A 19th Century scratch-built Noah's Ark with sixteen various figures, a pair of 19th Century child's leather lace-up boots, two section cutlery tray, wooden mounted slate board, two grape and vine carved and painted furniture adornments, a foliate carved miniature picture frame, a carved and painted figure, pair of giltwood furniture finials, a similar pineapple finial, cut glass bag light, two brass door knockers, gilt bronze panel depicting two satyrs with musical instruments and a leather covered autograph album containing three circa 1939 drawings various
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An interesting Peninsula War medal awarded to Major-General J. C. Victor, who served with the Royal Engineers in the latter part of the Napoleonic war, and afterwards in Canada under Colonel John By on the construction of the Rideau Canal, and in Tasmania as commander of the Royal Engineers and Director of the Public Works Department, where he left a legacy in Hobart of some fine archicture Military General Service 1793-1814, 3 clasps, Nive, Orthes, Toulouse (J. C. Victor, Lieut. R. Engrs.) nearly extremely fine and scarce to this Corps £2,600-£3,000 --- Provenance: Spink, March 1992; Dix Noonan Webb, June 2005. James Conway Victor was born in London on 17 March 1792, and entered the newly created Royal Military College, Sandhurst, as a cadet in 1807. He became a Second Lieutenant in 1810, was promoted to First Lieutenant in 1811, and served in the Peninsular war from 1812 to 1814 - including in the battles of Nive, Orthes and Toulouse. He was promoted to Captain in 1821, and on 10 April 1834 married Anne Dashwood, youngest daughter of Alexander Young of Harburn, Midlothian. In 1831 he was stationed at Bytown in Canada working on the Rideau Canal under Colonel John By, and had risen to the rank of Brigade Major by 1837. After five years in that post he sailed from London with his wife and daughter in the Emily. As commander of the Royal Engineers in Tasmania, on arrival in Hobart Town in November 1842 he was immediately appointed to the Board of Public Works, and with W. P. Kay and Major Sydney Cotton he reported on the water supplies of Hobart and Launceston. A year later the departments of public works and of roads and bridges were amalgamated, and Victor was appointed director, at a salary of £300, in addition to his military duties. After some months, Lieutenant-Governor Sir John Eardley-Wilmot reported that the amalgamation was not working well and the two departments were separated. Victor was offered the directorship of public works at £300, but refused because these civil duties interfered with his military service. Soon afterwards he was asked by Lieutenant-Governor Sir William Denison to superintend the building of Franklin's wharf. Again Victor demurred, but Denison insisted and later interfered with professional details of the work. In July 1847 Victor wrote to his superiors in London, claiming that misrepresentations from Hobart had induced the Colonial Office to sanction the building of a wharf which was neither necessary nor likely to pay; most of all he objected to civil authority demanding his obedience. The letter was sent to the Colonial Office where Earl Grey deplored the unpleasant tone of Victor's complaints and his unusual reluctance to co-operate in colonial works. The affair finished amicably, but in December 1848 Victor sold the furniture of his Hampden Road house and left for England in the Calcutta with his wife and daughter. In 1854 he was promoted Major-General and died in Edinburgh on 4 February 1864. Victor's best memorial in Hobart was some fine architecture. He designed and built the gaol at the barracks, the convict hospital in Campbell Street, and the out-buildings and cottages at Government House.
An 18th century oak dresser base, the rectangular top above three central graduating drawers flanked by two single drawers and two cupboard doors raised on square feet. 203 cm wide, 44.5 cm deep, 85 cm high. (see illustration). CONDITION REPORT: The dresser is generally in extremely good order. The top has bowed in places as you would expect with an older piece of furniture. There has also been a repair to the rear left-hand side, although this has matched in very well. The front of the dresser is a good uniform colour and has more than likely had some light restoration work. There is the odd mark, slight water ageing etc consummate with age. The right-hand cupboard internal floor has come loose but we appear to have all of the parts for this. There are signs generally of historic woodworm and the rear legs have some losses, although the piece does sit level. There is one key that will work both cupboard doors but not the drawer locks.
Heals of London - Loughborough Furniture - A vintage 20th century teak wood dressing table. Having rectangular mirror back atop a rectangular table with one central drawer flanked parallel by two smaller drawers. Standing on square tapering legs with perimeter stretcher. With small circular metal pulls. Measures approx. 123cm x 96cm x 43cm.
G Plan Furniture - British Modern Design - Mid 20th century retro teak dining table and four chairs. The oval table having drop leaf centre to extendable ends, all raised on tapering circular legs. With four teak wood dining chairs on circular upright supports and brown velvet style upholstered seats. Measures
F Wrighton & Sons Ltd, Walthamstow, London. A vintage mid 20th century teak wood chest of drawers by Wrighton. Having a rectangular top over a central bank of four drawers. All with circular recessed handles and raised on hexagonal shaped legs. Stamped 'Wrighton Furniture' to upper draw. Measures 82cm x 89cm x 44cm.
Parker Knoll Furniture - Two Parker Knoll armchairs with teak wood frames and sprung base below cushions. One fully identified and marked as model 725, the other an earlier example with red makers plaque to underside. Both are upholstered in the same duck egg blue matching fabric. Measures approx, 90cm x 64cm x 68cm.
