We found 15402 price guide item(s) matching your search

AN ANTIQUE CITRINE INTAGLIO FOB SEAL PENDANT in yellow gold, set with an oval cut citrine carved to depict a family crest, no assay marks, 5.5cm, 44.3g. 

A Victorian gold propelling pencil, possibly Sampson Mordan & Co., of hexagonal form with engraved foliate decoration, blank chalcedony matrix, the nib marked 'M', gross weight 11.7g, 9.5cm long; together with a further Victorian propelling pencil, possibly by Sampson Mordan & Co., the nib marked 'M', the citrine intaglio engraved 'A A,' gross weight 6.8g (2)

A Victorian 18ct gold fob seal in the form of a granulated cross, the carved agate intaglio bearing the Barnett family crest, depicting a muzzled bear within a ducal coronet, encircled by the motto 'Nisi Paret Imperat', 2.4cm high, 4.6g

Lord Nelson interest: Two rare Georgian gilt metal fob seals mounted with glass tassie intaglio cameos depicting Lord Nelson, each approx. 3.5cm high

A group of three 19th-century seal fobs; including a rock crystal three-sided swivel fob seal, one of the sides engraved with an intaglio depicting a bust of Selene, the second panel depicting ivy vine entwined around a tree stump, along with 'Je Meurs Ou Je M'Attache' (I die where I attach myself), the last panel centred with the crest of Earl Ligonier, a demi-lion rampant, along with motto 'Quo Fata Vocant' (Whither the fates call); with another three-sided swivel fob seal in smoky quartz, engraved with initials of Lady Davy (Jane Davy), to a gilt foliate mount; lastly comprising a faceted and stylised rock crystal with applied decorations and garnet accents, the oval seal engraved with initials AEF (?) on an oval cartouche suspending from a ribbon and elaborated floral garlands. (3)There are multiple chips and nibbles on the rock crystal swivel fob seal; smoky quartz fob seal in great condition considering age; the rock crystal and garnet seal has gemstone missing and damage in mount.

A 20th Century Thomas Webbs clear crystal wine glass, the round funnel bowl with moulded optical ribbing decorated with polished intaglio cut flowers above a hollow splayed facet cut stem to a circular folded foot, height 17cm.

A late Victorian 22 carat gold hardstone seal ring, comprising a green agate, with intaglio carved cote of arms, width approx 13mm, size G, total gross weight approx 5.9gms Further details: good stone intact, some abrasions, some minor wear and tear commensurate with age 

A 19th Century Grand Tour carved garnet intaglio ring, the oval intaglio of a male classical figure, 18ct yellow gold mount and shank, ring size I, 1.5g gross.

A 19th Century intaglio ring, the rectangular reverse carved glass intaglio decorated with a male bust portrait, in 18ct yellow gold mount and shank, ring size L, 8.2g gross.

Two 9ct yellow gold ringsthe first a 9ct gold and diamond chip signet ring, stamped '9.375'; the second a 9ct gold and hard stone (probably hematite) intaglio ring, stamped '9.375' (2) the first ring size T, the second ring size O, approx combined weight 12.4gCondition: Both in good overall condition, with mild surface scratches to the gold commensurate with wear.

An assortment of items to include a fob seal and a combination pencil/ dip pen comprising a 19th century gilt metal oval fob set with carnelian intaglio seal, a Victorian gilt combination propelling pencil / dip pen with foliate engraved decoration and shield shaped agate set capital terminal, a silver-gilt hinged cuff bangle, a keyless gold plated open faced pocket watch attached a rolled gold articulated snake link watch chain, together with gentleman's accessories to include gilt blue stone set knot stick pin, a pair 9ct back and front engine turned cufflinks, set of three silver and mother of pearl dress buttons, a gilt napkin clip with central glazed compartment with woven hair etc., (qty)various Condition: Watch winds ticks and runs however no guarantee can be offered as to the full working order, area of hairline damage to dial at 10 o'clock Some rubbing to case notably suspension ring. Other items in good condition commensurate with age one dress button lacking paste stone

A gold St Christopher pendant and a 9ct gold St Christopher pendant, the first marked 375, 27mm diam, a gold pendant set with a black glass intaglio of the head of a centurion and three gold chains, 47.7g (6) One chain damaged

Four modern 9 carat yellow gold stone set seals/fobs, a tigers eye ball and claw fob; a swivel bead fob set with bloodstone to one side and Jasper to other; another set with oval slice of cornelion and green onyx with eagle surmount; an oval cornelion intaglio carved with Roman centurion, scroll mount, total gross weight 28.5g.

