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FOURTEEN VARIOUS PAINTINGS AND PRINTS to include Martin Holt limited edition prints x 2, humerous golf course and gymnasium scenes of Jewish people numbered 232/300 and 78/300 respectively, 39 x 53cms, Victorian engraving titled `Stolen by Gipsies The Rescue` painted by J B Burgess ARA engraving begun by the late Charles H Jeens and completed by Lumb Stocks RA, 42 x 62cms, J E Small signed print of a tree-lined riverbank impressionist style, 40 x 28.5cms, M Lowe oil on canvas depicting an Eastern street scene, signed and dated October 1937 lower right, 19 x 24cms, Hiroshige III 19th Century Japanese print, titled `Edo Meisho Zue`, 32.5 x 22cms, Vincent Van Gogh (1853-90) reproduction prints titled Irises on a Yellow Ground and Crown Imperials, 24 x 18.5cms and othersProvenance: deceased estate ConwyComments: framed, framed and glazed
KEN (K B) HANCOCK (BRITISH 1925-2014) 'COUNTRY HOUSE WITH KATE', a French impressionist style landscape depicting a female figure walking through a field with a Chateau beyond, signed bottom left, oil on canvas, approximate size 29cm x 39cm, Condition Report: small chips to top corner edges of the frame (artist resale rights apply) (1)
After Ruth D. Browne (1905-2002, New Zealand), coloured print, Title Unknown - A mountain landscape in the Impressionist style, framed, mounted, and under glass, measuring 38cm x 48cm, & 59cm x 66cm overall, together with another print, after David Dane (20th Century, British), depicting a lake landscape in low light
De Jong: a signed limited edition print, "Regatta", in aluminium strip frame, a pair of signed limited edition colour prints, sailing boat scenes, in aluminium strip frames, another signed limited edition etching, Asthall Leigh, 45/150, in aluminium strip frame, a colour print after Matisse Le Poissons Rouge 1911, in strip frame, a similar Impressionist poster and a colour photograph, downhill skiing, in strip frame
[Folio Society] W.B. Yeats Selected Poems & Paintings 1998. Blake’s Songs of Innocence & Experience. The Impressionist Revolution. Life of The Artists by Giorgio Vasari in 3 volumes. The Pre-Raphaelites & Their World. Ovid’s The Art of Love, Bestiary 764 facsimile. Plato Symposium. The Shadow of Vesuvius and a Victorian leather bound copy of Legends of Madonna by Mrs. Jameson published in 1864 (12)
A BOX OF 20TH CENTURY PAINTINGS, comprising an oil on board depicting a Victorian style male figure in a landscape setting, indistinct monogram and dated 1900 bottom right, approximate size 18cm x 13cm, two George Trevor coastal watercolour / gouache pictures, approximate sizes 25cm x 35cm, two George Fanshawe pastel landscapes, an indistinctly signed continental townscape, signed and dated (19)37, two unsigned Indian watercolour on paper depicting wild flowers and butterflies, two M Wayte watercolours depicting wild flowers, an indistinctly signed oil on canvas depicting an impressionist style townscape and two small watercolour townscapes initialled S.I.
Stuart Williams (20th Century) - Four oil on canvas paintings depicting landscape scenes in the impressionist manner. All signed to lower corner. One untitled Sunrise Over The River Exe, another Sunset Over The River Exe. Also includes a cattle scene and similar landscape. Largest measures 51 x 61cm.
Daqolty Jane Gregson (British Early 20th Century) Rural Peacefulness Leyland. (Titled on Exhibition Label Verso). Oil Painting on Board 10 1/2" x 17 1/2" (27 cm x 44 cm) image size. Signed D.J Gregson to lower right. Early 20th Century impressionist. The artist exhibited at the Walker Gallery - Liverpool in 1914. Title, original price (£15) and home address (Heald House - Leyland) verso.
