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Mike Allison (printmaker) - Drypoint print, 2/3, dark crimson), 130mm x 190mm, framed and glazed, 220mm x 310mm. Mike Allison specialises in wood engraving, lino and intaglio collagraph techniques.

Mike Allison (printmaker) - Drypoint print, 2/3, green, 130mm x 190mm, framed and glazed, 220mm x 310mm. Mike Allison specialises in wood engraving, lino and intaglio collagraph techniques.

Mike Allison (printmaker) - Drypoint print, 3/3, burnt orange, 130mm x 190mm, framed and glazed, 220mm x 310mm. Mike Allison specialises in wood engraving, lino and intaglio collagraph techniques.

Mike Allison (printmaker) - Drypoint print, 1/3, dark grey/magenta, 130mm x 190mm, framed and glazed, 220mm x 310mm. Mike Allison specialises in wood engraving, lino and intaglio collagraph techniques.

Gio Pomodoro (Italian 1930-2002) "Quattro Alberi" 1976, signed and numbered 1/99 in pencil, titled and dated, limited edition hand-embellished intaglio print on paper.33 x 40cm (framed 34.5 x 41.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.

Property of a gentleman of Chelsea. Late 18th/early 19th century. A carnelian intaglio depicting a match race. Mounted in gold. Dimensions: 200 mm (H) x 350 mm (W)

Property of a Gentleman. Stanley William Hayter (1901 - 1988) Cinq Personnages Labelled in margin, '4th State colour trial Cinq Personnages S W Hayter 46' Simultaneous intaglio print on paper. Stanley William Hayter established the renowned Atelier 17 (originally conceived in Paris in 1933) in New York in the early 1940s to continue the radical innovation in engraving and print making for which the Atelier was famous. During this period, Hayter developed a method of producing the first simultaneous intaglio and surface colour print, which he debuted with Cinq Personnages in 1946. Inscribed 'Fourth State Colour Trial', the present work is one of four or more trial proofs aside from the 50 editions, many of which are held in museums or public collections including The Metropolitan Museum of Art, The Victoria and Albert Museum, and the Smithsonian.  Dimensions: (Paper) 15.75 in. (H) x 24.5 in. (W) (Frame) 26 in. (H) x 34 in. (W)

To be sold without reserve. Property of a Lady. An antique intaglio and yellow gold ring, the glass intaglio depicting a profile of a gentleman. Condition report: Intaglio slightly damaged. Dimensions: (Ring) 0.75 in. (D); (Intaglio) 0.5 in. (H) x 0.25 in. (W) Approx. 3g

9ct hallmarked gold fob pendant set with bloodstone intaglio of a centurion - 2.5cm drop & 6g total weight

Antique seal intaglio 'Thank Rowland Hill for this' - @ 1cm across

Interesting Golfing Intaglio Cut Glass Box c1920s - featuring period golfer lid c/w silver plated rim - overall 3.25" x 4.25" x 2.25"

Four Pukeberg cut glass ashtrays, pair of Val St. Lambert cut glass dishes, intaglio decorated with fruit, a cut glass carafe and stopper, and a circular cut glass cake dish. (8)

A gold plated watch Albert chain with carved intaglio amethyst-coloured seal

A GEORGE III FOB SEAL WITHA ND INTAGLIO OF THE PROFILE OF ADONIS CIRCA 1800 The citrine panel carved with the profile of Adonis with short curled hair, his head dipped in the manner of the Adonis Mazarin statue, with a gold reeded closed back setting and lobed handle Size/dimensions: 3.5cm high, seal 1.9cm long Gross weight: 17.1 grams Condition Report: There is some light wear to the setting, slight rubbing to the loop bale from use, some small nibbles and a couple of shallow scratches to the panel, but otherwise in good condition considering age Condition Report Disclaimer

A GEORGE III GOLD AND AGATE INTAGLIO FOB SEAL CIRCA 1780 The oval panel carved with the profile of a young man with a small flattened hat, within a reeded setting, to a scrolled reeded handle with foliate detail Size/dimensions: 2.4cm high, intaglio panel 1.7cm long Gross weight: 4.3 grams Condition Report: The fob has some light wear, a couple of small dents to the outer rim of the setting. It is on good condition considering age Condition Report Disclaimer

A SET OF 18TH OR 19TH CENTURY GRAND TOUR INTAGLIOS OF 'DODICI CESARI' OR 'THE TWELVE CAESARS', Julius Caesar, Augustus, Tiberius, Gaius, Claudius, Nero, Galba, Otho, Vitellius, Vespasian, Titus, and Domitian. Beneath each finely inscribed their name. Mounted within gold leaf borders in simulated marble frames, and ready for wall hanging.Possibly made of marble, alabaster or plaster.Each frame 15cm x 15cmEach intaglio approximately 5.5cm x 4.5cm 

A GOLD CARVED INTAGLIO PIN WITH CLASSICAL BUST, Along with two pairs of silver cufflinks and a silver clip.

