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A QUANTITY OF PEDIGREE SINDY DOLLS AND ACCESSORIES, to include two 1980's dolls both marked 'Sindy' and '033055X' to back of neck, quantity of 1970's furniture including dining table and four chairs, dressing table, wardrobe, kitchen unit with sink, fireplace, bathroom vanity unit with sink, bath, quantity of small accessories including Hostess Trolley and Hairdryer, together with an unbuilt Sindy's 3 Level Home, with a copy of the instructions, no items checked for completeness, battery operated items not checked, battery boxes in fairly good condition, all items in play worn condition with some fading, marking and wear (3 boxes)

A STONEHILL FURNITURE HARDWOOD DINING TABLE ON TURNED LEGS, 75" X 39"

AN ASSORTMENT OF ITEMS TO INCLUDE 110V SOCKETS, DOOR FURNITURE AND FIGURES ETC

A QUANTITY OF VINTAGE FURNITURE AND CLOCK KEYS

A VINTAGE DOLLS HOUSE CONTAINING A LARGE QUANTITY OF FURNITURE

A WOODEN DOLLS HOUSE WITH A QUANTITY OF FURNITURE AND FIGURES

A PORTWOOD FURNITURE EXTENDING DINING TABLE, 56" X 38" (LEAF 18") AND FOUR DINING CHAIRS WITH CANE BACKS

A group of modernist furniture, including a six drawer chest, 125 x 50 x 40cm, a mirrored cube lamp table, 40cm3, a pair of oval side tables, a folding breakfast table, pair of 47cm diameter wall mirrors, a baize top folding card table and two kitchen chairs

Grey 'L' shaped rattan style garden furniture with scatter cushions. Not available for in-house P&P

