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Cattle on a riverbank, early 20th century impressionist oil on canvas, unsigned, 30cm x 39cm, framedGood condition, no canvas damage or repairs

Impressionist woodland scene, mid-20th century oil on board, unsigned, 29cm x 21cm, framedGood condition

Impressionist farm landscape, early 20th century Continental oil on canvas, unsigned, 46cm x 56cm, framedGood condition, no canvas damage or repairs

British school, mid 20th century, an impressionist landscape, The Lock-keepers Cottage, oil on board, 35cm x 41cm.

Impressionist school, mid 20th century, A Lakeside Village, signed with monogram VP, oil on canvas, 40.5cm x 50.5cm.

Anthony John Cartmel Crossley (1934-2008)"Beachscape, Boulmer Steel", a vast, tranquil coastal study of the Northumberland beach with dark, glistening rocks lining the shore and small sailboats silhouetted against the blue sky, watercolour, titled on label verso, in double card mount and moulded frame under glass, 57 cm x 70 cm overall[Crossley has exhibited over sixty times across the UK, his works often depict expansive, impressionist landscapes.]

Andre Derain (French, 1880-1954), Study of a female nude, Studio stamp 'Atelier Andre Derain' (lower right), pencil on paper, 57.5 x 33.5 cm, framed and glazed 82.5 x 58 cm Bonhams - Impressionist and Modern Art - lot 11 22 June 2010Tiroche Auction House, Israel Drawing is sealed in the frame and glazed - it has not been inspected out of the frame. Appears to be drawn on laid paper with some abrasions to the paper top right going into the face. Some discolouring with age and signs of developing mount burn. Clear studio stamp.

IN THE IMPRESSIONIST MANNER "Guards on parade", study of road with guards on horseback", oil on canvas, 51 cm x 61 cm, together with another "Figures in 19th Century dress on a beach", oil on canvas, 51 cm x 61 cm

Norman R Coker (British, B.1927-D.2020). Impressionist style oil on board, titled "Morning in the park" Frame size. 60cm x 49cm

Impressionist school (20th century), A river landscape with trees and wildflowers, Oil on board, Indistinctly signed lower right [Raymond F...], 29.5cm x 39cm, Framed

20th century European School An impressionist industrial river landscape. oil on board, 27 x 27cm, together with a scribbled abstract signed Kriaz, 23.5 x 33cm

RAOUL DUFY (1877-1953)La carrière Gouache sur papier.Signé en bas a droite.Gouache op papier.Gesigneerd rechtsonder.Gouache on paper.Signed lower right.47 x 63 cmFootnotes:Exposition :Impressionist Drawings 1985, n° 633Bibliographie :Fanny Guillon – Laffaille, Raoul Dufy, Catalogue raisonné, Paris, 1981, vol. I, no. 630.For further information on this lot please visit Bonhams.com

20th Century impressionist oil on canvas, landscape with cottage, signed Bowman, 66 x 76cm

Frederick Charles Mulock, signed impressionist style watercolour and charcoal, inscribed ' Newlyn ', 24.5 x 45cm

Modern impressionist oil on board, indistinctly signed, 52cm square

Impressionist school, oil on canvas, figure in a sunset landscape with distant cottages, 31 x 41cm, unframed

Impressionist style oil on board, figure in a woodland at dusk with lanterns on trees, 30 x 38cm

20th Century Design  - Bert Van Loo (Gulpen 1946-2016), large Rock & Glass sculpture, with gallery exhibition booklet and VHS video, 61cm high, 42cm wide Provenance: From the private collection of Russian and Soviet Impressionist paintings of Bridgett Pemberton, as shown in additional image. This piece was originally purchased for €1,800, 2008, Amsterdam.