Ca. 100-300 AD.A bloodstone intaglio graced with a depiction of goddess Victory. The form, an elegant oval-shaped gem, commands attention with its graceful proportions. The standing figure of Victory, delicately etched upon the gem, unfolds with an artistic finesse. Cloaked in grandeur, the figure gazes resolutely towards the left, its posture exuding a sense of triumph and ascendancy. The drapery that envelops the figure's form adds a touch of realism to the representation, breathing life into the carving. The goddess Victory, a celestial figure of paramount significance in Roman mythology, embodied triumph and success. She personified the concept of victory in battle, symbolizing the empire's military might and prowess. Size: L:12.3mm / W:8.9mm ; 0.5g Provenance: Private London collection, pre-2000s.

Ca. 1-200 AD.A Roman garnet intaglio set into a later gold ring (Byzantine, 9th-12th century AD). The intaglio is meticulously adorned with a plethora of symbolic elements, embodies the profound artistic expression found in Roman glyptic art. The centerpiece of this exquisite artifact showcases a delicately engraved hand clasping a bundle of ears of grain, a caduceus, a poppy seed head, and a wreath. Collectively, these motifs evoke notions of abundance and prosperity, encapsulating the aspirations and beliefs of Roman society. The depiction of the hand holding ears of grain serves as a potent symbol of fertility, agricultural abundance, and nourishment. In Roman culture, grain was not only a vital staple but also represented the bountiful harvests necessary for the sustenance and prosperity of the empire. The hand, a universal symbol of human agency and dexterity, further reinforces the human connection to the cultivation of crops and the subsequent rewards of abundance. The inclusion of the caduceus adds another layer of significance to the composition. As a symbol associated with the Greek god Hermes and later adopted by the Romans, the caduceus embodies messages of commerce, diplomacy, and transcendent power. Its presence within this glyptic scene suggests the influence of trade and prosperity, emphasizing the interconnectedness between economic success and the broader societal fabric. Size: D: 17.32mm / US: 7 / UK: N 1/2; 9.45g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.

Ca. 200-300 AD.An oval-shaped emerald intaglio that is engraved with a depiction of a standing figure of the goddess Fortuna set in a Victorian period gold ring formed of a round-section rod that is elegantly shaped, giving it a striking appearance. Fortuna, who is one of the most revered goddesses in Roman mythology was the goddess of fortune and luck, and she was believed to bring success and prosperity to those who worshipped her. She was often depicted as a standing figure, holding a cornucopia in one hand and a rudder in the other. The cornucopia symbolized abundance, while the rudder symbolized her control over destiny. The goddess was worshipped by people from all walks of life, including emperors, soldiers, and merchants, who sought her blessings for their endeavors. Size: D: 14.45mm / US: 3 1/2 / UK: G 1/4; 6.91g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.

Ca. 100-300 AD.A silver finger ring, Hening type X with its characteristic bulbous design. The ring is set with carnelian intaglio depicting a scene of Cupid, (Greek Eros) god of love, riding a hippocampus - a mythical creature of the sea, with the body of a horse and the tail of a fish. In Roman mythology, the hippocampus was a symbol of strength and power. Size: D: 16.00mm / US: 5 3/8 / UK: K 1/2; 11.58g Provenance: Private London collection; British art market 1990s.

Ca. 100-300 AD.A black gemstone intaglio depicting a left-facing portrait of a male wearing a helmet; set in a possibly later gold ring with a round band gradually expanding to triangular-shaped shoulders, accentuated with chiseled decoration. Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2; 14.73g Provenance: Private London collection; British art market 1990s.

