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A hardwood cased harmonium, Musical Depot P. RANA & Co Calcutta, 54.2cm. wide.

D´INDY VINCENT: (1851-1931) French composer. A.L.S., Vincent d´Indy, two pages, 8vo, n.p., 8th May n.y., to [Wilhelm] Enoch, on black bordered mourning stationery, in French. The composer states that he has read the Harmonium pieces by Cesar Franck that had been entrusted to him, and continues to remark ´Elles n´offrent pas, en realite, une manifestation capitale du genie du maitre. Neanmoins, elles pourraient presenter quelque interet, je dirais presque, historique, la 1ere (No. 4) etant comme une esquisse du petit choeur du "Vannier" et les deux autres se tenant mutuellement par un rappel de themes´ (Translation: ´They do not, in reality, offer a capital manifestation of the master's genius. Nevertheless, they could be of some interest, I would almost say historical, the 1st (No. 4) being like a sketch of the little choir of the ‘Vannier’ and the other two being held together by a reminder of themes´) and further adding ´J´ai corrige pas mal de fautes restees dans la copie et que votre correcteur avait laissees en litige. Faites ce que vous voudrez. La publication pourra en etre interessante pour quelques uns, mais evidemment ce ne sera pas une revelation´ (Translation: ´ I have corrected quite a few mistakes that remained in the copy and that your proofreader had left in dispute. Do what you like. Publication may be interesting for some, but obviously it won't be a revelation´). With blank integral leaf (a few very minor, small, light stains). VGThe music publishers Enoch Pere et Fils was founded in Paris in 1853 by Carl Enoch (1810-1883) and in 1880 Enoch´s eldest son, Wilhelm, took over the management of the business in France, whilst another son, Charles, managed another branch in England. Cesar Franck (1822-1890) French Romantic Composer whom d´Indy had studied under.

An Edwardian walnut over mantel (probably removed from a harmonium), with decorative outline, central mirror panel flanked by mock organ pipes within a turned spindle gallery, 79cm high x 116cm x 27cm

A Harmonium/American Organ by D.W. Karn & Co

A harmonium

An 81cm antique mahogany cased travelling harmonium with flanking carrying handles

An Edwardian walnut over mantel (probably removed from a harmonium), with decorative outline, central mirror panel flanked by mock organ pipes within a turned spindle gallery, 79cm high x 116cm x 27cm

A Satinwood cased organ/harmonium having a 4 1/2 octave keyboard and a nicely fretworked music stand with a label "Bart and Churchill, Castle Place, Belfast" and to the upstand behind the keyboard ***. 38" wide x 50 1/2" high x 19" deep. (Notes appear to play but bellows may require some attention.

Mid 20th century oak cased 'Pearl River' pedal-operated travelling harmonium or organ having chromed mounts, folding base, the whole fitting neatly into its integral carry case, 78cm wide

James Ensor (1860-1949): Place Publique d'Ostende, scenery for La Gamme d'Amour, mixed technique on paper, 1914Work: 27,5 x 21,5 cm Frame: 43,5 x 33,5 cm Provenance:- The collection of Sidney Rothberg, Philadelphia, USA.- The collection of Auguste Taevernier, Ghent, Belgium. Published: - Paul Haesaerts, James Ensor, Harry N. Abrams, Inc., New York, 1959 , p. 324, no. 180 (illustrated as Décor pour La Gamme d'Amour). Numbered 27 on the back, which bears no further annotations. (see images 3 and 4) Shown here is a less detailed yet playful version of the Place Publique d'Ostende, the scenery for the second act of Ensor's play La Gamme d'Amour. He also painted a large, populated version, on canvas (Tricot 463). The paintings and the scenery designs were completed in 1912. An enhanced photo of La Place Publique was added to the note he sent to François Franck in 1924 as clarification for the construction of the stage scenery. (see image 5) The work will be reproduced and commented upon, in Xavier Tricot's forthcoming publication, James Ensor: La Gamme d'Amour, to be published with Pandora Publications, Antwerp. According to the author, the work was executed in 1914. Ensor’s fascination for theatre began early, before he embarked on a career as a painter. From his grandmother’s eccentric penchant for dressing up in strange costumes, through the sale of exuberant props in his family’s souvenir shop in Ostend, to the cacophonous annual Carnival celebration, the artist was enthralled by theatre’s many possibilities. He was particularly interested in masks, which regularly appear in his œuvre. For Ensor, masks were both able to disguise identity and reveal inner truth. He said: “The masks mean to me: freshness of color sumptuous decoration, wild unexpected gestures, very shrill expressions, exquisite turbulence.†At fifty, Ensor built on his passion for theatre and produced his own show, La Gamme d’Amour (Flirt pour les Marionettes), which the libretto describes as a “one-act Ballet Pantomime in two tableaux.†Composed solely on the black keys of a harmonium (he feared the white keys) between 1906 and 1911, La Gamme d’Amour debuted as a musical performance on January 17, 1920 to coincide with Ensor’s exhibition at the Galerie Georges Giroux in Brussels, before premiering as a proper ballet at the Antwerp Opera on March 27, 1924. Set during the Ostend carnival, the play opens in Grognelet’s shop, filled with masks, puppets, and other theatrical props, reminiscent of Ensor’s parents’ boutique. The first scenes introduce the main protagonists, love-interests Fifrelin and Miamia, whose passion is compromised by their quarreling families. By the end of the first tableau, however, the two characters are engaged, and the second tableau (the present lot) is devoted solely to preparing a festive wedding march in the town square.

