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Lot 208
WWI First & WWII Second World War medal group belonging to one Francis T. Ford. Comprising his full set of miniature medals (including Mons Star, War Medal, Victory Medal, WWII Defence Medal, George V Silver Jubilee Medal, and Faithful Service Constabulary Medal). Some of his full sized medals are present; WW2 Defence Medal and his Faithful Service In The Special Constabulary medal (impressed for Francis T. Reed). The collection also includes a hallmarked silver Rifle Shooting Competition medal engraved for SSMFT Reed, and a similar silver coloured shooting medal dated 1930. All presumed related.
Lot 58
Make & Model: Ford Kuga Zetec TDCI 140Date of Reg: LS61 LZKColour: Whitecc: 1997MoT: 24-04-2023Fuel Type: DIESELMileage: 118kTransmission: MANUALSummary: Six service stamps. Vendor advises cambelt and water pump replaced at 118,000 miles. Sold with no V5The V5C for this vehicle is missingVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=157532
Lot 72
Make & Model: Ford Focus Zetec TurboDate of Reg: YP63 GZFColour: Blackcc: 998MoT: 28-04-2023Fuel Type: PETROLMileage: 50kTransmission: MANUALSummary: Seven service stamps with the last recorded April 2022 at 50,142 milesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=157545
Lot 73A
Make & Model: Ford Ranger Wildtrak 4X4 DCBDate of Reg: KN16 CXTColour: Greycc: 3198MoT: 08-04-2020Fuel Type: DIESELMileage: 69kTransmission: AUTOSummary: Three registered keepers with the last keeper since August 2018. One service stamp. Insurance loss category N recorded November 2018. Not to be driven on road, POSSIBLE TRANSMISSION ISSUE.This vehicle has been declared as an insurance total lossVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=157540
Lot 79
Make & Model: Ford Trasnit 90 T230Date of Reg: BU60 ZVBColour: Whitecc: 1753MoT: 23-02-2023Fuel Type: DIESELMileage: 193kTransmission: MANUALSummary: NO VAT. Two registered keepers. Service print out with seven records.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=157555
Lot 47
Arthur Hughes (British, 1832-1915)Study for Sir Galahad, the Quest for the Holy Grail signed 'AHughes' (lower left)oil on panel27.5 x 39.8cm (10 13/16 x 15 11/16in).Footnotes:Painted circa 1865.The subject of this work is taken from Alfred Tennyson's poem Sir Galahad and specifically relates to the following lines from the fourth verse:A gentle sound an awful sight!Three angels bear the holy grail:With folded feet, in stoles of white,On sleeping wings they sail.ProvenanceGeorge Rae, by circa 1900.Thence to his widow, 1902.Rae sale, E. Owen, Birkenhead, 28 June 1917, lot 1695.By descent through the Rae family.LiteratureCatalogue of Mr. George Rae's pictures, Birkenhead, circa 1900, no. 50.M. Bennet, Artists of the Pre-Raphaelite Circle: The First Generation, London, 1988, pp. 61-63.L. Roberts, Arthur Hughes, His life and works, Woodbridge, 1997, cat. no. 75.2, p. 167.The present lot is a study for a larger work, exhibited at the Royal Academy in 1870 (no. 324), now in the collection of Walker Art Gallery, Liverpool (no. 2936). Both the larger version and the present lot were owned by the Birkenhead merchant George Rae. In correspondence between Rae and Ford Maddox Brown, Brown notes (in reference to the prime version which Hughes was still working on): 'Hughes is well and getting his Galahad... ready for next year.' (30 November 1868); nearly a year later, Brown informs Rae that 'Sir Galahad... still remain[s] at the same point (5 October 1869).1 In later correspondence, Hughes, writing to Agnes Hale-White, notes 'Last Sunday had to go to lunch with the Raes- Mr Geo. Rae, who bought the 'Music Party' in old PRB days and has a lot of Rossetti's best oil pictures is now about 80 and invalidish, keeps [to] his room, but I had a pleasant time with him- all very kind.'2A similar version of the present lot was sold at Sotheby's, London, 10 December 2014, lot 9. Although catalogued as Probably cat no. 75.2, that work is most likely cat. no. 75.3, as the present lot comes by descent through the Rae family.1L. Roberts, Arthur Hughes, His life and works, Woodbridge, 1997, p. 284.2Ibid, p. 287.For further information on this lot please visit Bonhams.com
Lot 50
