We found 73681 price guide item(s) matching your search

Konvolut Puppenküchenmöbel und Zubehör. Um 1920-30. Holz, Blech. H 2,5 - 26 cm. 11 weiß und blau lackierte Küchenmöbel, defekter Blechherd mit 2 Töpfen, verschiedene Wandmesten aus Blech, Kohlenkasten und weiteres Zubehör. Starke Altersspuren und Defekte. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:57 Uhr (CET)A collection of doll's kitchen furniture and accessories. Around 1920-30. Wood, sheet metal. H 2.5 - 26 cm. 11 white and blue lacquered kitchen units, defective tin stove with 2 pots, various tin wall mounts, coal box and other accessories. Signs of age and defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 June 2024 | probably 10:57 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Gründerzeit-Puppenstube. Um 1900. Holz, außen weiß gestrichen, innen mit Blumentapeten nachtapeziert. 31 x 69 x 37 cm. 2-Raum-Gehäuse mit schönen Frontsäulen, 3 unverglasten Fenstern, Gardinen und tapezierter Zwischentür. Eingerichtet als Gründerzeitsalon und Schlafzimmer mit dunklen Möbeln, grünem Ofen und Weihnachtsbaum. Gehäuse überarbeitet. Altersspuren, kleine Defekte. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:02 Uhr (CET)Gründerzeit doll's house. About 1900. Wood, painted white on the outside, wallpapered with floral wallpaper on the inside. 31 x 69 x 37 cm. 2-room cabinet with beautiful front columns, 3 unglazed windows, curtains and wallpapered intermediate door. Furnished as a founder's parlor and bedroom with dark furniture, green stove and Christmas tree. Housing refurbished. Signs of age, small defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 | June 2024 | presumably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Puppenküche mit originaler Einrichtung. Um 1920. Holz, außen cremefarben gestrichen, innen alte Tapeten und Fußbodenpapier mit Fliesenmuster. 28,5 x 60 x 29 cm. Trapezförmiges Gehäuse mit blau-weiß gestrichenen Möbeln, schwarzem Blechherd, verschiedenem Zubehör und 3 Püppchen (2x Celluloid, 1x Porzellan). Bespielt, Altersspuren, 1 Püppchen defekt. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:05 Uhr (CET)Small doll's kitchen with original furnishings. Circa 1920. Wood, painted cream on the outside, old wallpaper and floor paper with tile pattern on the inside. 28.5 x 60 x 29 cm. Trapezoidal case with blue and white painted furniture, black tin stove, various accessories and 3 dolls (2x celluloid, 1x porcelain). Worn, signs of age, 1 doll defective. Call time 13 | June 2024 | probably 11:05 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NymphenreliefBronze rotbraun patiniert, original auf ebonisierter Eichentafel montiert. "F. Barbedienne" bezeichnet. 28,5 x 7,5 cm, Tafel 37 x 16 cm. Quellnymphe von der um 1550 geschaffenen „Fontaine des Innocents“ in Paris, deren Skulpturenschmuck Jean Goujon schuf. Gering fleckige Patina im Hintergrund. Ferdinand Barbedienne (1810 -1892 Paris) war ein kunstgeschichtlich bedeutsamer Bronze- und Möbelfabrikant in Paris. Aufrufzeit 13. | Juni 2024 | voraussichtlich 15:17 Uhr (CET) Nymph reliefBronze with red-brown patina, originally mounted on an ebonized oak panel. Inscribed "F. Barbedienne". 28.5 x 7.5 cm, panel 37 x 16 cm. Spring nymph from the "Fontaine des Innocents" in Paris, created around 1550, whose sculptural decoration was created by Jean Goujon. Slightly stained patina in the background. Ferdinand Barbedienne (1810 -1892 Paris) was an important bronze and furniture maker in Paris. Call time 13 June 2024 | probably 15:17 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kinderzimmer mit Erker. Um 1920/30. Holz, außen cremefarben gestrichen, innen alt tapeziert. 29 x 64 x 42 cm. 1-Raum-Gehäuse mit Erkerfenster und Schiebetür. Eingerichtet als Schlafzimmer mit Buchenholzmöbeln: Einzelbett, Babybett, Nachtschränkchen, Kleiderschrank, Kommode mit Spiegel und etwas Zubehör. Dazu 3 Masse-Püppchen. Bespielt, Altersspuren, kleine Defekte. