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Lot 924
A Group of Mixed Accessories with Underwater Associations including a Sekonic Marine Meter II with maker's case, a Hasselblad underwater housing flash connector, a set of O-rings, a photocopy of the Hasselblad underwater housing for 500 EL/M camera, two Leica screw camera leather ever ready cases and a bicycle pump, all As Found
Lot 206
A Hasselblad 500C/M Medium Format Camera Outfit, 1972, chrome, serial no. UH130728, with Carl Zeiss Planar T* f/2.8 80mm lens, chrome, serial no. 5264219, body, VG-E, elements, VG, some internal haze, together with Carl Zeiss Distagon f/5.6 60mm, chrome, serial no. 2929023, body, G-VG, shutter working, elements, F-G, some haze/coating marks, Carl Zeiss S-Planar f/5.6 120mm lens, chrome, serial no. 4872911, body, G, shutter working, elements, G, some internal haze, Carl Zeiss Sonnar f/4 150mm lens, chrome, serial no. 4806094, body, G, elements, G, some internal haze, and Carl Zeiss Sonnar f/5.6 250mm lens, chrome, serial no. 5614185, body, G, elements, VG, some light internal haze
Lot 204
A Hasselblad 1000F Medium Format Camera Outfit, 1956, chrome, serial no. CT20746, with XXXXXX, body, VG, shutter working, together with Carl Zeiss Sonnar f/3.5 135mm lens, black, serial no. 1135708, body, F-G, elements, G, some internal haze, and Zeiss-Opton Sonnar f/4 250mm lens, black, serial no. 589989, body, VG-E, elements, VG
Lot 3003
HASSELBLAD 500 C/M KAMERA, Produktionsjahr Gehäuse 1973 (UP 141687), Magazin 1973 (UP 424535), Objektiv CARL ZEISS Planar 1:2,8 f=80mm T* (5655823), Optisch guter Zustand, normale Alters- und Gebrauchsspuren. Anbei: Komura Lens Telemore95.| HASSELBLAD 500 C/M CAMERA, Year of manufacture body 1973 (UP 141687), magazine 1973 (UP 424535), lens CARL ZEISS Planar 1:2,8 f=80mm T* (5655823), optically good condition, normal signs of age and use. Enclosed: Komura Lens Telemore95.
Lot 264
A Hasselblad 500C Camera, chrome, serial no UH 126951, shutter working, body G-VG, with Carl Zeiss T* 80mm f/2,8 black lens, serial no 6307760, shutter working, barrel G, some paint wear, elements G, A12 chrome back with black film holder, 12 on back, body cap, strap and Hasselblad lens hood
Lot 226
A Hasselblad Super Wide C Camera, chrome, serial no CEW 3410, shutter working, body G, some scratches to tripod plate, light wear, finder level prism intact, some brassing to finder edges, with Carl Zeiss 38mm f/4.5 Biogon lens, chrome, serial no 1990208, barrel G, elements G-VG, with A12 back, dark slide and front cap
Lot 221
Hasselblad 500 C für NASA-Modifizierung, ab 1957Hasselblad, Schweden. Gehäuse 500 C Nr. CU 30036B, von 1957, Belederung entfernt, mattschwarz lackiert. Der Spiegel ist voll funktionstüchtig, doch die Mattscheibe wurde durch eine ausziehbare Metallplatte ersetzt mit der Gravur "Replica of modified Hasselblad 500 C". Mit Wechseloptik Carl Zeiss Planar 2,8/80 mm Nr. 2570313, schwarz, Synchro Compur (Synchro geschwärzt) ohne Vorlaufwerk und ohne Synchronisierung, Blende träge, Verschluß bleibt nach Auslösen offen. - Dabei: 2 Magazine: Magazin Nr. TS 49302 von 1960 ohne Belederung, mit schraubbarer Filmnummer-Abdeckung, längerer Filmschieber als sonst, Funktion ungeprüft, sowie Magazin CE 48315 von 1959, weiß lackiert, Funktion ungeprüft. (3-4/-) - Es ist möglich, daß dies eines jener Versuchsmodelle bei Hasselblad waren, um die NASA-Spezifikationen zu erfüllen, doch kamen für die Raumfahrt 120er-Filme dann nicht in Betracht, sondern 70mm-Filme. Ein wichtiges Ausstellungsstück zur Geschichte der Kamera und dem Weg ins All. Start Price: EUR 1200 Zustand: (4/-)Hasselblad 500 C for Nasa Modification, 1957 onwardsHasselblad, Sweden. Housing 500 C no. CU 30036B, 1957, leather removed, matt black paint-finish, mirror functional but focusing screen replaced with a pull-out metal plate engraved: "Replica of modified Hasselblad 500 C", with interchangeable black-finish Carl Zeiss Planar 2.8/80 mm lens no. 2570313, Synchro Compur (synchro blackened) without self-timer or synchronization, aperture sluggish, shutter remains open after shutter release. - In addition: 2 magazines, no. TS 49302, 1960, without leather, with screw-on film number cover and longer film slider than usual, functions untested; no. 48315, 1959, painted white, functions untested. (3-4/-). - Note: While it is possible that these were the experimental models built at Hasselblad to meet NASA specifications, 70 mm (not 120-film) was used in space travel. An important document in the history of the camera and the path to space. Start Price: EUR 1200 Condition: (4/-)