Marie Spartali Stillman (British, 1844-1927)The last sight of Fiammetta 'Above her garland and her golden hair I saw a flame about Fiammetta's head' (Boccaccio)signed with monogram (lower right), inscribed on an exhibition label (attached to the reverse)watercolour, bodycolour and gum arabic82 x 62cm (32 5/16 x 24 7/16in).Footnotes:ProvenanceAnon. sale, Christie's, London, 11 April 1967.With Abbott and Holder Ltd., London.Eric Smith (purchased from the above circa 1968).By family descent.Private collection, UK (gifted to the present owner, 2004).ExhibitedLondon, Royal Academy, 1876, no. 757.Manchester, Royal Manchester Institution, Exhibition of the Works of Modern Artists, 1876.Paris, Universal Exhibition, 1878, British Fine Art Section.The present lot has not been seen in public for decades, so it represents a welcome addition to the Stillman's oeuvre, at a moment when her reputation is rising. The finely painted fanciful half-length figure depicts a girl no older than early teens, wearing a rose-garland on her loose hair, who dreamily fingers a rose-entwined mandolin. The feeling is of harmony and repose. Art historian Pamela Gerrish Nunn declared of the work that it 'is surely destined to be regarded as her masterpiece [sic]'.Moreover, it belongs in a sequence of events consolidating the mutual regard between Spartali Stillman and Dante Gabriel Rossetti, as it prompted the last major canvas from the latter before his death in 1882. As observed in the 1989 publication Women Artists and the Pre-Raphaelite Movement, the existence of the present work was then known only from old exhibition catalogue listings. The exhibiting history of the work began at the Royal Academy in 1876. At the time, the significance of this work to Rossetti is indicated by the fact that, eighteen months after the exhibition, he asked Spartali to sit for him for his own version of Fiammetta. Since her reputation as a model has tended to obscure her career as an artist and since she is typically said to owe her pictorial inspiration entirely to Rossetti, it is worth noting that in this case her choice of subject evidently stimulated his own, and that by 'casting' Marie as Fiammetta, so to speak, Rossetti implicitly recognised her choice of the theme. ***Stillman and Rossetti met in the early 1860s, when she decided to pursue art practice, and through her father sought tuition from Rossetti. Given his lack of aptitude, Rossetti sensibly passed the request to Ford Madox Brown, who from 1864 welcomed her for twice-weekly sessions alongside his own children. Brown then encouraged her exhibition debut at the Dudley Gallery in 1867, and became a lifelong artistic mentor. She continued to exhibit after her marriage in 1871 to the American journalist, William Stillman, whose career as a foreign correspondent took the family to postings in Greece (Corfu) and Italy. In winter 1874-5 they visited the US, where her exhibited works were commended by Henry James in Atlantic Monthly and Galaxy. Back in Britain, when not overseas she divided her time between her parents' homes in Clapham and the Isle of Wight. Following his paranoid collapse in 1872, Rossetti stayed mainly at Kelmscott Manor, the secluded country home he leased jointly with William Morris, until in summer 1874 he returned to his London home in Cheyne Walk, and to his art practice. His translations from early Italian poetry, first published in 1861, were re-arranged and re-issued this year. The volume includes examples of Boccaccio's poetry, 'chosen for their beauty alone. Two of these relate to Maria d'Aquino, if she indeed be the lady whom, in his writings, he calls Fiammetta.' More probably, this was a fictive inamorata, the same name – 'little flame' – being given to the protagonist in Boccaccio's Elegy of Madonna Fiammetta, lamenting a faithless lover. Rossetti also used the title for a 'pot-boiler' executed around the same time as Monna Vanna and offered to George Boyce in December 1866.The present work is the first of Stillman's based on Rossetti's translations from Boccaccio, where a sonnet entitled 'The Last Sight of Fiammetta' describes what seems to be the death of the beloved:Round her red garland and her golden hairI saw a fire about Fiammetta's head;Thence to a little cloud I watch'd it fade,Than silver or than gold more brightly fair;And like a pearl that a gold ring doth bear,Even