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:58 Uhr (CET)Children's room with bay window. Circa 1920/30. Wood, painted cream on the outside, old wallpaper on the inside. 29 x 64 x 42 cm. 1-room cabinet with bay window and sliding door. Furnished as a bedroom with beechwood furniture: single bed, crib, bedside cabinet, closet, chest of drawers with mirror and some accessories. Including 3 mass dolls. Worn, signs of age, small defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 June 2024 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Puppenstube mit Gründerzeit-Möbeln. Eigenbau. Pappe/Karton außen mit Tapete in Ziegeloptik, innen mit gemusterten Tapeten. Fußboden in Parkettoptik. 25 x 63 x 26,5 cm. Einfaches 2-Raum-Gehäuse mit 3 unverglasten Fenstern und offenem Durchgang. Eingerichtet als Wohnstube mit Sofa, Tisch, 2 Stühlen, braunem Kachelofen etc., sowie als Schlafzimmer mit Bett, Waschkommode, Nachtschränkchen und Kinderwagen (Repro). Dazu 3 Püppchen und 2 Hunde. Altersspuren, Defekte. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:02 Uhr (CET)Small doll's house with Wilhelminian style furniture. Own construction. Paperboard/cardboard exterior with brick-look wallpaper, patterned wallpaper interior. Parquet-look flooring. 25 x 63 x 26.5 cm. Simple 2-room cabinet with 3 unglazed windows and open passageway. Furnished as a living room with sofa, table, 2 chairs, brown tiled stove etc., and as a bedroom with bed, dresser, bedside cabinet and baby carriage (repro). Plus 3 dolls and 2 dogs. Signs of age, defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 | June 2024 | presumably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Design-Sessel "Purkersdorf", Entwurf Josef Hoffmann und Koloman Moser. Metalletikett "Wittmann Austria". 1970er Jahre. Esche, weiß gefasst. Ca. 70 x 61 x 61 cm, Sitzhöhe ca. 42 cm. Weiß gefasster Armlehnstuhl in geometrischer Konzeption mit vertikalen Verstrebungen, schwarz-weiß gewebter Sitzfläche und Kissen mit geometrischen Mustern; im Jahr 1903 ursprünglich von Josef Hoffmann und Koloman Moser für das Sanatorium Purkersdorf bei Wien entworfen. Alters-/Gebrauchsspuren, Bezug verschmutzt. Josef Hoffmann (1870 Piernitz - 1956 Wien); österreichischer Innenarchitekt und Möbeldesigner, Mitbegründer der Wiener Werkstätte. Koloman Moser (1868 Wien - 1918 Wien); österreichischer Maler, Grafiker und Kunsthandwerker; zählt zu den bedeutendsten Künstlern in Wien. Abholung erforderlich.Aufrufzeit 13. | Juni 2024 | voraussichtlich 19:57 Uhr (CET)Design armchair "Purkersdorf", designed by Josef Hoffmann and Koloman Moser. Metal label "Wittmann Austria". 1970s. Ash, painted white. Approx. 70 x 61 x 61 cm, seat height approx. 42 cm. White painted armchair in a geometric design with vertical struts, black and white woven seat and cushions with geometric patterns; originally designed in 1903 by Josef Hoffmann and Koloman Moser for the Purkersdorf Sanatorium near Vienna. Signs of age/use, cover soiled. Josef Hoffmann (1870 Piernitz - 1956 Vienna); Austrian interior and furniture designer, co-founder of the Wiener Werkstätte. Koloman Moser (1868 Vienna - 1918 Vienna); Austrian painter, graphic artist and craftsman; one of the most important artists in Vienna. Collection required.Call time June 13 | June 2024 | probably 19:57 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Große Puppenküche mit schönem Blechherd. Von 1925 (aus Familienbesitz). Holz, außen cremefarben gestrichen, innen mit alter Boden- und erneuerter Wandtapete. 42 x 89 x 47 cm. Trapezförmiges Gehäuse mit verglastem Fenster, Gardinen, Wandlampen und 2 Lichtschaltern. Eingerichtet mit schwarzem Blechherd und jüngeren Echtholzmöbeln. Reich ausgestattet mit verschiedenem Küchenzuehör. Elektrifiziert, Funktion nicht geprüft. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:05 Uhr (CET)Large doll's kitchen with beautiful tin stove. From 1925 (family-owned). Wood, painted cream on the outside, inside with old floor and renewed wallpaper. 