19th century School, impressionist oil on canvas, Church in a landscape, indistinctly signed lower left, 42 x 28cm, ornate gilt framed

E. Walters, impressionist oil on board, Study of a fishing boat, signed, indistinct pencil inscriptions verso, Eugene Walters?, 19 x 14cm, ornate gilt framed

20th Century School, oil on board, Woman and child, A striking impressionist depiction, signed indistinctly to the lower right, displayed within a rustic green frame, measuring 50cm x 60cm, & 60cm x 70cm overall

H. Burgess (20th Century, British), oil on board, A hill top with trees, in the Impressionist style, signed and dated '82 to the lower right, framed, measuring 44cm x 58cm, & 54cm x 58cm overall

20th Century Continental School, in the style of Caroline Burnett (1877-1950), oil on board, Two colourful Continental street scenes, of Impressionist appearance, signed 'Revadol' to the lower right, displayed within gilt frames and fabric slips, measuring 40cm x 50cm, & 55cm x 65cm overall (2)

BRITISH IMPRESSIONIST MANNER, 'Ships at harbour', oil on canvas, 30cm x 39cm, monogrammed 'BP', framed.

Armand JAMAR (1870-1946), oil on board Impressionist landscape, signedArmand JAMAR (1870-1946), olie op board Impressionistisch landschap, getekend39 x 47 cm

An ornate framed Impressionist oil painting of a village set in woodland scene with woman and and seated man, 50cm x 39cm

Italian School, post impressionist, 20th century, Italian / Tuscany landscape with a figure overlooking the valleys, oil on canvas, unframed, 51x61cm.

Mid to Late XX Century Impressionist Harbour Scenes, with moored boats, pair of oils on canvas, 39.5 x 49.5cm (2)

Poppy Field, Impressionist oil on canvas, circa mid to late XX Century, 49.5 x 59.5cm.

HENRI LEBASQUE (1865-1937)La lecture au jardin signed 'Lebasque.' (lower right)oil on paper laid down on canvas63 x 48cm (24 13/16 x 18 7/8in).Painted circa 1918Footnotes:The authenticity of this work has been confirmed by Maria de la Ville Fromoit and Christine Lenoir.ProvenancePrivate collection, Europe (acquired by the early 1950s). Private collection, Belgium (by descent from the above).Exhibited(Probably) Paris, Musée Galliera, Exposition rétrospective, Henri Lebasque, 1865-1937, 16 June – 9 July 1952, no. 52.Bonhams is honoured to present the following selection of works from a distinguished family collection. This impressive group, carefully assembled over decades, is testament to a deep appreciation for Modern masters. Including works by Henri Lebasque, Bernard Buffet, Kees van Dongen, Armand Guillaumin, Jean Dufy and Jean Lurçat, this ensemble showcases a keen and discerning eye for high quality works of Impressionist & Modern Art.Leading this group are three important works by Henri Lebasque - Les Andelys, La lecture au jardin and La Marne à Pomponne. While depicting different subjects, each is executed in a similarly delicate palette of blues and greens. This chromatic range of cool tones imbues each work with a charming softness, which was quintessential to Lebasque's painterly style. A soft luminosity thereby pervades each canvas, perfectly evoking the poetic gentleness that is to be found in the artist's most sought-after works. In 1905, Lebasque exhibited at the Salon d'Automne, where he first met the Fauvists and was fascinated by their masterful use of pure and vivid colours. Although he learned from their visual language, he remained faithful to his own vision of calm and light, choosing not to follow their flamboyant palettes and intense contrasts. These three scenes - suffused with a gentle light, where harmony reigns - demonstrate Lebasque's artistic pursuit as a lyrical and intimate painter.Also included in this group is an early landscape by Kees van Dongen, an example of which rarely comes to market. Executed in Holland circa 1895, before his move to Paris, Derrière la ferme conveys the artist's focus on evoking the atmosphere of a place, skilfully imbuing the rural quietude of the Holland countryside. Painted with earthy toned-down colours, van Dongen's early work reflects the influence of the Dutch master Rembrandt before he became one of the pioneers of the radical movement of Fauvism.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