Nathan Furniture - British Modern Design - A mid 20th century teak wood sideboard wall unit. Rectangular form with two central upper drawers above twin small cabinet doors. Flanked by two larger cupboard doors. All raised on tapering circular angled legs with wooden circular turned pulls. Makers badge to inside door. Measures approx. 88cm x 138cm x 46cm.
Ercol Furniture - British Modern Design - Mid 20th century circa 1960s blonde beech and elm sideboard. Model 467. Rectangular form with full length cupboard to right and smaller twin cupboard doors to left above a single drawer. Together with a Ercol old colonial sideboard with plate rack on upright supports. Measures approx. 158cm x 132cm x 50cm.
Lucian Ercolani for Ercol Furniture - An Ercol 1970's day bed studio couch sofa settee. Dark colour construction stood on tapering legs with bar backrest and gallery surrounds. With floral upholstered padded seat with individual back rest cushions. Measures approx. 77cm x 207cm x 82cm. Wear to the arms.
A contemporary oak furniture land style dining table and four chairs. With a rectangular plank top with square upright support (screw in for ease of transportation) together with four dining chairs. Arched top flat slat back rests on diamond pattern green cushioned upholstery. With tapering square legs united by dual side stretcher. Table: 79cm x 122cm x 76.5cm. Chairs 105cm x 47cm x 56cm
G Plan Furniture - Fresco Range - British Modern Design - Mid 20th century teak wood sideboard. Rectangular form with three parallel drawers to top, above three cupboard doors with border decoration. All raised on ebonised metal hairpin legs with recessed pulls. Measures approx. 86cm x 142cm x 45cm.
G Plan Furniture - British Modern Design - A vintage mid 20th century teak veneered linen chest of drawers / cabinet. Rectangular form with flared top, twin cupboard doors top top, above three full length drawers. All raised on tapering circular feet with brass tips and shaped metal pulls. Measures approx. 114cm x 78cm x 47cm.
Lucian Ercolani - Ercol Furniture - British Modern Design - A set of six mid 20th century carver dining armchairs. Model number: 557a. Having ladder back backrest, with curved elbow rests, tapering circular legs united by H stretcher. In factory blue, this model number had a variety of colours. Arm rest have been resprayed. With original button in seat cushions. With makers label to verso. Measures approx. 41cm x 61cm x 50cm.
G-Plan Furniture - A retro 1960's teak wood sideboard highboard credenza comprising of upright cabinet sections / twin cupboard. Central recess section over twin cupboard sections to right of bank of drawers, top drawer being cutlery. All raised on shaped supports. G Plan label present. Measures 145cm x 160cm x 46cm.
A selection of early 20th century and later occasional furniture. The lot comprising of a small single drawer side table raised on barley twist supports united by stretchers. Small drop leaf barley twist table, joint stool and a small reproduction coffee table with green leather top. Measures 73cm x 68cm x 41cm.
Set of six rare mid-19th century Chinese elm wood horseshoe back quanyi chairs. Each with a U-form crestrail. Each with a carved and bowed paneled splat decorated with a ruyi panel above a panel with a Buddhist lion flanked by pierced fretwork. With newer caned seats and high-arched stretchers. It is unusual to see a set of six hardwood chairs with carvings such as this.Provenance: Sotheby's, New York, "Fine Chinese Ceramics, Furniture and Works of Art," November 29 & 30, 1995, Lot 349; The collection of Bruce Dayton and Ruth Stricker Dayton - Selections from The Marsh, Minnetonka, Minnesota.Each, height: 39 in x width: 26 3/4 in x depth: 21 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
An early 19th century French gold and enamel snuff box by Christian Petschler, of rectangular form with canted corners, the hinged cover centred with a diaperwork engine-turned panel within blue enamel decorated border of urns, flowers, stiff leaf and laurel, the sides depicting artichokes against a stippled ground, lozenge maker’s mark to inner rim and French Third Standard guarantee mark for 18ct gold (in use between 1819-1838), length 8.5cm. £4,000-£6,000 --- For a similar example of this maker’s work, see Christie’s sale: French and English Furniture from a Distinguished Private Collection, New York, 24 October 2017, Sale No. 14971, Lot 3. Condition Report The box is in very good condition, decoration crisp. A few very tiny nicks to the dark blue enamel work, visible under 10 x magnification. Clearly struck lozenge maker’s mark to outer rim. Gross weight 144.9gm.
Two chromium plated metal table lamps, for RoR Ltd., circa early 1970s; both of cylindrical form, the smaller example formed of seven bowed vertical louvres, opening to shed light; each cylindrical base with an inset wheel switch; 41 and 34cm high respectivelyRoR (Ringo or Robin) Ltd was founded in 1969 by ex-Beatle Ringo Starr and Robin Cruickshank, whose design company had worked for Apple Records. The two had originally collaborated on furniture and fittings designs for Ringo's Hampstead house
A pair of Tomotom black painted chipboard and card bedside stands, designed by Bernard Holdaway for Hull Traders Furniture Ltd, circa 1966; of cylindrical form, with original paper labels verso; 74cm high, 36cm diameterNote: The Tomatom cardboard collection was launched to great acclaim at the Ideal Home Exhibition of 1966. The range comprised of circular chairs, tables and lamps coated with eye-catching colours and a high gloss finish. The collection was made from chipboard, steel pins and cardboard tubes - which were originally designed for concrete pouring in motorway construction. * Notes Literature Leslie Jackson, Modern British Furniture Design since 1945, V & A Publishing, 2013, p. 185

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73486 item(s)/page