42 x 89 x 47 cm. Trapezoidal cabinet with glazed window, curtains, wall lamps and 2 light switches. Furnished with a black tin stove and recent real wood furniture. Richly equipped with various kitchen accessories. Electrified, function not tested. Call time 13 June 2024 | probably 11:05 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Konvolut Möbel und Zubehör für die Puppenküche. Ende 1920er Jahre. H 8 - 31,5 cm. 9 cremefarben gestrichene Möbel, dazu farbige Emailletöpfe, Geschirr und weiteres Zubehör. Leichte Altersspuren. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:04 Uhr (CET)A collection of furniture and accessories for the doll's kitchen. Late 1920s. H 8 - 31.5 cm. 9 cream-painted pieces of furniture, plus colored enamel pots, crockery and other accessories. Slight signs of age. Call time 13 June 2024 | probably 11:04 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Weiße Puppenstube mit Erker. Holz, beigefarben und weiß nachlackiert, innen mit Blümchentapete und Fußbodenpapier in Parkettoptik. 30 x 65 x 41,5 cm. 1-Raum-Gehäuse mit 2 verglasten Fenstern, Erker mit Stufe und Balustrade. Eingerichtet als Wohnraum mit verschiedenen Möbeln, darunter 2 Schränke, Sofa, Tisch, 2 Sessel, Weihnachtsbäumchen etc. Dazu 2 Püppchen. Bespielt, mit Altersspuren und kleinen Defekten. Provenienz : Auflösung Puppenstubenmuseum Erfurt, Teil 3. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:58 Uhr (CET)White doll's house with bay window. Wood, beige and repainted white, interior with floral wallpaper and parquet-look floor paper. 30 x 65 x 41.5 cm. 1-room housing with 2 glazed windows, bay window with step and balustrade. Furnished as a living room with various pieces of furniture, including 2 cupboards, sofa, table, 2 armchairs, Christmas tree etc. In addition 2 dolls. Worn, with signs of age and small defects. Provenance : Resolution Doll's House Museum Erfurt, part 3. Call time 13 June 2024 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Bugholz-Fauteuil. Jakob und Josef Kohn, Wien. Prägemarke "J&J Kohn". Nach 1900. Buche, mahagonifarben gefasst. H ca. 72,5 cm, Sitzhöhe ca. 48 cm. Armlehnstuhl im Design-Jugendstil mit runder, gepolsterter Sitzfläche, weit gebogtem Schulterbrett und senkrecht versprosster Rückenlehne; heller Bezug mit stiltypischen Ornamenten. Wohnfertig restauriert. Bugholz wird durch ein von Michael Thonet um 1830 entwickeltes Verfahren unter Wasserdampf gebogen. Nachdem das 1856 erteilte Privileg zur "Herstellung von Möbeln aus massiv gebogenem Holz" 1869 annulliert wurde, entstanden zahlreiche Möbelfabriken - darunter auch J. & J. Kohn, die das Verfahren so weiterentwickelten, dass ebenso kantige Holzstäbe verarbeitet werden konnten. Abholung erforderlich.Aufrufzeit 13. | Juni 2024 | voraussichtlich 19:55 Uhr (CET)Bugholz armchair. Jakob and Josef Kohn, Vienna. Mintmark "J&J Kohn". After 1900. Beech, painted in mahogany. H approx. 72.5 cm, seat height approx. 48 cm. Armchair in design Art Nouveau style with round, upholstered seat, wide curved shoulder board and vertically projected backrest; light cover with ornaments typical of the style. Fully restored. Bentwood is bent under steam using a process developed by Michael Thonet around 1830. After the privilege granted in 1856 to "manufacture furniture from solid bentwood" was annulled in 1869, numerous furniture factories emerged - including J. & J. Kohn, which further developed the process so that angular wooden bars could also be processed. Collection required.Call time 13 | June 2024 | probably 19:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Mixed small furniture to include two folding wickerwork luggage trays on folding wooden stands, a grey painted wooden tray on similar folding stand, a small metal truck on stand, two metal trunks, a hardwood topped table with circular top on a black finished metal frameLocation:If there is no condition report shown, please request

