We found 4297 price guide item(s) matching your search
There are 4297 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
4297 item(s)/page
Lot 4
§ David Hockney O.M., C.H., R.A. (British 1937-) Cushions, 1968 (S.A.C. 64) 52/75, signed, dated and numbered in pencil (in the margin), etching on paperDimensions:38.5cm x 35cm (15 1/8in x 13 3/4in)Provenance:Provenance:Redfern Gallery, London, 1970;Collection of the Late Sir Richard Shepherd, MP.
Lot 6
§ Bernard Cohen (British 1933-) Black Base, November 1958 signed, titled and dated (to reverse), emulsion on boardDimensions:122cm x 122cm (48in x 48in)Provenance:Provenance:Marden Hill House, Hertfordshire;Rowntree Clark Gallery, Norfolk.Note: Bernard Cohen, alongside his brother Harold (see lot 283), was part of an exciting generation of artists that emerged from London’s art schools in the late 1950s and early 1960s. Whether abstract (Cohen, Robyn Denny, Richard Smith) or loosely figurative (Hockney, R. B. Kitaj, Allen Jones) these original young British artists were linked by their love of all things American – seeing New York, not Paris (as previous generations had), as the centre of the art world. They had first seen the new American painting up close in 1956, when Abstract Expressionism formed a small but significant part of a Tate Gallery survey as part of 20th Century American art. Three years later, the Tate mounted another exhibition, although this time dominated by abstraction and the work of the New York School. This show, however, was less of a revelation for the likes of Cohen and more a confirmation, as in the intervening years – in works such as Blake Base – he had already created a language of gestural abstraction of his own. What they took, instead, was the ambition and scale of American painting – and in the 60s, Cohen’s work would become vast and more minimal, with Kasmin’s legendary gallery on Bond Street really the only place it could be shown. In 1957 Cohen received a Boise Traveling Scholarship and, together with the French Government Scholarship awarded to him in 1954, he was able to travel and work in France, Spain and Italy. Here he would have come into contact with tachisme – the French version of abstract expressionism, where the brushstroke – or tache – had been liberated from describing anything but itself, or a sense of movement or emotion. However, with his eyes on America, Cohen gives the heavy existentialism of tachisme an open, upbeat twist. Despite its title, Black Base is all about colour, as well as the weight of the paint itself (as the elements seem to hang vertically off the backing). It is a painting perfectly aligned to Clement Greenberg’s dictats – a painting that has no reference outside its own making - and yet in its colour, its informality, it does capture something of what would become Pop, the Technicolor world of 60s London, as it emerges from the black and white of the 50s.
Lot 180
David Hockney ‘A Bigger Book’. Art Edition A. No. 1-250 Copy Number 0177, 498 pages, 13 fold-outs, 50 x 70 cm, with iPad drawing Untitled, 329, signed by the artist and numbered, with an adjustable bookstand. In mint and unopened condition Estimate £25,000-30,000 Includes the original receipt from Taschen
Lot 609
David Hockney, a signed (in silver ink) 8X6 promotional card for the dual celebration of Hockney's 80th birthday and the 30th anniversary of the opening of Salts Mill, an art gallery, shopping centre and restaurant complex based in Saltaire, Bradford. Salts Mill is the home of the 1853 Gallery, which houses one of the largest collections of Hockney's work. Further information and calendar of events to back of card. A British artist considered to be one of the most influential of the 20th century. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 1
