William de Morgan (1839-1917) for Fulham Pottery London - a late 19th century red lustre glazed square tile, decorated in a stylised grid with birds and floral sprays, painted script verso 'W.de.Morgan. &. Co. Fulham. London.', 15 x 15cmLight crazing.Small chips to right hand edge at 3 o’clock.Very minor frits along left hand edge.Otherwise good.
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Quentin Bell (1910-1996) for Fulham pottery. An earthenware dish, painted in coloured glazes and gilded with an abstract design to the centre within a fluted border, the underside inscribed ‘Fulham pottery Quentin Bell’, 34.5cm wide***CONDITION REPORT***Typical minor glaze and potting imperfections, some slight abrasion/flaking to the glazes on the border to one side, otherwise in good condition with no restoration chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Constance Spry for Stevens and Williams, a Royal Brierley glass flower vase, circa 1930s, optic moulded Campana urn form with everted rim, on plain foot, etched facsimile signature, 15cm high Note: author and florist Constance Spry designed a number of vases in both glass (for Stourbridge manufacturer Stevens and Williams) and ceramic (for Fulham Pottery) to complement her well known flower arrangements and designs, on which she wrote numerous educational books.
A circa 1930s footed mantle vase with twin-loop handles: possibly by William John Marriner or Constance Spry; printed marks to underside 'The Pottery, Fulham, London. Made in England' and impressed 'FM?' (32 cm wide x 10.5 cm high)Condition Report: Rust spots to interior glaze otherwise in good order.
Quentin Bell (1910-1996) for Fulham Pottery, a side disha crescent shaped side dish, glazed earthenware painted in Bloomsbury inspired design, signed to basewidth 22cm Condition: In good condition overall. There is a darker mark to the centre and the green decoration is more worn to the left of it, see image. The rear canted edge is less glazed and rougher in texture to the other half.
William de Morgan (British, 1839-1917)An early Fulham Period tile, 1888-1897Hand painted in colours, glazed, part of a repeating pattern with vases, flowers and foliage, with impressed Sands End Pottery mark, 23cm high x 22.8cm wide (9in high x 8 1/2in wide)For further information on this lot please visit Bonhams.com
Bruce McLean (b.1944) for Fulham Pottery, Art pottery octagonal painted plate with incised face, circa 1990, Glazed earthenware, Verso signed ‘The Fulham Pottery Bruce McLean’ and impressed marks ‘Fulham Pottery JPL’, 42cm x 42cm Please refer to department for condition report(border chipped to one of the canted angles)
William de Morgan (1836-1917), Three tiles: two with green foliage on deep blue ground, circa 1890, and one with berries and foliage on cream ground, 1888-1897, Glazed earthenware, Berries and foliage with impressed tulips mark verso for the early Fulham period, approx 12.5cm square, Foliage on blue ground impressed with Sands End Pottery mark, approx 12.7cm square.Green foliage on blue ground 1: Tile has broken in two. Chips to other corners, crazing. Green foliage on blue ground 2: Chip to corner, smaller glaze chips to edge and corners, surface marks and crazing. Felt attached verso. Berries and foliage tile: Small chips to corners. Restoration: diagonal crack across tile, and another very fine crack top to bottom have been glued (felt attached verso), other surface marks and crazing.Additional images available.
Constance Spry (1886-1960) for Fulham Pottery, Crown and Lion vase (first designed 1936 for Edward VIII coronation, then produced again for Elizabeth II), 1953, Unglazed exterior, clear glazed interior earthenware, Underside impressed 'ER 1953' stamp, and 'MADE IN ENGLAND', 45cm wide, 19.5cm highVertical crack 8cm from the rim on one side and crack on opposite side from rim to interior base, crazing, various marks and scratches, may possibly have some overpainting. Additional images are available.
FULHAM POTTERY; three Art Pottery flower vases comprising two fan vases and a three tier bowl with wavy edge, height of largest 29.5cm (3).Additional InformationCrazing throughout, light scratches throughout. The two fan-shaped vases have scuffs, marks and dirt, staining, one with a firing crack/fault to one of the openings.
Constance Spry Fulham Pottery Mantle Vase, Commissioned by WJ Marriner. (FMA to base)Auctioneers Notes: Similar to the renowned Constance Spry designed one, both generous in scale, the elongated boat shape making it highly versatile for arrangements. The unglazed exterior was to offer versatility so that it could be easily painted to co ordinate with any scheme. Fulham Pottery continued to produce vases for Constance Spry�s company until the mid 1950s. Provenance St Peter�s Church Stockerston The vase was discovered in the bell tower during the current restoration works. The Church is Grade 1 listed, serving the small community at Stockerston and is situated at the head of the Eyebrook Resevoir on the Leicestershire Rutland border. MONIES RAISED WILL BE GOING TO THE CHURCH ROOF.

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