so an angel sat therein, who spedAlone and glorious throughout heaven, array'dIn sapphires and in gold that lit the air.Then I rejoiced as hoping happy things,Who rather should have then discern'd how GodHad haste to make my lady all his own,Even as it came to pass. And with these stingsOf sorrow, and with life's most weary loadI dwell, who fain would be where she is gone.In 1875 the artist sold a Renaissance-style image of her stepdaughter Lisa Stillman under the title Mona Lisa (Royal Academy, 1875, no. 719; Manchester, 1875, 40gns; untraced). So, looking forward to the 1876 exhibition season, a comparable theme was chosen for the present work, borrowing again from Boccaccio/Rossetti and in all likelihood using eleven-year-old Lisa as model. The chosen genre was that described by William Rossetti – pejoratively but accurate - as 'lovely ladies with floral accessories'; derived from Lely's Hampton Court beauties, this format became newly popular and saleable in the late nineteenth century. On 7 January 1876, Stillman ordered from the art suppliers, Robersons, a support of similar dimensions – 31 by 21 ins – prepared to her specifications with board covered in three sheets of paper – two cartridge and one seamless Whatman. This was likely for Fiammetta, because although Stillman was a painstaking artist who typically took a year or more to complete an exhibition piece, the present work has been enlarged with additional strips along the left side and lower edge. While not exact, this surely relates to her Robersons' order on 11 March, for '2 slips of wood fitted with [indecipherable] to fix on edges of drawing board covering with two surfaces of paper', at a cost of four shillings.The brushwork is notably delicate on the figure and mandolin, looser on the upper foliage and very much looser on the added strips. An undated letter from Rossetti to Brown mentions that the frame, with its reeded edge and 'Pre-Raphaelite' roundels, cost £3.10s. So, the enlargement probably relates to the availability of this frame. The picture was submitted to the RA in April. Accepted and hung, it was catalogued as 'no. 757 / The last sight of Fiammetta / Above her garland and her golden hair / I saw a flame about Fiammetta's head. – Boccaccio.' It was listed under the name 'Miss M.S.Stillman'. Amidst the scores of landscapes and still lifes in this section, it was favourably commended by W.M. Rossetti in his role as art critic, as 'one of the genuinely fine works of colour in the exhibition – warm, soft, pure flesh tints, admirably supported by the general colour scheme, the copper-yellow hair garlanded with red and pink roses, the charmingly-painted mandoline, the embowering foliage.' The overall standard at the RA that year was however not the most commendable. In 1877 Sir Coutts Lindsay launched his rival fine art show at the Grosvenor Gallery, and maybe on the strength of Fiammetta, Marie Stillman was one of two women invited to exhibit at the inaugural exhibition. Subsequently it was selected for the British Fine Art section of the Paris Universal Exhibition in 1878. Around this time, it was photographed and reproduced as a large-size sepia print, one copy being in the Bancroft Collection at Delaware Art Museum.The work also prompted Rossetti to renewed effort, despite poor health and very low spirits... For further information on this lot please visit Bonhams.com
Lot 53
Dante Gabriel Rossetti (British, 1828-1882)Cartoon for a stained-glass window showing The Sermon on the Mount, made for All Saints, Selsley pen and ink and wash62.5 x 48.5cm (24 5/8 x 19 1/8in).Footnotes:ProvenanceGiven by the artist to Algernon Charles Swinburne.Theodore Watts-Dunton (at the death of the above in 1909); to his wife, Clara Reich, at his death in 1914.Thomas James Wise (gifted by the above); to his brother, Herbert Athal Wise, at his death in 1937; to his son, Leslie George Wise, of Durban, South Africa, at his death in 1951.Thence by descent to the present private collection, South Africa.ExhibitedSouth Africa, University of Natal, Old Masters of Yesteryear.The architect G.F. Bodley entrusted the making of stained glass for the church of All Saints at Selsley in Gloucestershire to Morris and Philip Webb. They in turn recruited Rossetti, who was asked to make a series of designs