Ca. late 2nd century AD.A gold ring with a D-shaped design, characterized by a round-section shank that expands at the shoulders and culminates in scroll finials. These finials elegantly support an eye-shaped bezel adorned with intricate scrolls and a cutout, which serves as a captivating frame for the garnet intaglio set below. Faustina Junior, the subject of the intaglio, was a prominent figure in Roman history. She was born Annia Galeria Faustina in the year 128 AD, and she held the title of Augusta as the wife of the Roman Emperor Marcus Aurelius. Faustina Junior played an influential role as the Empress of Rome, and her image on the intaglio highlights her significance and power during the Roman Empire. The left-facing portrait of Faustina Junior depicted on the intaglio reflects the artistic style and attention to detail prevalent during the Roman period. The intaglio, meticulously carved into the garnet gemstone, captures the Empress's likeness, showcasing her facial features, hairstyle, and likely even her attire. Such intaglios were highly prized and served as both personal adornments and symbols of status and allegiance. Size: D: 19.15mm / US: 9 1/4 / UK: S; 7.75g Provenance: Property of a Central London gallery; formerly in a private UK collection; Ex. W. Victor Hruby collection, 1984.

Ca. 500 - 600 AD.A rare gold ring featuring an exquisite intaglio of a Sasanian horserider seated with ease atop his mount, his face finely detailed with an abundant beard and hair, topped with a headpiece that speaks to his noble status. The horse, too, is a marvel of artistry, presented in a distinctive pose with its left foreleg raised and slightly bent, its trappings and tail finely rendered. The ring's design is equally impressive, with a gold band that showcases the intaglio to its fullest effect. The intricate details of the intaglio are highlighted by the shimmering gold setting, which adds an element of richness and warmth to the piece. The Sasanian Empire, which spanned from the 3rd to the 7th century AD, was a flourishing civilization that left an indelible mark on the world. Known for its military might, artistic achievements, and cultural richness, the Sasanian period saw the rise of a unique and distinctive style of art, characterized by intricate motifs, bold designs, and striking use of color. Size: D: 16.92mm / US: 6 1/2 / UK: M 1/2; 5.44g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Paul DELVAUX (1897-1994), verni-mou, 1982, signed, numbered 37/45 and intaglio stampedPaul DELVAUX (1897-1994), verni-mou, 1982, getekend, genummerd 37/45 en met diepdrukstempel19.5 x 29.5 cm

Victorian yellow metal (assayed 9ct) fancy 'scroll' open work bar brooch, featuring at centre a bezel set oval intaglio of engraved cornelian agate, gold pin and saftwey chain, gross 12.4 grams

HERMÈS - Bijouterie Fantasie IntaglioFa. Hermes, Paris. Pferd Corozo Intaglio. Vergoldetes Vorhängeschloss mit Pferd. Maße: 2,8 x 1,6 cm. Vergoldeter Anhänger. Guter Zustand. Mit Schatulle.

A Carnelian Intaglio Ring, stamped '10CT', finger size G1/2Gross weight 6.6 grams.

A Hardstone Intaglio Seal Ring, finger size S1/2; and A Cameo Ring, stamped '9CT', finger size N1/2Seal - unmarked, 6.1 grams. Cameo - 3.7 grams.

Ring mit islamischen Intaglio. Silber, geprüft. Ovaler Ringkopf mit Kordeldrahtverzierung und vier Gruppen von drei Silberkügelchen, darin aus Karneol (Rand 1x min. best.) geschnittenes Intaglio mit arabischer oder persischer Inschrift. Wohl Anf. 20. Jh. RW 64.

A collection of silver and white metal jewellery to include a moonstone set necklace, amethyst set brooch, opal set insect brooch, enamel pendant, Arts & Crafts style jewellery, Modernist pendants,  carnelian intaglio swivel fob, Ethnic jewellery,  agate set pendants, charm bracelet, belt buckles, various stone set rings, Siam silver jewellery, a Scottish stone set deer brooch, by Taylor Inverness, etc (1 bag) 

A set of six early 20th Century Stevens & Williams clear crystal finger bowls and stands by John Orchard in the Aesthetic taste, the fluted ovoid body polished intaglio cut in the rock crystal taste with flowering prunus boughs. (12)

An early 20th Century Carnival Glass bowl by Zabkowice, golden intaglio decorated to the central well with Diana the Huntress, width 20cm.

A Victorian Stevens and Williams flask of square section with dimpled sides, green cased over clear, each side intaglio cut with an oval cartouche with a floral spray, with radial cut mushroom stopper, height 14cm.

A Gebrüder Heubach (Germany) bisque head and painted composition bodied character doll, the bisque head with side glancing blue intaglio eyes, painted features, impressed marks '1, 6896, GERMANY', 26cm high

Antique gold carnelian set swivel intaglio ring, carved depicting a pig in an oval mount, width 18mm, 6.6gm-The band has an historical inner insert fitted, the cabouchon side of the insert has a small chip - see images 

18ct intaglio seal ring, 8.1gm, width 13mm, ring size I-Evidence of re-sizing to the shank, hallmark for Birmingham but date hallmark rubbed. 

