We found 15408 price guide item(s) matching your search

A Lalique bowl 'Gui': the opalescent body intaglio decorated and moulded to the exterior with mistletoe, the base wheel cut R. Lalique France, circa 1925-35, 24 cm diameter.

A reverse painted crystal intaglio, gold backed fox mask mounted 'crop' bar brooch:, the intaglio 13mm diameter and stamped 'Tiffany&Co', the pin fastener stamped '14K', 53mm total length of bar brooch, 5.9gms gross weight.

A Bohemian amber flashed goblet and cover: of octagonally faceted form with knopped stem and petal shaped foot, intaglio decorated with an Eastern gentleman holding a rearing stallion, the flanks and cover with scroll decoration, mid 19th century, 34 cm high.

A yellow metal mourning ring with floral engraved shoulders, bone glove stretchers, needle case, bone handled metal intaglio seals, Tunbridgeware "Postage" box, pair of knife rests with silver-plated mounts, Victorian, caddy spoon Victorian silver sugar tongs London 1882 etc

A white metal carved intaglio seal depicting a horse.

A white metal carved intaglio seal depicting a dragon.

Erskine Childers silver commemorative plate A commemorative silver plate, the central reserve with intaglio portrait of Erskine Hamilton Childers, President of Ireland 1973-1974, limited edition, numbered 23/1000, in original presentation box; hallmarks for Dublin, 1975, by Royal Irish Ltd., 550g, 16oz troy. (1) Diameter 11in. (27.94cm)

Erskine Childers silver commemorative plate A commemorative silver plate, the central reserve with intaglio portrait of Erskine Hamilton Childers, President of Ireland 1973-1974, limited edition, numbered 64/1000, in original presentation box; hallmarks for Dublin, 1975, by Royal Irish Ltd., 550g, 16oz troy. (1) Diameter 11in. (27.94cm)

A Verity 9ct gold ladies wristwatch, the circular dial with Arabic numerals and attached snake strap, 16.5g gross, along with a intaglio set fob, a carved shell cameo brooch within yellow metal surround, an Art Nouveau carved ivory pendant and three bar brooches

A ROMAN GOLD RING TOGETHER WITH A LATER ASSOCIATED GLASS INTAGLIO.

A 19TH CENTURY GOLD FOB SEAL with foliate decoration, with carnelian matrix, 3cm. high, together with a gold and intaglio ring, engraved with the head of a classical woman. Size I.

A EARLY 19TH CENTURY GOLD FOB SEAL of fluted form, the sardonyx intaglio engraved with the head of a Roman Emperor, 3.2cm. high, together with another gold fob seal, with bloodstone matrix, 3cm. high.

SET OF FIVE INTAGLIO GLASS DISHES, of oval form, each engraved and etched with a classical scene inside a faceted rim, height 6cm (5)

A HARDSTONE INTAGLIO BROOCH the large carnelian intagio is engraved with a classical scene, in a gold mount with enamel decoration, 6.5cm. wide.

Early 20th Century Bar Brooch. Art Nouveau Bar Brooch with central amethyst, suspending a circular carved intaglio depicting a classical bust with a rope twist border. Marked 15ct.

Louise Berliawsky Nevelson, American (1899 - 1988) Lead intaglio relief print on heavy, white wove paper "Sky Shadow" Titled, signed, dated '73 and numbered 62/150. Good condition. Measures 29-1/2" x 24-1/2", frame measures 32" x 26-3/4". Shipping $165.00 (estimate $800-$1200)

Ancient Rome, ca. 2nd to 4th century CE. A solid 14 karat gold ring comprised of a smooth rounded shaft that widens to contain a bezel surrounding an oval garnet intaglio. The garnet intaglio is elegantly engraved with a profile image of Minerva, the Roman goddess of wisdom, war, art, and commerce. Here the artisan depicted Minerva in her warrior guise, donning a crested helmet. Size 5.25" W (13.3 cm); size of intaglio: .875" W x .875" H (2.2 cm x 2.2 cm); total weight: 2.6 grams Provenance: Ex-private east coast, USA collection Condition: Minor dents and scratches to the shank. Intaglio is intact and excellent. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #119168

Ancient Rome, ca. 1st to 3rd century CE. An oval agate (or similar stone) intaglio of golden hues, incised with a gazelle lying beneath a leafy tree. Size: .625" L x .375" W (1.6 cm x 1 cm); Ring size 1.25 Provenance: Ex-Private Florida collection acquired in the 1980's Condition: Stable internal fissure to stone. Bronze shank shows nice age with green patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #119248

