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MISSION: IMPOSSIBLE - ROGUE NATION (2015) - Stunt Flute RifleA stunt flute rifle from Christopher McQuarrie's spy sequel Mission: Impossible - Rogue Nation. An assassin (Wolfgang Stegemann), intent on killing the Chancellor of Austria (Rupert Wickham), sneaked his rifle into the Vienna State Theatre, disguising the weapon as a flute. Ethan Hunt (Tom Cruise) then used the rifle to injure the Chancellor, allowing him to escape. The rifle is made predominantly of resin painted and plated silver, with a small foam section on the top and a metal armature. There are chips to the paintwork and some discolouration, as well as a small amount of black spotting along the barrel. Dimensions: 112 cm x 4 cm x 16 cm (44" x 1 1/2" x 6 1/4")Estimate: £1,500 - 3,000 M View all lots from MISSION: IMPOSSIBLE-ROGUE NATION (2015)View all lots from MISSION IMPOSSIBLE - ALL ITEMSBidding for this lot will end on Sunday, November 12th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Saturday, November 11th.
A Kosta Boda vase with engraved decoration depicting a woman playing the flute, signed and No'd. to base, 21 cm high, together with another Scandinavian art glass vase of plain form, 20.2 cm high, a Chinese famille rose soap dish with pierced liner, the main body decorated with exotic birds amongst foliage on a scrolling foliate and rose decorated ground (lid missing) 14 cm x 11.5 cm x 4.5 cm deep together with a pair of Japanese satsuma polychrome decorated cream ware lily pad dishes on shaped stem type supports 15.6 cm diameter and a Japanese eggshell china tea bowl and saucer with six character mark to base and a similar tea cup together with a 19th Century Chinese famille rose and giltwork embellished vase with flared rim and lion and ball handles, the shoulders with salamander reliefwork decoration, the whole decorated with panels of figures in interior settings and birds and butterflies amongst foliage on a rose, butterfly and foliate decorated ground raised on a circular foot 24 cm high CONDITION REPORTS The 19th Century Chinese famille rose and giltwork embellished vase with flared rim and lion and ball handles:-Has some significant chips to the rim. Significant wear to the gilding on the extremities. Wear, losses to the enamel and giltwork variously throughout, surface scratches etc. There is a hairline crack to the base corner of one floral decorated panel. General wear and tear conducive with age and use to include firing faults, surface scratches etc - see images for more details
Collection of Royal Doulton 'Bunnykins, The Bunnykins Orchestra' to include: 'The Violinist', 'The French Horn Player', 'The Cellist', 'The Flute Player', 'The Cymbal Player' etc. together with some other 'Bunnykins' Doulton figurines to include: 'Mould Maker' etc. all in original boxes. (9) (B.P. 21% + VAT)
A CASED VIOLIN AND FLUTE, comprising a 3/4 size Stentor Student II violin, with paper label bearing serial number R292439, two piece back, in a fitted case with bow, the latter with mother of pearl eyes, together with a cased John Packer Ltd flute, length 67cm (2) (Condition Report: both appear in good condition)
Straßen-Walzendrehorgel, um 1900Unbezeichnet, bestiftete Holzwalze für 12 Melodien, 22 Tonstufen, 3 schaltbare Register, gedackte und offene Holzpfeifen, Baßpfeifen an der Unterseite, Holzgehäuse, 3 Ölbilder in der Front (1 Faun mit Panflöte und verschiedene Wildvögel), Maße 61 x 31 x 50 cm, schlecht spielender Zustand, müßte restauriert werden. Start Price: EUR 450 Zustand: (4/4)Street Barrel Organ, c. 1900Unmarked, pinned wood barrel playing 12 airs, 22 notes, 3 optional registers, damped and open wood pipes, bass pipes on underside, wood case with 3 painted panels on front depicting a faun with pan flute and various wild birds, dimensions 24 x 12 ¼ x 19 5/8 in., poor playing condition, needs restoration. Start Price: EUR 450 Condition: (4/4)
A SUPERB AND RARE FOUR-CASE LACQUER INRO WITH BUGAKU ACCESSORIESUnsignedJapan, 17th-18th century, Edo period (1615-1868)Of rectangular form and oval section, finely layered with two-toned nashiji on a roiro ground and takamaki-e with iridescent aogai (mother-of-pearl) and gold-leaf inlays depicting the various accessories needed to perform the Bugaku dance. A large fan lacquered to one side with dense decorations including a fierce oni mask surrounded by a sinuous dragon. The reverse with two torikabuto and a sho flute. The interior cases of nashiji with gold fundame rims. With a rock crystal ojime.HEIGHT 7.5 cm LENGTH 6.7 cmCondition: Very good condition with minor wear, expected losses to the kirigane flakes, and light rubbing to the edges. Presenting beautifully.Provenance: Glendining and Co. Auction, 17 June 1953. Private collection, acquired from the above, assembled by the previous owner's great-grandfather and thence by descent. The interior with an old collector's label, '678 g. 17/6/53. 1/-/-.'Bugaku is a Japanese traditional dance. The defining elements of this dance were introduced through Southeast Asia to the Chinese Tang court and its use in Japan dates back to the Heian period (794-1185) and is still performed today.