Sofa stands/furniture rasiers. Not available for in-house P&P

A Q- Ship Casualty Group awarded to Stoker 1st Class David Arthur Collingham. H.M.S. Bergamot, Killed in Action when Bergamot was sunk by U-84 on the 13th of August 1917 comprising 1914-1920 British War and Victory Medals, (K.28401 D.A. Collingham. Sto. 1. R.N.), toned fine (2)HMS Bergamot was an Anchusa-class sloop of the Royal Navy, which had a short career during World War I. Built by Armstrong Whitworth, the ship was laid down on 1 January 1917, launched on 5 May, and commissioned on 14 July.Four weeks later, on 13 August 1917, under the command of Lieut-Commander Percy T. Perkins, she was sunk in the Atlantic 70 nautical miles north-west of the harbour of Killybegs by the German submarine U-84, commanded by Walter Rohr.U-84s War Diary describes how he sighted a lone merchant ship, with no defensive armament (an unusual sight by 1917). Bergamot evidently sighted the U-boat's periscope, as she began to zig-zag at high speed. U-84 fired one torpedo – which hit on the port side – and Bergamot broke in half and sank in four minutes. Surfacing, U-84 sighted an unusually large number of crew (70) and pieces of wood floating. The U-boat's log identifies the possibility of Bergamot being a "trap ship". One of the indicators being the narrow beam in relation to the length of the ship, a sure sign of a warship.The torpedo struck her on the port side at 13 minutes to 9, entering the auxiliary engine room and destroying the dynamo and the bulkhead separating the auxiliary engine room from the main engine room. All the lights went out. Bergamot launched a "panic party" in lifeboat no.1, containing 31 men, but the ship lurched to port, both the bow and stern rising out of the water, and she sank too quickly for the ruse to be successful.U-84 approached Lifeboat no. 2 and asked where the captain was. They were told, "In the other boat, Sir" although actually he was on a small raft being towed by no.2 at the time. U-84 had both her deck guns trained on the lifeboat, but they believed the story and headed for lifeboat no. 1, now about two miles away. There, they went close alongside and hauled the ship's steward aboard, probably because he was the only one with a collar and tie on, and looked like an officer. Luckily, he stuck to the cover story, although questioned severely by Rohr as to "where bound, what cargo?" and was told to go back to his lifeboat, after having been given a glass of port wine and a cigarette, and after also transferring a wounded man that the submarine had picked up to the boat. With a cheery, "See you after the war!" the submarine disappeared into the night mists.At the moment of the explosion, Bergamot's first officer, Lieutenant Frederick W. Siddall, and her probationer surgeon, Robert S. Smith were both in her wardroom. The explosion jammed both of the watertight doors leading into this compartment, and Siddall was rendered unconscious. Smith piled the wrecked wardroom furniture up in order to reach the skylight in the roof, and then dragged the unconscious Siddall up and out of the compartment. Having reached the main deck, Smith worked on both Siddall and a wounded petty officer, who was lying on the deck with a broken leg and arm. By this time the ship was clearly sinking so Smith inflated his casualties life vests and lowered them both into the water.As Bergamot sank one of her depth charges exploded, badly wounding Siddall and again rendering him unconscious. Smith towed both his casualties to lifeboat no.2, which had left the sinking ship, containing 47 survivors, and then worked on Siddall for 25 minutes, administering artificial respiration, until he again recovered consciousness. Smith then treated the other injured survivors in no.2 over the 48 hours that the lifeboats were adrift until they were picked up. For these lifesaving actions, Surgeon Robert Sydney Steele Cathcart Smith was awarded the Albert Medal.The lifeboats became separated through the first night. Lifeboat no.2 set course for Loch Swilly, about 100 miles away, They sailed and rowed for three days before being picked up by the Admiralty trawler Lord Lister. Lifeboat no.1 reached the rocky shores of County Donegal where they were taken ashore by the coastguard.David Arthur Collingham was born on the 19th of March 1884 in Lincolnshire he joined the Royal Navy on the 21st of October 1915 stating that he  was an Iron Founder.  He joined Bergamot on the 14th of July 1917 and was Killed in Action on the 13th of August the same year.  He was the son of Hannah Collingham of 32 Old Bargate, St Botolph’s, Lincoln, he is commemorated on the Plymouth Naval Memorial on Panel 22.Sold with an excellent file of 9 original pieces of Paperwork including the Original Royal Navy Telegram to Hannah Collingham stating:-“I regret to have to inform you that information had been received by this Department to the effect H.M.S. Bergamot was sunk by an enemy submarine on the 13th instant, and that David Arthur Collingham, Stoker 1st Class, Official No. K.28401, who according to the latest records at the Admiralty was serving aboard, was not amongst survivors who have been landed.  It is reported, however, that one or two Officers or men were recovered from the water by the enemy submarine.  In these circumstances it is regretted that your son must for the present be regarded as “Missing”An original photograph of David in uniform, Commonwealth war Graves details, Copy Service Papers, Copy Medal Roll confirming a his Pair, Copy Pension Records.

A heavy Victorian silver copy of the Warwick vase, John Newton Mappin, (Mappin & Webb), London, 1896  With silver plated liner, on an ebonised rectangular plinth base inset with commemorative silver plaques, London 1897, 37cm wide, 29cm deep, 26cm high, overall height including base 44cm high,  (the vase 5067g) Provenance: Property from an historic family collection, Henley-on-Thames The Warwick Vase is a renowned ancient Roman marble vase that has captivated the attention of art collectors, historians, and connoisseurs since its discovery in the late 18th century. Discovered in 1771 at the bottom of a lake at Hadrian's Villa near Tivoli, Italy. The villa, built by the Roman Emperor Hadrian in the 2nd century AD, was a sprawling complex of palaces, gardens, and baths. The vase was found in fragments, buried under centuries of silt and debris. Sir William Hamilton, a British diplomat and antiquarian stationed in Naples, acquired the fragments and later sold them to his nephew, George Greville, the 2nd Earl of Warwick. Greville, an avid art collector, had the vase meticulously restored by the sculptor James Byres in Rome. The reconstruction brought the vase back to its original grandeur, with its intricate carvings of Bacchic scenes—depicting Bacchus (Dionysus), the god of wine, and his followers.  The Warwick Vase gained considerable fame in the 18th and 19th centuries, becoming a symbol of classical antiquity and aristocratic taste. Its design was widely admired and replicated in various forms, including smaller vases, silverware, and even as motifs in furniture and ceramics. The vase’s influence extended beyond Europe, inspiring neoclassical designs in America as well. In the early 20th century, due to financial difficulties, the Greville family sold the Warwick Vase. It was purchased by the Metropolitan Museum of Art in New York, but the British government intervened to keep the vase in the United Kingdom. Eventually, it was bought by the Scottish National Gallery, where it remains today. The Warwick Vase is now housed at the Burrell Collection in Glasgow.

