We found 6569 price guide item(s) matching your search

Two antique folk art spoons - comprising a carved horn love spoon, probably German, south Tyrol, with engraved heart and flower decoration and inscription, 20.2cm long; and a carved and painted wooden spoon, probably Swedish, with loose ball terminal, the bowl painted with a portrait of a lady in traditional costume, 15.7cm long.

A Ramsay Gillies contemporary Folk Art inspired weather vane with painted sheet metal of a badger, raised on a wooden stepped base, initialled verso. (h-41cm l-36cm)

A Ramsay Gillies contemporary Folk Art inspired weather vane with painted sheet metal of a woman pointing, on a raised stepped wooden base. (h-54cm l-33cm)

Large 19th century folk art diorama of a clipper ship in full sail, background painted with lighthouse and ships, in period display case, L65cm H36cmPOA -  https://www.bradleys.ltd/quotation-request-form

Mrs E. E. Munro Advanced Needlework Course Eight card folios, hand drawn coloured garments to front wraps with detailed patterns in the contents; With two ring binders containing 'a Record of Work Collected', and one other folder, in fantastic condition, circa 1950. (11)This fascinating collection of evidence for the 'Advanced Needlework' course is an extremely charming example of fashion and folk art from the mid-20th century. Mrs Munro shows that she not only has a skillful hand, but also quite the organised mind. The card folios with drawings of said garments are a particular highlight. The 'Folder for a Quilted Dressing Gown' has examples of the needlework required for the dolphins as well as the patterns. Surely, this would have taken hours of work.The largest of the ring binders is packed full of coursework, showing Sewing Stiches, Plain Seams, Smocking, Tucks, Lace, Appliques, Shadow Work, English Quilting, Silks, Linens, etc, together with pages dedicated to varieties of wool, cottons and types of needle amongst others. It appears that Mrs Munro was/is a very skilfull lady indeed.

Clive CARTER (1941-2006) Workings of a Cornish Mine Pumping House Pen and watercolour, signed and dated 1985, 75cm x 55cm, 83cm x 63cm framed. Clive Carter (1941 - 2006) was born into a family of Cornish miners and engineers. Having studied at Redruth, Penzance and Falmouth Art Schools he initially earned his living working at Holman’s in Camborne, and then on a freelance basis, allowing him more time for his painting. Throughout his life he continued to take his inspiration from Cornwall’s industrial past and present – ships, mine-works, buildings and machinery. He painted demolition crews, miners, fishermen and dockers, in his own vigorous and vivid style. He was also an author of several books on the local history and industry of Cornwall. His paintings show a very different Cornwall from his contemporaries, avoiding picture-postcard views or intellectual abstraction. Informed by his ever-growing knowledge of local history, particularly of wrecks and mines and his preference for being out in stormy, cloudy weather, his work matured as he absorbed the wealth of subjects around him in West Penwith where he and his family lived. Helston Folk Museum hold a part of his collection.

A folk art, carved and painted wood and metal fish with glass eyes mounted on a pear wood stand, 31cm long

A mid 20th Century folk art oil on canvas of a coastal scene, 56cm x 46xm, entitled 'Spring 1950'.

CANDIAN INUIT FOLK ART, CARVED SERPENTINE DANCING BEAR, CAPE DORSET signed ... ADLA to foot and retaining sticker23cm highCondition generally good. Light wear as per age. No damages.

A Victorian carved oak carver chair, cane backed, barley twist legs, 109.5cm high, 54.5cm wide, 44cm seat depth; A hand painted folk art side table, 47.5cm high, 41cm diameter; a walnut footstool (3)

An African Zulu Stick and a Folk Art Stick with Sheep's Head Handlea decoratively painted Zulu stick with bold patterns, typical of Zulu craftsmanship, lower part decorated with traditional woven wirework, 19th century folk art walk stick carved with a sheep's head as handle, demonstrating folk artistry (2)first height 80cm.Condition: Both in good condition, commensurate with age. Minor wear to the painted surface on Zulu stick and to surface of folk stick. Both structurally sound.

Two Folk Art carved hedgerow walking sticks first, a holly stick carved with crocodile and a frog motif the other carved a snake, the head forming the handle, (2)first height approx 83cm.Condition: Good condition, commensurate with age and use. structurally sound. teh snake stick has a shrinkage crack on the handle and several at the base

A 19th century folk art stained pine cabinet, the rectangular coffer shaped top with a central pierced crescent topped panel forming the handle to raise the panel to reveal the interior compartment, the three panels to the front each carved with a roundel, the side pillars topped by stylised horse's heads and running down to form rectangular legs.   W 142 x D 72 x H 161cms

A Legend in Japanese Art - a description of historical episodes, legendary characters, folk-lore, myths, religious symbolism etc, illus. H.L. Joly, 1 vol. gilt cloth with leather repaired spine and slip case

19TH CENTURY AMERICAN FOLK ART. A PAIR OF NAIVE PORTRAITS OF YOUNG GIRLS (2). oils on canvas, unsigned, 60cm x 54cm, framed.

