Greek Apulian Ceramic Guttos 5th-3rd century BC. A small conical blackware vessel with flared base, conical spout, strap handle to one side, circular opening to the upper face. 102 grams, 82mm (3 1/4"). Ex Harvey collection; acquired by the owner's father during the 2nd World War in Palestine. Fine condition.
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Greek Apulian Kylix with Laurel Leaves 5th-3rd century BC. A broad blackware bowl with two square handles and pedestal foot, central painted rosette surrounded by a band of laurel leaves and berries. 213 grams, 21.5cm (8 1/2"). From an important London collection, acquired in the 1970s. Fine condition.
Greek Apulian Blackware Lekanis with Ladies of Fashion 4th century BC. A small lekanis with pedestal base and square handles to the sides, discoid handle to lid; the handle with central rosette; palmettes and female busts to the upper face each with necklace, earring and stephane picked out in cream. 220 grams, 15cm (6"). UK art market, acquired prior to 1980. Fine condition.
Greek Ceramic Janiform Jar 5th-3rd century BC. A small terracotta vessel with short neck, flared rim and strap handle; the body formed as two addorsed female heads with lentoid eyes, small puckered mouth, textured hair. 93 grams, 66mm (2 1/2"). Ex Harvey collection; acquired by the owner's father during the 2nd World War in Palestine. Very fine condition.
Greek Late Athenian Redware Oinochoe 3rd century BC. A black glazed bulbous oinochoe with trefoil mouth and strap handle to the reverse; within a geometric frame, a running female in loosely draped robe, probably his wife (the goddess Hebe) offers a vessel to Herakles, looking backwards and with the lionskin mantle to his shoulders, aulos in his left hand, a leaping hare between them. 519 grams, 21cm (8 1/4"). Ex Brigantia Antiquities, York, UK; formerly from a North Country private collection in the early 1980s, acquired from Astarte Gallery, London, UK. Very fine condition. Accompanied by an Art Loss Register certificate.
Greek Terracotta Aphrodite Figure 5th century BC. A hollow figurine of Aphrodite with carefully dressed hair, left hand supporting her breast through her chiton; the hair forming two loops beside the ears; mounted on a custom-made stand. 84 grams, 81mm including stand (3 1/4"). Property of a Hertfordshire collector. Fine condition.
Greek Hellenistic Terracotta Goddess Figurine Hellenistic, 4th-1st century BC. A cast terracotta figurine of a goddess standing robed with right hand raised to grip the headdress, made in Alexandria, Egypt; mounted on a custom-made stand. 222 grams, 19.5cm (7 3/4"). Property of a Hertfordshire collector. Fine condition.
Greek Terracotta Female Head 4th century BC. A finely modelled female head with carefully dressed hair and stephane, slightly inclined; mounted on a custom-made stand. 230 grams, 81mm (3 1/4"). Ex Ellis collection, formerly in the collection of Ernest Seymour Thomas (d. 1936), England, acquired in the early 20th century, thence by descent. [No Reserve] Fine condition.
Greek Thracian Stone Heros Karabazmos Horse and Rider Stele 1st century BC-2nd century AD. A carved limestone stele with pentagonal recess and inscription to the base; the recess with the Thracian Rider motif modelled in the half-round on a leaping plumed horse, wearing tunic, helmet and riding cloak, right hand raised holding a torch; the base inscribed '???????????[...] / ?????????????[...] / ???'. 6.7 kg, 32cm (12 1/2"). From an important North London collection formed before 1980. Heros Karabozmos was a Thracian deity connected with the underworld and is often shown defeating a dragon or serpent. His cult spread across the Roman world when Thrace became part of the Empire. In late antiquity and the Byzantine period his cult influenced the iconography of St George. Very fine condition.
Western Asiatic Bactrian Gold Earring Pair 5th century BC. A matched pair of fabricated earrings, each comprising a hollow penannular tube with domed finials, hinge and suspension bar attached; to the outer edge of the tube, nine rings each with a hollow discoid pendant; to the inner edge of the tube, a crescentic plaque set with six garnet cloisons and a heart-shaped cell with granule detail, inset cabochon garnet, supporting a sheet gold flower. 24 grams total, 54mm each (2 1/4"). From an important North London collection formed before 1980. Cf. crescent earrings with pendants in Williams, D. & Ogden, J. Greek Gold - Jewellery of the Classical World, London, 1994, item 9. [2] Fine condition.