James Ensor (1860-1949): La Boutique de Grognelet, scenery for La Gamme d'Amour, pencil on paper, 1914Work: 27,5 x 21,5 cm Frame: 43,5 x 33,5 cm Provenance:- The collection of Sidney Rothberg, Philadelphia, USA.- The collection of Auguste Taevernier, Ghent, Belgium. Numbered 26 on the back, which bears further annotations in the artist's handwriting, unfortunately illegible. (see image 3) Shown here is a less detailed yet playful version of La Boutique de Grognelet, the scenery for the first act of Ensor's play La Gamme d'Amour. He also painted a large, more elaborate version, on canvas (see image 4, in the collection of Mr. Bart Versluys). For an interesting essay on La Boutique de Grognelet, we refer you to the website of De Vlaamse Kunstcollectie . The paintings and the scenery designs were completed in 1912. The work will be reproduced and commented upon, in Xavier Tricot's forthcoming publication, James Ensor: La Gamme d'Amour, to be published with Pandora Publications, Antwerp. According to the author, the work was executed in 1914. Ensor’s fascination for theatre began early, before he embarked on a career as a painter. From his grandmother’s eccentric penchant for dressing up in strange costumes, through the sale of exuberant props in his family’s souvenir shop in Ostend, to the cacophonous annual Carnival celebration, the artist was enthralled by theatre’s many possibilities. He was particularly interested in masks, which regularly appear in his œuvre. For Ensor, masks were both able to disguise identity and reveal inner truth. He said: “The masks mean to me: freshness of color sumptuous decoration, wild unexpected gestures, very shrill expressions, exquisite turbulence.†At fifty, Ensor built on his passion for theatre and produced his own show, La Gamme d’Amour (Flirt pour les Marionettes), which the libretto describes as a “one-act Ballet Pantomime in two tableaux.†Composed solely on the black keys of a harmonium (he feared the white keys) between 1906 and 1911, La Gamme d’Amour debuted as a musical performance on January 17, 1920 to coincide with Ensor’s exhibition at the Galerie Georges Giroux in Brussels, before premiering as a proper ballet at the Antwerp Opera on March 27, 1924. Set during the Ostend carnival, the play opens in Grognelet’s shop (the present lot), filled with masks, puppets, and other theatrical props, reminiscent of Ensor’s parents’ boutique. The first scenes introduce the main protagonists, love-interests Fifrelin and Miamia, whose passion is compromised by their quarreling families. By the end of the first tableau, however, the two characters are engaged, and the second tableau is devoted solely to preparing a festive wedding march in the town square.