A cast iron circular table with central roselate 19th century 72cm diameterGarden ornament, Garden seating, Garden furniture, Occasional table, Conservatory furniture

An unusual wrought iron and wooden seatearly 20th century 186cm wideArchitectural, Garden ornament, Garden seating, Garden furniture

A Coalbrookdale white painted cast iron table19th century 73cm wide See engravingGarden ornament, Garden seating, Garden furniture, Occasional table, Conservatory furniture

BALFE MICHAEL WILLIAM: (1808-1870) Irish composer, remembered for his operas including The Bohemian Girl (1843). A.L.S., M. W. Balfe, four pages, 4to, Piccadilly, London, 1st February 1847, to Goupy. Balfe informs his correspomdent that he has received a letter from a particular friend ´who tells me that he had found a locataire for us, who would have left all our furniture in the places they now occupy, which my wife so much desires, and he was to give 350 per month for six months´ remarking that it is a great loss to him as the porter ´would not give the keys nor allow the appartement to be let without permission, my wife tells me you had granted´, continuing ´Pray give orders that the house may be let and as I am not responsible for any misunderstanding between you and Madame Balfe you of course will not revenge yourself upon my pocket´ further adding ´My wife tells me that you wanted to move some of the furniture which I have really a great objection to myself, therefore I think it better that there should be no cause of quarrell between you and me considering the old friends we are´ and concluding ´I shall take care of your protege, what is her name, I forget it´. Some age toning to the first page, and some staining and minor traces of former mounting, only very slightly affecting a few words of text, but not the signature, G

ELIZABETH THE QUEEN MOTHER: (1900-2002) Queen consort of the United Kingdom 1936-52 as the wife of King George VI. A.L.S., Elizabeth R, two pages, 8vo, Sandringham, 24th January 1992, to William Tallon. The Queen Mother writes, in full, ´I was so delighted with the beautiful lamp, and I would ask you to convey my very warmest thanks to all those kind members of my Household who joined in this charming gift. A lamp is a very important part of a room´s furniture and this one will look perfect in the place that I have chosen´. Accompanied by the original envelope hand addressed by the Queen Mother to Tallon at Clarence House and signed (´ER´) by her with her initials to the lower left corner. VGWilliam Tallon (1935-2007) British steward employed by the British royal family. Tallon served on the Queen Mother´s staff at Clarence House as Page of the Backstairs from 1978, earning the nickname ´Backstairs Billy´.