Roman Empire, ca. 2nd century CE. Lovely high karat gold ring with thin tapered band, raised shoulders and rounded table set with circular carnelian intaglio decorated with an incised bull. The bull was often used in Roman religious ceremonies called a taurobolium, in which a bull was sacrificed for the well being of the people and the state. 4.6 grams and gold tests at 18K and approximately a US ring size 5. Size: .875" W x .625" H (2.2 cm x 1.6 cm) Provenance: Ex-private east coast, USA collection Condition: Slightly misshapen but stable and wearable All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #118935

Ancient Rome, ca. 2nd to 4th century CE. A solid 18 karat gold ring, the shank with pronounced, bulbous shoulders meeting a raised round bezel, surrounding a carnelian intaglio of brilliant vermilion hues that is engraved with a scorpion. In ancient Rome, the scorpion was a symbol of protection, given its natural defensive mechanisms; i.e. its hard exoskeleton and let's not forget its venemous sting. US Ring Size 5; Total weight: 5.2 gramsAdding another layer to the iconographical symbolism of this ring, in Greco-Roman mythology, Diana (Artemis) used the Scorpion to sting Orion's foot, resulting in his death. Following this event, Jupiter (Zeus) made the scorpion a zodiac sign. Provenance: Ex-private east coast, USA collection Condition: Shanks shows slight bending. Nearly invisible scratches on intaglio. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #119172

A 19thC gilt gesso wall mirror, the crest applied with Sphinx type figures, and with a central intaglio type panel in the style of a Wedgwood Jasperware, the oval frame moulded with ribbons, beads, etc, 94cm high. Provenance: Butterfields, Thoresby Park, Nottinghamshire.

A loose oval cut amethyst, approx. 7.85 carat, together with a moulded glass intaglio (2)

FOUR SMALL SEALS BY SAMPSON MORDAN & CO:- An owl with coloured glass eyes, Chester 1906, a duck, Chester 1911, a cockerell with intaglio "Hylda", Chester 1908 and a baluster seal, Chester 1913; the latter 1.25" (3.2 cms) high; 0.85 oz (4)

A TUBULAR STAMP MOISTERER with seal terminal & intaglio monogram, by Sampson Mordan & Co., Chester 1908 and another similar example by J.N. Kuhn, London c.1908 (marks worn); each one 5.5" (14 cms) long; 2 oz (2)

AN EDWARDIAN REEDED VESTA CASE with gold striping and a gold cartouche, initialled "M.N.A", by Alfred Clark, London 1901 together with a combined pen & pencil of a very similar design, with the same initials at the end (intaglio), swivel ring, unmarked except for the retailer's mark of "Clark 20 Old Bond St"; the latter .27" (6.7 cms) long (closed); 2.6 oz (2)

AN EDWARDIAN COMBINED VESTA CASE & SEALING WAX HOLDER of square tubular form with a seal terminal, engraved with an intaglio crest, by William Hornby, London 1902, retailer's mark of "JC VICKERY 181-183 Regent St." together with another vesta & sealing wax holder combined, maker's mark "THH&CO", Birmingham 1902; the latter 2.55" (6.5 cms) long; 1 oz (2)

A LATE VICTORIAN COMBINED SEAL & VESTA CASE with a bloodstone matrix & intaglio crest & motto, the hinged compartment cover inscribed "January 21st 1892", the end monogrammed, gilt interior, by Jane Brownett, London 1891; 2.8" (7.2 cms) long; 1.7 oz

INTAGLIO GLASS HERON ORNAMENT, GLASS PAPERWEIGHTS, GLASS VASES AND BOWLS

A glass paperweight, signed and numbered, marked 'RSPB 100 Years', a Mats Jonasson intaglio koala bear paperweight, a silver Jubilee glass paperweight, a millefiori paperweight, and two further paperweights. (6)

A pair of Scotty dog gilt metal cufflinks, the pastes simulating a reverse intaglio

Victorian rose gold watch key with intaglio seal hallmarked, a gilt seal with two hounds, a mourning stick pin, rose gold locket and ring (5) Condition Report Click here for further images, condition, auction times & delivery costs

A Masonic globular folding fob on chain; together with other Masonic items; a 9ct Bradford Park Avenue Supporters Club Cup 1926-27 fob, an intaglio seal fob and a snuff bottle on chain (6)

§ Julian Trevelyan, RA (British, 1910-1988) Ram signed lower right "Julian Trevelyan" and numbered 11/50 etching with aquatint Intaglio print on paper 37 x 49cm (14 x 19in) Other Notes: Julian Trevelyan was a major figure in the British etching revolution of the 1960s, with his keen eye for graphic invention and his early enthusiasm for surrealism in his youth. Image is good and clear, some browning around the edges of the mount.