An assortment of clear crystal musical instruments figures with gold plated metal accents, includes 1 piano, 1 flute in a case, 1 saxophone with stand, 1 guitar with stand, and 1 keychain. Swarovski marked. Largest piece measures: 0.75"L x 1"W x 2"H. Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Though Cybis called Pip an elf, he is in fact a hand painted faun. Pip is seated on a fallen tree trunk playing a flute. A fox curiously looking out from the trunk. Cybis markings on the side underside. Artist: Lynn Klockner BrownIssued: c. 1979-1984Dimensions: 5"L x 4.25"W x 8"HEdition Number: 189 Manufacturer: CybisCountry of Origin: United StatesCondition: Age related wear.
A RARE BLACK LACQUER AND MOTHER-OF-PEARL-INLAID DOCUMENTARY PIPA17th centuryThe musical instrument of elongated tear-drop shape, the finely-grained wooden belly decorated in gilt with a pair of birds and gnarled branches of prunus and bamboo, rising to a long shaft with four strings leading to four tuning pegs on the sides of the bent-back pegbox inlaid in mother-of-pearl with a rooster on a rock with crashing waves, the reverse of the body lacquered black and decorated in mother-of-pearl with two figures gazing at three tall rocks across the sea, a large cartouche with long calligraphic inscription below, Japanese wood box and cover. 91cm (36in) long. (3).Footnotes:十七世紀 黑漆嵌螺鈿花鳥人物紋詩文琵琶Provenance: R.H.van Gulik (1910-1967), and thence by descent來源:高羅佩(1910-1967)舊藏,並由後人保存迄今Robert Hans van Gulik (1910-1967), also known as Gao Luopei (高罗佩) was a famous Dutch diplomat, musician, writer and sinologist. He was a great admirer of traditional Chinese literati culture and apart from practicing Chinese calligraphy everyday, he also learnt to play the guqin. The guqin was often played by van Gulik at diplomatic events, helping him to forge close ties with China's elite; and his book The Lore of the Lute was the first academic study of the instrument and its role in Chinese culture, introducing it to a Western audience for the first time. Van Gulik was one of the rare and great sinologists at the time who embodied the literati ideal and through his rigorous study and translations of classical Chinese texts allowed Chinese culture to speak for itself, acting as a bridge of understanding between East and West.Van Gulik was born in Zutphen in the Netherlands, but from the age of three he lived in Jakarta, with his father who was a medical officer in the Dutch East Indies. While there, he learned Indonesian and Chinese as well as other languages. In 1935, van Gulik earned his PhD from Utrecht University with a dissertation on Hayagriva, the Mantrayanic aspect of Horse-cult in China and Japan. His linguistic skills allowed him to have a position in the Dutch Foreign Service from 1935 where he was largely based in Japan and China. During the Second World War he was with the Dutch mission in Chongqing. While in Chongqing, he married Shui Shifang (1912-2005), the daughter of a Qing dynasty official.Van Gulik was a polymath with broad interests and expertise. Aside from his interests in the guqin and traditional Chinese culture, van Gulik was a writer of Detective fiction. His 'Celebrated Cases of Judge Dee' (first published in Tokyo in 1949, with illustrations by himself) was based on the 7th century statesman and detective Di Renjie. Based on this, his earned a reputation as an expert on Imperial Chinese jurisprudence. His other pioneering scholarly works were in sexuality and his Sexual Life in Ancient China and Erotic Colour Prints of the Ming Period are still major reference works in the field. Van Gulik was also an enthusiast of gibbons and kept them as pets as well as writing a study of them: The Gibbon in China.Although van Gulik is most well known as a musician of the guqin, he was interested in Chinese music and musical instruments in general. The pipa, or Chinese lute, was introduced from Central Asia during the Han dynasty, and gradually evolved within different areas of China since the Tang dynasty. The term 'pipa' describes two original playing motions of the plectrum held in the performer's right hand: pi is 'to play forwards' (towards the left), and pa, 'to play backwards' (towards the right). The pipa was originally held horizontally, and its twisted silk strings were plucked with a large triangular plectrum until the end of the Tang dynasty when musicians began using their fingernails to perform the more exuberant music; see for example, the painting The Night Revels