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Lot 2291

A vintage home and colonial stores glass window lamp. Postage category D

Lot 1350

A collection of blue glass items including Murano examples, Shipping category D.

Lot 1244

A gilt metal a d opaque glass table centre piece two copper hunting horns a ceramic dog ornament carriage clock wall masks a d other oddments (a lot)

Lot 1292

A mid 20th century design Murano glass dish with scroll ends

Lot 2376

A collection of various fishing rods to include. Dawsons Of Bromley Challenger Rod 10ft aprox.W Haynes & Son Cork 3 piece rod.Reliant Rod 4 piece rod.Unknown make 2 piece rod 10 ft approx.Swydun or Suydun, 5 piece rod.Bernard & Son 2 pieces and looks like the middle section is missing ?unknown make and looks like its a metal 3 piece rod.Rydlin glass fibre 2 piece rod.2 pieces of bamboo middle secions, no handle or top section. Maybe good for spares.

Lot 1463

A pair of modern design glass and beach wood tables. Approx height 51cm.

Lot 1120

A Langham glass bird ornament , 15.5cm tall. Postage category D- NO RESERVE

Lot 1231

A collection of cut glass ware including vases and plates. (No reserve)

Lot 1152

A box of portmerion vases and other ceramics and glass vases.- NO RESERVE

Lot 1167

Crystal cut glass including a Royal Doulton bowl, crystal Stemware, Waterford crystal nativity scene, candle holder etc. postage category D

Lot 1157

A Ruby cut glass vase with star cut design. 38 cm .

Lot 1443

A stained glass panel, approx 53cm x 62cm. Shipping category D.

Lot 2211

A model sailing ship in a glass case.40x33cm- NO RESERVE

Lot 1352

A pair of Victorian style cranberry lustres with floral panels and glass drops 33 cm .

Lot 814

A Art Nouveau style side lamp with glass shades.

Lot 1215

Two boxes of ceramics including a Beswick figural group, Wedgwood jasperware, glass paperweights, etc. Shipping category D.

Lot 1141

A collection of glass ware including cut glass vases, 5 glasses & 2 jugs.- NO RESERVE

Lot 1478

A late Victorian shop cabinet with four drawers with glass fronts Whall & Co needles Crochet hooks Knitting pins. Sold with contents. Height 30cm width 36cm

Lot 1158

A Collection of glass ware including a decanter with silver collar and a Collection of Murano.

Lot 1210

Murano modern design art glass a vase and dish. Hight 30cm.

Lot 1221

Five glass cut decanters. (No reserve)

Lot 828

A Victorian magnifying glass with heavy brass handle with a brass Bulldog head finial. 28cm long. Postage category D

Lot 1257

A 20th Century modern design Wedgwood Barbecue pattern coffee service damage to coffee pot cover and cup handle. A large 19th Century Victorian Sunderland lustre jug with inscription and study of a sailing ship and a red glass decanter (a lot)

Lot 1227

A collection of Carnival glass dishes no obvious damage. (7)

Lot 1117

A collection of glass ornaments including an eagle figure and various paperweights including Langham, Caithness, Medina. Postage category D- NO RESERVE

Lot 1333

A collection of Swarovski figures including boxed unicorn, Christmas teddy, snowman, Dinosaur, Disney’s Flower from Bambi, together with glass paperweights in the form of a badger, rabbit etc

Lot 1351

A pair of green and blue glass ornamental vases and other glass and ceramic items. Shipping category D.

Lot 1361

A glass biscuit barrell with a silver lid, two glass decanters and pot pourri (4). Shipping category D.

Lot 2286

A collection of rear glass lenses and filter bowls for various vintage cars. Postage category D

Lot 1439

4 glass mantle clock with visible pendant & roman numerals. 34cm x 22cm x 12cm

Lot 16

Lalique, France. Glass "Marguerites" centerpiece bowl with a ribbed bowl and a frosted rim with molded daisies. Etched maker mark along the underside. First designed by Rene Lalique in 1933.Height: 2 3/4 in x diameter: 14 1/2 in.Condition:No chips, cracks, losses, or restorations. Some dust/accretions in the recessed areas of the flowers. Light wear along the underside consistent with light use.

Lot 250

Michael Godard (American, 20th/21st c). Giclee on canvas titled "Stack and Burn" depicting a burning paper plane made from a bill flying around a martini glass. Animated olives frolick on stacks of money and the rim of the glass. From the "Don't Drink and Draw" series, 2005. Signed in print and numbered 77/100 along the lower right. Signed and with an inscription along the verso. With a certificate of authenticity.Height: 22 in x width: 17 1/2 in x depth: 1 3/8 in.Condition:There are no losses or restorations. Craquelure throughout, mostly limited to the edges of the print. The work is not framed.