Sammlung: von 7 franz. Opern u. Operetten (tls. EA) in 6 Bdn. Paris (meist Choudens) ca. 1880-1900. Gr.8°. Versch. Einbde. (Gebrauchsspuren). ╔Enthält:╗ Lecocq,C. Le jour et la nuit. - Ders. Le coeur et la main. - Gounod,C. Faust (ohne Titelbl.). - Planquette,R. Rip. - Ders. Surcouf. Angebunden: Herve u.a. La Roussotte. - Delibes,L. Lakme. - Gebrauchsspuren, nicht eingehend kollat. - ╔Dabei: Sammlung╗ von 8 Schriften. 4°. Versch. Einbde. - ╔Enthält u.a.:╗ Michalek,F. Wagner-Album für Harmonium mit unterlegtem Text. 3 in 1 Bd. Köln, Tonger (1920). EA. - Tinel,E. Franciscus. Oratorium. Klavierauszug. Lpz. u. Brüssel, Breitkopf & Härtel (1890). EA. - Beethoven,L.v. Egmont Partitur. Lpz., Peters o.J. - Weitere. - Tls. Gebrauchsspuren, nicht eingehend kollat. - ╔Schubert,F.╗ Die schöne Müllerin, ein Cyclus von Liedern, gedichtet v. W. Müller. In Musik gesetzt für eine Singstimme mit Begleitung des Pianoforte und dem Herrn Carl Freyherrn v. Schönstein gewidmet. Op. 25, D 795. 25-tes Werk, Neue Ausgabe. 5 Hefte in 1 Bd. Wien, Diabelli (nach 1856). Gr.4°. Blindgepräg. Ldr. (3 Orig.-Titels. mit eingeb., berieb.). - (= Pl.-Nr. 3525-3529). - Fleckig, die le. 3 Lieder (Heft 5) mit Plattenrissen. - ╔Ders.╗ Sinfonie für Orchester für das Pianoforte zu 4 Händen arrangirt (= D 944, Große Sinfonie in C-Dur Nr. 8). Lpz., Breitkopf & Härtel (nach 1841). - Pl.-Nr. 6204.

An Edwardian mahogany tall music cabinet, the twin panelled doors opening to fitted compartments containing ninety six harmonium/organ boxed music rolls, H151, W77, D40cm.

An Edwardian walnut overmantel (probably removed from a harmonium), decorative outline, central mirror panel flanked by mock organ pipes within a turned spindle gallery, 79cm high x 116cm x 27cm

Indian harmonium by Bhatia Musicals, New Delhi

Ephemera, Wales, a large qty. of Welsh related items to include letters, tickets, bill heads, photos, cheques, maps etc. 1870s to mid 20thC to include 1876 draw ticket for a 'Valuable Harmonium', Bryn Gwyn Lake Skating ticket, admission tickets for Hunt Balls etc. (gen gd)

Harmonium by Bina Swar, 55cm wideAll keys and levers seem to play and have effect

Cartes De Visites and Cabinets, music - cartes de visite - two ladies at piano, J Moody, Penzance, circa 1870 (1), girl beside piano, French stereoscope on table beside her, Wilson, Cupar, circa 1870 (2), girl with accordion (1), others including Bechstein piano, violins and harmonium (5) and cabinets - mandolin, cello, violin and others (5), F-VG (13)

A vintage shruti box or travelling harmonium with white metal corner plates and patinated keys etc...(accordion/concertina interest, w- 31cm)

19th century American mahogany harmonium by Mason & Hamlin, retailed by Green & Marsh of Bath, 105cm long x 56cm deep x 122cm high 

An 'R. F. Stevens' harmonium

A field harmonium, owned and used by Viv Stanshall of Bonzo Dog Doo Dah Band. With hand painted wooden case, likely painted by Stanshall. Case measures 78x52x30cm. Originally sold Rupert Stanshall and with signed COA. Not suitable for standard in-house packing and shipping - would need courier collection. Case measures 78 x 52 x 30cm.

A 19TH CENTURY CHAPPELL & CO ORGAN HARMONIUM, Ivory and ebony keys, and twin foot pump action, width 102cm x depth 35cm x height 76cm (condition report: all keys work but some sticky, historical scuffs and marks, fabric worn on pedal) Please note this lot is offered for sale in accordance with the Ivory Act 2018, Richard Winterton Auctioneers LTD have applied for an exemption licence for the ivory in this lot Ref: WY19ZY3M

HARMONIUM BY BRADER AND SONS, 19th century walnut and beechwood, 80cm H x 60cm W x 30cm D.