A collection of 20th century and later printing plates and tools to include G-Plan furniture advertising plates and others Location:If there is no condition report shown, please request

A mixed lot of door furniture, light palls, picture hooks, door knobs, and other items, along with a boxed Philips Senso Touch electric shaver, Rolls Razors, tins and other items Location:If there is no condition report shown, please request

ROBERT HOME (BRITISH 1752-1834) PORTRAIT OF LIEUTENANT-COLONEL WILLIAM SYDENHAM AND HIS WIFE, WITH ST THOMAS'S MOUNT, MADRAS IN THE BACKGROUND Oil on canvas 77.5 x 92.1cm (30½ x 36¼ in.)Painted circa 1791.Provenance: Arthur Tooth, London, 1946-7 (advertisement in The Connoisseur, March 1946) Private collection, UK  Literature: Mildred Archer, India and British Portraiture 1770-1825, London 1979, pp.306-8, pl.212 William Sydenham (1752-1801), the son of Samuel Sydenham and Alice (née Chapman) of Minehead, came from a distinguished Devonshire family. He joined the East India Company's Madras Artillery as a Cadet in 1768. In 1776 he married Amelia Prime, niece of General Horne, who had also served with the Artillery in India. In 1786, at the time of the war with Tipu Sultan of Mysore, Sydenham was promoted to Lieutenant-Colonel in command of the First Battalion at St Thomas's Mount near Fort St George, Madras, which can be seen in the background of this painting. Home was a fine landscape painter and detailed landscape backgrounds give extra vividness to his portraits. William Sydenham was promoted to Major-General, Commandant of Artillery and AuditorGeneral of Fort St George in January 1801, but died in June of that year. Robert Home was an important recorder of British India in the late eighteenth and early nineteenth century. He studied with Angelica Kauffmann and between 1773 and 1778 worked in Italy. He exhibited twenty paintings at the Royal Academy between 1770 and 1789. His wife died in 1790 and the following year travelled to Madras to seek his fortune, just as General Cornwallis was setting off with the Grand Army for the Third Mysore War against Tipu Sultan. Home accompanied the campaign, making sketches of the forts and engagements; he later produced prints of Select Views in Mysore (1794) and paintings of Lord Cornwallis receiving the sons of Tipu Sultan as hostages and The death of Colonel Moorhouse (both c.1793-4; National Army Museum, London). Influenced by Thomas and William Daniell, who visited Madras in 1792, Home produced a number of landscapes which show exquisite attention to architecture and Indian life. In 1795 Home moved to Calcutta; he made a happy second marriage and his children joined him in India, all four sons becoming members of the East India Company's army. Home, a punctual, amiable and hardworking man, became the chief portrait painter in Calcutta. He painted the Governor-General of India, Marquis Wellesley, and his brother Major-General the Hon. Sir Arthur Wellesley (the future Duke of Wellington), as well as other generals and judges. He made a short visit to Dacca in 1799 to paint the Nawab Nasrat Jang. Home's successful portrait practice was threatened by competition from Thomas Hickey, who arrived in Calcutta in 1807, and by the dashing and eccentric George Chinnery, who arrived in 1811. In 1814 Home took up the post of Court Painter to the Nawab of Oudh at Lucknow. He worked for the Anglophile Nawab Ghazi-ud-din Haidar for thirteen years, painting portraits and court life, and designing Ghazi's crown when he was made King of Oudh in 1819, as well as carriages, boats, furniture, even an elephant goad. Home retired to a 'handsome establishment' at Cawnpore after Ghazi-ud-din's death in 1827, dispensing 'extensive hospitality to the residents of the station' until his own death at the age of eighty-two in 1834 Condition Report: The canvas has been lined. Light craquelure throughout however the paint surface appears stable. There is an old repair (approx. 5cm) running vertically through one of the soldiers to the left of the canvas, and this is visible in natural light. There is a further, very small patch of overpaint visible in natural light, to the sitter's skirt (approx. 5mm). Rubbing and abrasions to the framing edges. Inspection under UV light reveals scattered retouching and infilling throughout.Condition Report Disclaimer

Shelf of furniture

Quantity of various furniture

Collection of furniture handles, locks, keys, hinges, carved wooden pieces and wood veneer pieces etc 

Box of mostly antique/vintage furniture castors 

Victorian Garden furniture, including a table and two chairs  Wrought Iron Dimensions: [chair] 33 in. (H) x 27.5 in. (W) x 24 in. (D) [table] 26.5 in. (H) x 36 in. (W) x 22 in. (D)

An early 20th Century toleware hand painted folk art style wooden oval mirror having painted black ground with floral design depicting various types of flowers. Label to back reads ' Barnby Bendall & Co Depository Cheltenham ' which was a furniture storage and removals company. Measures approximately 36cm x 29cm.  