David Bailey (born 1938)David Bailey's Box of Pin-Ups, 1965complete set of 36 halftone photographic prints, each a portrait of famed musicians, actors, models, artists, dancers, gangsters, and more, loose as issued, each print with descriptive notes by Francis Wyndham on verso, preserved in original card box, published by Weidenfeld & Nicolson each print 36.5 x 31.5cm (14 1/2 x 12 1/2in)Footnotes:David Bailey's criteria for his Box of Pin-Ups was simply to photograph 'people who in England today seem glamorous to him... Some of them happen to be famous'. Subjects include John Lennon and Paul McCartney, Mick Jagger, Michael Caine, Jean Shrimpton, Terrence Stamp, and David Hockney, among many others.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 44
Band AidVisual Aid For Band Aid, 1985No.110 of 500, limited edition print, published by Coriander Studios, featuring various artworks, signed and annotated in various inks and pencils by 104 artists such as: David Hockney, Bridget Riley, Howard Hodgkin, Eduardo Paolozzi, Peter Blake, Sandra Blow, Paula Rego, Patrick Heron, John Piper, Richard Hamilton, Elisabeth Frink and Patrick Caulfield - among others, rolled, (certificate not present) 122 x 91.5cm (48 x 36in).Footnotes:The aim of the Visual Aid for Band Aid prints was to raise £250,000 for the poorest people of Africa following the Live Aid broadcast.For further information on this lot please visit Bonhams.com
Lot 44
David Hockney (1937), Lithographic Water Made of Lines, signed and dated in pencil 'david hockney 78' (lower right) and numbered 6/42 (lower left), lithograph in blue on TGL handmade paper, image 55x74,5 cm, full sheet 74x87 cm, Provenance: Acquired in 1990 from Erika Meyerovich Gallery, San Francisco, thence by descent to the present owner. Literature:‘Tyler Graphics. catalogue raisonné, 1974-1985’, Walker Art Center, Minneapolis 1987, p. 168, cat. no. 253. Published in 1980 by Tyler Graphics, Ltd, New York.
Lot 196
λ WILLIAM CROZIER (IRISH 1930-2011)SPANISH LANDSCAPE Oil on canvas Signed (lower right)122 x 122cm (48 x 48 in.)Painted in 1964. Spanish Landscape brings together the gritty expressionism found in Crozier's earlier Essex landscapes with a darker foreboding that was to enter his work in the mid to late 1960s. He had travelled to Southern Spain with the Irish poet Anthony Cronin in 1963 and it is this trip that inspired the present work.Born in 1930 in Scotland he graduated from Glasgow School of Art in 1953 and naturally gravitated to Soho and the London art scene via the cafes and bars of Paris. Influenced by the European Avant Garde Crozier found early success both in London and abroad. He was awarded the prize of best English artist at Primo Lissone in Milan. In the same year that the present work was painted he was included in the ground breaking 1964 Arts Council exhibition Six Young Painters, which found him exhibiting with Bridget Riley, Dorothy Mead, David Hockney, Peter Blake, and Euan Uglow.
Lot 417
Hockney (David, 1937-). Fourteen poems by C. P. Cavafy, chosen and illustrated with twelve etchings by David Hockney, translated by Nikos Stangos and Stephen Spender, London: Editions Alecto, 1966, 12 etchings on hand-made Crisbrook Waterleaf paper by Barcham Green, each with publisher's neat ink stamp to verso 'Edition B', and numbered 362 to 373, signed by the artist to colophon at rear, and numbered 340/500, tissue-guard to each print, original magenta cloth, a few minor marks and spine lightly faded, in original publishers black cloth slipcase, rubbed and marked, folioQTY: (1)NOTE:Limited edition of 600 copies in total (Editions A-E), this being one of 250 copies of Edition B, numbered and signed by the artist.
