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Lot 327
Seven 19th century Vanity Fair caricature prints - comprising 'Fair Trade' (Sampson Samuel Lloyd); 'A Man of Business' (Lord Henniker) (missing glass); 'A Liberal Peer' (Lord Foley); 'The Lad' (Lieutenant-Colonel Henry Townshend Forester); 'Fred' (Lord Calthorpe); 'Agricultural Science' (Sir John Lawes); and 'The Agricultural Labourer' (Joseph Arch), in plain black frames; together with a reproduction Vanity Fair Bede print, 'The Master of the Blankney'. (8)
Lot 828
A GROUP OF MISCELLANEOUS CERAMICS, comprising, two Goebel West Germany figures of a gentleman, makers mark on the base, model no. 16 026-21 also known as Bochmann, (a nibble on the hat), a Gerhard Bachmann lady with a fan, makers mark on the base, model no. 16 025-21, children's dinnerware including a vintage Royal Falcon Ironstone dinner plate, side plate and bowl, featuring a girl with ducks and dog motif, others include Old Foley James Kent, three plates from the nursery rhyme series, etc. a selection of animal figures cats, dogs, horses, etc. names include Beswick, Nao, Cooper Craft, etc. a group of studio pottery small vases, jugs, plate, large vase, etc. an R. White ginger beer bottle in stoneware, (no stopper), vintage Crown Devon vase no. 1094, Delhi water jug with pewter lid T. Booth stamped in the underside of the lid, a Holt Howard cat string holder, Simonelli Depose Italy girl figurine 436, oriental carved monkey soap stone inkwell/brush pot, etc. (qty), (Condition Report: all items appear in ok condition some have slight nibbles and wear)
Lot 277
Edward Arlington Foley (Irish, 1814-1874), a portrait bust of a woman as Diana, white marble, inscribed to the reverse 'E A FOLEY Sc 1874', 40cm wide 27cm deep 76cm high including base Condition ReportLoss to socle. Minor chips throughout. The bust and socle probably associated.It is 76cm high including base, approximately 60cm without. Please note the height is incorrect in the printed catalogue.
Lot 172
A curated set of five decorative porcelain dishes featuring floral motifs and gold embellishments. Included is a dish backstamped “1850 EB Foley Bone China, Made in England,” showcasing fine English craftsmanship. The set also includes a double-handled bowl with vibrant floral patterns and gilded edges, and a hanging dish with an ornate gold-trimmed design. Each piece features scalloped edges and intricate handpainted details, highlighting their artistry. The tallest item in the collection measures 2.25 inches in height. This lot is ideal for collectors or as an elegant display.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
Lot 2029
A LATE VICTORIAN ARTHUR FOLEY & SON, SALISBURY STAINED TEAK CAMPAIGN DESK with embossed skiver top over single long drawer concealing internal writing slope on twinned three drawer pedestals on stamped "ARTHUR FOLEY & SON SALISBURY 1894" all with brass recessed drawer pulls on turned supports, 78cm high x 127cm wide x 61cm deep Condition Report:Available upon request
Lot 1300
Full Uniform of the 2/10th Battalion Territorial The King's Liverpool Regiment, belonging to Pte. 356310 L D C Foley, & WWI War Medals. Comprises Tunic with horn buttons, Liverpool Scottish shoulder titles, 55th Division Red Rose badge, Kilt made from Forbes tartan, ORs sporran with King's badge on cantle, red and black diced half hose, white gaiters, Tam O'Shanter hat with KLR badege and further TOS without badge. Together with WWI medals awarded to Pte Foley, including 1914-1919 Victory Medal with box, British War Medal, and Liverpool Scottish baddged canvas cover with St Christopher medal. Pte Foley was a volunteer from 1915 for duration, and was overseas in France & Flanders in 1917, and demobilised in 1919. Uniform has some small holes but general good order considering the age.
Lot 182
A collection of various English china wares including three pairs of modern Staffordshire Spaniel ornaments with gilt decoration, a quantity of various Art Deco and Art Deco style china wares including a Mabel V Hodgkiss for William Bennett fan-shaped ornament, a Burleigh ware wall pocket, a Clarice Cliff "Hollyhock" decorated vase (damaged), a Honiton Pottery vase decorated by A Seaton, a Grindley ware plate decorated with the Haywain, a Shelley late Foley part tea service, a Mintons floral swag decorated set of five saucers, a Carlton ware cottage jam pot, etc.