Lot 15

Murano, Italy. Pair of hand-blown glass lamps with gold fleck. In the manner of Venini Diamonte, Barovier & Toso, and Donghi Ondoso.(Each; without shade) Height: 44 1/2 in x diameter: 10 1/2 in.Condition:There are no major losses, chips, or cracks. There are losses to the gilt stands. There are losses to the interior gold fleck. Both have been tested and turn on. We make no guarantees regarding prolonged use of the lamps.

Lot 174

Jeanette Pasin Sloan (American, b. 1946). Color lithograph titled "Club" depicting a hyperreallistic still life of a reflective silver teacup and saucer surrounded by a southwest-style blanket, 1996. Pencil signed and dated along the lower right; titled along the lower center; numbered 17/20 and noted "State II" along the lower right.Sight; height: 24 in x width: 25 in. Framed; height: 33 in x width: 33 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 197

Reuben Nakian (American, 1897-1986). Ink and gouache on paper abstract painting depicting an abstract splash of black. Signed along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 10 3/4 in x width: 13 1/2 in. Framed; height: 17 1/2 in x width: 20 1/4 in x depth: 1 in.Condition:There are no visible tears, creases, or losses. The sheet is toned. There is undulation to the sheet. No signs of restoration under UV light. Framed under glass. Not examined out of frame.

Lot 14

Bertil Vallien (Swedish, b. 1938) for Kosta Boda Glass, Sweden. Opaque blue glass head sculpture, likely from the artists "Brains" series, ca. 1990s. Signed and inscribed along the underside "Kosta Boda Unique 8BVAON 999857." With a smaller glass sculpture floated inside the head.The innovative fusion of light and color make Bertil Vallien's sculptures among the most celebrated in Europe. Raised in Sweden, Vallien was drawn to the creative freedom of art and inspired by the textural possibilities of clay. He studied ceramics at the Konstfack School of Arts, Crafts, and Design and then spent time in Los Angeles, where his glass art won a prize in the Young Americans competition for his stoneware entry Family on Whale. After returning to Sweden, a fascination with maximizing glass’s ability to absorb light became his passion. He’s known best for his boat forms, faces, and heads. Bertil Vallien's sculptures are part of important museum collections and have garnered prestigious awards, including the Visionary Award from New York's Museum of Arts and Design.Height: 7 3/4 in x width: 5 in x depth: 7 in.Condition:The item is in good condition with no major cracks or losses. Light wear throughout as expected. Under UV light, there is no visible sign of restoration. Throughout the exterior, there are scratches that are original to the piece. Due to the original design, it is difficult to discern whether some scratches are original or damaged. However, none of them alters the overall appearance of the item. There is a minute dent to the tip of the nose, visible in the lot listing.

Lot 91

Alekos Fassianos (Greek, 1935-2022). Lithograph on paper titled "Fish" depicting a figure striding through the composition with several fish in hand. Pencil signed along the lower left; numbered 9/60 along the lower right.Sight; height: 27 in x width: 19 in. Framed; height: 33 in x width: 25 in x depth: 1 in.Condition:There are no major tears or losses. The sheet is lightly toned. There are faint creases in the upper right quadrant. There is very light undulation to the sheet. There are no signs of restoration under UV light. There is wear to the frame. Not examined out of frame, framed under glass.

Lot 3

Orient and Flume, Chico, California. Group of three favrile glass paperweights. All with etched signatures along the footrim or underneath. Two additionally signed "Cricket" indicating they were custom-made for their signature store. The two round paperweights dated 1978 and the oblong paperweight dated 1979.Height ranges from 2 1/2 in to 4 in; diameter ranges from 2 1/4 in from 2 3/4 in.Condition:There are no chips, cracks, losses, or restorations. Some light wear and scratches along the underside. Two paperweights with partial stickers affixed to the underside.

Lot 73

Adrian Pearsall (American, 1925-2011) for Craft Associates, United States. Mid-century Modern coffee table. Two-piece walnut base with a plate glass top.Height: 15 in x width: 26 1/2 in x depth: 51 in.Condition:The structure is stable. There are no major chips or cracks. There is a minute scuff along the top of the right side of the wooden component, as show in listing image. There are minute scuffs throughout the wood components. There are light scratches throughout the glass top. There are no signs of restoration or repair.