BARTLETT STAINLESS STEEL HEATER DISPENSER & A BOX FURNITURE LIFTING & SHIFTING SET

4 CARTONS WITH A LARGE AMOUNT OF DOLLS HOUSE FURNITURE, DOLL HOUSE KLITS & ACCESSORIES

A Worcester coffee pot and cover, circa 1770 (First Period), pear shaped decorated in the Mandarin style with five Scholars to front and single Chinese figure at window to reverse, with floral sprays, the neck decorated with wide band of gilt flowers and foliage, the cover painted with furniture and flowers, flower finial, approx 23cm high Labels verso: The Baines Collection no 221; David Olliver Collection no AO3A First Period Worcester polychrome coffee pot and cover enamelled in 'Mandarin' style with a number of Chinese ladies around a parrot perched in a hoop on a stand, within underglaze blue cell borders, hatched crescent mark, circa 1770, 23cm high [tiny chip to spout, minor damage to finial].from Baines collection, possibly O.D.

A 19th Century mahogany furniture apprentice chest of two short and three long drawers, with inlaid lozenge key plates on splayed feet, approx 36cm wide x 17cm deep x 35cm high

A SET OF FOUR G PLAN TEAK FRESCO DINING CHAIRS by Victor Wilkins, mid 20th century, the circular seat and curved top rail upholstered in green weave, raised on turned tapering legs joined by cross stretchers, 18 1/2" x 18" x 30" This may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1988 and for this reason, should not be used in a private dwelling. (Est. plus 24% premium inc. VAT)Condition Report: Woodwork good, some wear to top rear corners of green covering of top rails.

GUY ROGERS FOR HEAL'S, A "FRISCO BAY" TEAK FRAMED SOFA, mid 20th century, the three seater of curved outline upholstered in a pale green weave with loose cushions, raised on turned tapering legs, 72" x 24" x 27 1/2" This may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1988 and for this reason, should not be used in a private dwelling. (Est. plus 24% premium inc. VAT)Condition Report: Structurally good but wear to covering

TWO BROWN SALTGLAZE STONEWARE FIGURES, c.1850, both modelled as a young lady wearing a feathered hat over her ringlets, a crinoline and holding a muff, 6 1/2" high, together with a pair of wall appliques modelled as ecclesiastical grotesque mask beam bosses (one possibly a candle holder), 3" high (Pr. & 2)NB For a similar furniture rest see Oswald, Childyard and Hughes 'English Brown Stoneware 1670-1900' fig. 153 (Est. plus 24% premium inc. VAT) Condition Report: Figures no damage or restoration, the boss which isn't a holer has a chip bottom right below right 'leg'. SOLD IN SALE 20.03.24 BUT SALE RESCINDED AS UNPAID FOR

A GREAVES & THOMAS DAVENPORT SOFA BED, mid 20th century, the four seater upholstered in dark green weave, raised on turned tapering teak legs, 87" x 21" x 33" This may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1988 and for this reason, should not be used in a private dwelling. (Est. plus 24% premium inc. VAT)Condition Report: Failure to some of the springs, otherwise good

AN H. MCINTOSH & CO. KIRKCALDY TEAK DINING SUITE, mid 20th century, the D ended table with single butterfly leaf, raised on turned tapering legs, 66" x 48" x 29 1/4", ensuite with four chairs upholstered in black leatherette, No. 9533 (5) This may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1988 and for this reason, should not be used in a private dwelling. (Est. plus 24% premium inc. VAT)Condition Report: Table very good bar some fading to the D ends, chairs very good bar minor scuffing to base of legs and to some stretchers and very mild wear to front edge of leatherette of one seat.