of Minister Han Xizai, attributed to Gu Hongzhong (10th century), in the Palace Museum, Beijing, which shows a lady holding the instrument horizontally with a plectrum. To make it easier to use fingers, the instrument began to be held in an upright position which slowly became the beipa (northern pipa).However, the concept of early horizontally-held pipa was preserved in Nanyin music. Nanyin, also Nanguan, literally 'southern pipe' music, is popular in the Minnan area (southern Fujian Province) from whence it spread to Taiwan and other Southeast Asian countries. Minnan musicians are tempted to assign the origins of Nanyin music to the Tang and Song dynasties, which to a certain degree can be supported by the the survival of many archaic features, such as the tradition of horizontally held pipa. The music today is seen by academics as primarily part of an amateur tradition with ancient historical roots, that is played both for the musicians' own entertainment and occasionally for ritual practice and storytelling. the present lot's relatively small size may indicate that it is a Nanyin pipa. Pipa is the leading instrument in Nanyin music, accompanied by pai (wood clapper), erxian (two-stringed fiddle), sanxian (three-stringed lute), and xiao (vertical flute, also called dongxiao). Although a Nanyin pipa preserves some features of types of pipa from the Tang dynasty, its modern form appears to have been finalised no later than the Ming dynasty. Compare with a pipa in the Metropolitan Museum of Art, New York, late 16th/early 17th century, illustrated by J.K.Moore, J.K.Dobney and B.Strauchen-Scherer, Musical Instruments: Highlights of the Metropolitan Museum of Art, New York, 2015, pp.48-49, fig.II. The backs of pipa are usually plain since it is unseen by an audience, but the extraordinary pipa in this lot is decorated and has an inscription, which reads as:予家小築小溪灣,漁父村西指顧間。竹槿編篱依綠水,柴荊成戶對青山。有時□釣歸明月,盡□看雲坐翠鬟。倘肯杖藜過曲徑,新茶堪煮荀堪刪。吳趨陳衷並書Which may be translated as:My little hut is built on the bay of the creek, the fishermen live only a stone-throw away to the west. The bamboo and hibiscus woven into the fence is by the green waters, the gate formed by firewood trees faces the green hills. Occasionally, I come back from fishing accompanied by the moon, and watch the clouds curling up on the verdant hills like ladies' hair buns. If you could walk through the winding road on a crutch (to my home), the fresh tea could be boiled, and bamboo sprouts could be chopped for you.Written by Chen Zhong of the land of WuThe seal reads: 字能坦, 'Courtesy name Nengtan.'Chen Zhong (陳衷), courtesy name Nengtan (能坦), was a scholar active in the late Ming and early Qing dynasties. Very little is known about him. However, the inscription alludes to many of the eremitic ideals of the literati including a life away from the perils of the Court and dedicated to fishing, tea, and meeting with friends.Compare with a related black lacquer and mother-of-pearl-inlaid pipa, late Ming/early Qing dynasty, which was sold at China Guardian, Beijing, 7 June 2021, lot 5184.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A BLACK AND GOLD-LACQUER FOUR-CASE INROEdo period (1615-1868), probably 19th centuryDecorated in silver and gold takamaki-e, kirikane and e-nashiji depicting a tennin (Buddhist angel) seated on a pine-clad seashore playing the flute, alluding to the Noh play Hagoromo, the reverse with the looming image of Mount Fuji appearing from the clouds, unsigned; with a kagamibuta netsuke carved in high relief gold and shibuichi with Kosekiko putting the recovered shoe on Choryo's foot, the latter holding a scroll; signed with a kao. 8.5cm (3 3/8in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
BAITETSUA Mixed-Metal Yatate (Portable Brush and Ink Container) in the form of a Sho (Vertical Panpipes) and Flute Edo period (1615-1868), probably 19th centuryThe simulated bamboo pipes of different lengths forming the ink bowl, with a section on the reverse forming the hinged cover, the handle realistically modelled as flute with finger holes, applied with silver ring; signed Baitetsu. 14.7cm (5¾in) long.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of Chinese brass gu vases, circa 1900. Height 13.5cm, diameter 10cm, a Chinese brass double gourd vase, circa 1900, height 25.5cm, width 11.5cm and a cast brass dish, diameter 13.5cm. (4)Signs of verdigris and wear with some wear to the decoration also. Two rectangular repairs to the flute of the vase. Please view extra images.