C.A. FULFORD (XX). British school, a pair of impressionist landscapes with buildings, signed lower left and lower right, oils on canvas, unframed, 51 x 61 cm, together with J.C. FULFORD (XX). British school, a pair of impressionist landscapes with buildings, signed lower left and lower middle, oils on canvas, unframed, 51 x 61 cm (4)

CONTINENTAL SCHOOL (XX-XXI). A floral still life impressionist study, signed lower right, oil on canvas, framed, 78 x 68 cm LOCATED IN OFFICE

Impressionist style beach scene, oil on canvas paper, unsigned, mount opening 28cm x 13.5cm, framed (31.5cm x 51.5cm), moulded gilt frame with Rococo motifs. (S)

Theodorus van Oorschot (Dutch, 1910-1989), riverside oil on canvas landscape with horse and cart. Signed to lower right. In ornate gilt frame. 40cm x 80cm. Frame measures 56cm x 97cm. Van Oorschot was educated at the Academy of fine arts in Tilburg and is known for his expressive landscapes, still lives and interiors in an impressionist style. Buyer must collect or arrange own transportation.

Impressionist Paintings in the Louvre by Germain Bazin 1959 hardback book with 320 pages, signs of ageing fading, fair to good condition. Sold on behalf of Michael Sobell Cancer Charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

A QUANTITY OF 20TH CENTURY PAINTINGS AND PRINTS ETC, to include a watercolour of 'The Harbour Inn, Southwold' by C. Herbert Jones, an impressionist style water landscape initialled D.J., two unsigned watercolours dedicated to H.M.S Ophir on the Royal tour of 1901, an unsigned oil on canvas depicting a gundog with a hare in its mouth, a watercolour depicting Dordrecht in Holland by B. Harrison 1918, a butterfly wing picture, a print of a Nun, other amateur oils and assorted prints etc (2 boxes + loose)

William Ludlow (fl.1930-1960), impressionist oil on board, Harbour scene with moored boats, signed, 45 x 54cm

James Aumonier (1832-1911), impressionist oil on board, Rural landscape with farmhouse and duck pond, signed, 22 x 30cm, ornate gilt framed

French School, Impressionist oil on canvas, Two figures with scythes, unsigned, 39 x 60cm, ornate gilt framed

Pennsylvania Impressionist School Autumnal landscape with a town. Oil on canvas. Appears to be unsigned, has not been examined out of the frame. Sight Size: 19 x 24 in. Overall Framed Size: 23.5 x 28.5 in.

unidentifizierter Impressionist, "Im Park", dat. (18)98 Öl/Holz, unten rechts undeutlich signiert Jac. Hayet,? HxB 22,7x31cm, vereinzelt berieben, Gesamtmaß 38x46,7cm, Goldstuckrahmen

English Impressionist School (Early 20th century): Dutch Canal Landscape and Lakeside Landscape, near pair oils on canvas board unsigned max 24cm x 32cm

Arthur George Bell (British 1849-1916): Sheep Grazing in Shade in Impressionist Landscape, oil on board inscribed verso 28cm x 37cm

English Impressionist School (Early 20th century): Figures in a Rural Park, watercolour indistinctly signed 22cm x 29cm

Post-impressionist oil on canvas painting featuring a white Tuscan-style home with a bay and mountains in the background. Signed J.H. Lynn in the lower left corner in red. Framed in a mahogany veneer wood frame with a white canvas border and gold-tone trim. Sight size: 7.25"W x 9.5"H; frame: 18"W x 20"H x 2.5"D. Artist: Hong Joo LynnCondition: Age related wear.

Post-impressionist oil on canvas painting featuring a walkway leading to a white Tuscan-style home with a bay and mountains in the background. Signed J or L H. Lynn in the lower left corner in red. Framed in a mahogany veneer wood frame with a white canvas border and gold-tone trim. Sight size: 7.25"W x 9.5"H; frame: 18"W x 20"H x 2.5"D. Artist: Hong Joo LynnCondition: Age related wear.