Vinyl - 12 original foreign Blues EP’s to include: Barbecue Bob – The Great Country Blues Singers (Swedish Blues Society – SBS EP 1, 1965), Jimmy And Mama Yancey – Harmonium Blues - Make Me A Pallet On The Floor (Roots – EPL-001, Austria 1967), Peg Leg Howell And His Gang – The Great Country Blues Singers (Swedish Blues Society – SBS EP 3, 1965), Bessie Smith & Clara Smith – Frosty Mornin’ Blues (Pirate Records - MPC 530, Sweden 1964), Frankie Jaxon – "Half Pint" Jaxon 21 (Pirate Records - MPC 530, Sweden 1964), Blind Gary Davis – Blind Gary Davis (Pirate Records - MPC 526, Sweden 1964), Sleepy John Estes – Sleepy John Estes Volume Three (Swaggie Records – JCS-33799, Australia 1960), Sleepy John Estes – Sleepy John Estes Volume One (Swaggie Records – JCS-33782, Australia 1960), Sleepy John Estes – Sleepy John Estes Volume Two (Swaggie Records – JCS-33798, Australia 1960), Tampa Red's Hokum Jug Band – Tampa Red's Hokum Jug Band (Swaggie Records – JCS-33760, Australia 1960), Johnnie Temple, Jesse James – This Is The Blues - Vol. 9 (Brunswick - 10 359, Germany 1963), Jimmie Gordon – This Is The Blues Vol. 7 (Brunswick - 10 357, Germany 1963). Condition EX overall

A portable harmonium ( fomerly with folding legs)

BINA HARMONIUM A/F

An Indian single bellow portable harmonium, with turned ebonised stand and foot pedal, 75.5cm high, 54.5cm wide Bellows tested and every key emits a note.

A collection of butterflies and insects - including Soldier Long-horned Grass Hopper, Red Cicada and Harmonium Daggerwing

A Pearl River portable organ/harmonium in oak case, width 79cm.

Two vintage musical instruments comprising a Napoli mandolin with music sheets and case A/F and a Bell of York harmonium in treen boxLocation:If there is no condition report shown, please request

Transponier-Harmonista, um 1910Orgel- und Harmoniumfabrik Emil Müller, D.R.G.M. No. 364901 und No. 364902, zum Aufsetzen auf ein Harmonium und Spielen von Tonfolgen und Akkorden, 3 Knopfreihen mit insgesamt 39 Tasten, Breite 79 cm. Start Price: EUR 120 Zustand: (3/-)Transposing Harmonista, c. 1910Orgel- und Harmoniumfabrik Emil Müller, D.R.G.M. Nos. 364901 and 364902, for placing on a harmonium and playing tone sequences and chords, 3 rows of buttons with a total of 39 keys, width 31 in. Start Price: EUR 120 Condition: (3/-)

A Victorian walnut harmonium, width 106cm, depth 49cm, height 88cm

Große Manopan-Salon-Drehorgel, um 1895Hersteller: Euphonia Musikwerke, Leipzig. 39 Tonstufen, doppelchörig, Harmonium-Zungen, Handkurbelantrieb, 2-teiliges Holzgehäuse, 73 x 40 x 34 cm, unrestaurierter Originalzustand, funktioniert teilweise, mit einem defekten Notenband, eine in dieser Größe seltene Organette. Start Price: EUR 550 Zustand: (2-3/4)39-Key Manopan German Reed Organette, c. 1895Euphonia Musikwerke, Leipzig, Germany. Double reeds, harmonium tongues, handcrank-driven, 2-part wooden case, 28 ¾ x 15 ¾ x 13 1/3 in., unrestored original condition, partially working, with one damaged cardboard note, a hard to find large-size organette. Start Price: EUR 550 Condition: (2-3/4)

Salon-Harmonium Aeolian Orchestrelle mit Notenrollensteuerung, um 1900The Aeolian Company, USA. 58 Tonstufen, 20 Register, Eichengehäuse, mit zusätzlichem elektrischem Gebläse (220 Volt), sehr gut spielender Zustand, mit 24 Notenrollen. Größe: 163 x 72 x 150 cm. - Bitte beachten: Transport nur mit Klavierspedition! Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 1200 Zustand: (2/2)Aeolian Orchestrelle Player Reed Organ, c. 1900The Aeolian Company, USA. With 58 notes, 20 stops, oak case, with additional electric blower (220 volts), very good playing condition, 64 x 28 x 59 in., with 24 music rolls. - Please note: Due to the size and weight, pickup or transport by a third-party shipper only. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 1200 Condition: (2/2)

A MARSHALL MORGAN AND SCOTT LTD LONDON AND EDINBURGH HARMONIUM, that folds away into a box, width 60cm x depth 45cm x height 78cm (condition report: one white key not working, case ideal for restoration, other signs of aged wear and usage)

Pakrashi and co harmonium

A small early 20th century walnut cased harmonium, with single bellows action, on fixed turned stand, width 59cm, height 81cm Bone keys and ebonised sharps/flats all emitting sound; folding sheet music stand not original; mitre-mouldings at rear corners failing; turned beech underframe.