Lot 131

Len Guggenberger (American, 20th/21st c). Watercolor and gouache painting depicting a snowy landscape with an abandoned cart and farm buildings in the background. Signed along the lower right.Sight; height: 12 in x width: 18 1/4 in. Framed; height: 19 1/2 in x width: 25 1/2 in x depth: 1 1/2 in.Condition:The colors are deep and bright. There are no tears, creases, or losses. There are no signs of restoration under UV light. Framed under glass. Wear to the frame. Not examined out of frame.

Lot 79

Warren Platner (American, 1919-2006) for Knoll International, New York, United States. Platner Collection Mid-century Modern coffee table, designed in 1966. Clear, beveled glass and chrome-plated steel.Provenance: Distinguished Corporate Collection, Minnesota.Height: 15 in x diameter: 36 in.Condition:The table is in good condition with no visible cracks, or major chips or losses. It is structurally stable, all components are present. The glass top is not attached to the base. Light wear throughout, as expected. Very light metal erosion along the metal components; however, it does not affect the overall appearance of the furniture. No visible cracks to the top; light scratches to the top. No visible sign of restoration.

Lot 13

Timo Sarpaneva (Finnish, 1926-2006) for Iittalia, Finland. Group of 13 glass candlesticks in varying sizes. Twelve marked "T.S." along the footrim. One with a "Made in Finland" sticker affixed to the top.Height ranges from 3 in to 12 1/2 in; diameter ranges from 3 in to 3 1/2 in.Condition:There are no visible chips, cracks, losses, or signs of repairs under UV light. There is wear to the footrim, consistent with use.

Lot 253

Karen (Hansen) Carson (American, b. 1943). Lithograph titled "Holy Virgin Mattress" depicting a bed, seemingly extending out from the framed space, topped by a depiction of the Virgin Mary flanked by angels, April 1974. Pencil signed and dated along the lower right; numbered 14/50 along the lower left. With a certificate of authenticity from Cirrus Editions.Sight; height: 19 1/2 in x width: 27 in. Framed; height: 23 in x width: 30 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 112

Stuart Shils (American, b. 1954). Oil on paper painting titled "Urban Ruins" depicting the crumbling remains of a brick building, 1995. Signed and dated along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 10 3/4 in x width: 10 3/4 in. Framed; height: 19 1/4 in x width: 19 in x depth: 1 1/2 in.Condition:No visible tears, losses, or restorations. Extreme edges and verso not inspected. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 92

Alekos Fassianos (Greek, 1935-2022). Lithograph on paper titled "Pink" depicting a recumbent nude woman. Pencil signed along the lower left; numbered 6/50 along the lower right.Sight; height: 19 1/4 in x width: 24 3/4 in. Framed; height: 26 in x width: 31 1/4 in x depth: 1 in.Condition:The colors are bold and bright. There are no major tears, losses, or creases. There is undulation to the sheet. The sheet is lightly toned. Framed under glass. There is wear to the frame, not examined out of frame. No signs of restoration under UV light.

Lot 135

Ellery Gibson (American, 1916-2010). Watercolor on paper painting titled "Aspen Shade" depicting a landscape with a pond and a forest. Signed along the lower left; titled along the verso.Sight; height: 29 in x width: 19 in. Framed; height: 36 1/2 in x width: 26 1/4 in x depth: 1 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. There is an undulation to the sheet throughout. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 232

Raul Guerrero (American, b. 1945). Silkscreen in multiple colors on Arches paper depicting a geometric circular composition of connecting lines, all in a rainbow of colors extending outwards from a central white circle, 1974. Pencil signed and dated April 19, 1974 along the lower right; numbered 14/50 along the lower left. Published by Cirrus Editions, Ltd. and with a certificate of authenticity.Sight; height: 21 1/2 in x width: 21 1/2 in. Framed; height: 23 1/4 in x width: 23 1/4 in x depth: 1 1/4 in.Condition:There are no visible tears, creases, losses, or restorations. The work is floated in frame. Framed under glass; light wear to the frame. Verso of the work not inspected; not inspected out of frame.

Lot 12

Timo Tapani Sarpaneva (Finnish, 1926-2006) Iittala, Finland. Hand-blown textured glass vase with a slightly flared rim. Etched signature and "2261" along the underside.Height: 10 in x width: 7 in x depth: 4 in.Condition:No chips, cracks, losses, or restorations. Light wear along the underside consistent with light use.