Impressionist style still life painting of a bouquet of flowers. Signed with initials JGB and dated 1961 lower right. Measures 29" x 23" including frame, 24" x 17.5" image only. Condition: Age related wear.

This Impressionist-style oil on canvas landscape features a lovely vine orchard in the South of France with a Provencal white house in the background. Signed Connelly in the lower right corner. Black painted wood frame with embossed metallic gold painted border. Sight size: 6.5"W x 4.25"H; frame: 12"W x 10"H x 1.5"D.Artist: ConnellyCondition: Age related wear and scuffs to frame.

Large original acrylic and oil on canvas in an Impressionist style with figures and the foreground painted with a loaded palette knife by Marie Charlot. It depicts Victorian dressed females with a dog on a large beach with sailboats on the horizon. Marie Charlot is a collective name created in the 1960s by Collectors Corner Inc., for a group of artists hired to paint for the gallery. Signature on lower right: Marie Charlot. Housed in an old rose color frame with a ecru mat. Frame size: 51"L x 39"H x 2"W. Artwork dimensions: 48"L x 36"H. Artist: Marie Charlot (20th century)Issued: c. 1970Country of Origin: United StatesCondition: Age related wear.

Post-impressionist oil on canvas painting featuring a scenic Italian alleyway with white Tuscan-style buildings, red wood shutters, and colorful gardens. The alleyway leads to a gorgeous view of a blue bay with a clouded sky overhead. Signed L or J H Lynn in lower right corner. Framed in a mahogany veneer wood frame with a white canvas border and gold-tone trim. Sight size: 9.5"W x 7.5"H; frame: 20"W x 18"H x 2.5"D. Artist: Hong Joo LynnCondition: Age related wear.

Outstanding original oil on board painting by American Impressionist artist Johann Berthelsen. This winter scene depicts passerby and cars covered in snow at Columbus Circle from where the Empire State building is visible in the background. Berthelsen used specs of green, red, yellow and mauve paint against a range of white and grey colors to convey the mood of a New York City snowy day. Housed in the original wooden frame. Signature on lower right: Johann Berthelsen. Artwork dimensions: 8.50"L x 11.75"H. Frame size: 18"L x 21"H x 2"W. Artist: Johann Henrik Carl Berthelsen (Danish/American 1883-1972)Issued: c. 1940Country of Origin: Denmark/United StatesCondition: Age related wear. Minor paint loss on corners. Small parts of the wooden frame are missing on the lower side.

Outstanding large original oil on canvas entitled Les Musiciens by Post-Impressionist artist Albert Wenbaum. It depicts a close-up of three Jewish musicians playing in a shallow space that Wenbaum painted in a range of red-orange and brown tones applied with wide brushstrokes. Housed in a gilded wood frame. Front tag: Albert Wenbaum, Les Musiciens. Signature on lower right: A. Wenbaum. Written on verso: A. Wenbaum 115 Rue N.D. des Champs Paris 6eme. Les Musiciens. No 6. Artwork dimensions: 35.50"L x 28"H. Frame size: 43"L x 36"H x 3"W. Artist: Albert (Abraham) Weinbaum (Polish-French 1890-1943)Issued: c. 1910Country of Origin: Poland/FranceCondition: Age related wear.

Oil painting depicting an impressionist-style village scene with beautiful light-dappled thatched-roofed houses and a woman in the foreground. Modern wood frame with dark brown painted finish. H. Upmann cigar company logo impressed on the back of the wood board, one of the oldest known cigar brands in existence established in 1843. Unsigned. Sight size: 9.5"W x 6"H; frame: 14.75"W x 11.25"H x 2.25"D. Condition: Age related wear.