Stevens (Wallace) Harmonium, first edition, front free endpaper and half-title detached and loosely inserted, previous owner's ink inscription to front free endpaper, slight chipping to edges, original cloth-backed boards, boards and backstrip detached, rubbed, New York, 1923 § Hoffmann (Professor) Conjurer Dick; or, The Adventures of a Young Wizard, half-title, frontispiece, title vignette, scattered spotting, advertisements at end, school prize label to front pastedown, original pictorial cloth, damp-staining to edges, rubbed and worn, n.d. § Lower (Mark Antony) The Curiosities of Heraldry, additional hand-coloured lithograph title, illustrations, spotting, advertisements at end, spotting, original cloth, gilt, slight bumping to corners and extremities, 1845; and 3 others, 8vo (6).

Armbruster, Adolf: (1864 Pforzheim - München 1924). Johanna Friederich geb. Armbruster (geb. 1859) mit ihrer Harmonium spielenden Tochter Hedrig (!, geb. 1881). Öl auf Lwd. 1895. 42 x 51,5 cm. Unten li. auf d. Seite des Harmoniums monogr. u. dat. (nur schwach sichtbar), mit altem, handschr. Etikett auf d. Rückseite des Keilrahmens mit Bezeichnung. Gerahmt. Adolf Armbruster studierte 1877-82 an der Kunstakademie in Karlsruhe, 1891 an der Akademie Julian in Paris. Später ließ er sich in München nieder. - Einige kl. Farbabplatzungen links. D

Three miniature pen knives and a boxed miniature harmonium (little band master).

A Khem Singh & Sons harmonium. Shipping category D.

A 19th century French harmonium, new patent model, by Alexandre et Fils, Paris, retailed by Chappell, 50 New Bond Street, London, ivorine keys, numbered 1913, 97cm high, 120cm wide, 63.5cm deep, c.1870

A mixed woods 4 1/2 octave Harmonium of arts and craft design with fretwork decoration, turned details, etc. 42'' wide x 17 1/2'' deep x 45 1/2'' high, working at the time of lotting.

Good small walnut harmonium bearing the retailer's sticker above the keyboard inscribed Manufactured Especially for Heins & Co., Est, 1830, Hereford, Abergavenny & Brecon, with four stops above the keyboard and within a gothic pierced panelled case surmounted by a fixed music desk, 40" wide overall

A Victorian walnut cased The Organ Harmonium, by Chappell & Co, New Bond St100w x 38d x 76h cm

A Khem Singh & Sons harmonium.

FOLK/ FOLK ROCK/ SOUTHERN/ COUNTRY - LP PACK. A lovely collection of around 29 LPs. Artists/ titles include Hunt & Turner - Magic Landscape (VTS11, record VG/ sleeve VG), Fairport Convention - Liege & Lief (ILPS 9115, pink-rim label. Record VG/ sleeve VG), Lindisfarne inc Dingly Dell, Nicely Out of Tune, Fog On The Tyne, Back And Fourth. Scafell Pike - Four's A Crowd. Joni Mitchell - Ladies Of The Cayon, Christopher Rowe & Ian Clark inc Seagulls Ride The Wind, Songs For Humberside. Ralph McTell inc My Side Of Your Window, Spiral Staircase. Les Cinq Saisons Harmonium (CEL 1900), Clifford T Ward (x8), Judy Collins, Poco, Lynyrd Skynyrd, Clover, The Old Swan Band. Condition is generally VG to Ex.

A portable J.B. Cramer small harmonium AF

Victorian walnut cased harmonium, Improved English Model Manufactured by E & W Snell, London, 77cm by 103.5cm by 35cm.