Lot 132
Two boxes of assorted decorative china and ornamental wares to include a Foley bone china part tea set, a Black and White Scotch Whisky ashtray, a Maling bowl with carp decoration together with a circular wall clock, the painted dial set with Roman numerals and a student's violin bearing paper label to the interior "Murdock Murdock & Co London, the Maidstone" (2 boxes plus violin)
Lot 29
'Chevaux' a Clarice Cliff Bizarre platter designed by John Armstrong for the 1934 Art In Industry exhibition, painted with a stylised horse to the well, printed factory mark and facsimile signature 42cm. diam. Catalogue notesIn 1934 Harrod's held a selling exhibition, Modern Art for the Table, part of a government campaign to link artists to industrial design of glass and ceramics. Clarice Cliff was appointed as an Artistic director, with twenty eight recognised contemporary artists invited to design for Wilkinson's, E Brain & Co (Foley) and Stuart glass. The list of artists included Dame Laura Knight, Paul Nash, Ben Nicholson, John Armstrong and Duncan Grant.
Lot 443
Civil War, Sir Charles Erskine of Alva medal 1647, cast bronze d.35.5mm, faded gilding. Sir Charles Erskine of Alva was a Scottish noble who took part in the abortive Treaty of Uxbridge peace negotiations of 1645. These medals are recorded in Medallic Illustrations in gold and silver. This apparently the only known specimen in bronze, cast, with some details engraved contemporary or perhaps later. Fine with two piercings. Ex. Woolley & Wallis 16/10/2014 - The Christopher Foley F.S.A., Collection of English Medals, lot 280 (£265).
Lot 826
FIVE BOXES OF MIXED CERAMICS AND GLASSWARE to include a box of Royal Doulton 'Camelot' tea and dinner wares to include cups, saucers, bowls, tureens, dinner plates, etc, a group of Paragon 'Cherwell' tea wares, a Foley 'Domino' coffee pot and cups, a group of Pewter graduating jugs and a Tappit Hen, assorted coasters and placemats, a quantity of Stuart England dessert bowls, assorted coupe, assorted fruit bowls, etc (5 boxes) (s.d)
Lot 77
A collection of Ming Rose pattern tea and dinner ware by Coalport and Foley China - the Coalport pieces comprising 5 x 27.2cm dinner plates; 4 x 19.5cm dessert bowls; 5 x 14.5cm saucers; 2 x 13.6cm saucers; 2 x tea cups; and a boxed cream jug and covered sugar bowl set; the Foley China comprising a teapot; milk jug; cream jug; sugar bowl; 4 x tea cups; 12 x saucers; 12 x tea plates; 6 x 23cm plates; 5 x dessert bowls; a two-handled sandwich plate; a two-handled 23.5cm oval serving dish; and a rectangular 28cm two-handled sandwich plate; together with a collection of Royal Grafton china in a similar pattern, 'Malvern', comprising a boxed cake slice; 12 x tea plates; 12 x tea cups and 12 x saucers.
Lot 406
John Vine of Colchester, (Foot painter, 1809-1867) - Oil on canvas - Primitive study of a black bull in a stable, signed 'VINE PINX'T' in red lower right, 39.2cm x 59.5cm, (relined), in later gilt frame For a very similar example, see Reeman Dansie, 24th September 2019, lot 1123.See also same Salerooms 9th April 2019, lot 1055, for a painting sold with accompanying note "The painting was done by a Mr Vine of Colchester who had no hands or arms, and I was told he used his brush with his feet." Literature: See Scantlebury, Hugh: 'John Vine of Colchester, An account of the Life and Times of an Essex Livestock Painter' 2008. Vine started life as a fair ground curiosity. He worked under great physical difficulty but was still quite prolific in his output. Largely self-taught as an animal painter, he exhibited at the Society of British Artists in Grosvenor Square. His patrons included The Royal Agricultural Society, Lord Weston and Lady Foley and Lord Rendlesham, even winning approval from the Duke of Marlborough who had occasion to praise "an excellent picture by one labouring under such disadvantages". He settled in Colchester about 1830.