Stephen Willats, British b.1943 -  Shift Box No. 2, 1964;  wood, metal, paint, plexiglass, glass, and electronic component, with artist's label and instructions attached to the reverse, H72 x W72.5 x D18 cm (ARR) Note: It is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Stephen Willats is a seminal figure in British conceptual art. His work focuses on the intersection of art, sociology, and science. Through a diverse range of media including sculpture, photography, installation, furniture and clothing, Willats investigates how societal structures influence individual behavior, often inviting audience participation to blur the boundaries between observer and observed. Through these interdisciplinary approaches and community collaboration, Willats continues to challenge perceptions of art's role in shaping our understanding of the world. In 1965 Willats founded the magazine 'Control', encouraging discussions surrounding artist practices. The magazine has documented the works and ideas of many artists including Helen Chadwick, Tony Cragg and Anish Kapoor. The magazine is still in publication today. Earlier this year Victoria Miro exhibited ‘Stephen Willats: Time Tumbler’ which brought important works from the 1970s together with more recent works, celebrating Willats' eightieth birthday and his long-standing relationship with the gallery.  His works are held in the collections of the Tate, the National Portrait Gallery, and the Henry Moore Institute. Exhibited: Migros Museum für Gegenwartskunst, Zürich, Stephen Willat's Languages ​​of Dissent, 25th May to 18th August 2019, https://migrosmuseum.ch/werke/28920  

Stephen Willats, British b.1943 -  V.D.U. Transformation Series No.5, 1989;  poster paint and pencil on paper, signed and dated lower right 'S Willats 89', 66.5 x 114 cm (ARR) Note: Stephen Willats is a seminal figure in British conceptual art. His work focuses on the intersection of art, sociology, and science. Through a diverse range of media including sculpture, photography, installation, furniture and clothing, Willats investigates how societal structures influence individual behavior, often inviting audience participation to blur the boundaries between observer and observed. Through these interdisciplinary approaches and community collaboration, Willats continues to challenge perceptions of art's role in shaping our understanding of the world. In 1965 Willats founded the magazine 'Control', encouraging discussions surrounding artist practices. The magazine has documented the works and ideas of many artists including Helen Chadwick, Tony Cragg and Anish Kapoor. The magazine is still in publication today. Earlier this year Victoria Miro exhibited ‘Stephen Willats: Time Tumbler’ which brought important works from the 1970s together with more recent works, celebrating Willats' eightieth birthday and his long-standing relationship with the gallery.  His works are held in the collections of the Tate, the National Portrait Gallery, and the Henry Moore Institute. 

Stephen Willats, British b.1943 -  Untitled, 1995;  gouache and graphite on paper, signed with initials and dated lower right 'SW 95', 68 x 101 cm (ARR) Note: Stephen Willats is a seminal figure in British conceptual art. His work focuses on the intersection of art, sociology, and science. Through a diverse range of media including sculpture, photography, installation, furniture and clothing, Willats investigates how societal structures influence individual behavior, often inviting audience participation to blur the boundaries between observer and observed. Through these interdisciplinary approaches and community collaboration, Willats continues to challenge perceptions of art's role in shaping our understanding of the world. In 1965 Willats founded the magazine 'Control', encouraging discussions surrounding artist practices. The magazine has documented the works and ideas of many artists including Helen Chadwick, Tony Cragg and Anish Kapoor. The magazine is still in publication today. Earlier this year Victoria Miro exhibited ‘Stephen Willats: Time Tumbler’ which brought important works from the 1970s together with more recent works, celebrating Willats' eightieth birthday and his long-standing relationship with the gallery.  His works are held in the collections of the Tate, the National Portrait Gallery, and the Henry Moore Institute. 

Stephen Willats,  British b.1943 - The Rivals, The Team, The Community, Segregation, Dependency, Mutuality, c.mid-1970s; black and white photograph collage, ink, letraset and gouache on card, 32 x 45.8 cm (unframed) (ARR) Note: Stephen Willats is a seminal figure in British conceptual art. His work focuses on the intersection of art, sociology, and science. Through a diverse range of media including sculpture, photography, installation, furniture and clothing, Willats investigates how societal structures influence individual behavior, often inviting audience participation to blur the boundaries between observer and observed. Through these interdisciplinary approaches and community collaboration, Willats continues to challenge perceptions of art's role in shaping our understanding of the world. In 1965 Willats founded the magazine 'Control', encouraging discussions surrounding artist practices. The magazine has documented the works and ideas of many artists including Helen Chadwick, Tony Cragg and Anish Kapoor. The magazine is still in publication today. Earlier this year Victoria Miro exhibited ‘Stephen Willats: Time Tumbler’ which brought important works from the 1970s together with more recent works, celebrating Willats' eightieth birthday and his long-standing relationship with the gallery.  His works are held in the collections of the Tate, the National Portrait Gallery, and the Henry Moore Institute. 