BARYE ANTOINE-LOUIS: (1795-1875) French Sculptor of the Romantic period, most famous for his work as an Animalier, a sculptor of animals. Widely considered together with Rodin and Carpeaux as the three great French sculptors of the XIXth century. Although fame did not come until late in life, examples of his larger work include various lions and tigers in the gardens of the Tuileries and the Lion Assis ("Setaed Lion") exhibited at the Louvre museum in Paris. A rare autograph letter with excellent content, A.L.S., `Barye´, one page, 4to, Paris, 20th May 1858, to Mr. Séchan, in French. Barye in a clean writing accepts an order request that he received four months earlier for a sculpture which he values and describes in full detail, stating `J´accepte la commande que vous me faites à la date du 29 Janvier 1858, consistant en une: pendule se portant sur une cheminée, cette pendule représentera Apollon sur un char attelé de quatre chevaux, modèle de cette pendule et son épreuve unique; Mme Pérère restant propriétaire. Compris marbre et dorure, moins le mouvement. Prix convenu à forfait - 14000 Fr. Plus: Candélabres se plaçant de chaque côté de la pendule, pour le modèle et les deux épreuves uniques, Mme Pérère restant également propriétaire du modèle, compris marbre et dorure. Prix convenu à forfait - 6000 Fr. Il est Bien entendu qu´il ne restera des modèles que les fragments des plâtres plus ou moins endommagés qui auront servi à la fonte des épreuves uniques.´ (Translation: "I accept the order that you made to me on January 29th, 1858, consisting of a: clock which will represent Apollo on a chariot drawn by four horses, model of this clock and its unique proof; Mrs. Pérère remaining the owner. Including marble and gilding, less the machinery. Agreed fixed price - 14,000 Fr. Plus: Candelabra to be placed on each side of the clock, for the model and the two unique proofs, Mrs. Pérère also remaining the owner of the model, including marble and gilding. Agreed fixed price - 6,000 Fr. It is understood that only the fragments of the more or less damaged plasters that will have been used to cast the unique proofs will remain.") With address leaf, postmarked and stamped. Very small minor creasing, otherwise VGThe sculpture detailed and valued by Barye in the present letter is a bronze with a height of 80cm, it is considered one of the summits of the artist's work.The critic Paul Manz described the present work this way `Apollon, conduisant son char, se présente de face; des deux côtés s´avancent les Heures, figures légères qui tiennent la bride des cheveaux. Les types sont empruntés à ce que l´antiquité nous a laissé de plus pur et de plus charmant; les cheveaux d´Apollon sont admirables dans leur allure savamment rythmée... Nous ne connaissons, parmi les productions de l´art industriel moderne, aucun oeuvre qui puisse lui être comparée, et Versailles, au temps de ses splendeurs, n´a rien eu de plus beau dans son mobilier royal´ (Translation: "Apollo, driving his chariot, is presented front face; on both sides advanced the Hours, light figures holding the bridle of the horses. The types are borrowed from what antiquity has left us of the purest and most charming; Apollo's horses are admirable in their skillfully rhythmic allure... We do not know, among the productions of modern industrial art, any work that can be compared to it, and Versailles, at the time of its splendors, had nothing more beautiful in its royal furniture")We learn with this letter that the original model was the property of "Madame Pérère", who was the wife of the banker Isaac Pérère, who placed the order with Barye for his hotel in the Faubourg Saint-Honoré.The work is at today´s date exhibited at the Musée d´Orsay in Paris.

RAMS DIETER: (1932- ) German industrial designer associated with Braun, the furniture company Vitsoe and the functionalist school of industrial design. Signed 6.5 x 8.5 photograph of Rams in a head and shoulders pose. With the credit stamp of Hipp-Foto of Berlin to the verso. Signed by Rams in bold blue fountain pen ink with his name alone to a light area at the base of the image. EX

A RARE CHINESE OR TIBETAN POSSIBLY MING DYNASTY GILT COPPER DRAGON HEAD FINIAL, probably a furniture element, 20cm long.

A Historical Overview of English Furniture: From the Age of Oak to the Age of Satinwood A Historical Overview of English Furniture: From the Age of Oak to the Age of Satinwood Percy MacQuoid Published by Lawrence & Bullen Ltd. 1904-1908, London This four-volume collection offers an in-depth exploration of the evolution of English furniture across several distinct periods. Authored by Percy MacQuoid, a prominent British theatrical designer and avid collector of English furniture, these volumes serve as a comprehensive guide to the changing styles and materials that have defined English furniture from the 16th century through the early 20th century. Overview of the Volumes MacQuoid’s work documents the historical progression of furniture design, examining how cultural and artistic influences shaped the aesthetic and functional aspects of furniture in England over several centuries. Each volume delves into a specific era, defined by the predominant use of certain materials and styles: Illustrations and Contributions The visual aspect of these volumes is enriched by the illustrations of Shirley Slocombe, a renowned British artist and printer. Slocombe’s detailed and vivid illustrations complement MacQuoid’s text, providing readers with an understanding of the furniture pieces discussed. Significance of the Collection MacQuoid’s work is not just a chronological record; it also offers insightful commentary on the broader cultural and artistic trends of each period. By analyzing the themes and styles of the Renaissance, Gothic, Restoration, and Dutch influences, MacQuoid provides a holistic view of the evolution of English furniture. This collection is an invaluable resource for historians, collectors, and anyone interested in the history of interior design.

A Matthews Office Furniture Filing Cabinet, Rusted

A Collection of Various Furniture Mounts to Comprise Drop Handles, Castors Etc

Four Continental porcelain figures of Seasons, probably Meissen and for mounting on furniture, approx 10cm high

Meccano, dolls furniture, tin truck, Chad Valley projector slides, door stop, etc.