Greek Bronze Illyrian Helmet 6th century BC. A sheet-bronze Illyrian-style helmet with two parallel ribs to the bowl, rectangular facial aperture, narrow flange to the rear; punched annulets to the border of the aperture and cheek-plates; small holes to the brow and ends of the cheek-plates. 850 grams, 26cm (10 1/4"). Property of a Welsh collector; acquired early 2000 from John Moore Antiques, Bedfordshire, UK. The term 'Illyrian' describes a style of bronze helmet, which in its later variations covered the entire head and neck, and was open-faced in all of its subsequent forms. Its earliest styles were first developed in ancient Greece, specifically in the Peloponnese, during the 8th and 7th centuries BC (700–640 BC"). Accurate representations on Corinthian vases are sufficient to indicate that the Illyrian type helmet was developed before 600 BC. The helmet was misleadingly named as an Illyrian type due to a large number of early finds coming from Illyria. Fine condition; restored. Accompanied by an Art Loss Register certificate.
Greek Thracian Bronze Helmet Cheek Piece Pair with Gryphons 5th century BC. Three fragments of cheek two pieces from a Thracian helmet comprising: one with riveted hinge and linchpin above, repoussé gryphon's head with beak, pricked ears and radiating mane; one from the same cheek piece, D-shaped with repoussé hind-legs and tail; one D-shaped with flared edge, repoussé lower body, hind-legs and tail, pierced at the lower edge to accept a thong. 36 grams, 60-78mm (2 1/2 - 3"). Property of a Surrey collector; acquired in the early 1970s. [3] Fair condition.
Greek Aegean Bronze Sword Blade 2000-1900 BC. A broad tongue-shaped Bronze Age blade with median flat-section rib, rounded tip, waisted ricasso at the shoulders, short square-section tang. 223 grams, 39cm (15 1/4"). Property of an Essex gentleman; acquired on the UK art market. Cf. Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, item 486. Fine condition.
Greek Aegean Bronze Sword Blade 2000-1900 BC. A broad tongue-shaped Bronze Age blade with median flat-section rib, rounded tip, waisted ricasso at the shoulders with piercing, short square-section tang. 231 grams, 41cm (16 1/4"). London private collection, acquired 1980s. Cf. Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, item 486. Fine condition.
Greek Trojan Bronze Sword Blade 12th-10th century BC. A very long Troy type Bronze Age rapier with narrow triangular blade, thick rounded midrib, rounded tip, scooped shoulders with lateral flanges, round-section tang with flattened finial. 451 grams, 59.5cm (23 1/2"). London private collection, acquired 1980s. Cf. Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, plate 11, item 483 ascribed to Troy (Anatolian Troad"). Very fine condition.
Post Medieval Gold Decorated '*NOSSE.TE IPSVM' Posy Ring with Mystical Symbol 18th century AD. A barrel-shaped band with scrolled foliage to the outer face, inscribed to the inner face in seriffed capitals '*NOSSE ?TE IPSVM' (for 'nosce te ipsum 'know thyself'), followed by a magical (?) symbol. 1.55 grams, 18mm overall, 16.02mm internal diameter (approximate size British K, USA 15 1/2, Europe 10.27, Japan 10) (3/4"). Property of a London collector; acquired in the 1990s. The Latin tag nosce te ipsum 'know thyself' is a direct translation of the Greek aphorism ????? ??????? which was inscribed in the forecourt of the Temple of Apollo at Delphi, according to the Greek writer Pausanias (Description of Greece10.24.1"). It has been ascribed to a number of Greek philosophers and authors including Thales and Chilon, to whom it was still attributed in the 10th century Byzantine Suda. Plato used it in a number of his plays, generally making it clear that the phrase was handed down from antiquity. The significance of the phrase has been much discussed. It is generally agreed to act as a warning to persons of influence not to be swayed by flattery and ideas of self-importance, but rather to bear in mind personal limitations. Very fine condition.