A rare 19th Century Folk Art carved chain and lantern form wool hook

Five hardwood Dutch folk art Speculaasplank or biscuit moulds, largest H87cm

AMERICAN NAÏVE SCHOOL (19TH CENTURY) PAIR OF STILL LIVES Oil on velvet Each 34 x 41cm (13¼ x 16 in.) (2) Provenance: American Folk Art Gallery, New York Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: PLEASE NOTE: ALL LOTS IN THIS AUCTION ARE NOT AVAILABLE TO VIEW Velvet discoloured overall, with marks and staining, this is especially noticeable around the pear on the second example. Unexamined out of glazed frames. Velvet worn to the surfaces, paint with variation. Natural variation to surfaces due to media used in these pictures. Old labels and previous inventory and lot labels and marks present to the rear - please see our website for details views of these. Frames with marks, knocks, scratches, abrasions consistent with age. Please see additional images for visual reference to condition. Please note high resolution images are available upon request please contact the department directly on pictures@dreweatts.com PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA, TWO DAYS AFTER THE AUCTION.  Condition Report Disclaimer

A carved and folk-art painted dumb-waiter in the form of a frog, with similar pedestal. Overall height 155cm.

Delicately painted original gouache on board featuring a crane by Japanese folk art artist J. Aoki. Ink signature on lower left. Housed in a natural color wood frame with glass. Artwork dimensions: 13.50"L x 21.75"H. Frame dimensions: 21"L x 29"H x 1.50"W. Artist: J. Aoki (Japanese 20th century)Issued: 20th centuryDimensions: See DescriptionCountry of Origin: JapanCondition: Age related wear.

A 20th century Bruyere Garantie horn lidded tobacco pipe, 18cm long; another, an ebonised, Black Forest style pipe, with carved stags and a horn mouthpiece, 32.5cm long; a treen Scandinavian folk art nutcracker, 17cm long (3)

Hand painted folk art brass charger (by a local artist) depicting a Highland cow 30cm dia

A Norwegian silver-gilt Folk Art drop brooch, 16.9g

An Art Nouveau Norwegian silver-gilt Folk Art openwork brooch, 5.4g

A Norwegian silver-gilt enamel Folk Art bombe brooch, 8.3g

A Norwegian silver-gilt enamel Folk Art bombe brooch, 14.1g

Various silver jewellery, including Norwegian Folk Art brooch, 19th century silver long guard chain with slider, pendants, etc

Two 20th century Asian folk art carved wooden figures and a pair of wooden carved barrel bookends. Folk art figures feature a man smoking a pipe and a woman both with basket backpacks mounted on wooden slabs. Largest piece measuring approx. 33cm x 8cm x 10cm.

Nigel Mason (b. 1952): oil on canvas, two ballerinas, signed verso, image 20 x 49 cm, overall 32 x 62 cm. During his early 20's he worked as a set designer and sign maker for Yorkshire Television, he created the sign for the the Woolpack Pub in Emmerdale. He later moved to North Devon supporting himself and his young family by painting Kitchen furniture. Mason is a keen musician and the folk band he was a part of produced three albums as well as performing at Glastonbury and across Europe. In his 40's he became a lecturer in Fine Art whilst continuing to develop his own painting career as an artist. His work has been shown in a number of galleries including Castle Fine Art Not available for in-house P&P

Nigel Mason (b. 1952): oil on canvas, On Point, image 19 x 49 cm, overall 32 x 64 cm. During his early 20's he worked as a set designer and sign maker for Yorkshire Television, he created the sign for the the Woolpack Pub in Emmerdale. He later moved to North Devon supporting himself and his young family by painting Kitchen furniture. Mason is a keen musician and the folk band he was a part of produced three albums as well as performing at Glastonbury and across Europe. In his 40's he became a lecturer in Fine Art whilst continuing to develop his own painting career as an artist. His work has been shown in a number of galleries including Castle Fine Art Not available for in-house P&P

A 'folk art' cottage painted box possibly originally a tea caddy. Having three section inside. H26cm x W30cm x D16cm

Two Mexican Folk Art Papier Mache and Ceramic Figures, 35cms High

A Collection of odds; George Betjemann & Sons Wedgwood and Ormolu lid, Collection of Underwood & Underwood Slides, Folk art box made from cigarette roll ups, Chinese hardwood and stone hand painted box and The Nautical Cookery Book by T.F. Adkins London.