Stephen Willats,  British b.1943 -  Untitled abstract composition, 1966; gouache and graphite on paper, signed and dated lower right 'Willats 1966', 24.6 x 50 cm (ARR) Note: Stephen Willats is a seminal figure in British conceptual art. His work focuses on the intersection of art, sociology, and science. Through a diverse range of media including sculpture, photography, installation, furniture and clothing, Willats investigates how societal structures influence individual behavior, often inviting audience participation to blur the boundaries between observer and observed. Through these interdisciplinary approaches and community collaboration, Willats continues to challenge perceptions of art's role in shaping our understanding of the world. In 1965 Willats founded the magazine 'Control', encouraging discussions surrounding artist practices. The magazine has documented the works and ideas of many artists including Helen Chadwick, Tony Cragg and Anish Kapoor. The magazine is still in publication today. Earlier this year Victoria Miro exhibited ‘Stephen Willats: Time Tumbler’ which brought important works from the 1970s together with more recent works, celebrating Willats' eightieth birthday and his long-standing relationship with the gallery.  His works are held in the collections of the Tate, the National Portrait Gallery, and the Henry Moore Institute. 

A suite of wrought iron garden furniture in the style of Mario Papperzini, comprising a two seater settee W155cm, four armchairs, each W60cm H92cm, two foot stools or side tables 45x45cm and a round centre table diam. 107cm H52cm, the chairs with cross weave and loose cushions, mounted with metal spheres, the table with Italian marble top, c1960. (8)

QUANTITY OF BOOKS ON FURNITURE RESTORATION & ORIENTAL BOOKS

4 PIECES OF ANTIQUE FURNITURE

A set of four Regency rosewood pole screens attributed to Banting, France & Co., c.1820s, each rounded rectangular, pleated damask panel with anthemion spandrels, on a brass tubular support surmounted by an urn finial, raised on a turned and reeded stem with bead, lappet and trellis decoration, on a tricorn platform inlaid with cut-brass foliate motifs and overscrolled feet with brass paterae mounts,38cm wide38cm deep136cm high (4)Provenance: The Marchioness of Bristol, Ickworth House, Suffolk, by repute;purchased in a private sale from the above by Reginald Nunn;The Collection of the late Rosemary and Theo Cutting.These pole screens were acquired from the private collection of the antiques dealer, Reginald Nunn, who purchased them from the Marchioness of Bristol, prior to the transfer of Ickworth House to the National Trust.The Pall Mall furniture makers, Banting, France & Co., were employed to provide furnishings for the 1st Marquess of Bristol (1769-1859). Having inherited Ickworth in 1803, the Marquess put forward a major programme of remodelling and redecorating, and it is likely that the present lot was commissioned as part of this project. The firm worked at the house for over twelve years from 1817 until 1829 and much of the furniture they supplied remains at Ickworth. Banting, France & Co. were among the leading cabinetmakers of the period and worked extensively for the royal family at Kensington Palace, Windsor Castle and other royal residences.

A George II mahogany pillar-and-claw table, c.1725-1740, with a circular top above a birdcage action and turned gun-barrel column, on a shaped tripod base,86cm diameter74cm highProvenance: The Collection of the late Rosemary and Theo Cutting.Illustrated: Adam Bowett, 'Early Georgian Furniture, 1715-1740', pl.5:86, p.247.

A George II mahogany tripod table, c.1740, the circular tilt-top above a birdcage action and a turned gun-barrel column, raised on pierced supports terminating in pad feet,86cm diameter75cm highProvenance: The Collection of the late Rosemary and Theo Cutting.For a similar example, see Sotheby's, 'Classic Design: Furniture, Silver & Ceramics', New York, 16 April 2024, lot 148.

A Regency rosewood and brass-inlaid cheval firescreen attributed to Banting, France & Co., c.1820s, of rectangular form, the moulded frame with silk damask panel and concealed gilt-brass carrying handle, raised on foliate-carved arched and splayed supports with lotus-leaf carved stretcher and terminating in lobed squat bun feet, 41cm wide40cm deep117cm highProvenance: The Marchioness of Bristol, Ickworth House, Suffolk, by repute;purchased in a private sale from the above by Reginald Nunn:The Collection of the late Rosemary and Theo Cutting.This screen was acquired from the private collection of the antiques dealer, Reginald Nunn, who purchased them from the Marchioness of Bristol, prior to the transfer of Ickworth House to the National Trust.The Pall Mall furniture makers Banting, France & Co. were employed to provide furnishings for the 1st Marquess of Bristol (1769-1859). Having inherited Ickworth in 1803, the Marquess put forward a major programme of remodelling and redecorating, and it is likely that the present lot was commissioned as part of this project. The firm worked at the house for over twelve years from 1817 until 1829 and much of the furniture they supplied remains at Ickworth. Banting, France & Co. were among the leading cabinet-makers of the period and worked extensively for the Royal Family at Kensington Palace, Windsor Castle and other royal residences.