A set of child's green-painted wicker Lloyd Loom style garden furniture Consisting of a small sofa, two armchairs and a circular table.The sofa 74cm wideQty: 4In used and reasonable condition overall. Later painted.

A Loughborough Furniture for Heal's black tan teak dressing table C.1960. With an adjustable triptych mirror rasied on a teak top with three frieze drawers with brass handles to the front, the tapered square section legs united by an H-frame stretcher.121cm wide x 49cm deep x 133cm high (inciuding mirror)Qty: 1From the estate of Sir John Elliott FBA, an eminent British historian and Hispanist who was Regius Professor at the University of Oxford and honorary fellow of Oriel College, Oxford, and Trinity College, Cambridge.In generally good condition with light wear throughout commensurate with age and use.

Two items of furniture A 1930s Davrard metamorphic walnut fire screen converting to a card table, the shaped top with a linen inset panel, decorated with printed Carolean figures, animals, and floral decoration, the top folding over to reveal a lidded storage compartment, on an adjustable support; together with a George III style wash stand, the bowl mount above an urn shaped soap holder standing on a central section with two drawers raised on triform feet.The fire screen 59cm wide x 36cm deep x 82cm high or 68.5cm high when a table, the washstand 32cm diameter x 86cm high.Qty: 2A piece of veneer missing from the frieze of the table. Otherwise with light scuffing and slight discolouration to the linen. Scuffing and minor losses to the washstand.

A cellarette by Taprell, Holland & Sons The 19th Century mahogany cellarette, of plain sarcophagus form, with a plinth base, and on castors, bearing a label within for 'Taprell, Holland & Sons, 19 Mary-le-bone St., St. James's'85cm wide x 55cm deep x 55cm highThe firm of Taprell, Holland & Sons were active from 1815-1843, and supplied furniture to many London Clubs, All Souls College Oxford, and the British Museum among others. The firm later became Holland & Sons.Some light scuffing and scratching commensurate with age and use to the exterior, the interior with some notable wear to the lead lining particularly on the two ends and a crack in the bottom of the lead, otherwise generally good condition.

Two items of furniture An elm-topped oak bedstand, with two drawers with brass drop handles to the front; and an oak box commode.The bedstand 49cm wide x 40cm deep x 49cm high. The commode 41cm wide x 40cm deep x 48cm high.Qty: 2Significant cracking to the elm top of the bedstand, and other wear commensurate with age and use, of generally sound construction, the drawers sliding smoothly. The commode in generally good condition commensurate with age and use.

Dolls House Furniture. A selection of plastic and metal dolls house furniture to include: a metal stove top oven with frying pan and roasting tin (door doesn't stay fastened), bath fireplace, 2 x boxes of "Dolly's Brassware" (Candlesticks and gong). Items show signs of age related/play wear. (this does not constitute a guarantee) [L]

A box containing various wooden carving, brass door furniture etc.

Box of dolls house furniture

A SELECTION OF OCCASIONAL FURNITURE, to include a small rocking crib, a wall mirror, a revolving bookcase, a magazine rack, a planter, a wicker planter in the form of a tri-cycle, and another planter in the form of a spinning wheel (condition report: all with imperfections, such as marks, scuffs, discolouration, other wear and usage) (7)

THREE PIECES OF J.E COYLE OCCASIONAL FURNITURE, to include a side table, with a raised back, a single frieze drawer, raised on front cabriole legs, width 85cm x depth 43cm x height 82cm, a nest of three tables, and a cabinet with two short over two long drawers (condition report: overall good condition) (3)

A SELECTION OF OCCASIONAL FURNITURE, to include an open bookcase, along with six various tables (condition report: marks, scuffs, stains, discolouration, other wear and usage) (7)

A SELECTION OF OCCASIONAL FURNITURE, to include a pair of pine circular mirrors, a drop leaf table, a plant stand, and a wine rack (condition report: marks, scuffs, discolouration, other wear and usage) (5)

TWO BOXES AND LOOSE OF MIXED TOYS AND CHRISTMAS DECORATIONS to include a box of plush toys comprising bears, dogs, and dolls from modern high street manufacturers, and a box of Christmas decorations to include a vintage table-top miniature white Christmas tree, a small group of vintage tree decorations, assorted modern decorations, artificial flowers, and a wreath, a dolls house height 61cm x length 60cm x width 25cm with detachable roof, a quantity of furniture, figures, etc (2 boxes and loose) (s.d)