Lot 266

Suzanne Caporael (American, b. 1949). Relief on Echizen Kozo paper titled "Lime Island" depicting a landscape in bright blocked colors, 2009. Pencil signed along the lower right; editioned 28/30 along the lower left. Sight; height: 6 in x width: 14 1/2 in. Framed; height: 15 1/4 in x width: 23 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Extreme edges and verso of the print not inspected; not inspected out of frame.

Lot 194

Marc Chagall (Russian/French, 1887-1985). Lithograph on Arches paper titled "Portrait d'Apollinaire" depicting a face surrounded by an abstract background of purple and green foliate motifs, printed ca. 1976. From the suite " Les Ateliers de Chagall" created in collaboration with Fernand Mourlot, and Robert Marteau, and printed by Charles Sorlier under the artist’s supervision. From an edition of 250.Provenance: Grand Central Gallery, St. Paul, MN; Private Minnesota Collection.Sight; height: 16 in x width: 12 1/4 in. Framed; height: 22 1/4 in x width: 18 1/2 in x depth: 1 in.Condition:There are no visible tears, creases, or losses. The sheet is toned. There are minute spots of foxing throughout the margins. Not examined out of frame. Housed under an acidic mat; toning to the mat. Framed under glass; light wear to the frame.

Lot 204

Ger Lataster (Dutch, 1920-2012). Gouache on paper painting depicting an Abstract Expressionist composition in bold white, red, and blue against a black and cream background, 1965. Pencil signed and dated along the lower right.Provenance: Dayton's Gallery 12, Minneapolis, Minnesota; Distinguished Corporate Collection, Minnesota.Sight; height: 35 in x width: 23 1/4 in. Framed; height: 42 in x width: 30 in x depth: 1 in.Condition:There are no visible tears, creases, or losses. The sheet is lightly toned. No signs of restoration under UV light. Framed under glass. Not examined out of frame.

Lot 245

Emmy Lingscheit (American, 20th/21st c). Lithograph on paper titled "Transitioning" depicting hybrid creatures in cocoons against a yellow background. The corners are decorated with foliate motifs filled with more creatures. Pencil signed along the lower right; titled along the lower left; numbered 4/4 along the lower center.Sight; height: 21 in x width: 15 1/2 in. Framed; height: 26 1/2 in x width: 20 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Light wear to the deckled edges. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.

Lot 192

Marc Chagall (Russian/French, 1887-1985). Etching and aquatint from the series "Ce lui qui dit les choses sans rien dire (One who says things without saying anything)" published with poet Louis Aragon, 1975-76. Signed in pencil along the lower right. Published by Maeght Editeur, Paris. Printed on the front of a folded sheet, in which the poem "L'Apocalypse Selon Marc" is printed along the interior.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Cramer 99.Lot Essay:Chagall's paintings are characterized by their lyrical compositions, vibrant colors, and whimsical imagery drawn from his memories of his Jewish upbringing, Russian folklore, and the rural landscapes of his youth. His works often feature floating figures, airborne animals, and dreamy landscapes, imbuing his art with a sense of otherworldly beauty and magic.Throughout his prolific career, Chagall's art remained deeply personal yet universally resonant, transcending cultural and geographical boundaries. His groundbreaking use of color and form influenced generations of artists, while his ability to evoke emotion and evoke a sense of wonder captivated audiences worldwide. In addition to painting, Chagall also explored other mediums such as stained glass, ceramics, and tapestries, leaving a lasting impact on the fields of applied and decorative arts.Chagall's enduring legacy as a master of modern art is marked by his unwavering commitment to creativity, imagination, and the power of love and hope in the face of adversity. His ability to capture the human experience in all its complexity and beauty continues to inspire and enchant, reminding us of the transcendent power of art to illuminate the human spirit and transcend the limitations of time and space. Through his visionary artistry and his profound exploration of the mysteries of existence, Marc Chagall remains a towering figure in the pantheon of great artists.Sight; height: 18 1/2 in x width: 14 in. Framed; height: 27 1/4 in x width: 22 3/4 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no tears, creases, or restorations. There is an undulation to the sheet throughout. Along the verso there are two areas of skimming/residual framer's tape. The work has been removed from its hinges and is currently unframed. The paper backing of the frame has been cut along three edges (not pictured). Frame with plexiglass.