An assorted collection of antique jewellery. The lot to include a jet brooch pin with necklace pendant bale having an etched scrolling border and carved cameo set to the centre, gold plated C clasp brooch with red stone carved intaglio to the centre, carved rose detailed vulcanite cross necklace pendant and a marcasite set pierced monogrammed initial tortoiseshell ground pendant. Total weight approx 37.7g. Largest item measures approx 8cm.

Late Victorian reverse painted rock crystal intaglio brooch, depicting a painted bee, covered by a cabochon cut rock crystal, in gold mount tested as 18 ctCondition Report: Gross weight 10.5gOverall very good condition, minimal scratches to the rock crystal that can be seen when using 10 x Loupe, light scratches and tarnishing to the metal, some of the gold points on the border are worn, paintwork excellentmeasuring approximately 2.3 x 2.3 cm

A small group of jewellery, including a 9ct gold stick pin inset with amethyst stone,1g, 5.5cm long, three other stick pins, a bangle, a pair of intaglio cufflinks, a group of costume jewellery. (1 box)

An amethyst intaglio inset within a 9ct gold signet ring, unmarked but tests as 9ct, with armorial engraving to amethyst, size P/Q, 9.4g.Band has been resized.

Mixed Lot: Three antique glass intaglios, two depicting profiles of Roman ladies, the other engraved "Vevioc", together with an intaglio depicting a horse, two antique gilt metal seals and a nickel plated vintage coin case for 3d, 6d and 1 shilling one side, the other half and full sovereign

Antique small bisque head dolls to Include A Gebruder Heubach intaglio eyes bisque head baby doll on original bent limb body 8096? 8” tall with square Heubach neck impression ; German 1924 bisque head body in a heart wig style knit dress set and boots, an Asian little bisque doll with long hair plait, dark brown colouring and a similar straight leg dark bisque fixed glass eye doll with inserted hoop earrings and bolero jacket attire set . All generally very good and measures 7” in height( 4 dolls -chair only for photograph)

Georgian gold fob seal with oval crested intaglio in grey chalcedony, c. 1790, 10g gross, and three others.  (4)

An antique oval intaglio ring, the simulated red hardstone panel, decorated with a rider on horse back, with castle in background, ring size N, in a white metal collet setting and worked shank, 3.6g in lether hinged box

A late 18th early 19th century oval seal, with oval carnelain intaglio seal of Justice, 3.7 cm high by 3 cm wide and 2.3 cm deep, 12.8g

A 9ct gold intaglio fob.

A collection of ten 19th century coloured glass intaglio seals, to include a bloodstone seal, 23mm, various birds a stag and a rabbit

A collection of ten 19th century glass intaglio seals, to include 'Tho lost to sight to memory dear', 'Keep', 'Une lettre adoucit les peines d'absence' and various names, largest 10mm

A collection of ten 19th century coloured glass intaglio seals, to include various names and initials, largest 15mmThe larger seal with a scroll seem to say NEIM... but the rest of the motto is worn away

A collection of ten 19th century intaglio seals, to include 'Absent but not forgotten', 'For auld lang syne', 'We part to meet again', 'Rien sans peine', largest 25mm

A collection of ten 19th century intaglio seals, to include portraits, 'Persevere' and other mottos, largest 14cm

A collection of ten 19th century coloured glass intaglio seals, to include classical figures, 'Hope I don't intrude', 'Le diable emporte l'amour', largest 23mm

A collection of twenty-two 19th century glass seals, five carved with intaglio designs, to include a classical figure, largest 15mmOnly one of the white seals is engraved.

A collection of ten 19th century glass intaglio seals, various portraits, largest 25mm

A collection of ten 19th century intaglio seals, various classical portraits, largest 24mm

A collection of ten 19th century coloured glass intaglio seals, various classical portraits to include a roman gladiator, largest 26mm

A collection of ten 19th century coloured glass intaglio seals, to include 'Who bids most', 'Peace in Israel', 'L'amitie est l'amour sans ailes', 'Je le bouleverse' etc, largest 15mmThe purple seal is inscribed WHO BIDS MOST and appears to show a cherub with a gavel.

A collection of ten 19th century intaglio seals, to include a horse carriage, 16mm, birds, violin, egg timer etcLarge seal is blank.

A collection of ten 19th century coloured glass intaglio seals, to include 'Rien sans peine', 'Une letter adoucit les peines de l'absence', 'Without tha support I die', largest 21mm