Lot 624
Clarice Cliff & John Armstrong - Chaldean - An Art In Industry tureen and cover circa 1934, hand painted with stylised horses and dash lines with brown banding over a white glazed ground, artists signature together with Bizarre mark, width 26.5cm. NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 661
John Armstrong - E Brain & Co Ltd (Foley) - A tea cup and saucer, circa 1934, painted with swimming fish over a brown brushed ground, printed marks and facsimile signature, painted pattern no.Y615, height 7.5cm, together with a sauce boat, brown glazed band and painted four pointed starts to the lip, facsimile signature to base, length 18cm. NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 664
Graham Sutherland - Foley China - A 'White Rose' pattern trio, circa 1930, produced for the Modern Art for the Table Project, culminating in the Harrods Exhibition, comprising cup, saucer and side plate, printed marks to base and facsimile signature, painted pattern no.V626, diameter of saucer 16cm. (3) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 627
Clarice Cliff - Duncan Grant - Poppy - An Art In Industry tureen and cover circa 1934, hand painted with stylised flowers and foliage with a dot and swagged line border over a white glazed ground, artists signature together with Bizarre mark, width 26.5cm. NB - This was designed by Duncan Grant for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 665
Thomas Acland Fennemore - Foley China - A part tea service, circa 1930, decorated with interlocking bubbles and wavy line border, in tones of pink, blue and grey, comprising four cups, saucers, side plates, bread and butter plate, milk jug and sugar bowl, printed black marks and facsimile signature, marked First Edition, painted pattern no. V608, maximum width 24cm.NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 671
Dame Laura Knight - Foley China - A 'Cupid' trio, monochrome roundel depicting cupid and maidens, withing striped jade green and wavy line border, printed black marks and facsimile signature, marked First Edition, painted pattern no.V611, together with a matching side plate, diameter 18cm. (4) NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 650
Clarice Cliff & Graham Sutherland - An Art in Industry Globe shape tea cup, saucer and side plate circa 1934, decorated with an abstract design of black sketch lines over a pale blue ground with grey banded borders, artists signature and Bizarre mark, largest plate width 20cm. (3) NB - This was designed artist Graham Sutherland for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. Marked 'First Edition'. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 634
Clarice Cliff & Ernest Proctor - An Art in Industry Athens shape tea cup, saucer and matched side plate circa 1934 manufactured for the Harrods Art in Industry exhibition and decorated with a stylised reclining couple in silver lustre over a green glazed ground, Ernest Proctor signature and Bizarre mark, together with a small single egg cup. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 644
Clarice Cliff & Dod Proctor - Unknown - An Art in Industry circular plate circa 1934, hand painted with a with four fish and a starfish to the central well within blue banding and a wave line stylised seaweed border, artists signature and Bizarre mark, width 20.5cm. NB - This was designed by Dod Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 633
Clarice Cliff & Ernest Proctor - An Art in Industry circular plate circa 1934, manufactured for the Harrods Art in Industry exhibition and decorated with a stylised dancing couple with a guitarist in silver lustre over a green glazed ground, Ernest Proctor signature and Bizarre mark, width 22cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 653
Milner Gray - Foley China - A bone china 'Old Mayfair Series' teaset, circa 1930, monochrome printed with annotated London scenes, comprising teapot, hot water pot, six cups, six saucers, milk jug and sugar bowl, printed black marks and facsimile signature, tallest 20cm. (16)NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 637
Clarice Cliff & Eva Crofts - Blue & Silver Bands - An Art in Industry Bon Jour early morning bachelor set circa 1934, decorated with wriggle silver lustre and blue lines, artists signature and Bizarre mark. (6) NB - This was designed by Eva Crofts for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 626
Clarice Cliff & John Armstrong - Chaldean - An Art In Industry circular pedestal bowl circa 1934, hand painted with stylised horses, stars and dash lines with brown banding over a white glazed ground, artists signature together with Bizarre mark, width 26.5cm. NB - This was designed by John Armstrong for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 632
Clarice Cliff & Ernest Proctor - Feather Leaves - A pair of Art in Industry circular plates circa 1934, hand painted with a stylised leaf motifs in green, Artist's signature and Bizarre mark, width 22.5cm. NB - This was designed by Ernest Proctor for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 656
Albert Rutherston - Foley China - A 1934 Art In Industry tea cup and saucer, yellow sunburst flowers over white ground with silver metallic spirals over white ground and monogrammed 'D', printed marks, facsimile signature, and painted pattern no.V600, height of cup 6cm. (2)NB - This was designed for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
Lot 646
Clarice Cliff & Milner Gray - Unknown - A pair of Art in Industry twin handled soup bowls and saucers circa 1934, hand painted with a pink wave lines and cross hatched panels to a white glazed ground, artists signature and Bizarre mark, width 23cm. (2) NB - This was designed by Milner Gray for the 1934 Harrods and Art in Industry 'Modern Art for the Table' exhibitions. In 1934 Foley China and Clarice Cliff were asked to produce a range of table wares for the exhibitions and notable artists of the day such as Paul Nash, Laura Knight, Duncan Grant, Graham Sutherland, Gordon Forsyth, Ben Nicholson and Barbara Hepworth were invited to submit designs. Due to poor marketing, the public were largely unaware of the designs and after an initial twelve sets were commissioned of each, further production was halted.
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