A SELECTION OF OCCASIONAL FURNITURE, to include an oak two tier trolley, 76cm x 54cm x height 82, an oak trestle coffee table, an octagonal coffee table with a glass insert, pine stool, a pair of French style walnut two drawer bedside units, and a fire screen (condition report: scuffs, marks and scratches to all items) (7)

A GILT WOOD FRAMED FRENCH ARMCHAIR, with green and gold foliate upholstery, width 79cm x depth 80cm x height 91cm (condition report: this chair does not comply with the Furniture and Furnishings fire Safety Regulations 1988 and therefore, should not be used in a private dwelling general signs of wear and usage)

A BOX CONTAINING DOOR FURNITURE AND BATHROOM FITTINGS including brass door handles, locks, toilet syphon, taps etc

FOUR PIECES OF NATHAN TEAK FURNITURE, to include a double door cabinet, width 103cm x depth 46cm x height 51cm, a single door cabinet, a corner cabinet, and a tv cabinet (condition report: marks, scuffs, other wear and usage) (4)

Original vintage psychedelic Big O poster designed by David Vaughan silkscreened on foil paper. David Vaughan (1944-2003) was a psychedelic artist, known particularly for his work produced during the late 1960s. He worked in collaboration with David Bailey for this series of posters, utilising photographs taken for Vogue of models Sue (Susan) Murray and Jean Shrimpton. Big O formed in 1967 initially producing posters of images featured in Oz Magazine, their work continued until the late 1970s. David Vaughan (8 May 1944 4 December 2003) was an English psychedelic artist who formed the design team Binder, Edwards & Vaughan (BEV), and the father of actress Sadie Frost. He obtained commissions for his psychedelic painted furniture from HRH Princess Margaret, did work for the Beatles in the early 1960s, worked for Expo 67 and Lord John in Carnaby Street, while photographer David Bailey used his work for a series of posters. He was also involved with two events at the Chalk Farm Roundhouse; Jimi Hendrix appeared at one of them on 22 February 1967. Fair condition, small foil loss, marks and staining, creases. Year of printing: 1967, country of printing: UK, designer: David Vaughan & David Bailey, dimensions (cm): 76x51.

Original vintage WWI propaganda poster encouraging contributions to the Sailors' & Soldiers' Tobacco Fund: It is a significant fact that almost every letter from the Front contains a request for 'something to smoke'. Stark black and white artwork by Frank Brangwyn shows a group of soldiers on the front with the tower of the cathedral of Ypres in the background. Ypres is a town in the Belgian province of West Flanders, an area where many battles unfolded during World War I. Printed by the Avenue Press Ltd. Sir Frank William Brangwyn RA RWS RBA (12 May 1867- 11 June 1956) was an Anglo-Welsh artist, painter, watercolourist, engraver, illustrator and progressive designer. Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft (2,000 m2) of the canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows. Brangwyn received some artistic training, probably from his father, and later from Arthur Heygate Mackmurdo and in the workshops of William Morris, but he was largely an autodidact without a formal artistic education. When, at the age of seventeen, one of his paintings was accepted at the Royal Academy Summer Exhibition, he was strengthened in his conviction to become an artist. Initially, he painted traditional subjects about the sea and life on the seas. His 1890 canvas, Funeral At Sea won a medal of the third class at the 1891 Paris Salon. The murals for which Brangwyn was famous, and during his lifetime he was very famous indeed, were brightly coloured and crowded with details of plants and animals, although they became flatter and less flamboyant later in his life. Good condition, water marks, creases and repaired tears in margins, backed on cardboard. Year of printing: 1915, country of printing: UK, designer: Frank Brangwyn, dimensions (cm): 76x49.5.