Sammlung Musikrollen für mechanische Musikinstrumente1) 3 x Wurlitzer Style W Theatre Orchestra, Nr. 40056, 40073 und 40076, Original-Rollen in Schachteln. - 2) 5 x Capitol Roll & Record Company, OS-Serienrollen in Schachteln. - 3) 23 x Möller Artiste Reproducing Organ, in Schachteln. - 4) 210 x 65er-Notenrolle, Schachteln zumeist ergänzt. - 5) 140 x Phoneon, Malcolm Music Library, London, für selbstspielendes Harmonium mit 61 Tonstufen. - 6) 23 x Piano Lodeon Player-Rollen. - 7) 18 x 73er-Noten­rolle. - 8) 25 unterschiedliche Rollen. - Und: 9) 22 x John Farrell, 88er-Notenrollen, Jazz, Blues and Boogie, Aufnahmen von feinster Qualität, alle in Schachteln. Start Price: EUR 240 Zustand: (3/3)Collection of Music Rolls for Mechanical Musical Instruments1) 3 Wurlitzer Style W Theatre Orchestra rolls, no. 40056, 40073 and 40076, original rolls in boxes. - 2) 5 Capitol Roll & Record Company, OS series rolls in boxes. - 3) 23 Möller Artiste Reproducing Organ rolls, in boxes. - 4) 210 65-note rolls, boxes mostly complete. - 5) 140 Phoneon, Malcolm Music Library, London, for 61-note self-playing harmonium. - 6) 23 Piano Lodeon Player rolls. - 7) 18 73-note rolls. - 8) 25 mixed rolls. - And: 9) 22 John Farrell, 88-note rolls, jazz, blues and boogie recordings of the finest quality, all in boxes. Start Price: EUR 240 Condition: (3/3)

Kindergrammophon und Spielzeug-Orchestrion1) Grammophon "Nirona", um 1920, deutsches Blechspielzeug-Grammophon der "Nirona-Werke Nier & Ehmer, Beierfeld", mit typischem Schallverstärker in Form einer Glocke, Federmotor für Schellackplatten bis 15 cm Durchmesser. Spielt gut. Mit 7 Kinderschallplatten und 4 Nadeldosen, restauriert. - Und: 2) Spielzeug-Orchestrion, um 1928, Leonhard Müller, Nürnberg, in Form einer Kathedrale, lithographiertes Blech, Kurbelantrieb, 16 x 10 cm, mit mehrstimmigem Harmonium-Tönen Start Price: EUR 240 Zustand: (3/2-3)Toy Gramophone and a Toy Orchestrion1) Nirona gramophone, c. 1920, German tin toy gramophone by Nirona-Werke Nier & Ehmer, Beierfeld, with unusual reflex-tone horn, for 6 in. discs, with 7 children's discs and 4 needle tins, restored, working well. - And: 2) Tin toy orchestrion, c. 1928, Leonhard Müller, Nuremberg, cathedral form, lithographed tin, crank-operated, size 6 ¼ x 4 in., with polyphonic reed organ sound. Start Price: EUR 240 Condition: (3/2-3)

Shruti Box Harmonium, Welsh, with case, dark wood with brass handle and fittings, measures 15" x 10" x 3".

Portable harmonium by John S. Murdoch & Co

Hans Fenger, Pfeifenrauchergemütliche Szene am knisternden Kamin mit Pfeife schmauchendem altem Holländer, beim beherzten Spiel auf seinem Harmonium, minimal pastose Genremalerei, Öl auf Leinwand, links unten signiert, 1950er Jahre, in vergoldeter Stuckleiste gefasst, Falzmaße 51 x 40 cm. Künstlerinfo: dt. Maler (1893 Schleswig bis 1982 Hamburg), tätig in Hamburg, Quelle: Dressler und Internet.

Charles H. Wilton, Bettlerstehender älterer Mann in verschlissener Kleidung mit Harmonium auf dem Rücken, pastose Malerei, Öl und Collage auf Leinwand, um 1980, rechts unten signiert „C. H. Wilton", gerahmt, Falzmaße ca. 65 x 33 cm. Künstlerinfo: wohl franz. Genremaler des 20. Jh., Quelle: Internet.

Boxed 'Spanish harmonium' for repair

A small group of harmonicas etc, to include comprising a steel desk calendar, a pair of plated napkins rings, band master harmonica, marine band harmonium, climax flight glasses, etc. (1 tray)

A 19TH CENTURY CRANE AND SONS LTD OF LONDON AND LIVERPOOL OAK CASED HARMONIUM, that folds away to a box, open dimensions, width 74cm x depth 47cm x height 75cm (condition report: -all keys working and aged wear and tear, case in need of restoration)

Late 19th century harmonium by James Hillier, 100 cm long x 34 cm wide x 73 cm high