Lot 184
δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, with full margins, sheet 1010 x 640mm (39 7/8 x 25 1/5in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 185
δ δ David Hockney (b.1937)White Porcelain from the "Moving Focus" Series (Tokyo 285)Lithograph printed in colours, 1985-86, signed and dated in pencil, inscribed 'AP' in pencil, one of 16 Artist's Proofs, aside from the edition of 80, printed and published by Tyler Graphics Ltd., Bedford, New York, with their blindstamp, on TGL handmade paper, the full sheet printed to the edges, sheet 475 x 561mm (18 3/8 x 22 1/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 186
δ David Hockney (b.1937)Lilies (Scottish Arts Council 118)Lithograph printed in colours, 1971, signed and dated in pencil, numbered from the edition of 65, as included in the portfolio Europäische Graphik No.7, published by Galerie Wolfgang Ketterer, Munich, with their blindstamp, on Arches paper, the full sheet printed to the edges, sheet 657 x 504mm (25 ¾ x 19 ¾ in.)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 187
δ David Hockney (b. 1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 ¼ x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 281
After David Hockney/The Tate Gallery, Travels with Pen, Pencil and Ink/Drawings and Prints 1961-1979, July 2 - August 3, 1980/framed exhibition poster, 76cm x 50cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 321
David Hockney: A Year in Yorkshire, Annely Juda Fine Art exhibition catalogue 2006, Stanley Spencer, Royal Academy 1980 and others on Hockney and Spencer (5) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 41
David Hockney RA (British, b.1937 -), 'Paintings and Drawings for 'Parade' a French Triple Bill for the Metropolitan Opera, New York', offset lithograph poster for the exhibition at Riverside Studios, London, 1981, in association with the Knoedler Gallery. Printed by the Petersburg Press, England. Signed by the artist in black ink to the lower right. Approx 38.5x26.5ins, framed and glazed.
Lot 253
Patrick Procktor RA RWS, British 1936-2003 - Greece, 1964; oil on canvas, bears label to the reverse, 152 x 106.5 cm (ARR) Provenance: Redfern Gallery, London; purchased by Jacques Vellekoop, May 4th 1965; private collection, UK Note: Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco. His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London; Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte Sao Paulo, Brazil. Please refer to department for condition report
Lot 260
Mary Fedden OBE RA RWA, British 1915 - 2012 - Still life with eggs and butterfly, 2006; watercolour on paper, signed and dated lower left 'Fedden '06', 19.7 x 12 cm (ARR) Provenance: NSPCC Art Auction, Autumn 2006, no.23; private collection, purchased from the above and thence by descent Note: Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its bright palette and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery. Please refer to department for condition report
Lot 261
Mary Fedden OBE RA RWA, British 1915-2012 - Partridge, 1969; pencil on paper, signed and dated lower left 'Fedden 1969', 69.5 x 45.8 cm (ARR) Note: Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its bright palette and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery. Please refer to department for condition report
Lot 262
Mary Fedden OBE RA RWA, British 1915-2012 - Cormorant, 2001; pencil on paper, signed and dated lower left 'Fedden '01', 53.1 x 37.2 cm (ARR) Note: Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its bright palette and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery. Please refer to department for condition report
Lot 472
AFTER DAVID HOCKNEY (1937-) "A bounce for Bradford", an original print, using the T and A printing press in four pages, the central print inscribed "A David Hockney Original" "A bounce for Bradford", February 24th 1987, the exterior, a limited edition reprint from The Telegraph and Argus Bradford March 3rd 1987, complete size of page 42 cm x 60 cm unframed (ARR) and another the same (2)
Lot 452