Ramsay Gillies, a contemporary Folk Art inspired weather vane with painted sheet metal bull chasing a running man, raised on stepped wooden base (l. 75cm x w. 49cm) (initialled verso)

Ramsay Gillies, a contemporary Folk Art inspired weather vane with a painted wooden angel and trumpet, raised on a wooden base (l.45cm x h. 50cm) (initialled verso)

A collection of vintage badges and brooches missing pins, three thimbles, a carved Austrian treen edelweiss bookmarked: l. x 9cm and a 19thc satinwood folk art painted snuff box: l. x 6cm (A lot)

A collection of various decoartive eggs comprising, marble, wooden and folk art wooden painted eggs. (32)

Antique Folk Art copper "Old Father Time" weather vane

Victorian painted wood Folk Art box in the form of a cottage

Antique carved and painted Folk Art pull-along wooden horse toy, approx. 54cm long and high

Folk Art painted wood model of a church, 18" long x 15" high

* RAMSAY GILLIES, GOAT copper/sheet metal rotating sculpture of a goat raised on a wooden base, initialled "RG" to base58cm high x 58cm longNote: Ramsay Gillies was born and raised in Edinburgh and attended Edinburgh College of Art, studying Graphic Design, life drawing and sculpture. He spent his working years as a graphic designer in Scotland, Bermuda, New York, Boston, London, coming home to Edinburgh in the mid-seventies. He returned to sculpture around five years ago with a simple resolve to avoid repetition and keep it quirky. He is inspired by the folk art tradition and every piece is unique, fashioned mainly in metal and wood with interesting finishes.

Antique folk art treen knitting sheath 'Goose wing' design - 27cm long

Folk art walking stick with carved detail of 2 faces - 80cm ~ signs of old worm

Group of two naval folk art watercolor paintings depicting ships. One steam and paddle ship with a lighthouse and the other depicting a sailboat with another smaller ship titled "Nantucket Shoals 65" in an oceanic landscape with a pale pink sky. Each are unsigned.(Smaller) Sight; height: 8 in x width: 11 3/4 in. Framed; height: 10 3/4 in x width: 14 1/2 in x depth: 3/4 in. (Larger) Sight; height: 11 1/2 in x width: 17 3/4 in. Framed; height: 14 1/2 in x width: 20 1/2 in x depth: 1 in.Condition: The colors are bold; however, the colors are toned. There are no major visible tears or losses. Slight undulation to both sheets. Light soiling to each, particularly along the margins of the smaller work. Wear to the frames including chips and wear to the gilt consistent with age. Not inspected out of frame.

Two boxes of carved folk art style ornaments, African hardwood busts, an early 20th Century oak cased mantel clock, conch shell, gilt wood corbels and other items

A Thai carved hardwood figure, modelled kneeling and praying, 54cm high, a folk art carving depicting a gentleman holding a farming implement, 77cm high, and an African fertility carving depicting a woman wearing a headdress, 75cm high. (AF)

A 19th century tribal folk art bull horn drinking flask. The flask featuring ebonised fish shaped stopper, mounted with vellum strap with small horn drinking cup attached.Measures approx. 35cm long.

Folk Art & Treen - a softwood decoy pigeon, painted black and grey, applied eyes, 37cm long; a similar duck, 36c, long (2)

Folk Art & Treen - a large softwood decoy duck, painted black and  brown, 49cm long

A 19th century novelty walking stick, the pommel carved as the head of a pug, rustic cane, 78cm long; others folk art and tribal (4)

Folk Art & Treen - a cork and softwood decoy duck,  38cm long

Advertisement & Folk Art - an American 'Red Cock Whisky' rooster point of sale advertising board, 'At the bar or try one at home for 7/6 per bottle' distressed decorative condition in need of restoration

Folk Art & Treen - a softwood decoy pigeon, 20cm high

Folk Art - a very unusual lozenge shaped diorama, set with a collection of prosthetic eyes surrounding a bisque dolls face and hands, the knuckles marked 'LOVE, HATE', possibly American, 35cm x 20cm x 4cm

Folk Art - a late 19th century tramp art spice box,  21cm x 11cm x 9cm

Folk Art & Treen - a softwood decoy duck, naively painted, , 27cm long;  another, 20.5cm wide (2)

Folk Art - a Victorian woolwork picture, of two huskies, 40cm x 48cm

American Nautical Folk Art - a well executed 19th century diorama of 'The Flying Scud' clipper ship at full mast near a lighthouse, cushioned maple frame, 59cm x 83cm x 14cm  The clipper which was built in 1853 by Metcalf & Norris in Damariscotta, Maine was part of The Coleman's California Line, later sold and renamed 'Cestrian' in 1863 by J. Thompson in Liverpool. Renowned British nautical folk art painter Alfred Wallis gave up deep sea voyages in about 1880, he mostly painted the Flying Scud as he was a member of the crew.

Folk Art & Treen - a softwood decoy crow, painted black, applied eyes, 30cm high