An 18ct white gold and carved sapphire intaglio ring, the pale blue-grey slightly oval sapphire intaglio carved with two fish, collet set on a flat rectangular plaque with all sides edged and the shorter ones becoming the shank, plaque and shank with textured finish, ring size O; London hallmarks for 18ct gold 1975; intaglio 1.7cm long, plaque 2.6 x 2.0cm, gross weight 30.53g; the carved sapphire intaglio is believed to be antique, possibly Roman

A citrine armorial intaglio ring, to a 22 carat gold mount, finger size K, 7.5g gross, together with an oil on board of the Armorial Condition report: Ring in good condition

20th century AD. A mixed group of gilt bronze finger rings comprising: three with banded agate cabochon; two with integral bezel, geometric scrolled motif; one with square bezel, inset carnelian, pegasus intaglio; one with hexagonal bezel, inset carnelian, quadruped intaglio; one with discoid insert, intaglio looped tendrils; one with inset amethyst cabochon. 66 grams total, 21-30mm (3/4 - 1 1/4"). Property of an Essex gentleman; acquired on the UK art market. Fine condition. [9, No Reserve]

20th century AD. A mixed group of gilt-bronze rings comprising: one with banded agate cabochon; one with glass cloison, intaglio eagle motif; one with hexagonal bezel intaglio winged horse motif; one with carnelian insert, advancing lion(?) motif; two with inset cabochon, perched eagle motif; two with integral bezel scrolled tendrils motif. 56 grams total, 24-31mm (1 - 1 1/4"). Property of an Essex gentleman; acquired on the UK art market. Fine condition. [8, No Reserve]

12th-15th century AD. A mixed bronze group comprising: a harness pendant formed as a sphere with ropework band to the equator, pierced polyhedral knop below, free-running knop above, suspension loop with stylised beast-head finials; a casket key with trefoil bow; a finger ring with discoid bezel, intaglio bird motif; strap end with balustered shank, D-shaped pierced plaques. 50 grams total, 23-49mm (1-2"). Property of an East Anglia gentleman; acquired on the London art market. Fine to fair condition. [4, No Reserve]

2nd-4th century AD. A mixed group of bronze artefacts comprising: a crossbow brooch; a bronze ring with separated blue glass cabochon intaglio; a pale blue glass intaglio set in a bronze ring fragment; a silver ring with recess for an intaglio; an iron implement with incised decoration and attachment loop to the top; a bronze propeller belt stiffener; a bronze shield mount with domed centre; a hinged seal; a large bronze openwork brooch; a bronze ornament with bird-head finials. 164 grams total, 23-86mm (3/4 - 3 1/2"). Property of an Essex gentleman; acquired on the UK art market. Fair condition, shield mount damaged. [10]

19th-early 20th century AD. A flat-section silver penannular hoop with overlapped ends, expanding shoulders with scroll detailing, elliptical cell with ropework border, inset glass cloison with intaglio image of a seated female with spindle and yarn. 7.73 grams, 23mm overall, 20.86mm internal diameter (approximate size British W, USA 11, Europe 25.0, Japan 24) (1"). Property of a Hampshire collector; acquired on the UK art market. Fine condition. [No Reserve]

13th century AD. A D-section silver hoop supporting a discoid plaque with border of radiating billets, intaglio stylised bucranium with flanking cross and frond. Cf. Hindman. S. et al. Toward an Art History of Medieval Rings: A Private Collection, London, 2007, item 19 for type. 4.17 grams, 21mm overall, 18.42mm internal diameter (approximate size British Q, USA 8 1/4, Europe 17.77, Japan 17) (3/4"). Private collection, North London; acquired in the early 1990s. Thuringia is a forested region of central and eastern Germany, originally a separate kingdom, later a landgraviate. It was divided into a number of smaller units including Saxe-Weimar, Saxe-Eisenach, Saxe-Jena, Saxe-Meiningen, Saxe-Altenburg, Saxe-Coburg, and Saxe-Gotha. Fine condition.