Lot 220
Lunar Hasselblad 500 EL, um 1968/69Hasselblad, Schweden. Für die NASA modifizierte "Hasselblad ELECTRIC CAMERA -500 EL-" Nr. TRE 12628 (Reflexmechanik/Spiegel wurde ausgebaut, anderer Magazin-Verriegelungshebel für Handschuhe, großer Auslöser sowie frei von allen Schmiermitteln), mit für Bedienung von Handschuhen umgebautes Carl Zeiss Planar 2,8/80 mm Nr. 4594735 in Compur N 303 sowie einem 70mm-Magazin für 200 Aufnahmen mit der Werks-Nr. TU 400024, außen graviert "P/N SEB 33100082-201 S/N035 LUNAR SURFACE Hasselblad SUPER WIDE CAMERA 70-mm MAGAZINE", über der Werksnummer eine Zusatzgravur "P/N SEB 33100082-201 S/N 035". - Die Hasselblads zur Verwendung auf der Mondoberfläche wurden in Weiß gehalten. Diese Kameras blieben auf dem Mond zurück, nur die Magazine wurden wieder zur Erde mitgenommen. Die Kameras zur Verwendung im gelandeten Mondmodul wurden in Schwarz ausgeführt und wurden wieder zur mondumkreisenden Apollo-Kapsel mitgenommen. Funktion ungeprüft. - Nur 29 der HEC (Hasselblad Electric Camera) wurden für die NASA gefertigt. Start Price: EUR 8000 Zustand: (3/-)Lunar Hasselblad 500 EL, c. 1968/69Hasselblad, Sweden. "Hasselblad ELECTRIC CAMERA -500 EL-" no. TRE 12628 modified for NASA, with Carl Zeiss Planar 2.8/80 mm lens no. 4594735 (converted for operation wearing gloves) in Compur N 303 as well as a 70mm magazine for 200 shots with the factory no. TU 400024, engraved on the outside "P/N SEB 33100082-201 S/N035 LUNAR SURFACE Hasselblad SUPER WIDE CAMERA 70-mm MAGAZINE" and an additional engraving "P/N SEB 33100082-201 S/N 035" above the factory number, functions untested. - Note: The Hasselblad cameras for use on the lunar surface were produced in white; these cameras remained on the moon and only the magazines were taken back to Earth. The cameras for use in the landed lunar module were produced in black and were taken back to the Apollo moon-orbiting capsule - The NASA alterations incorporated the removal of the reflex mechanism and mirror, provision of a different magazine locking-lever for use with gloves, a large trigger and operations free of all lubricants. - Only 29 of the HEC (Hasselblad Electric Camera) were made for NASA. Start Price: EUR 8000 Condition: (3/-)
Lot 167
A Hasselblad 500cm Medium Format SLR Camera, chrome, body serial no. EP23082, with a standard focusing screen & standard wind lever, with a later-type waist level viewfinder, together with a Carl Zeiss Planar f/2.8 80mm lens, body F-G, some wear to paint, together with an A12 film back/magazine, shell & insert have non-matching serial numbers, with dark slide, also with a PM5 45 degree viewfinder, body G-VG, optics VG, also with a Hasselblad tripod adapter, a Hasselblad camera strap, a Hasselblad lens shade 40118, some instruction manuals, & most recent receipt from Jan 2022,
Lot 132
A Selection of Hasselblad Medium Format Camera Accessories, to include a Proxar 0,5 ⌀60 51662, a CB 6 ⌀60 51627, a CB 3 ⌀60 51624, a CB 1.5 ⌀60 51622, a CR 3 (81B) ⌀60 51616, a Polariser ⌀50 50075, a focussing screen with split image range finder 1 42188, a frame viewfinder 40215, a pistol grip, two wind knobs, a HZ ⌀50 filter, & four well-used Hasselblad branded dark slides,
Lot 362
A print of an image by photographer John Rowlands depicting David Bowie onstage Feb 26th 1976 in Toronto, Canada at Maple Leaf Gardens. Signed by John Rowlands. Measures 17x22". Excellent condition, printed onto fine art paper."This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, on February 26th, 1976, at Maple Leaf Gardens in Toronto, Canada. Having seen the previous evening’s show on the 1976 Station To Station tour, Rowlands was primed to capture the image of Bowie as The Archer while the singer was preparing to fire his imaginary bow and arrow. The pose was used as a signal for Bowie's lighting engineer to kill the lights. The picture was taken moments before the lights were killed. Rowlands took the shot about 30 feet away from the stage and he credits his Hasselblad camera for producing an image that is striking in its sharp tonal range of whites, blacks and grays".