Yellow metal intaglio ring depicting a Roman soldier's head, antique yellow metal broken ring and 18ct gold dimaond set eternity ring (cut)Two yellow metal rings weigh 11.9 grams.18ct gold ring weighs 3.2 grams

DRESS RINGS. A white metal twisted serpent dress ring & one other white metal ring, set an intaglio unicorn. Also, a silver inlaid dress ring.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase

Henry Moore (English, 1898-1986). Two Standing Figures, signed & dated l.r., 1970, limited edition numbered 31/50 l.l., intaglio print & lithograph on paper, 35.5cm by 28cm, framed & glazedArtist's Resale Rights may apply

A HEAVY 18CT GOLD INTAGLIO SIGNET RING, square signet with cut off corners, intaglio reads 'Omnia Bona Bonis' Latin for 'To the Good All Things Are Good', polished band, personal engraving to the reverse of the signet reads 'B.S.C to W.G.S 1/2/19', hallmarked 18ct London 1922, ring size O, approximate gross weight 11.1 grams (condition report: general light wear, light surface scratches, overall condition good)

A LARGE PASTE INTAGLIO AFTER THE ANTIQUE OF THE PRINCE STANISLAS PONIATOWSKI COLLECTION depicting ‘Hercules Giving Omphale the Axe Which He Had Taken From Hippolita, Queen Of The Amazons’. 3.8cm by 3.2cmAfter the original amethyst intaglio of the Prince Stanislas Poniatowski gemstone collection. Item T452: https://www.beazley.ox.ac.uk/record/7AE2D16C-1D1C-4191-918F-AA7AA6FF6D44Good condition

A LARGE PASTE INTAGLIO AFTER THE ANTIQUE depicting Jupiter seated, supported by Mars and Mercury, with Neptune surrounded by signs of the Zodiac. 4.6cm diameterGood condition.

A LARGE PASTE INTAGLIO AFTER THE ANTIQUE depicting 'The Wedding of Cupid and Psyche'. 2.6cm by 3.6cmAfter the antique by TryphonGood condition

An Essex Crystal Reverse Intaglio Brooch painted to depict a falcon with its prey in the form of a duck amongst foliage, to a mother-of-pearl background, in a yellow rubbed over setting and a pierced and openwork framemeasures 4.4cm by 3.6cmThe brooch is in good condition. It fastens with a pin and visor catch. It is stamped '18' and in our opinion would test as gold. Gross weight 18.57 grams. CR made 09.05.23.

A mixed lot to include:a large 19th century silver-plated tureen of oblong form, engraved armorial of a bull's head and with two lion mask ring-handles; a pair of cased binoculars marked 'Wide-angle Imperia Field Glasses - Austria)'; a pair of Italian ceramic oyster plates (some damage); a circular teapot stand with intaglio-engraved mirror top.

A St Christopher glass mascot by Rene Lalique, French, introduced 1st March 1928,in clear glass, with intaglio moulded mark 'R.Lalique France' with early double tailed 'Q', 11.5cm high. For further information on this lot please visit Bonhams.com

Gill (Eric) Four variant intaglio prints, and three relief prints of 'The Sofa', including two variant working proof engravings, delicately printed with plate tone, signed in pencil with initials, both inscribed 'proof', two unsigned engravings on thick wove paper with wide margins, and the three unsigned wood-engravings, the former each platemark approx. 105 x 70 mm (4 1/8 x 2 3/4 in), the latter images each approx. 110 x 70 mm (4 1/4 x 2 3/4 in), mostly good margins, some scattered spotting and minor surface dirt, all unframed, [cf. Physick 306], 1925 (7)⁂ Scarce at auction. Included with the lot is a manuscript pen and ink list of the prints, probably in Gill's hand, which describes the number of variant editions and their prices and dates, as well as identifying the nude: 'Portrait of Mrs Gibbings/ (nude, sitting in chair)'.