for glass in the chancel as well as for the glass to which the present cartoon is related, showing The Sermon on the Mount, in the church's south aisle. Others who were brought in on the project were Ford Madox Brown and Edward Burne-Jones. This was the first scheme of stained glass to be made by Morris, Marshall, Faulkner & Co., and was an important demonstration of how well these various designers could work together to create an effect of harmonious unity. For images and description of the completed scheme, see A. Charles Sewter, The Stained Glass of William Morris and his Circle, New Haven, 1974, two volumes, I, ills 33-6; II, pp. 171-3.In the present cartoon, as in the completed window, the standing figure of Christ is seen with hands raised as he preaches. Seated on the left of Christ, and to whom he faces, are the figures of the Virgin and Mary Magdalene, and behind them Saints John and James, while on the right, and to whom Christ turns his back, appear St Peter and Judas Iscariot. In the drawing, each of these figures is identified in capital letters within their haloes. Friends of the artist and family members modelled for the figures: Elizabeth Siddal may be recognised as having sat for the Virgin; Fanny Cornforth is immediately recognisable as the model for the Magdalene; the poet Algernon Swinburne appears as St John, and the painter Simeon Solomon for St James; George Meredith was supposedly the model for the figure of Christ; William Morris was caricatured with tousled hair and dense black beard as St Peter; while behind him the loathed art dealer Ernest Gambart, with whom Rossetti was at the time at odds in connection with his outstanding debt to the executors of Thomas Plint, was insultingly shown as Judas, his head resting on his hand as if in devious or angry pattern of thought, and facing away from Christ as if deliberately ignoring the words that were being spoken.Rossetti made two other preparatory drawings for the subject in c. 1861, now in Leeds City Art Gallery (Surtees 142a) and William Morris Gallery, Walthamstow (Surtees 142). The present drawing, of which neither Virginia Surtees and A. Charles Sewter were aware, appears to have been the final cartoon from which the stained-glass makers were to work.The design was reused in 1864 to provide a memorial window to a Miss Polidori (presumably a relation of Rossetti's mother Frances, née Polidori) in Christ Church, Albany Street.We are grateful to Christopher Newall for compiling this catalogue entry.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 213
CARTIER: GEM-SET BEAD AND DIAMOND NECKLACE, CIRCA 1925The front set with three rows of graduating turquoise beads alternating with ruby spacers, continuing to a double-row backchain of similar design, connected each side via an old brilliant and single-cut diamond geometric plaque with lily-of-the-valley terminals, signed Cartier, indistinctly numbered, length 38.5cm, Cartier caseFootnotes:Please note, lots 206 - 216 are from a Private Collection of 20th Century Jewels.Provenance:Mrs Alice Lurcy (1906-1980)Sotheby's New York, 14th April 2011, lot 179In 1957, Sotheby's Parke-Bernet sold the collection of French investment banker Georges Lurcy. The collection comprised 65 Impressionist paintings, 18th century furniture and objets d'art and totalled $2,221,355. Time Magazine described the historic sale as 'The Greatest Auction'. The ticketed event was limited to 1700 people seated in three salerooms and for the first time closed-circuit television was used to relay live proceedings. The auction was attended by some of the wealthiest, most consequential people in the world who included Eleanor Roosevelt, Helena Rubenstein, Mr and Mrs Winthrop Aldrich, Mrs Stavros Niarchos, the agent for Paul Mellon, James Rorimer, Director of the Met, Charles Durand-Ruel, Mr and Mrs Robert Lehman, plus members of the Rockefeller, Ford and Vanderbilt families. The auction was followed 24 years later by the sale of Georges' wife's magnificent jewellery collection that included pieces by Lacloche, Mauboussin and Cartier. The present lot was kept by the family until it was sold on 14 April 2011, at Sotheby's New York, 'Magnificent Jewels', lot 179.Georges Lurcy (born Levy, the son of a modest Jewish family in Alsace), made his fortune in banking and