Hockney (David). A Bigger Picture, 1st edition, London: Thames & Hudson, 2012, numerous colour & monochrome illustrations, original cloth in dust jacket, large 4to, together with:Percheron (René & Christian Brouder), Matisse From Color To Architecture, 1st edition, New York: Harry N. Abrams, Inc., 2004, numerous colour illustrations, original cloth in dust jacket & slipcase, large 8vo, plus other British & modern art reference, including works on Edward Seago, Marc Chagall, Edward Hopper, John Constable, some original cloth in dust jackets, some paperback editions, G/VG, 8vo/folioQTY: (3 shelves )
Lot 123
Adrien de Menasce, Egyptian/British 1925-1995 - Untitled, 1964; watercolour, crayon and ink on paper, signed and dated lower left 'Menasce 64', 20.4 x 27.8 cm (mounted/unframed) Note: another example of this series made in 1964 is now in the collection of the British Museum, London Adrien de Menasce was born in Alexandria but moved to Paris in the 1950s, where his work was soon influenced by the existentialist abstractions of Taschist artists such as Wols, Vieira da Silva and Henri Michaux. These works from the 1950s were called 'Ecritures¥ ('Writings¥) by the artist, creating an abstract language in the paint, half-seen and half-understood. De Menasce was encouraged to exhibit these works by Sir Herbert Read in Switzerland, where he also become friendly with Sonja Sekula, before eventually moving to London in the 1960s. In the UK, de Menasce began to explore eroticism more deeply in his work, juxtaposing the landscape with the male body in both collage and painting. During the 1960s, de Menasce met his future-partner Sam Lock, and his twin-brother Wilfred Avery, a fellow artist whose mature work would explore a similar visual language. Both artists created a unique and highly individual contribution to Post-War British art and queer visual culture, and one that should be recognised alongside that of Keith Vaughan, Francis Bacon and David Hockney. Please refer to department for condition report
Lot 124
Adrien de Menasce, Egyptian/British 1925-1995 -Two figures, c.1960s;gouache and collage on card, signed with initials lower right 'A.M.' and inscribed on the reverse 'Zurich London', 11.4 x 8.8 cm (mounted/unframed)Note: Adrien de Menasce was born to a prominent Alexandrian family, but moved to Paris in the 1950s, where his work was soon influenced by the existentialist abstractions of Taschist artists such as Wols, Vieira da Silva and Henri Michaux. These works from the 1950s were called ‘Ecritures’ (‘Writings’) by the artist, creating an abstract language in the paint, half-seen and half-understood. De Menasce was encouraged to exhibit these works by Sir Herbert Read in Switzerland, where he also become friendly with Sonja Sekula, before eventually moving to London in the 1960s.In the UK, de Menasce began to explore eroticism more deeply in his work, juxtaposing the landscape with the male body in both collage and painting. During the 1960s, de Menasce met his future-partner, the author Sam Lock, and his twin-brother Wilfred Avery, a fellow artist whose mature work would explore a similar visual language. Both artists created a unique and highly individual contribution to Post-War British art and queer visual culture, and one that should be recognised alongside that of Keith Vaughan, Francis Bacon and David Hockney.
Lot 127
Wilfred Avery, British 1926-2016 - Mutation I, 1967; collage, gouache and ink on paper, signed and dated lower right 'Avery 1967', 25.4 x 35.7 cm Provenance: the Estate of the Artist, cat. no. '67/D/4/1' (according to the inscription on the reverse of the frame) Note: in his early work of the 1950s, Avery would explore the rhythms and energy of the British landscape, combining a cubist visual approach with a deeply spiritual sense of the land itself. During the 1960s, Avery and his twin brother, Sam Lock, met artist Adrien de Menasce, who would become Locke's life partner. Avery and de Menasce's mature work would explore a similar visual language, looking at eroticism more deeply in their work, juxtaposing the landscape with the male body in both collage and painting. Both artists created a unique and highly individual contribution to Post-War British art and queer visual culture, and one that should be recognised alongside that of Keith Vaughan, Francis Bacon and David Hockney. Works by Wilfred Avery are currently on display as part of 'Cruising the Collection¥ at Towner Eastbourne and a retrospective at the Museum of Barnstaple and North Devon is planned for 2023. His works are in public collection including the Jerwood Collection, Southampton City Art Gallery, Royal Albert Memorial Museum & Art Gallery, Exeter and the Ingram Collection. He exhibited during his lifetime with Gallery One and Beaux Arts Gallery in London. Please refer to department for condition report