λ A collection of jewels, 19th century, comprising: a gold ring set with an agate intaglio of an elephant, size L1/2; a gold and ruby necklace and bracelet, each modelled as snakes, bracelet length 18cm, necklace length 61cm; a carnelian fob seal; a gold signet ring with a glazed compartment of hair, size L1/2; a square brooch set with a painted picture of a man wearing a feathered hat, mounted in gold, measuring 1.7 x 1.6cm; a pair of lapis lazuli studs; a pair of gilt metal and micromosiac pendent earrings depicting Roman ruins, length 8.6cm; a brooch of radiating design set with lava and coral cameos, mounted in gold, 3.1 x 3.6cm, two gold stick pins, one set with a coral bead, the other with an engraved gold bead, longest 7cm; a small gold buckle applied with red and white enamel; length 1.7cm; a rectangular gold pendant set with rose-cut diamonds on a damaged ground of blue enamel, within a border of half seed pearls, length 3.5cm; a 9ct gold carnelian and bloodstone swivel-set fob seal, length 4.3cm, British hallmarks; and a two-part gilt metal and bloodstone belt buckle; together with a later gold ring set with a circular-cut synthetic ruby, size F

A collection of carnelian intaglio brooches, comprising three brooches, each set with an oval carnelian intaglio depicting one of the labours of Hercules, hunting the Erymanthian Boar, capturing the Cretan Bull and capturing the Man-Eating Horses of Diomedes, each within a gilt metal frame, largest brooch 4.6 x 4cm, brooches each signed Phoeser

A collection of hardstone glyptics and fragments, comprising: an oval banded agate intaglio depicting three classical figures; a small lava cameo depicting a classical woman; and a small carnelian intaglio depicting a hippocamp with the initial A; a carved flower in black onyx; an agate cabochon; a moulded glass cameo of a horse; and seven hardstone fragments, largest intaglio 3.2 x 1.8cm

A collection of hardstone glyptics, comprising: an agate cameo depicting Athena; a carnelian intaglio depicting a helmeted bearded male, possibly Ajax or Achilles, mounted as a pendant; a rectangular carnelian intaglio depicting a youth; a red jasper cameo depicting Medusa; a rutilated quartz intaglio depicting a female deity; a pale yellow chalcedony intaglio depicting a lyre and other objects; a chalcedony intaglio depicting an enthroned Zeus; and a red jasper intaglio depicting a gryllus, largest 1.9 x 1.5cm

A collection of hardstone jewels, late Roman and later, comprising: two agate cameos depicting women in profile; a carnelian cameo of a woman, possibly Venus; a lapis lazuli bead carved as a four-legged animal; a carnelian scarab bead; a carnelian carved with a hieroglyph; a blue glass bead carved with a bull; and a brown hardstone intaglio depicting an animal, largest 1.3 x 1.2cm

No Reserve - a group of eight hardstone intaglios, possibly Sassanian and later, comprising: two carnelian intaglios depicting a standing figure and a pair of rams respectively, one chipped; two drilled black hardstone intaglio beads depicting a running antelope and a standing figure; a drilled carnelian intaglio bead; a rectangular yellow chalcedony intaglio depicting a recumbent lion; and a drilled banded agate intaglio bead depicting a winged creature and cross; largest 2 x 1.4cm

Two hardstone intaglio fob seals and a mourning ring, comprising: a gold fob seal set with a carnelian intaglio of a laureated Roman emperor, to a floral gold mount, intaglio 2.3 x 2.0cm; a fob seal set with a carnelian intaglio of a reclining Venus, mounted in gold, intaglio 2.1 x 1.7cm; and a black enamel mourning ring, reading 'Alexander Eason OB 27 May 1796 AE 60', size Q1/2, British hallmark for 18ct gold, date letter for 1796, indistinct maker's mark

No Reserve - a collection of intaglio jewels, comprising: an onyx intaglio ring, set with a cut-cornered rectangular onyx intaglio depicting a foot in a stirrup, mounted in gold, size L, intaglio 1 x 0.8cm; a carnelian intaglio fob seal, 19th century, set with a carnelian intaglio carved with a portrait, possibly Arthur Wellesley, 2nd Duke of Wellington, within a laurel border, mounted in gold, intaglio 1.4 x 1.6cm, fob seal height 2.3cm; and a carnelian intaglio fob seal, 19th century, set with a navette-shaped carnelian intaglio engraved with a leaf surrounded by the inscription 'Je ne change qu'en mourant' (I only change in death), mounted as a gold fob seal, intaglio 1.8 x 1.3cm, fob seal height 2.6cmCf.: James Tassie, impression nos. 14909-14915 and 15067, engraved by Barnett