Georgian Flintlock blunderbuss pistol by Twigg with brass flared barrel with proofs, side lock with full stock with slab side plates to grip, brass furniture and original horn mounted ramrod. The barrel 20.5cm, the whole 35 cm overallGood original condition.correctly working action. Some age related wear including minor dents and scratches to stock

19th century Indian percussion sporting gun with two-stage barrel, side lock, with half stock and ornate brass furniture

Group of ephemera, including 1950s and 60s women's magazines, copies of the Illustrated London News, Pears, etc, and two 1930s furniture catalogues

Two Japanese Sword Scabbards. Modern example in black wood with "Japan" sticker 525mm in length: Metal example in brown paint without furniture and with numerous dents overall. (2)

THREE ANTIQUE FURNITURE ITEMS, including an oak circular topped tripod wine table, a jardiniere stand on reeded supports with single drawer and a mahogany four drawer narrow chest, 75 (h) x 41 (w) x 55cms (d)Provenance: private collection Ceredigion

VARIOUS SMALL FURNITURE ITEMS including farmhouse chair, Edwardian swing table top mirror, occasional tables etc.Provenance: private collection Conwy

PLUS LOT 23 - FOUR VARIOUS FURNITURE ITEMS comprising oak D-end table, 71 (h) x 112 (w) x 55cms (d), pair of painted rush seated chairs and a cane topped barley twist footstoolProvenance: private collection Scotland

THREE ITEMS OF OCCASIONAL FURNITURE comprising nest of three oak coffee-tables, magazine table and a reproduction mahogany jardiniere stand, 75 x 39cms (diam.)Provenance: private collection Conwy

GROUP OF MID CENTURY FURNITURE to include believed G Plan sideboard with glazed top front, base cupboard and drawers, 127 (h) x 137 (w) x 42cms (d), further sideboard, 93 (h) x 122 (w) x 46cms (d), drop-leaf gateleg table and oval gateleg tableProvenance: deceased estate Conwy

FOUR ITEMS OF RETRO / VINTAGE FURNITURE comprising believed G-Plan 'Astro' coffee-table, 46 (h) x 84cms (diam.), Priory style nest of three coffee tables, wine table and a small basket weave chairProvenance: deceased estate Conwy

HARLEQUIN SALON FURNITURE to include two seater sofa, 86 (h) x 121 (w) x 60cms (d), two French style armchairs, two balloon back chairs and a hall chairProvenance: deceased estate Conwy

20th Century vintage flintlock pistol, body inlaid with wire scrolling motifs, mother of pearl crescents and brass furniture. Lockplate and trigger AF. Measures approx. 51cm.

William Plunkett (British, 1928-2013), for William Plunkett Furniture ‘Reigate’ rocking chair and matching footstool, circa 1968, Nylon-coated steel, anodised aluminium, fabric weave upholstery. Chair height 84cm, width 70cm, depth 82cm – Footstool height 35cm, width 56cm, depth 56cm. (2)

Books. Antique reference, including Chinnery's Oak Furniture: The British Tradition, dj, hb, 4to; further Antique Collectors' Club works; Anthony Oliver on Staffordshire pottery; Pinto's Treen, reprint, 4to; metalware; textiles and needlework; etc

A collection of miniature porcelain vases, teaware and furniture, including Minton, Crown Staffordshire and Limoges and a miniature silver tea service and tray As a lot in good condition

A George III oak dresser,  with scratch moulded drawers and open brackets, 82cm h; 48 x 169cm Brass furniture replaced, pleasing rich old colour

Miscellaneous unframed art work and furniture designs, c1970, sold in a portfolio

Miscellaneous furniture including a mahogany concave side table on reeded tapering legs, 92cm w, a miniature carved mahogany elbow chair, mahogany wig stand and a Victorian carved oak gateleg table, etc