Lot 1030
Robert Mapplethorpe (November 4, 1946 – March 9, 1989) was an American photographer known for his controversial and often provocative works. He gained significant recognition for his black-and-white photographs that explored themes such as sexuality, eroticism, and the human form. Mapplethorpe's work became a central part of the late 20th-century art scene, and his legacy continues to influence contemporary photography.Key points about Robert Mapplethorpe:1. **Early Life:** Robert Mapplethorpe was born in Floral Park, New York, and grew up in a Catholic family. He studied at the Pratt Institute in Brooklyn, where he initially focused on drawing, painting, and sculpture.2. **Transition to Photography:** Mapplethorpe began experimenting with photography in the early 1970s, initially using a Polaroid camera. He later acquired a Hasselblad medium-format camera, which became his primary tool for creating his iconic images.3. **New York City Art Scene:** In the early 1970s, Mapplethorpe immersed himself in the vibrant art scene of New York City. He developed friendships with artists, musicians, and cultural figures, establishing a presence in the bohemian atmosphere of the time.4. **Subject Matter:** Mapplethorpe's work often focused on the male nude, flowers, and BDSM (bondage, discipline, dominance, submission) imagery. His photographs were marked by a formalist aesthetic, showcasing a strong sense of composition and attention to detail.5. **The Perfect Moment:** Mapplethorpe's first major solo exhibition, titled "The Perfect Moment," took place at the Institute of Contemporary Art in Philadelphia in 1988. The exhibition included some of his most controversial and explicit works, leading to debates about public funding for the arts.6. **Controversy:** Mapplethorpe's exploration of sexuality and taboo subjects generated considerable controversy, especially during the culture wars of the 1980s. His work became a focal point in debates about government funding for the arts and issues related to censorship.7. **Legacy:** Despite the controversies surrounding his work, Mapplethorpe's legacy as a photographer is significant. His images are celebrated for their technical excellence and aesthetic beauty, and he is considered one of the most important photographers of the late 20th century.8. **Documentary:** In 2016, a documentary titled "Mapplethorpe: Look at the Pictures" was released. The documentary, directed by Fenton Bailey and Randy Barbato, explores Mapplethorpe's life, art, and impact on contemporary culture.9. **Foundation:** The Robert Mapplethorpe Foundation, established after the artist's death, works to preserve and promote his legacy. It supports photography, art, and medical research, reflecting Mapplethorpe's diverse interests.10. **Health and Death:** Mapplethorpe's life was cut short by complications from HIV/AIDS. He died on March 9, 1989, at the age of 42. His battle with AIDS and his decision to continue creating art while facing his illness added another layer of complexity to his legacy.Robert Mapplethorpe's work continues to be exhibited in major museums and galleries worldwide. His impact on the art world, particularly in the realm of photography and visual arts, remains profound.Measures 24 x 24.
Lot 557
A Selection of Various Medium Format Camera Accessories including a Zenza Bronica waist level finder hood, three Zenza Bronica SLR film backs, a Rollei 6x6 SLR film back, an incomplete Rolleiflex TLR plate back, an incomplete Rolleiflashthree Hasselblad colour brochures and a 5x4in focusing screen for a large format camera, all untested
Lot 198
A Hasselblad EL/M Medium Format Camera, black, serial no. RV1319524, with Carl Zeiss Planar T* f/2.8 80mm lens, black, serial no. 6271811, body, VG, untested, lens, VG, shutter not tested, complete with two batteries (not working), cable release and strapNOTE: The foam and the frame that holds the focusing screen in has fallen down and is resting on the mirror
Lot 151
A Hasselblad X-Pan 35mm Panoramic Camera, black/grey, serial no. 11SV22647, with Hasselblad f/4 45mm lens, black, serial no. 8YSS22030, body, P, has been dropped and shows damage to rear of top plate, battery cover stuck and not powering up, lens, P, heavy drop damage to the front, optics are not cracked or badly damaged, however, shows some light fungus to rear, complete with instructions and original maker's boxes (AF)
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