A SELECTION OF ENGLISH DRINKING GLASSES VARIOUS DATES 18TH CENTURYIncluding opaque, air-twist, and engraved examples 17cm high and smaller Condition Report: No serious damage detected, one air-twist wineglass with hammered flute lower section to the funnel bowl has a minute footrim chipThis is not to say that some of the footrims have have not been polished or reduced, Dreweatts make no guarantees and potential purchasers are advised to satisfy themselves in the regard Condition Report Disclaimer
Collection of Caithness Glass, comprising a 12" tall decanter with stopper, a small 10" water jug, a sugar shaker, salt pot and bonbon dish, 7 cocktail glasses, a champagne flute, six liqueur glasses, two tumblers, four napkin rings, two dishes and three small vases. All in clear glass with lilac an blue side design.
English School (19th century)a pair, Hunt family portraits, Reverend Thomas Hunt and relations,watercolour, 41cm x 48cmThe Hunt family depicted are of particular interest, being the direct ancestors of the current (October 2023) Chancellor of the Exchequer, Jeremy Hunt. J. Hunt’s line follows that of Rev. Thomas Henry Hunt (1826-?), pictured with flute. He is J. Hunt’s great, great grandfather. The family established their country seat at Boreatton near Shrewsbury in 1664.
ELEVEN ITEMS OF SMALL SILVER, including pair of embossed circular salts on hoof feet with blue glass liners, London 1893, maker William Gibson and John Lawrence Langman, Goldsmiths and Silversmiths Co., 6cms diam., two pairs and two other napkins rings, various Birmingham hallmarks and makers, and a continental silver beaker with shell and floral monogrammed cartouche, twist flute decoration to the body and gilt interior, London import marks 1894, 8cms H, and 2 x individual salt spoons, Birmingham hallmarks and makers, 10.2ozt gross weighable, 7.3ozt gross minus the beakerProvenance: private collection Gwynedd
JAZZ ICONS - LP COLLECTION. An iconic collection of around 24 x LPs. Artists/ Titles include Warne Marsh (x 10) inc Jazz Of Two Cities, Warne Marsh (Atlantic 1291, mono OG), Ne Plus Ultra, The Art Of Improvising and Warne Out, Herbie Mann (x 8) inc Flute Souffle, Right Now, Afro To Bossa To Blues and Herbie Mann At The Village Gate and Don Ellis (x 6) inc Shock Treatment, Autumn, Electric Bath, 'Live' At Monterey! and Live At Montreux. The condition is generally VG+ to Ex+ with most records grading at least Ex.
YUSEF LATEEF - LP PACK. A pack of 5 x LPs. Titles are A Flat, G Flat & C (A-9117, Ex+/ Ex), Live At Peps (Stereo A-69, Ex+/ Ex), Eastern Sounds (888 202 ZY), The Golden Flute (CSD 3615), Jazz 'Round The World (MONO A-56) and 10 Years Hence (SD 2-1001). The condition of the records is generally Ex to Ex+ and the sleeves are generally Ex.
A collection of five 20th century carved sandalwood Hindu & Buddhist figures. The lot to include three carved sculptures of Krishna playing flute & adorned with headdress, standing on lotus flower, one carved elephant figure, a Buddha making mudra, and a smaller figure of a four armed deity. Tallest to measure approx. 35cm in height.
ROYAL WORCESTER; a 'Mrs Hadley's Hand' vase supporting a detachable pierced trumpet shaped vase, with turquoise painted detail, the base with puce printed marks and impressed marks, circa 1866, height 25cm.Footnote: Please note Henry Sandon, who is known to the collector, commented that he had never seen this flute before.Condition Report: Some rubbing to the gilding, but otherwise condition is good.
Stoneware figure part of the Merry Musicians series. Modeled as a seated boy playing the flute. Doulton Lambeth impressed to the bottom. Artist's monogram on the underside. Artist: George TinworthIssued: c.1891-1956Dimensions: 2.75"L x 2.25"W x 4.25"HManufacturer: Doulton LambethCountry of Origin: EnglandCondition: Age related wear.
Experience the beauty of three glasses of varying shapes: one sparkling wine flute and two wine glasses. Each possesses a clear glass stem, elegantly complemented by amber-hued bowls, creating a harmonious blend of style and charm. The largest piece measures 8.75"H x 3"dia. Issued: 20th CenturyCondition: Age related wear.
Collection of Caithness Glass, comprising a 12" tall decanter with stopper, a small 10" water jug, a sugar shaker, salt pot and bonbon dish, 7 cocktail glasses, a champagne flute, six liqueur glasses, two tumblers, four napkin rings, two dishes and three small vases. All in clear glass with lilac an blue side design.

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