investments and in developing hydroplanes during World War One. Generous to a fault, he installed his mother and brother in the best quarter of Paris and constantly entertained friends in his homes in Paris and Deauville. In 1937 he married Alice Snow Barbee, an American from High Point, North Carolina, whom he described as 'the only luxury in my life I do not share'. At the advent of World War Two, the couple fled to the USA, eventually settling in New York's Fifth Avenue with an estate on Long Island. The Lurcy's loved to surround themselves in opulence with Georges adding to his art collection, of which he was very proud, as well as showering Alice in exquisite jewels. He saw the acquisition of art as 'money reaping paradise'. Alice writing in 1945 told him 'you are the dearest, most exquisite little husband in the whole wide world; I love you so tenderly, and I want you to know that you have been the only happiness, love and pleasure in my whole life.'For further information on this lot please visit Bonhams.com
Lot 507
Matchbox Lesney Models of Yesteryear series, comprising Y1-2 1911 model 'T' Ford, red body with black canopy roof and black plastic interior seats, boxed; Y2-2 1911 Renault, metallic green body with red plastic interior seats, boxed; Y3-2 1910 Benz limousine, cream body with dark green canopy roof and dark green plastic interior seats, boxed; Y4-3 1909 Opel coupe, white body with tan canopy roof, burgundy plastic interior seats, boxed; Y5-2 1929 4½ litre "Blower" Bentley, metallic British racing green body with dark green tonneau cover and plastic interior seats, boxed; Y6-2 1926 type 35 Bugatti, deep red body with tacing number '6' to rear sides, black plastic interior seats, boxed and Y6-3 1913 Cadillac, metallic gold body with burgundy canopy and plastic interior seats, boxed (7)
Lot 149
A collection of 7 inch singles 45s and eps in good to ex condition some with original derby Daltons record sleeves. Lot includes around 60 singles. Including Duane Eddy - Ben E King - Beatles eps Twist and shout / Long Tall Sally - Emile Ford ep - Elvis Doncha` think 1058 I got stung - Jailhouse rock - I beg of you all triangle centre - Cliff bongo ep - Beatles please please me black /I want to hold your hand black - Elvis follow that dream ep - Ricky Nelson ep part 4 - Johnny Burnette I beg your pardon - Bobby Vee - Bashful - Billy Fury never find another - Elvis Peace in the valley - etc -
Lot 198
A large collection of Female Singers performers. Housed in a large folder. Including the following artists. All original signatures unless stated mostly 10 x 8 size ( approx 140 items ) Alecia Keys, Tina Turner, Miley Cyrus ( preprint ) Kelly Osbourne ( preprint ) Celine Dion, Mariah Carey, Mandy, Shakira, Whitney Houston, Dolly Parton, Britney Spears, Crystal Gayle, Taylor Swift with letter, Kelly Clarkson, Brenda Lee, Brittany Roe, Caroline Kova, Blondies Debbie Harry x 2 - Roasanne Cash, Anastacia, Pussycat Dolls, Ashley Simpson, Avril Lavigne, Kelly Osbourne, Diana Krall, Michelle Branch, Point of Grace, Pink, Lane Brody, Connie Francis, Kathy Mattea, Lori Anderson, Norah Jones, Sheryl Crow, Anastacia x 2 , Willa Ford, Vanessa Williams x 3. Avril, Natalie Cole, Norah Jones, Jessica Andrews, Nancy Sinatra, Amy Jo Johnson, Donna Summer x 2 , Marie N, Barbara Mandrell, Dixie Chicks, Emmylou Harris, Elle Carling, Tina Turner ( preprint ) Shakira cd sleeve, Alanis, Mary Ott, Christina, Trisha Yearwood, Jeannie Riley, Vonda Shepard, Jennifer Lopez ( preprint and original ) Sonia, Kerry Katona, Sonique, Sophie Ellis Bexter cd sleeve and photo, Samantha Fox, Patti Boulaye, Beverly Knight, Petula Clark x 2, Lesley Garret, Martine McCutcheon,Nicki French, Charlotte Church x 2, Kim Wilde, PJ Harvey, Eternal, Desree,Caprice, Jane McDonald, Kiki Dee, Daphne & Celeste, Emma Bunton, Eddi Reader, Operababes, Allison Moorer, leann Rimes, Faith Hill, Elkie Brooks, Tanya Tucker, Gretchen Peters, Peggy lee cd sleeve, Patti Page, Lane Brody, Kiri Te Kanawa, Dido x 2, Chrissie Hynde, Vanessa Mae, Bjork, Dana, Myleene Klass, Alex Parks, KD Lang on picture, Sugarbabes a preprinted card but they added real autographs in blue sharpie. Leona Lewis, Jem, Sade,Heather Nova, Texas Sharleen, Shirley Bassey, Annie Lennox, Kate Nash, Sara Bareilles, plus others - most dedicated.