English Impressionist School (Mid 20th Century): Countryside Stream and The Cottage Through the Trees, two oils on canvas by different hands unsigned, one inscribed indistinctly verso max 20cm x 31cm (2)

* DOROTHEA SHARP ROI RBA (BRITISH 1874 - 1955), STILL LIFE OF FLOWERS IN A VASE oil on board, signed,framedimage size 61cm x 51cm, overall size 72cm x 62cmNote: Dorothea Sharp was born on 10th January 1873 into a Quaker family in Dartford, Kent. The family timber business had been established since 1800 and its success afforded Dorothea a certain financial comfort and independence and even though her parents did not really approve, Dorothea wanted to be an artist from an early age. She enrolled at the Richmond School of Landscape Painting in 1894 under the tutelage of Charles Edward Johnson (1832-1913). Preferring to work in oil, she spent much of her time painting outside making rapid notes in her sketchbook, which she worked up later in the studio. This was to be a method which she refined throughout her career and was ideally suited to her style and choice of subject. Shortly after the untimely death of her father in March 1900, Dorothea set off for Paris with her mother Emily. Here she saw first-hand the work of the Impressionists and in particular that of Claude Monet (1840-1926) which was to have a profound and lasting effect on her work. She wrote in The Student's Book of Oil Painting, published in 1947: 'I think the young painters of this decade little realize what we owe to those great masters of The French Impressionist School.' Sharp also came to know and love the work of some of the American painters who were in Paris at the same time, notably Frank Weston Benson (1862-1951) and Carl Frieseke (1874-1939). Upon her return to England, her reputation grew and the bright and bold depictions of children playing feeding ducks, playing at the seaside or picking flowers became more and more popular. Her colourful compositions were ideal for use as posters, which by the 1930s had become an effective and popular form of advertising. By the 1940s Sharp was famous; she had exhibited widely at many leading galleries (and over a period of 47 years at the Royal Academy alone) and her work had been purchased by an admiring public throughout the Empire. She had travelled extensively from the south of France to Algiers and from St Ives (where she spent the war years with her companion Marcella Smith) to Sussex and her circle of friends included many of the leading artists of the day. Sharp's paintings were in many ways unique, but also reflected the changing style of the times. Her rapid, confident brushstrokes were almost sculptural in the way the paint was applied to canvas, but always bound together by an innate understanding and love of colour. Weakening eyesight and creeping arthritis had begun to take their toll by the 1950s and Dorothea and Marcella moved into Blomfield Road where she died on 17th December 1955.

Arthur Delaney (1927-87), UMIST under construction, oil on board, signed and dated 1971, 25cm x 32.5cmProvenance: Attached to the reverse of the picture is a note handwritten by the artist which reads 'Just a line to explain the thinking behind the original of mine you have enquired of a building site. The site was UMIST under construction which I used to pass every day on my way to work which interested me. I made a quick pencil sketch from which I made this painting. It is interesting to myself to see the style I didn't even realise I had and I expect to a collector it may have a special interest as it is the sole picture of mine in the Impressionist style. Sincerely Arthur Delaney'.Purchased Byrne's December 2014. Hammer price £1,600 (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Andre Brasilier (b. 1929) Cheveaux devant la foret, Vexin francais. Late 20th century signed print  Framed and glazed. Impressionist /  Measures. 80x60cm Late 20th century 1994 signed print of wild horses with forest / trees to ground. 

IMPRESSIONIST LANDSCAPE ON OIL CANVAS

Impressionist style miniature oil on board painting with moored fisher boats with a bright sunny day by the sea. Signature on lower right. Frame size: 12.60"L x 14.25"H x 1.10"W. Artwork dimensions: 10.40"W x 8.90"H. Issued: c. 1970Country of Origin: United StatesCondition: Age related wear.

E. Vogel, Impressionist um 1920, Waldlandschaft mit Fachwerkhaus und Staffage bei einfallendem Sonnenlicht, Öl auf Karton, u. li. sign. u. dat. ''E. Vogel 1925'', ber., 48 x 60 cm, ger. 59 x 71 cm