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![[GERRY ANDERSON]. A CAPTAIN SCARLET ACTION FIGURE circa 1960s, made in Hong Kong, complete with hat, belt, holster and gun,](https://cdn.globalauctionplatform.com/ce519b49-cd15-4ea5-9852-af3c00b989e7/af8a4fe3-c35f-482c-b322-afb3010e7930/468x382.jpg)
Lot 696
[GERRY ANDERSON]. A CAPTAIN SCARLET ACTION FIGURE circa 1960s, made in Hong Kong, complete with hat, belt, holster and gun, generally good condition, unboxed. Condition Report : Hat with broken and glue-repaired peak; one epaulette detached; tunic zips lacking pulls. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 148
ALEJANDRO CHRISTOPHERSEN (ARGENTINIAN 1866-1945)PORTRAIT OF A LADY IN A GREEN HAT HOLDING A FOLIOOil on canvasSigned (lower left)60 x 80cm (23½ x 31¼ in.)Provenance: From the Estate of the late Jean-Claude Ciancimino Condition Report: The canvas has been relined, but the surface impasto appears well preserved. Some light surface dirt and discolouration of the varnish, would benefit from a clean. UV light reveals a restoration of approximately 3 cm above the brown of the dress at the height of the seam as well as a restoration of approx. 10 cm in the woman's right shoulder, where there also is a visible area of light craquelure. Otherwise UV reveals minor scattered retouching. Condition Report Disclaimer
Lot 115
A COLLECTION OF SILVER A small silver footed heart shaped dish with pierced pattern sides, small Birmingham hallmark 9 x 7 x 3.6cm, weight 20g, a silver and pink guilloche enamel nail buffer, worn hallmark length 9.5cm, some wear to the enamel, notably at the corners, a silver topped glass perfume bottle with glass stopper, height 13cm, some dents to lid, a silver pin cushion in the shape of a hat, lion passant stamp, date letter H, measurement 4 x 2cm
Lot 440
A WWI Trench Art shell casing engraved with floral detail, height 29cm, together with a letter from the War Office, inscribed ‘I have received the King’s command to express His Majesty’s appreciation of the loyal service given voluntarily to her country in a time of grievous danger by Barbara Freeman as a Woman Home Guard Auxiliary’, also a metal hat tin and a Barbola easel back mirror (4).
Lot 593
A 19th century ceramic figure of a gentleman wearing a hat with yellow and green ribbons, height 24cm, a pair of late 19th/early 20th century Continental porcelain figures, possibly by Samson, representing a gentleman carrying buckets of apples and a lady carrying baskets of flowers, height 25cm (3).
Lot 616
MEISSEN; a large mid-20th century figure designed by Peter Strang, ‘The Puppeteer’, 103/1999 to base, height 48cm, af.Condition Report: Two of the fingers are broken but present, there is also a small section to the green puppet which is broken but is present, there is a crack running around the base of the figure where the cylindrical body meets the square sectioned and a tiny area of restoration around the figures hat.
Lot 63
William John Leech RHA ROI (1881-1968)Self Portrait with Window and TableOil on board, 50 x 38cm (19¾ x 15'')SignedTaylor Gallery label versoListed as No.5 “Self-portrait with window and table” in the list compiled by Leo Smith of paintings by W.J. Leech in his studio at Clandon, 5 September 1968, for Greenwood & Loryman.Provenance: Accountants, London for death duty purposes by the Dawson Gallery, 4 Dawson St., Dublin 2.When William (Bill) Leech, with his wife May Botterell, moved out of London to live at West Clandon, near Guildford in Surrey, in 1958, Leech was already in his late 70’s. Moving into his newly built studio, in the garden, gave him renewed energy to paint and his subject matter was mainly his garden and his self-portraits. These “Self-portraits” depict Leech wearing his black hat, to cover his white and balding head, looking searchingly out towards the viewer, sitting posed in front of his ‘Aloes’ series, painted in the 30’s. He is questioning his life’s work as a painter.In this “Self-portrait” Leech is not wearing his debonair black hat, but captures himself in his casual jacket and open neck shirt, framed by the lighted window onto the garden. Always aware compositionally, he sits to the right, with the edge of the table forming a strong diagonal towards the upright metal bar of the window. Clothes draped casually over the edge of the chair to the left and the green ceramic vase with its darker green plant, all create his studio environment.Leech’s searching expression is now more haunted, with a hint of despair, perhaps reflecting on his long life as a painter, during which he did not achieve the promise of his early success. When he wrote to Leo Smith, of the Dawson Gallery in 1966, he recognized this failure; “You see not much success really but you cannot be a recluse all your life as I have been and have worldly success. I had an idea when young, that if the work was good enough it would sell in the end. The end is the word……”This is one of the last “Self-portraits” Leech painted and it maintains all the dexterity and skill the painter possessed. When his second wife May died on 10th July 1963, aged eighty-three years, Leech was a very lonely man and 5 years later on 16th July 1968 at age eighty-eight, after being diagnosed as terminally ill, Leech fell from the railway bridge at West Clandon onto the tracks below.Dr Denise FerranAugust 2021
Lot 108
Property of the late Marcello Violante Filipp Andreevich Malyavin (1869 - 1940) Self-portrait of the artist with a hat (c. 1900 - 1910) Pencil on paper Dimensions: (Paper) 45 in. (H) x 33 in. (W) (Frame) 51.75 in. (H) x 40 in. (W) Filipp Andreevich Malyavin (Russian) (October 22, 1869, Kazanka (Julian calendar: October 10) – December 23, 1940, Nice, France) was a Russian painter and draftsman. Trained in icon-painting as well as having studied under the great Russian realist painter Ilya Repin. In 1900, Malyavin traveled to Paris, and took France by storm. French newspapers hailed him as "a credit to Russian painting," and Laughter was awarded a gold medal and bought by the Museo d'arte moderno in Venice. His work was suddenly in demand, with the Luxembourg Museum in Paris buying Three Women. On returning to Russia, Malyavin married Natalia Novaak-Sarich, the daughter of a rich industrialist from Odessa and a private student at the Higher Art School. They settled in a village near Ryazan, and Malyavin devoted himself entirely to his art. His work began appearing in the salons of the World of Art group, and the Union of Russian Artists.