Lot 1
1999 Ford Focus 1.8 Ghia Estate. Registration: T521 RBP. Mileage: 32,528.- Only one previous owner from new - Genuine 32,528 miles from newWood insert trim, air conditioning, power steering, electric windows and mirrors. Original Ford cassette stereo system. With stamped service history, last serviced at 31,860 including cambelt replacement. Good condition being such a low mileage example. MOT until 2nd of November 2022. To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows: Saturday 17th of September: 10am-2pm Tuesday 20th of September 9am-7pm - Our buyers premium on all cars, motorbikes and scooters is 10% + VAT. - We encourage any interested parties to inspect the vehicle on our viewing days and prior to sale on Wednesday 21st of September 2022 to satisfy themselves on the car's condition, please check our buying terms and conditions for cars and bikes available online or via email. - Transportation options may be available, please contact us for a quote. - Please call 01483 223101 to speak to one of our auction specialists for further information.
Lot 970
A collection of vintage 20th century LP vinyl records to include the genres country, folk, progressive rock, pop, soft rock, jazz, synth pop, pop rock, indie rock, dance and hard rock. Artists to include Crystal Gayle, Mike Oldfield, The Carpenters, Norwood, Emile Ford, Cliff Richard, Rod Stewart, The Shadows, Ray Conniff, Yazzo, Dead or Alive, Jason Donovan, Judie Tzuke, Hazel O'Connor, Jean Micheal Jarre, Kylie Minogue, Darts, Status Quo, David Lee Roth, Elisa Fiollo, The Ward Brothers, Amy Grant, Level 42, Cooltempo, Tangerine, The Soup Dragons, Beat Box, Madonna, Human League, Culture Club, The Reflex, Heart, Elton John, Donnie Warwick, Ryan Paris, Cy Grant, Alison Moyet, Joan Armatrading,
Lot 177
Charles Reginald Ford (British, 1880-1972)'A feeble attempt to show how the Royal Society Range of mountains appeared sometimes'; 'Some of the inhabitants' both inscribed with titles in margin and signed 'C.R.F' (lower right), the first also with circular CRF inkstampwatercoloureach 8 x 10cm (3 1/8 x 3 15/16in). (2)Footnotes:Charles Reginald Ford joined the Royal Navy at the age of fifteen and volunteered for Scott's Discovery Expedition of 1901-04, as a steward. He also served as Scott's secretary and accountant, and on return to Britain was tasked with the concluding the expedition's financial affairs, which included the sale of the Discovery. He then toured England as Scott's secretary during his lecture tour and himself lectured in Canada and Australia (SPRI).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 186
Corgi Toys With Whizzwheels, 384 Adams Bros Probe 16, 343 Pontiac Firebird, 509 Porsche Targa 911S Police Car, 347 Chevrolet Astro 1, 280 Rolls-Royce Silver Shadow, 161 Santa Pod Raceway's Commuter Dragster, 167 U.S Racing Buggy, 166 Ford Mustang 'Organ Grinder' Dragster, 344 Ferrari 206 Dino Sport, in original boxes, F-E, 343 windscreen damaged, boxes F-VG (9)
Lot 226
Corgi Toys 325 Ford Mustang Fastback 2+2 Competition Model, white body, double red stripe, RN3 labels, light blue interior, spoked hubs, in original box, loose 320 Ford Mustang Fastback, light green body, cream interior, spoked hubs, 348 Ford Mustang Pop Art, blue body, light blue interior, flower power decals, RN20, cast hubs, F-VG, box G-VG (3)
Lot 228
Corgi Toys 310 Chevrolet Corvette Sting Ray, metallic cerise body, spun hubs, in original box with club leaflet, 219 Plymouth Sports Suburban, 214 Ford Thunderbird Hardtop, pale green, cream roof, 211 Studebaker Golden Hawk, blue body, gold flash, 220 Chevrolet Impala, pink body, lemon interior, 235 Oldsmobile Super 88, with Corgi Toys 1957 leaflet, G-VG, 219 minor retouches, box VG (7)
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75241 item(s)/page