Lot 3800
Terrasse, Claude. Petit solfège illustré. Illustrations de Pierre Bonnard. 1 Bl., 30 S. 21,2 x 28,6 cm. Mit zahlreichen ganzseitigen farbigen Illustrationen von Pierre Bonnard. Halbleinen mit illustrierter OVorder- und Rückdeckelillustration (gedunkelt und stärker gebräunt, mit kleinen Knicken, geringem Berieb, und kleinen Eckläsuren, etwas fleckig) nach Entwürfen von Pierre Bonnard. Grenoble, Allier für Paris, Quantin, o. J. (1893). Monod 1690. Carteret IV, 77. Mornand-Thomé 292. Hofstätter 40. Garvey-Wick 56. Manet to Hockney 7 Anm. Nicht bei Roger-Marx und Bouvet, Rauch und Skira. - Erste Ausgabe eines der ersten von Pierre Bonnard (1867-1947) illustierten Bücher. Der französische Operettenkomponist Claude Terrasse (1867-1923) stammt aus L’Arbresle im Département Rhône, studierte am Konservatorium von Lyon und an der École Niedermeyer bei Alexandre Georges und Eugène Gigout, wo er mit Charles Bonnard, dem Bruder des jungen Zeichners und Malers Pierre Bonnard (1867-1947) bekannt wurde, und deren Schwester Andrée im Jahr 1890 heirate heiratete. Aus der fruchtbaren Liaison mit seinem Schwager sollten 1893 gleich zwei Buchpublikationen hervorgehen, die Petites scènes familières sowie der Petit solfège illustré. Die vorliegende Erstausgabe ist noch viel seltener als die im selben Jahre erschienene zweite, als "Deuxième Mille" ausgewiesene Ausgabe, da die kleinen, fragilen Hefte oft nach Durchspielen entsorgt worden waren. - Papier wie üblich etwas gebräunt und im Bug brüchig, die Blätter meist lose, jedoch kaum mit Randläsuren. Der Textdruck gelegentlich etwas flauer, die farbigen, monochrom-flächigen Steindrucke jedoch kraftvoll und bunt.
Lot 563
Hockney, David (geb. Bradford 1937)"Am Comer See"; Blick von der Villa Maresi aus über den Park auf den Comer See; Aquarell/Papier; 31 x 41 cm; gerahmt (51,5 x 60 x 1,5 cm); am unteren Rand mit handschriftlicher Widmung an Drue Heinz (Heinz-Ketchup-Dynastie), Monogramm und Datum Sept.03.; in sehr gutem, nicht beschädigtem Zustand; Hockney war öfters Gast von Frau Heinz und schenkte ihr diese Arbeit während eines Aufenthaltes in der Villa Maresi im Jahre 2003; Frau Heinz schenkte dieses Aquarell wiederum weiter an ihren langjährigen Vertrauten und Verwalter; danach Eigentum einer süddeutschen Privatsammlung;berühmte Persönlichkeiten verbrachten eine gewisse Zeit in der Villa Maresi wie z.B. Lady Di, George Clooney sowie Kofi Annan, welcher seine Biographie unter dem Garten-Pavillon (siehe Bildmitte) schrieb; Notizen: siehe auch 2 ähnliche Arbeiten aus dem Jahre 2002 bei Christie's-Auktion am 04.06.2019 sowie bei Sotheby's-Auktion am 06.03.2020;"View to the Lake of Como"; from the Villa Maresi; watercolor/paper; 12,2 x 16,1 in; on the botom handwritten dedicatid "for Drue, Love, monogrammed and datet Sept 03.; in very good, undamaged condition; Hockney spend several times in the Villa; During his stay in late summer 2003 he made this work and gave it to Ms. Drue Heinz (Heinz-Ketchup Dynasty); later she gave it to her good friend, driver and caretaker; Since 2019 in a collection in South Germany; Notice: see similar works: Christie's 04.06.2019 and Sotheby's 06.03.2020; Famous people stayed there for a while like Kofi Annan who was writing his biography in the garden Pavilion or Lady Di and also George Clooney;
Lot 319
▴ David Hockney RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours, from an open edition101 x 64cm, unframedCondition ReportPreviously rolled in a tube. Small margin of time staining to bottom of poster on the white border. In my opinion, this does not detract from the artwork's appeal.
Lot 387
Framed "The Usual Suspects" (1995) movie poster with signatures from - Kevin Pollak (Todd Hockney), Gabriel Byrne (Dean Keaton), Stephen Baldwin (Michael McManus), Benicio Del Toro (Fred Fenster) and Kevin Spacey (Roger 'Verbal' Kint). The frame shows some wear. Height: 69 cm. Width: 48 cm. Condition: Very Good. Location: Switzerland, Degersheim.