Felix Labisse (French, 1905-1982) Passage de la Bérésina Lithograph print on Japanese paper Signed and numbered EA 15/20 on margins 54 x 76cm (21" x 30") Félix Labisse (French b. 1905-1982) was a French Impressionist & modern painter, illustrator and designer whose erotic works often depict hybrid creatures. Numerous key galleries and museums such as The Cob Gallery have featured Félix Labisse's work in the past. Since 1998 the record price for this artist at auction is 129,947 USD for Histoire Naturelle, sold at Christie's London in 2007. In Mutual Art’s artist press archive, Félix Labisse is featured in Paintings By Felix Labisse, a piece from JUXTAPOZ in August 2014. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Adriano BARACCHINI-CAPUTI (1883-1968) Impressionist mixed media "lake view - Weight: 1.80 kg - Shipping available - Region: Italie - Period: XXeme - Sizes: Hors cadre : 425 mm x 525 mm - At first glance: normal wear / patina of use - Author / artist: Adriano BARACCHINI-CAPUTI (1883-1968) - Object type: Technique mixte
Siebe Johannes TEN CATE (1858-1908) Watercolor "Viaduct in Rotterdam". A Holland Impressionist painter who traveled extensively in Europe, the United States and Egypt, TEN CATE mainly painted cityscapes and landscapes. - Weight: 2.49 kg - Shipping unavailable - Sizes: H 455 mm x L 530 mm avec cadre. - At first glance: normal wear / patina of use
Jozef Israëls - Girl with basket seated on the shore - 1879 / Description: A girl seated on a dune on the right, with a basket on her back, wearing a cap and dress, bare feet, the beach and sea in the background. Etching with surface tone made by Jozef Israëls circa 1879 / Dimensions: 15,20 x 22,80 cm / Condition: Good impression with nice margins on a full sheet of laid paper measuring 29 x 42 cm. In very good condition. / Literature: Hubert / The Etched Works of Jozef Israëls. An Illustrated Catalogue. (19) ----- Jozef Israëls (1824-1911) was born into a Jewish family in Groningen. His parents wanted him to be a rabbi and Israëls had to struggle to realise his dream of becoming an artist. The influences of first Kruseman and then Picot directed him towards the Romantic tradition of history painting, but although he produced some work in this tradition (debuting at the Salon de Paris in 1855) he soon abandoned this style, in favor of the plein-air painting he had encountered at Barbizon in 1846 and 1853, and in Oosterbeek, the Dutch equivalent of Barbizon. From 1855, Israëls made frequent sketching trips to the little fishing village of Zandevoort. Fishermen became a favorite motif in his art, along with landscapes and scenes of peasant life. In 1871 he settled in The Hague, where he remained for the rest of his life. In his day Jozef Israëls enjoyed a huge success, both in Holland and in France. He remains one of the towering figures of the Hague School; the Dutch equivalent of Millet. Vincent van Gogh revered Israëls and Millet equally, often linking their names. In a letter of March 1884 he described them, along with Corot, Daubigny and Dupré, as “the great forerunners”. With Israëls’ etchings, we are suddenly surprised by a lightness of touch that is decidedly Impressionist in its aims and its techniques, with all the details simply indicated by quick fresh lines rather than laboriously delineated. Israëls became interested in etching in 1870, and produced in all 30 plates, which are described and illustrated in the catalogue raisonné by H. J. Hubert, The Etched Work of Jozef Israëls. Israëls treated his etchings rather like sketches, printing them in small numbers to give to friends. They were not usually formally editioned, Writing of the etchings of Israëls in L’Art in 1879, the critic Charles Tardieu describes them as a painter’s etchings, and deliberately links them to Impressionism by describing them as “esquisses et impressions”, sketches and impressions. The confidence and rapidity with which Israëls has sketched these scenes onto the etching plate gives a sense of intimacy and immediacy. There is also a real tenderness in his depiction of the bathing children and the resting fisherwoman. / Medium: Etching /Circa: 1879 200

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