit heraus lebt. [KT] Aufrufzeit: 09.12.2023 - ca. 13.50 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHeinrich von Zügel 1850 Murrhardt - 1941 München Schwarz- und Gelbschecke an der Jungviehweide. 1918. Oil on canvas. Signed in lower right. 50.5 x 70.5 cm (19.8 x 27.7 in). PROVENANCE: Private collection Baden-Württemberg. LITERATURE: Eugen Diem, Heinrich von Zügel. Leben - Schaffen - Werk, Recklinghausen 1975, catalogue raisonné no. 902 (illu.). Around 1894, Zügel began to discover the 'painter's paradise' around the small fishing village of Wörth on the Old Rhine near Karlsruhe, where he created numerous Impressionist landscapes and animal paintings with his students, the so-called Zügel School, during the summer months of his more than 20-year teaching career at the Karlsruhe and Munich art academies. After 1900, Zügel turned his full attention to plein-air painting, whereupon his works visibly gained momentum and dynamism. Zügel departed from the realistically descriptive painting style he had used at the beginning of his career and showed an astonishing painterly freedom, which was expressed in the broad, impasto strokes of paint applied with brush and pallet knife, broken up by large and small dabs. As an important animal painter, his real interest was less in the precise reproduction of animal anatomy and forms than in the moving and lively light in nature, which thus determines the pictorial events. Zügel's late works show an artist who remained true to an immediacy based on impressionistic looseness, which lives entirely from the powerful colors, right up to his last creative phase. [KT] Called up: December 9, 2023 - ca. 13.50 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
A Pointers of London and Edinburgh The British Isles Fly Fishing Collectors Series Whisky decanter, 25cm, together with Fox Hunting example, a leather cover decanter embossed with boar and stags heads, a Rutherford's Scotch Whisky decanter and a Macfarlane, Lang & Co. biscuit tin, lithograph printed with a huntsman and hounds etc.
Davis, Edmund, W.: Salmon-Fishing On The Grand Cascapedia, One of an edition of one hundred copies printed on Imperial Japan paper, during May nineteen hundred and four, and is no. 25, Printed for Private Distribution, 1904, The De Vinne Press, 152 pages with hand written notes to end page, hardcover with vellum spine, 8vo. (1)
A large collection of fly fishing tackle to include a fly tying vice, various natural furs and feathers such as Veniard Coastal deer hair, McHardys blue mallard quills, magpie quills and pheasant tail feathers, Airflo T Series floating line, various hand made flies, lures, hooks, weights and a folding landing net etc.
Phyllis Morgan (1911-2001) - Four works, to include; The market Boulogne, Young girl sitting beneath a blossom tree, Boy fishing, and Figures in a garden, each oil on canvas, signed lower right, each approx 48 x 56cm The main image is titled ‘The Market Boulogne’ to handwritten label on the back.No other titles present.
Collection of seven Russian papier-mache boxes, late 19th/early 20th century, depicting various scenes to include three troika scenes, a dancing couple, a man seated working straw into a box, a man fishing, a man dancing in a white robe, a couple spinning yard and a box decorated with leaves and berries (7)
A Collection of Various Fishing Tackle to include a Greys Missionary fly rod 9' #6, a Greys GRXi reel and spools #7/8, a Greys GRXi reel and spools #5/6, an Orvis Battenkill mid arbour III fly reel, a Daiwa Wilderness fly reel, a Shakespeare Medallist FDS spinning reel, a Shakespeare Purist spinning reel a matsuba Surfmaster spinning reel along with various books and accessories. (Q)
A Glazed Wooden Display Case containing a 13" long nickel silver gaff with turned wooden handle and extending to 31" along with a 3 1/2" starback reel with Slater type latch, an Intrepid Rimfly reel, a leather fly wallet, a pair of spectacles in case, a stylised fish letter knife, a fishing lure and a ten bob note. (Q)
λ NICHOLAS HELY HUTCHINSON (BRITISH B. 1955) SIFNOS FISHING BOATS Gouache Signed with initials (lower left) 41 x 48.5cm (16 x 19 in.)Provenance: Montpelier Studios, London Acquired from the above by the present ownerPlease note measurements do not include the frame unless otherwise stated.'The seasons and the constantly changing moods of the countryside are my inspiration.' Nicholas Hely Hutchinson In the following group of works Nicholas Hely Hutchinson takes us with him on his travels from the south coast of England in Cornwall to France and the shores of Greece. Despite Hely Hutchinson's passion for travel he takes much of his inspiration from the local countryside and coast in Dorset where he lives with his wife and two lurchers, who frequently appear in his paintings shown walking through the landscape. Born in 1955, Nicholas Hely Hutchinson studied at St. Martins School of Art followed by Fine Art at Bristol Polytechnic. 1984 marked Hely Hutchinson's first one-man exhibition and he has continued to exhibit both in London and internationally. Between 1997-2022 Hely Hutchinson was represented by the Portland Gallery and is now represented by the John Martin Gallery. Lot 134 shows beautiful vibrant red poppies blowing in the wind with the mountainous peaks of the Southern France in the background. Lot 139-141 take the viewer on a journey to the harbour of Sifnos in Greece. The bold use of colour is particularly striking, swift blue lines flow through the to create the rich waters intersected with the undulating sunlit hills. Please note measurements do not include the frame unless otherwise stated. Condition Report: Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
CIRCLE OF PATRICK NASMYTH (1787-1831) FIGURES FISHING FROM A BRIDGE WITH COTTAGE BEYOND Oil on panel 19.2 x 22.5cm (7½ x 8¾ in.) Condition Report: Rubbing to the framing edges with associated loss. Inspection under UV reveals scattered retouching throughout. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer

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94420 item(s)/page