Lot 197
Bank of Economy, 9 Church Street, Liverpool, an advertising note for 1 Guinea, 30 March 1833, serial number 9, promising to ‘supply Mr. Wm Purchasewell or bearer with the best London Beaver hat that can be made for one pound one shilling and every article in the Hat, Cap & Bonnet trade, proportianably cheap’, signature of Wm Ward Junr, with a vignette of Liver Birds at top left, very fine and scarce Outing unlisted £80-£120 --- William Ward was one of a family of Liverpool hatters. His father and son were both in the business and indeed, he was in partnership with his son, who was based in London, when this note was produced in 1833. The partnership did not last long and was dissolved a year later. The engraver of the note, Edgar Andrew Porteus, is notable for having had an injunction taken out against him by Guinness & Co., because he was engraving labels that were suspiciously similar to their beer bottles!
Lot 212
* Oliver Cromwell. Mazot (F. publisher), Olivarius Cromwell Exercituum Angliae Reipublicae Dux Generalis..., circa 1650, uncoloured engraving, laid on linen and mounted on a wooden stretcher, Cromwell's coat of arms below the image, very slight abrasion to the image, slight worming to the lower right corner of the title, 565 x 425 mmQTY: (1)NOTE:The British Musem holds another state of this print with an additional eight lines of verse in Latin below the title. The print is a full-length equestrian portrait of Oliver Cromwell, slightly turned to the right, one hand at his hip holding his riding crop and the other holding the reins of his black stallion, very much in the manner of a Roman emperor. He is dressed in a doublet with high boots over his breeches, a plain collar over his gorget and a chain of office about his neck, a plumed hat on his head with his pistol in a holster at his side. In the distance is a view of London from the south bank of the Thames, clearly showing St Pauls with its square spire which would be destroyed in the Great Fire of London in 1666.
Lot 675
Geoff Hurst signed 6x8 colour photo. Hurst MBE, born 8 December 1941, is an English former professional footballer. A striker, he remains the only man to score a hat trick in a World Cup final, when England recorded a 4-2 victory over West Germany at Wembley Stadium in 1966. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 110
An early/mid-20th century eight-day Napoleon hat clock, the brass dial set with Roman numerals, height 22cm, length 43cm.Condition Report: Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
Lot 153
A quantity of collectibles to include a City Cork Hat Company top hat in original leather box, together with a pair of leather gloves, a fur hat, a pair of wire-rimmed spectacles in case, a pigskin roll of manicure items, coins, compass in a case, a steel cigarette box and Blackpool Wheel souvenir coin purse.Condition Report: Inner of top hat 20.5 x 16.5cm
Lot 237
An early 20th century brown velour doll, with brown eyes, black jacket and striped pants, with pull-on hat, length 43cm and a circa 1930s baby doll with porcelain head, open mouth with two teeth, open-and-shut blue eyes with long eyelashes, in hand knitted baby clothes, length 40cm (af), also a small quantity of maritime related ephemera.Condition Report: Condition Report;circa 1930s baby doll -the back of the head has a large circular piece with crack around
Lot 267
A group of late 19th and early 20th century ceramics to include various items of crested ware including a tank, top hat and miniature jug, a 19th century triple glazed frog mug, two Staffordshire flatbacks, a commemorative George VI Coronation plate dated 1937, a commemorative 'Victoria Queen and Empress Jubilee Year 1887' plate, royal commemorative cups and mugs to include an 1837-1897 'Victoria Jubilee Empress of India' mug and a Mauchline ware fruitwood heart pincushion, etc.
Lot 376
A 20th century figure of a seated bearded sage holding a scroll, height 16cm (af).Condition Report: Some restoration work around the hand holding the scroll and the sleeve surrounding the hand. Rather grubby throughout with various other minor scuffs and scrapes. The glaze to the hat is largely gone but still has good colour beneath.
Lot 63
An assorted collection of vintage & later costume jewellery. The lot to include; a Rotary Quartz wristwatch, 9ct gold, compact mirrors, trinket boxes, napkin rings, watches, Czechoslovakian scarf clips, various coloured stones, simulated pearls, bangles, bracelets, aurora borealis beads, key ring, belt buckle, brooches, stud earrings, enamel, toshikane Japan, die, Ingersoll pocket watch, penknife, pendant necklaces, chains, ceramic, baroque pearls, white stones, hat pins, Essex crystal style brooch, mother of pearl, marcasite, clip on earrings, crucifix, jewellery boxes, Accurist, Imado, A/F jewellery fragments, crystal witches ball & more. Various sizes. Total 9ct gold weight approx 0.9g. Total jewellery weight approx 1370g.
Lot 120
Vintage accessories 1920s-1990s to include a white cloche hat, a black father boa, vintage scarves in rayon and silk, vintage handbags including a 1920s/30s snakeskin bag with butterscotch Bakelite clasp, a tan leather bucket bag, a Celine clutch and a jaeger clutch, 1950s scottie dog pinny, hat pins etc (qty)
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110592 item(s)/page