Lot 1209
DAVID HOCKNEYC P. CAVAFY: Fourteen poems. Chosen and illustrated with twelve etchings by David Hockney. Translated by Nikos Stangos und Stephen Spender. London: Editions Alecto Limited 1966-67. 45,5 x 32 cm. Mit 12 OrRadierungen auf Tafeln von D. Hockney (Plattengröße 34,8 x 22,3 cm). 21 nn. Bll. Rote OrBaumwollseide in OrSchuber.(Schuber leicht angestaubt. Exlibris auf Titelbl. montiert. Kaum Alters- oder Gebrauchsspuren).Nr. 391 von 250 Exemplaren der Edition B (num. 251-500) auf Crisbrook Waterleaf Handpapier, sämtliche Tafeln rückseitig gestempelt und im Druckvermerk vom Künstler signiert. - Hogben "From Manet to Hockney" 137.
Lot 67
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),OLYMPISCHE SPIELE MÜNCHENlithograph poster of 'The Diver' commissioned for the 1972 Summer Olympic Gamesimage size 98cm x 62cm, overall size 105cm x 69cm Framed and under glass.Condition is good overall, with no visible signs of restoration, damage, or known issues.
Lot 71
* SUZI MALIN (BRITISH b. 1950),GOING, GOING & GONEmixed media on paper, each signed and dated 1974image size 68cm x 68cm each, overall size 71cm x 71cm each Framed and under glass (2).Comment: a very unusual and humorous pair of sequential paintings. Note: Suzi Malin, a world-renowned portrait painter, studied for both her BA and MA at the Slade School of Fine Art, London. She received tutoring from Lucien Freud at the age of 20. Nine of Suzi's portraits form part of the National Portrait Gallery collection in London. She started working professionally whilst still a student and was commissioned to paint several famous faces, including actor Peter Sellers and designer Zandra Rhodes. On the day Suzi completed her postgraduate studies, she flew to Iran to fulfil a commission to paint several members of the late Shah's family. Her known sitters include; Elton John, David Hockney, The Queen of Greece, Lord Home of the Hirsel, Henry Chadwick, Sir Alistair Morton and Dame Vera Lynn.
Lot 67
Spender, Stephen, and David Hockney China Diary London: Thames & Hudson, 1982. First edition, deluxe issue, one of 1,000 copies signed by Spender and Hockney on the frontispiece, and including an original five-colour folding lithograph by Hockney, titled 'Red Square and the Forbidden City' and signed and numbered by the artist (one of 1,000). 4to, original red cloth, the lithograph preserved in original red card chemise with folding protective tissue-guard laid in, book and lithographic both housed in original card box with red printed labelNote: Provenance: Property of an English collector.
Lot 110
Sammlung von 5 tls. signierten Ausstellungskatalogen, Werkverzeichnissen u.a. Enthält: Arnulf Rainer u. Barbara Catoir. Übermalte Bücher. Mit zahlreichen tlws. farbigen tls. ganzs. Abb. München, Prestel, 1989. Im Titel von Rainer signiert. - Rosemarie Trockel. Herde. Werkverzeichnis. Köln, Salon Verlag, 1997. Eins von 1000 numm. u. sign. Exemplaren. - Keith Haring Pop Shop Tokyo. Galerie Kunst Parterre. George Mulder Fine Arts. 1992. - Luckhardt, Ulrich. Im Blickfeld "Doll Boy" von David Hockney. Hamburger Kunsthalle, 1991-1992. Mit 33 tlws. farbigen Abb. - Modus Vivendi. Elf deutsche Maler. Mit zahlreichen Abbildungen u. die Unterschriften d. Maler im Druck. Wiesbaden, Museum Wiesbaden, 1985. OPp. (erste Lagen lose).
Loading...-
4297 item(s)/page