A collection of three gem-set rings, 18th and 19th centuries, comprising: a ring set with cushion-shaped garnets and emeralds, mounted in 12.5ct gold, British hallmarks; a signet ring set with a green hardstone intaglio of a squirrel, swivelling to reveal engraved initials, to scrolled shoulders, size L; and a ring set with a table-cut garnet, between shoulders set with cushion-shaped colourless pastes, in closed-back settings, size K

A Roman carnelian intaglio, circa 2nd century BC, the carnelian intaglio carved with a naked satyr holding a wine skin and kantharos, accompanied by a Priapic herm on a pedestal and a krater, later mounted in a gold ring, size M1/2

A chalcedony fob seal, circa 1800, set with an oval chalcedony carved with an intaglio of the goddess Hygeia holding a snake and a tree branch by a flaming altar, mounted in gold, intaglio 2.6 x 2.1cm, seal height 3.6cm

A carnelian intaglio fob seal, circa 1800, set with an oval carnelian intaglio depicting the goddess Ceres, to a gold fob seal suspended from a split ring engraved with floral designs, intaglio 2 x 1.5cm, fob 4.9cm long including ringCf.: an example by Edward Burch, William Tassie no. 632

A Roman carnelian intaglio ring, 1st/2nd century AD and later, set with an oval carnelian intaglio depicting Sol/Helios between two goddesses, later mounted in silver, size S, intaglio measuring 1.5 x 1.8cm

No reserve - a carnelian intaglio ring, set with a carnelian intaglio depicting Cupid driving a chariot led by swans, possibly Roman, mounted in gold, size O

A carnelian fob seal, circa 1800, set with an oval carnelian intaglio depicting Venus disarming Cupid, to a gold fob seal mount, cameo 2.3 x 1.7cm, fob seal height 3.2cm

A carnelian intaglio pendant, 19th century, set with swivelling oval carnelian intaglio carved with a reclining figure of a river god, to a gold surmount of scroll design, intaglio 2.1 x 2.6cm, total length 3.5cm, French assay mark for 18ct gold

A carnelian intaglio ring, early 19th century, set with an oval carnelian intaglio depicting a woman in a turban, mounted in gold, size P1/2, intaglio 1.8 x 1.5cm, case

An amethyst intaglio ring, 19th century, set with an oval amethyst carved with an intaglio of a bearded warrior in profile, mounted in gold, size Q1/2

A carnelian intaglio ring, 19th century, set with an oval carnelian carved with an intaglio of Hercules wearing the skin of the Nemean lion, in a later gold mount, ring size T, intaglio 1.9 x 1.6cm

A Roman carnelian intaglio ring, 2nd century AD and later, set with an oval carnelian intaglio depicting a winged figure of Victory/Minerva with a shield and trophy, later mounted in gold as a signet ring, size H1/2

A Roman carnelian intaglio ring, 1st/2nd century AD and later, set with an oval carnelian intaglio of a hand grasping a laurel, to a later gold mount in the antique style, size M

No reserve - A glass intaglio fob seal, circa 1800, set with a glass oval intaglio depicting Aurora bringing the dawn in her chariot, after an original by Pichler, to a gilt metal fob mount, intaglio 4 x 3.1cm, partial signature for Pichler, height of mount 3.3cm

A chalcedony intaglio, 18th century, of oval outline, the brown chalcedony carved to depict Persephone with flowers in her hair, measuring 2.6 x 2.0cm, signed Mansueti, intaglio damaged and later backed with glass

A carnelian intaglio ring, 19th century, set with an oval carnelian carved with an intaglio of Hercules wearing the skin of the Nemean lion, to a plain gold mount with foliate shoulders, size M, intaglio 2.7 x 2.0cm

A reverse-carved rock crystal intaglio brooch, late 19th century, set with a rock crystal cabochon finely carved and coloured with a reverse intaglio of a hawk with a dead dove, within a gold mount designed in the Archaeological Revival style, the reverse with a locket compartment, 4.7cm diameter, fitted case stamped Longman late Strongitharm, Pall Mall