A miniature silver and enamel boudoir timepiece, the rectangular plate movement with lever platform, signed F.C.C., no. 56045, the movement also stamped JTC in a lozenge, silvered dial with Roman numerals and machine turned centre, the case decorated with translucent blue enamel, over a guilloche ground, the sides with circular grey enamel portrait busts of Greek warriors, on hardstone stepped base, c. 1910, 3in (7.4cm) high.
Two Greek bronze horses, with cylindrical body, long arching neck with short mane, square muzzle with round bulging eyes, 9cm - 10cm long, c. 8th Century B.C., Geometric Period. (2) Provenance: Sotheby's London, 8 July 1993, Lot 325 (part). English private collection formed between the 1960's - 1970's.
A George III mahogany chest on chest, the moulded cornice with Greek-key edge over two short and three long graduated drawers flanked by reeded canted uprights, over a further three long graduated drawers, raised on shaped bracket feet, 121 cm w. x 58 cm d. x 193 cm h. Condition Report good sound structure, dark even colour, handles appear original and are contemporary with the chest, no apparent live worn or beetle
A unique silver Art Nouveau dressing table set, London c.1908, markers mark S.L.R (unidentified) comprising hand mirror and hairbrush, cast with the name 'Cecily' below a Greek harp and fruit and foliate swags, the handle cast with a coiled snake to front and back, also a clothes brush and pin tray, with Greek harp and fruit and foliate swags. (4) Note: This lot being sold on behalf of St. Christopher's Hospice.
Hamilton, Sir William. Collection of Engravings from Ancient Vases mostly of Pure Greek Workmanship discovered in Sepulchres in the Kingdom of the Two Sicilies, but chiefly in the Neighbourhood of Naples, volume 1 [of 4] only, engraved title, dedication leaf and frontispiece, 62 engraved plates, text in English and French, some spotting and soiling throughout, a few corrections in ink, contemporary full calf, worn and defective, folio, Naples: W. Tischbein [for the author], 1791 Provenance: William Rooke Esq.,
Estienne, Henri, publisher. Conciones sive Orationes ex Graecis Latinisque historicis excerptae., 2 parts in one volume, woodcut device on title, in inscription 'Collegy Neoburg Societ Jesu 1648' and annotations t the text in Greek, final leaf of first part misnumbered 278, margins stained toward end, late 18th century marbled boards, worn, spine defective, folio, [Geneva] Henricus Stephanus, 1570
Marcus Tullius Cicero, Latin Dictionary, Roberti Stephani, Paris, 1538,, and a commentary on Greek by Guilielmi Budael, from the library of J Hottinger (1620-1667) (2) CONDITION REPORT: 1) Latin dictionary Binding in very poor condition, leather covers separated spine only holding at one point Ex Libris Hopetoun Frontispiece browned as are rest of pages, page loose One page Rob Stephanus lectoribus Dictionarium All pages are 'wavy' possibly have been damp at some time yellowed with browning at margins Very slight foxing which gets worse through the books, some hand written script in margin (few) Final page 692, two end papers 2) Ex Libris the most learned and famous Greek Inscription Ex Libris ?Heidelbeg? Joannes Henrick (?) S(?) lattingeri or Hottinger, (T) igurini (Zurich) (1620-1667) Handwritten label pasted inside front cover Comentarie Linguae Graecee, Gulielmi Budaei Loose pages (4) at beginning of index, remaining pages foxed to spine Water staining at bottom of some pages pages rather browned at edges and yellowed Water staining right and left side of most pages in first half of book, then again towards back and condition deteriorates Final passage is 1420
Pack of seven assorted items orig watercolour etc artwork for d/ws/book covers incl Leslie Wood "A GAME OF CHANCE" pub Hodder 1958 approx 8 x 6 1/4 George Whitelaw "Jimmy Swan by Hugh Foulis" approx. 11 x 7, Michael Johnson "Waiting for Willa" pub Hodder 1970 approx 18 x 12, Michael Leonard "Greek Wedding" pub Hodder 1970 approx 17 x 11, Hastain "Refreshment" by Dion Clayton Calthrop approx. 14 1/2 x 10 + two others

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44976 item(s)/page