Original vintage psychedelic Double Head Big O poster designed by David Vaughan featuring photographic images of model Sue (Susan) Murray by photographer David Bailey, silkscreened on foil paper. David Vaughan worked in collaboration with David Bailey for this series of posters, utilising photographs taken for Vogue of models Sue (Susan) Murray and Jean Shrimpton. Big O formed in 1967 initially producing posters of images featured in Oz Magazine, their work continued until the late 1970s. David Vaughan (8 May 1944-4 December 2003) was an English psychedelic artist who formed the design team Binder, Edwards & Vaughan (BEV) and was the father of actress Sadie Frost. He obtained commissions for his psychedelic painted furniture from HRH Princess Margaret, did work for the Beatles in the early 1960s, worked for Expo 67 and Lord John in Carnaby Street, while photographer David Bailey used his work for a series of posters. He was also involved with two events at the Chalk Farm Roundhouse; Jimi Hendrix appeared at one of them on 22 February 1967. Jean Rosemary Shrimpton (7 November 1942) is an English model and actress. She was an icon of Swinging London and is considered to be one of the world's first supermodels. She appeared on numerous magazine covers including Vogue, Harper's Bazaar, Vanity Fair, Glamour, Elle, Ladies Home Journal, Newsweek, and Time. In 2009, Harper's Bazaar named Shrimpton one of the 26 best models of all time, and in 2012, TIME named her one of the 100 most influential fashion icons of all time. She starred alongside Paul Jones in the film Privilege (1967). Poor condition, marks and staining, cracks, folds, creases, foil peeled off in several places. Year of printing: 1967, country of printing: UK, designer: David Vaughan & David Bailey, dimensions (cm): 75.5x50.5.

Large original vintage advertising poster for the O.B.M. furniture store in Rouen: OBM Meubles Place 18 St Marc Rouen. Great Art Deco image on a black background of a mover in a white top and blue overalls carrying an elegant red cabinet with the text in yellow, white and blue. Designed by the Havas advertising agency established in 1835 by Charles-Louis Havas. Good condition, folded as issued, minor loss on folds. Country: France, year of printing: 1930s, designer: Havas, size (cm): 160x120

China - Polychrome porcelain vase decorated with furniture, Qianjiang cai, Artist: Fang Jiazhen, late 19th century. Slight restoration to the collar. - Weight: 4.00 kg - Shipping unavailable - Region: Chine - Sizes: H 435MM X D 200MM

RBC Furniture (Made in England) - Georgian design mahogany dining table, rectangular top with rounded corners, satinwood and burr walnut bandings, two D-ends with two additional leaves and support rails, on barrel turned pedestals with four out-splayed reeded supports, brass cups and castors Dimensions: Height: 75cm  Length/Width: 304cm  Depth/Diameter: 120cm

The Red-blue or the Rietveld chair, made of beech wood with the typical red, blue, yellow and black colours, produced by Italian furniture maker Cassina, design Gerrit Rietveld, numbered 7414 and markedDe Rood-blauwe of de Rietveld stoel, gemaakt uit beukenhout met de typische rood, blauw, geel en zwarte kleuren, geproduceerd door Italiaans meubelmaker Cassina, design Gerrit Rietveld, genummerd 7414 en gemerkt88 x 83 x 66 cm

Documentation folder with folders about lighting and furniture from 1958 to 1960Documentatiemap met folders over verlichtingen en meubilair van 1958 tot 1960

A collection of wooden garden furniture. Comprising a folding rectangular table and four chairs, H86cm

Various furniture, including a modern glass topped tv display unit, small metal occasional table and fabric storage stool (3)

Assorted furniture, including: two standard lamps,  and two folding bed trays, one with Silverdale label, the other likely the same, (4).

An Ercol Utility Furniture rocking chair of small proportions, 74 x 60 x 76 cm.

Assorted furniture, including; small work table with hinged top and drawer, 44 x 44 x 45 cm, sutherland table, wine table and coffee tbale with glass top, (4)

Assorted furniture, including; a three tier folding cake stand, 91 cm, an Edwardian bedroom chair, stool, footstool, and child's desk, (5).

Assorted furniture, including: a two drawer file cabinet on castors, 69 x 46 x 46 cm, occasional table and magazine rack, (3).

A Crittal Steel Furniture fitted locker

Mid century teak four drawer dressing table with three fitted mirrors and matching stool, produced by Symbol furniture limited. [123x150x42cm]

Ercol Furniture - a mid-century Ercol beech and elm coffee table. Turned tapering legs, with magazine rack support underneath. 36cm x 103cm x 46cm.