REVERSE INTAGLIO CUFFLINKSDouble-sided, each depicting a sailboat, length of plaques 1.3cmFor further information on this lot please visit Bonhams.com

A CARVED INTAGLIO AND DIAMOND CLUSTER DRESS RINGThe polished oval cornelian panel carved with Bonus Eventus, standing in the nude with chlamys at his back, holding a wreath in one hand and either grapes or hops in the other, possibly antique, within an old cut diamond surround dating to the second quarter of the 20th century, approximately 0.44 carats totalSize/dimensions: finger size O 1/2, panel 2.4cm longGross weight: 5 gramsCondition Report: There is some wear and rubbing to the panel, a couple of worn nicks and a worn nick under the setting. The setting is mid 20th century, possibly a little before, the diamonds are all present and correct, bright and lively. There is some rubbing under the setting from use, some slight thinning to the shank. Condition Report Disclaimer

MASONIC INTEREST, A REVERSE PAINTED INTAGLIO AND DIAMOND CLUSTER RINGThe central oval panel with a reverse painted intaglio of a compass and set square with a central G, with the Eye of Providence above, a blue garter banner around the outside, the panel with the motto AUDI LIDE TACE, within a surround of rose cut diamonds, the shank stamped 9ctSize/dimensions: panel 2.6cm long, finger size OGross weight: 9.5 gramsCondition Report: The ring has been made up using component parts, there are some signs of glue and solder to the setting, one of the diamonds isnt quite in the setting, it has been glued beneath. There are a couple of small nicks to the surface of the dome, and some general wear to the setting.Condition Report Disclaimer

A small collection of loose seals and gems, including an Essex intaglio centred with a yacht flag, two carnelian seals (loose), a heart shaped agate pin, a garnet flower head, carved shell cameo, plaited hair panel, mauve canachon and mother of pearl cabochon (9)

A 29th century miniature seal, with sard-onyx oval hardstone panel, and another gold miniature example with intaglio of a classical male head, and a loose and empty example (3)

A Victorian gold cased chalcedony intaglio rotating pendant fob, length 3.1cm, a circular pendant locket, the interior with a glazed hair locket compartment, unmarked, an oval pendant locket and a length of gold chain, fitted with a swivel, detailed '9ct', weight 2.4g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Victorian gold mounted moulded paste intaglio pendant fob with a cherub pushing a wheelbarrow motif, detailed '9ct', weight 7.8g, length 3.2cm, and a gold and chalcedony pendant fob, the intaglio detailed 'Emily', unmarked, weight 2.1g, length 2.4cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A gold and oval cornelian intaglio bar brooch, carved as a classical portrait beside a scorpion and a sword, unmarked, weight 11.5g, width 8.5cm, a cornelian rectangular brooch and a silver pressed amber oval brooch, detailed '925'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Two Early Victorian Gilt Metal Six Sided Cube Seals with Intaglio Matrices Depicting Queen Victoria, Prince Albert, Shakespeare Etc

a 19th century circular steel seal, the matrix engraved intaglio with a view of the Bristol Sugar Refinery* with buildings, barrels & a chimney, flanked by sugar canes, above the coat of arms of the company, and surrounded with the inscription "BRISTOL SUGAR REFINERY COMPANY LIMITED, 1863", the side stamped "WYON REGENT STT LONDON"; 2.1" (5.5cm) diameter * The Bristol Sugar Refinery was formed in 1863. Due to the bankruptcy of the Old Market Refinery, this previous refinery was destroyed by a fire in 1854 and rebuilt at great costs which bankrupted one of the partners. One of the other partners (William Stock), sold it to a public company (The Bristol Sugar Refinery Co. Ltd), the new company ceased trading in 1912, but the building is still standing today and used for other purposes. For more information see Jones, Donald - Bristol's Sugar Trade & Refining Industry, 1996. *Condition: For further information please contact Connor connor.swanwick@lawrences.co.uk.

a 19th century brass desk seal, the shaped oval matrix engraved intaglio with an anchor in the centre, surrounded by "DEVONPORT GENERAL DEPOT" with a crown above, mounted on a turned ebony handle; 4" (10cm) long. *Condition: For further information please contact Connor connor.swanwick@lawrences.co.uk.