Lot 249

Michael Godard (American, 20th/21st c). Giclee on canvas titled "Matrix Martini" depicting his iconic animated olives blasting through a martini glass with a green and black number background from the movie "The Matrix." From the "Don't Drink and Draw" series, 2005. Signed in print and numbered 54/100 along the lower right. Signed and with an inscription along the verso reading "Chris, how deep does the rabbit hole go?? Life's intoxicating." With a certificate of authenticity.Said Godard of this work: "This piece was inspired by the blockbuster movie The Matrix. This is a rendition of the classic Matrix scene as portrayed by our Olives. Instead of a bullet, however, we see one olive hurling a toothpick, which strikes the glass stem. The other olive performs the extreme Matrix bend to avoid being hit. In the background also see the numerical code from the movie, making this a perfect image for Matrix fans."Height: 17 1/2 in x width: 22 in x depth: 1 1/2 in.Condition:There are no losses or restorations. Craquelure throughout, mostly limited to the edges. The work is not framed.

Lot 50

Dan Johnson (1918-1979) for Brown Jordan, United States. Pair of two "Sol Y Luna" armless patio dining chairs and one square table, lacking the glass top. Cast aluminum with a textured finish. One chair and table marked with labels along the frame. Originally dubbed "Gazelle," the original production in 1954 only produced around 150 pieces. Now produced in cast aluminum rather than bronze and wood, the "Sol Y Luna" takes a new approach to Johnson's timeless Mid-century design.(Table) height: 28 3/4 in x width: 24 3/4 in x depth: 24 3/4 in. (Chairs, each) height: 34 in x width: 20 in x depth: 22 in.Condition:All items are structurally sound and stable. There is some wear throughout including areas where the finish has rubbed away and the silver aluminum is visible (mostly along high touch points). One of the chairs is lacking the original sticker along the back of the seat. Some light dirt/dust gathered in the recessed areas. As stated in the listing, the table is lacking the original plate glass top.

Lot 105

Rene Pena (Cuban, b. 1957). Black and white silver gelatin print photograph depicting a male torso, 2002.Provenance: Catherine Jordan; Silent Auction for OutFront Minnesota, February 4, 2004; Melanie Sanco; Private Minnesota collection.Sight; height: 18 in x width: 12 1/2 in. Framed; height: 24 in x width: 18 1/2 in x depth: 1 in.Condition:There are no major creases, tears, or losses. There is a minute scuff along the upper right quadrant. The emulsion appears smooth. There is a minute accrection along the upper right quadrant. There is a minute spot along the margin in the lower left margin that appears to be a part of the developing process. The verso of the backing board appears to have moisture exposure that does not affect the print. The print is mounted to a backing board along the top. Framed under glass.

Lot 17

Baccarat, France. Crystal glass ice bucket with brass handles. Etched maker mark along the base. With the original packaging.(Bucket) Height: 9 in x diameter: 10 in. (Box) height: 9 1/4 in x width: 12 1/4 in x depth: 13 in.Condition:No major cracks or chips. Handles are firmly affixed. There is faint scuffing along the interior walls. There is a minute scuff beneath the interior wall of one of the handles and a faint scratch beneath the other handle. No signs of obvious repair.

Lot 74

Vladimir Kagan (American, 1927-2016). Vintage rectangular Mid-century Modern two-tiered side table. Likely walnut with a plate glass top. A lovely match to the next lot in this auction.Height: 21 1/4 in x width: 20 1/2 in x depth: 34 1/4 in.Condition:The structure is stable. There are scratches, chips, and losses throughout, in particular along the edges of the wooden structure. There is craquelure along the front edge of the wooden component. There is an area of discoloration along the top surface of the wooden component, measuring approximately 5 inches long. There are light scratches to the glass surface. There are small losses to the legs.

Lot 171

James Kielkopf (American, b. 1939). Enamel on glass artwork titled "Spacial-temporal Self Portrait," depicting the head of the artist in bold yellow, blue, black, and gray on layered panes of glass held within a wood frame, 1966. Signed, titled, and dated along the verso. Minneapolis Institute of Art label affixed to the verso.Provenance: Distinguished Corporate Collection, Minnesota.Height: 12 3/4 in x width: 13 in x depth: 3 1/2 in.Condition:Overall the work feels sturdy and stable. There are no apparent cracks, chips, losses, or restorations. Some very slight clouding to the glass. Some light dust/debris gathered in the work.

Lot 142

Roger Brown (American, 1941-1997). Silkscreen on paper titled "Cosi Fan Tutte" depicting two figures meeting in a darkened garden with two listening from behind foliage, 1979. Signed and dated along the lower right; titled along the lower center; numbered 19/75 along the lower left. The work's title is derived from a Mozart opera.Sight; height: 27 1/2 in x width: 19 1/4 in. Framed; height: 36 in x width: 27 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and deep. The sheet is very slightly toned. There are no visible tears, creases, losses, or restorations. Framed under glass; light wear to the frame. Not inspected out of frame.

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