6th-4th century BC. A triangular-section carved bone seal with intaglio motif of an advancing ibex with objects in the field; pierced for suspension. 10 grams, 33mm (1 1/4"). From an important London collection, acquired in the 1970s. Fine condition, chip to one corner.

17th-18th century AD. A flat-section bronze hoop with rosettes to the shoulders, square bezel with raised cell, inset ancient(?) carnelian intaglio of an advancing sheep with bird above. 6.43 grams, 25mm overall, 17.22mm internal diameter (approximate size British N, USA 6 3/4, Europe 14.0, Japan 13) (1"). From an old Hampshire collection; acquired London Coin Fair, 1980s. Fine condition, worn. [No Reserve]

A late 19th Century Stevens & Williams toddy jug of rounded square section with dimple sides, polished intaglio cut with a scrolling flower and foliage all below silver plated mounts, together with a set of five matched shot glasses. (6)

A late 19th Century glass scent bottle of spherical form in ruby cased over clear crystal with intaglio cut decoration of garlands to the upper and crosshatch cut decoration to the base, with an internal lapidary stopper, set with a silver cap and collar hallmarked London, hallmarks rubbed, height 13cm.

Two German Intaglio cut unmounted glass pendants, one blue and one green, L: 3 cm

A gold and intaglio sapphire signet ring, the cut cornered rectangular cut sapphire engraved with a family crest, the shank detailed '18', ring size approx E1/2.

A mixed lot of works of art, to include a silver and enamel stamp case; a silver Albert chain; a brass novelty penknife form vesta case; a gilt mounted intaglio seal; watch keys; fobs, etc.

A 9ct gold gentleman's intaglio Masonic ring. Condition Report: Ring size 'O'. Shank dented in several places. Weight 3.2g total

Early 20th Century Bar Brooch. Art Nouveau Bar Brooch with central amethyst, suspending a circular carved intaglio depicting a classical bust with a rope twist border. Marked 15ct.

Gent's intaglio cut cornelian signet ring with yellow metal shank

A GOLD INTAGLIO OVAL LONG BROOCH.

A pair of Elizabeth Gage intaglio set earrings, designed as a pair of carnelain intagio set oval panels, engraved with a lion and suspended from a diamond set drop, all set in yellow metal, stamped 'EG GAGE', post and butterfly fittings, total weight 22.3gms

An agate cabochon ring on silver mount, a pair of silver mounted jade-coloured intaglio cufflinks of centurions, a silver and cultured pearl brooch together with other white metal costume jewellery

Two glass pin trays with intaglio decoration, in original case.

A Kosta Vallian glass sculpture of abstract cube form, with an intaglio cupula, spiral twist rods and air bubbles, No 98347, etched marks, 10cm x 10cm x 18cm.

An early 19thC intaglio cut oval seal, of an elephant and two cherubs.

Pear Tree Press. Frescoes from Buried Temples. A Portfolio of Drawings by James Guthrie with Poems by Gordon Bottomley, Pear Tree Press, 1928, colour printed half title and colophon, woodcut title printed in turquoise and black, intaglio and woodcut illustrations and calligraphic text after Helen Hinckley, many in colours, a few tipped-in, two double-page plates, loose as issued in original wraparound pictorial colour wrapper, depicting Adam and Eve and the serpent, a little browned and frayed, edges and tear and hole to upper wrapper neatly repaired, contained in modern foldover box, folio Limited edition, 17/55 signed by poet and artist. James Guthrie's most ambitious production at the Pear Tree Press, designed and printed entirely by himself. Colin Franklin describes the work 'as among the three or four monumental achievements of private presses in the twentieth century; and by its originality of concept and content, the highest'. (1)

An antique three-coloured agate intaglio brooch featuring a female gazing at a flower, yellow gold set Condition Report 3.5 cm long x 2.7 cm wide, the brooch - 2.5 x 2cm the intaglioWeight 7.8 grmsNo visible hairlines, cracks or chips

Mid 20th century Dunhill Aquarium table lighter. An 'Aquarium' lighter by Alfred Dunhill, the lucite panels intaglio decorated with aquatic plants and fish, the plated metal mounts with cast retailer's mark and stamped registration number '737418'. 'Aquarium' lighters were all designed and hand-made from the early 1950s until the late 1960s by Ben Shillingford (1904-2000), who developed the carving and hand-painting techniques used on the the Lucite panels. 3 x 4 x 2in. (7.62 x 10.16 x 5.08cm)